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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2D9A0 it is the complementary color #2D265F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2D9A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2D9A0 shade: #D7D99B, #E8EBAE, #F9FDC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2D9A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2D9A0 shade: #D2D9A0, #C1C78D, #B0B57A, #9FA367 and #8E9154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2D9A0 shade: #D2D9A0, #D9D0A0, #D9C1A0, #D9B2A0 and #D9A2A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2D9A0 shade: #D2D9A0, #C2D9A0, #B3D9A0, #A4D9A0 and #A0D9AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2D9A0 shade matches the following richer shades: #D2D9A0, #DAE395, #E2EE8A and #EAF980

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2D9A0 shade: #D2D9A0, #CACEAA, #C2C3B5, #B9B9C0 and #B1AECB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2D9A0 shade: #D9C1A0, #D9D0A0, #D2D9A0, #C3D9A0 and #B4D9A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2D9A0 shade: #B6C165, #C4CD82, #D2D9A0, #E0E4BD and #EEF0DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2D9A0 shade: #D2D9A0, #A0D9B2 and #C9A0D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2D9A0 shade: #D2D9A0, #A0D2D9 and #D9A0D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2D9A0 shade: #D2D9A0, #A0D9B2, #A6A0D9 and #D9A0C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2D9A0 shade: #D2D9A0, #A0D9C3, #A6A0D9 and #D9A0B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

Complementary color

CMYK 53 / 60 / 0 / 63

HEX #2D265F

RGB 45 38 95

HSL 247.37, 0.43%, 0.26%

LAB 19.1, 20.29, -33.08

 

CMYK 1 / 0 / 29 / 15

HEX #D7D99B

RGB 215 217 155

HSL 61.94, 0.45%, 0.73%

LAB 85.22, -10.37, 30.4

 

CMYK 1 / 0 / 26 / 8

HEX #E8EBAE

RGB 232 235 174

HSL 62.95, 0.6%, 0.8%

LAB 91.52, -10.56, 29.35

 

CMYK 2 / 0 / 24 / 1

HEX #F9FDC1

RGB 249 253 193

HSL 64, 0.94%, 0.87%

LAB 97.73, -10.73, 28.35

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 3 / 0 / 29 / 22

HEX #C1C78D

RGB 193 199 141

HSL 66.21, 0.34%, 0.67%

LAB 78.52, -11.42, 28.42

 

CMYK 3 / 0 / 33 / 29

HEX #B0B57A

RGB 176 181 122

HSL 65.08, 0.29%, 0.59%

LAB 72.02, -11.23, 29.54

 

CMYK 2 / 0 / 37 / 36

HEX #9FA367

RGB 159 163 103

HSL 64, 0.25%, 0.52%

LAB 65.39, -10.99, 30.72

 

CMYK 2 / 0 / 42 / 43

HEX #8E9154

RGB 142 145 84

HSL 62.95, 0.27%, 0.45%

LAB 58.64, -10.69, 31.95

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 0 / 4 / 26 / 15

HEX #D9D0A0

RGB 217 208 160

HSL 50.53, 0.43%, 0.74%

LAB 83.13, -4.35, 25.01

 

CMYK 0 / 11 / 26 / 15

HEX #D9C1A0

RGB 217 193 160

HSL 34.74, 0.43%, 0.74%

LAB 79.29, 3.47, 19.74

 

CMYK 0 / 18 / 26 / 15

HEX #D9B2A0

RGB 217 178 160

HSL 18.95, 0.43%, 0.74%

LAB 75.53, 11.45, 14.5

 

CMYK 0 / 25 / 26 / 15

HEX #D9A2A0

RGB 217 162 160

HSL 2.11, 0.43%, 0.74%

LAB 71.64, 20.07, 9

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 11 / 0 / 26 / 15

HEX #C2D9A0

RGB 194 217 160

HSL 84.21, 0.43%, 0.74%

LAB 83.77, -17.47, 25.6

 

CMYK 18 / 0 / 26 / 15

HEX #B3D9A0

RGB 179 217 160

HSL 100, 0.43%, 0.74%

LAB 82.78, -22.82, 24.08

 

CMYK 24 / 0 / 26 / 15

HEX #A4D9A0

RGB 164 217 160

HSL 115.79, 0.43%, 0.74%

LAB 81.87, -27.96, 22.69

 

CMYK 26 / 0 / 21 / 15

HEX #A0D9AB

RGB 160 217 171

HSL 131.58, 0.43%, 0.74%

LAB 81.86, -27.37, 16.87

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 4 / 0 / 34 / 11

HEX #DAE395

RGB 218 227 149

HSL 66.92, 0.58%, 0.74%

LAB 87.98, -14.99, 37.14

 

CMYK 5 / 0 / 42 / 7

HEX #E2EE8A

RGB 226 238 138

HSL 67.2, 0.75%, 0.74%

LAB 91.3, -18.58, 46.94

 

