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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2DFCC it is the complementary color #2D2033. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2DFCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2DFCC shade: #D7DFC7, #E8F1DA and #F9FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2DFCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2DFCC shade: #D2DFCC, #C1CDB9, #B0BBA6, #9FA993 and #8E9780

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2DFCC shade: #D2DFCC, #D7DFCC, #DCDFCC, #DFDDCC and #DFD8CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2DFCC shade: #D2DFCC, #CDDFCC, #CCDFD1, #CCDFD6 and #CCDFDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2DFCC shade matches the following richer shades: #D2DFCC, #D0E6C6, #CDECBF, #CBF3B9 and #C9F9B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2DFCC shade: #D2DFCC, #D5D8D3, #D7D2DA, #DACBE0 and #DCC5E7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2DFCC shade: #DCDFCC, #D7DFCC, #D2DFCC, #CDDFCC and #CCDFD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2DFCC shade: #A5BF9A, #BCCFB3, #D2DFCC and #E9EFE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2DFCC shade: #D2DFCC, #CCDFDD and #DFCCDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2DFCC shade: #D2DFCC, #CCD2DF and #DFCCD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2DFCC shade: #D2DFCC, #CCDFDD, #D9CCDF and #DFCCCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2DFCC shade: #D2DFCC, #CCDCDF, #D9CCDF and #DFD0CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

Complementary color

CMYK 12 / 37 / 0 / 80

HEX #2D2033

RGB 45 32 51

HSL 281.05, 0.23%, 0.16%

LAB 14.57, 10.65, -10.09

 

CMYK 4 / 0 / 11 / 13

HEX #D7DFC7

RGB 215 223 199

HSL 80, 0.27%, 0.83%

LAB 87.65, -6.9, 10.84

 

CMYK 4 / 0 / 10 / 5

HEX #E8F1DA

RGB 232 241 218

HSL 83.48, 0.45%, 0.9%

LAB 93.94, -6.98, 10.07

 

CMYK 2 / 0 / 7 / 0

HEX #F9FFED

RGB 249 255 237

HSL 80, 1%, 0.96%

LAB 99.13, -5.07, 7.9

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 6 / 0 / 10 / 20

HEX #C1CDB9

RGB 193 205 185

HSL 96, 0.17%, 0.76%

LAB 81.02, -7.72, 8.55

 

CMYK 6 / 0 / 11 / 27

HEX #B0BBA6

RGB 176 187 166

HSL 91.43, 0.13%, 0.69%

LAB 74.52, -7.67, 9.33

 

CMYK 6 / 0 / 13 / 34

HEX #9FA993

RGB 159 169 147

HSL 87.27, 0.11%, 0.62%

LAB 67.91, -7.62, 10.16

 

CMYK 6 / 0 / 15 / 41

HEX #8E9780

RGB 142 151 128

HSL 83.48, 0.1%, 0.55%

LAB 61.17, -7.56, 11.03

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 4 / 0 / 9 / 13

HEX #D7DFCC

RGB 215 223 204

HSL 85.26, 0.23%, 0.84%

LAB 87.77, -6.05, 8.37

 

CMYK 1 / 0 / 9 / 13

HEX #DCDFCC

RGB 220 223 204

HSL 69.47, 0.23%, 0.84%

LAB 88.14, -4.32, 8.95

 

CMYK 0 / 1 / 9 / 13

HEX #DFDDCC

RGB 223 221 204

HSL 53.68, 0.23%, 0.84%

LAB 87.85, -2.24, 8.58

 

CMYK 0 / 3 / 9 / 13

HEX #DFD8CC

RGB 223 216 204

HSL 37.89, 0.23%, 0.84%

LAB 86.58, 0.34, 6.75

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 8 / 0 / 9 / 13

HEX #CDDFCC

RGB 205 223 204

HSL 116.84, 0.23%, 0.84%

LAB 87.05, -9.48, 7.25

 

CMYK 9 / 0 / 6 / 13

HEX #CCDFD1

RGB 204 223 209

HSL 135.79, 0.23%, 0.84%

LAB 87.1, -8.92, 4.69

 

CMYK 9 / 0 / 4 / 13

HEX #CCDFD6

RGB 204 223 214

HSL 151.58, 0.23%, 0.84%

LAB 87.23, -8.01, 2.23

 

CMYK 9 / 0 / 2 / 13

HEX #CCDFDB

RGB 204 223 219

HSL 167.37, 0.23%, 0.84%

LAB 87.35, -7.07, -0.22

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 10 / 0 / 14 / 10

HEX #D0E6C6

RGB 208 230 198

HSL 101.25, 0.39%, 0.84%

LAB 88.96, -13.03, 13.15

 

CMYK 13 / 0 / 19 / 7

HEX #CDECBF

RGB 205 236 191

HSL 101.33, 0.54%, 0.84%

LAB 90.2, -18.19, 18.5

 