CMYK 6 / 0 / 49 / 2

HEX #EAF980

RGB 234 249 128

HSL 67.44, 0.91%, 0.74%

LAB 94.65, -21.79, 55.9

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 2 / 0 / 17 / 19

HEX #CACEAA

RGB 202 206 170

HSL 66.67, 0.27%, 0.74%

LAB 81.62, -7.47, 17.48

 

CMYK 1 / 0 / 7 / 24

HEX #C2C3B5

RGB 194 195 181

HSL 64.29, 0.1%, 0.74%

LAB 78.37, -2.84, 6.91

 

CMYK 4 / 4 / 0 / 25

HEX #B9B9C0

RGB 185 185 192

HSL 240, 0.05%, 0.74%

LAB 75.34, 1.33, -3.54

 

CMYK 13 / 14 / 0 / 20

HEX #B1AECB

RGB 177 174 203

HSL 246.21, 0.22%, 0.74%

LAB 72.18, 6.83, -14.32

 

CMYK 0 / 11 / 26 / 15

HEX #D9C1A0

RGB 217 193 160

HSL 34.74, 0.43%, 0.74%

LAB 79.29, 3.47, 19.74

 

CMYK 0 / 4 / 26 / 15

HEX #D9D0A0

RGB 217 208 160

HSL 50.53, 0.43%, 0.74%

LAB 83.13, -4.35, 25.01

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 10 / 0 / 26 / 15

HEX #C3D9A0

RGB 195 217 160

HSL 83.16, 0.43%, 0.74%

LAB 83.84, -17.11, 25.71

 

CMYK 17 / 0 / 26 / 15

HEX #B4D9A0

RGB 180 217 160

HSL 98.95, 0.43%, 0.74%

LAB 82.84, -22.47, 24.18

 

CMYK 6 / 0 / 48 / 24

HEX #B6C165

RGB 182 193 101

HSL 67.17, 0.43%, 0.58%

LAB 75.47, -17.35, 44.72

 

CMYK 4 / 0 / 37 / 20

HEX #C4CD82

RGB 196 205 130

HSL 67.2, 0.43%, 0.66%

LAB 80.19, -14.7, 36.33

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 2 / 0 / 17 / 11

HEX #E0E4BD

RGB 224 228 189

HSL 66.15, 0.42%, 0.82%

LAB 89.4, -7.83, 18.62

 

CMYK 1 / 0 / 9 / 6

HEX #EEF0DB

RGB 238 240 219

HSL 65.71, 0.41%, 0.9%

LAB 94.15, -4.25, 9.91

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 26 / 0 / 18 / 15

HEX #A0D9B2

RGB 160 217 178

HSL 138.95, 0.43%, 0.74%

LAB 82.01, -26.09, 13.39

 

CMYK 7 / 26 / 0 / 15

HEX #C9A0D9

RGB 201 160 217

HSL 283.16, 0.43%, 0.74%

LAB 71.26, 25.29, -23.2

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 26 / 3 / 0 / 15

HEX #A0D2D9

RGB 160 210 217

HSL 187.37, 0.43%, 0.74%

LAB 81.06, -14.54, -8.75

 

CMYK 0 / 26 / 3 / 15

HEX #D9A0D2

RGB 217 160 210

HSL 307.37, 0.43%, 0.74%

LAB 72.59, 29.21, -17.19

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 26 / 0 / 18 / 15

HEX #A0D9B2

RGB 160 217 178

HSL 138.95, 0.43%, 0.74%

LAB 82.01, -26.09, 13.39

 

CMYK 24 / 26 / 0 / 15

HEX #A6A0D9

RGB 166 160 217

HSL 246.32, 0.43%, 0.74%

LAB 68.21, 14.26, -28.14

 

CMYK 0 / 26 / 8 / 15

HEX #D9A0C7

RGB 217 160 199

HSL 318.95, 0.43%, 0.74%

LAB 72.24, 27.27, -11.66

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A0

RGB 210 217 160

HSL 67.37, 0.43%, 0.74%

LAB 84.93, -11.58, 27.36

 

CMYK 26 / 0 / 10 / 15

HEX #A0D9C3

RGB 160 217 195

HSL 156.84, 0.43%, 0.74%

LAB 82.4, -22.78, 4.94

 

CMYK 24 / 26 / 0 / 15

HEX #A6A0D9

RGB 166 160 217

HSL 246.32, 0.43%, 0.74%

LAB 68.21, 14.26, -28.14

 

CMYK 0 / 26 / 16 / 15

HEX #D9A0B6

RGB 217 160 182

HSL 336.84, 0.43%, 0.74%

LAB 71.74, 24.45, -3.02

 

Description

Color code: HEX #D2D9A0 | qconv.com Color code: HEX #D2D9A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 217 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 217 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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