CMYK 16 / 0 / 24 / 5

HEX #CBF3B9

RGB 203 243 185

HSL 101.38, 0.71%, 0.84%

LAB 91.82, -23.24, 23.82

 

CMYK 19 / 0 / 29 / 2

HEX #C9F9B2

RGB 201 249 178

HSL 100.56, 0.86%, 0.84%

LAB 93.18, -27.85, 29.22

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 1 / 0 / 2 / 15

HEX #D5D8D3

RGB 213 216 211

HSL 96, 0.06%, 0.84%

LAB 85.99, -1.92, 2.09

 

CMYK 1 / 4 / 0 / 15

HEX #D7D2DA

RGB 215 210 218

HSL 277.5, 0.1%, 0.84%

LAB 84.79, 3.17, -3.34

 

CMYK 3 / 9 / 0 / 12

HEX #DACBE0

RGB 218 203 224

HSL 282.86, 0.25%, 0.84%

LAB 83.44, 8.99, -8.51

 

CMYK 5 / 15 / 0 / 9

HEX #DCC5E7

RGB 220 197 231

HSL 280.59, 0.41%, 0.84%

LAB 82.33, 14.17, -13.88

 

CMYK 1 / 0 / 9 / 13

HEX #DCDFCC

RGB 220 223 204

HSL 69.47, 0.23%, 0.84%

LAB 88.14, -4.32, 8.95

 

CMYK 4 / 0 / 9 / 13

HEX #D7DFCC

RGB 215 223 204

HSL 85.26, 0.23%, 0.84%

LAB 87.77, -6.05, 8.37

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 8 / 0 / 9 / 13

HEX #CDDFCC

RGB 205 223 204

HSL 116.84, 0.23%, 0.84%

LAB 87.05, -9.48, 7.25

 

CMYK 9 / 0 / 7 / 13

HEX #CCDFD0

RGB 204 223 208

HSL 132.63, 0.23%, 0.84%

LAB 87.08, -9.11, 5.18

 

CMYK 14 / 0 / 19 / 25

HEX #A5BF9A

RGB 165 191 154

HSL 102.16, 0.22%, 0.68%

LAB 74.57, -15.75, 15.77

 

CMYK 9 / 0 / 14 / 19

HEX #BCCFB3

RGB 188 207 179

HSL 100.71, 0.23%, 0.76%

LAB 81.06, -11.54, 11.76

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 3 / 0 / 4 / 6

HEX #E9EFE6

RGB 233 239 230

HSL 100, 0.22%, 0.92%

LAB 93.78, -3.59, 3.64

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 9 / 0 / 1 / 13

HEX #CCDFDD

RGB 204 223 221

HSL 173.68, 0.23%, 0.84%

LAB 87.4, -6.69, -1.2

 

CMYK 0 / 9 / 2 / 13

HEX #DFCCDA

RGB 223 204 218

HSL 315.79, 0.23%, 0.84%

LAB 83.93, 9.05, -4.54

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 9 / 6 / 0 / 13

HEX #CCD2DF

RGB 204 210 223

HSL 221.05, 0.23%, 0.84%

LAB 84.1, 0.45, -7.12

 

CMYK 0 / 9 / 6 / 13

HEX #DFCCD2

RGB 223 204 210

HSL 341.05, 0.23%, 0.84%

LAB 83.72, 7.64, -0.59

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 9 / 0 / 1 / 13

HEX #CCDFDD

RGB 204 223 221

HSL 173.68, 0.23%, 0.84%

LAB 87.4, -6.69, -1.2

 

CMYK 3 / 9 / 0 / 13

HEX #D9CCDF

RGB 217 204 223

HSL 281.05, 0.23%, 0.84%

LAB 83.58, 7.93, -7.78

 

CMYK 0 / 9 / 7 / 13

HEX #DFCCCF

RGB 223 204 207

HSL 350.53, 0.23%, 0.84%

LAB 83.64, 7.12, 0.9

 

CMYK 6 / 0 / 9 / 13

HEX #D2DFCC

RGB 210 223 204

HSL 101.05, 0.23%, 0.84%

LAB 87.41, -7.78, 7.81

 

CMYK 9 / 1 / 0 / 13

HEX #CCDCDF

RGB 204 220 223

HSL 189.47, 0.23%, 0.84%

LAB 86.68, -4.76, -3.32

 

CMYK 3 / 9 / 0 / 13

HEX #D9CCDF

RGB 217 204 223

HSL 281.05, 0.23%, 0.84%

LAB 83.58, 7.93, -7.78

 

CMYK 0 / 7 / 9 / 13

HEX #DFD0CC

RGB 223 208 204

HSL 12.63, 0.23%, 0.84%

LAB 84.57, 4.51, 3.84

 

Description

Color code: HEX #D2DFCC | qconv.com Color code: HEX #D2DFCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 223 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 223 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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