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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2E698 it is the complementary color #2D1967. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2E698. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2E698 shade: #D7E693, #E8F8A6, #F9FFB9, #FFFFCC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2E698. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2E698 shade: #D2E698, #C1D485, #B0C272, #9FB05F and #8E9E4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2E698 shade: #D2E698, #E6E598, #E6D098, #E6BB98 and #E6A698

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2E698 shade: #D2E698, #BDE698, #A8E698, #98E69D and #98E6B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2E698 shade matches the following richer shades: #D2E698, #D7F08E and #DCFA83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2E698 shade: #D2E698, #CDDBA2, #C8D1AC, #C3C7B7 and #BEBCC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2E698 shade: #E6D098, #E6E498, #D2E698, #BDE698 and #A9E698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2E698 shade: #B5D655, #C3DE77, #D2E698, #E0EEB9 and #EFF6DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2E698 shade: #D2E698, #98E6BB and #DA98E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2E698 shade: #D2E698, #98D2E6 and #E698D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2E698 shade: #D2E698, #98E6BB, #AB98E6 and #E698C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2E698 shade: #D2E698, #98E6D2, #AB98E6 and #E698AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

Complementary color

CMYK 56 / 76 / 0 / 60

HEX #2D1967

RGB 45 25 103

HSL 255.38, 0.61%, 0.25%

LAB 16.66, 31.34, -42.31

 

CMYK 7 / 0 / 36 / 10

HEX #D7E693

RGB 215 230 147

HSL 70.84, 0.62%, 0.74%

LAB 88.52, -17.84, 38.81

 

CMYK 6 / 0 / 33 / 3

HEX #E8F8A6

RGB 232 248 166

HSL 71.71, 0.85%, 0.81%

LAB 94.76, -17.99, 37.7

 

CMYK 2 / 0 / 27 / 0

HEX #F9FFB9

RGB 249 255 185

HSL 65.14, 1%, 0.86%

LAB 98.1, -12.77, 32.88

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 9 / 0 / 37 / 17

HEX #C1D485

RGB 193 212 133

HSL 74.43, 0.48%, 0.68%

LAB 81.9, -18.99, 36.98

 

CMYK 9 / 0 / 41 / 24

HEX #B0C272

RGB 176 194 114

HSL 73.5, 0.4%, 0.6%

LAB 75.47, -18.84, 38.14

 

CMYK 10 / 0 / 46 / 31

HEX #9FB05F

RGB 159 176 95

HSL 72.59, 0.34%, 0.53%

LAB 68.93, -18.65, 39.33

 

CMYK 10 / 0 / 52 / 38

HEX #8E9E4C

RGB 142 158 76

HSL 71.71, 0.35%, 0.46%

LAB 62.28, -18.38, 40.51

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 0 / 0 / 34 / 10

HEX #E6E598

RGB 230 229 152

HSL 59.23, 0.61%, 0.75%

LAB 89.45, -11.06, 37.73

 

CMYK 0 / 10 / 34 / 10

HEX #E6D098

RGB 230 208 152

HSL 43.08, 0.61%, 0.75%

LAB 84.07, -0.39, 30.63

 

CMYK 0 / 19 / 34 / 10

HEX #E6BB98

RGB 230 187 152

HSL 26.92, 0.61%, 0.75%

LAB 78.83, 10.6, 23.56

 

CMYK 0 / 28 / 34 / 10

HEX #E6A698

RGB 230 166 152

HSL 10.77, 0.61%, 0.75%

LAB 73.78, 21.79, 16.6

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 18 / 0 / 34 / 10

HEX #BDE698

RGB 189 230 152

HSL 91.54, 0.61%, 0.75%

LAB 86.84, -26.74, 33.76

 

CMYK 27 / 0 / 34 / 10

HEX #A8E698

RGB 168 230 152

HSL 107.69, 0.61%, 0.75%

LAB 85.6, -33.99, 31.89

 

CMYK 34 / 0 / 32 / 10

HEX #98E69D

RGB 152 230 157

HSL 123.85, 0.61%, 0.75%

LAB 84.84, -38.36, 28.18

 

CMYK 34 / 0 / 23 / 10

HEX #98E6B2

RGB 152 230 178

HSL 140, 0.61%, 0.75%

LAB 85.24, -34.7, 17.87

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 10 / 0 / 41 / 6

HEX #D7F08E

RGB 215 240 142

HSL 75.31, 0.77%, 0.75%

LAB 91.11, -23.27, 44.59

 

CMYK 12 / 0 / 48 / 2

HEX #DCFA83

RGB 220 250 131

HSL 75.13, 0.92%, 0.75%

LAB 93.98, -27.31, 53.47

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 6 / 0 / 26 / 14

HEX #CDDBA2

RGB 205 219 162

HSL 74.74, 0.44%, 0.75%

LAB 85.12, -14.16, 26.53

 

CMYK 4 / 0 / 18 / 18

HEX #C8D1AC

RGB 200 209 172

HSL 74.59, 0.29%, 0.75%

LAB 82.3, -9.43, 17.35

 

CMYK 2 / 0 / 8 / 22

HEX #C3C7B7

RGB 195 199 183

HSL 75, 0.13%, 0.75%

LAB 79.54, -4.24, 7.52

 

CMYK 2 / 3 / 0 / 24

HEX #BEBCC1

RGB 190 188 193

HSL 264, 0.04%, 0.75%

LAB 76.54, 1.63, -2.28

 

CMYK 0 / 10 / 34 / 10

HEX #E6D098

RGB 230 208 152

HSL 43.08, 0.61%, 0.75%

LAB 84.07, -0.39, 30.63

 

CMYK 0 / 1 / 34 / 10

HEX #E6E498

RGB 230 228 152

HSL 58.46, 0.61%, 0.75%

LAB 89.19, -10.56, 37.39

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 18 / 0 / 34 / 10

HEX #BDE698

RGB 189 230 152

HSL 91.54, 0.61%, 0.75%

LAB 86.84, -26.74, 33.76

 

CMYK 27 / 0 / 34 / 10

HEX #A9E698

RGB 169 230 152

HSL 106.92, 0.61%, 0.75%

LAB 85.65, -33.66, 31.97

 

CMYK 15 / 0 / 60 / 16

HEX #B5D655

RGB 181 214 85

HSL 75.35, 0.61%, 0.59%

LAB 81.06, -29.39, 58.51

 

CMYK 12 / 0 / 46 / 13

HEX #C3DE77

RGB 195 222 119

HSL 75.73, 0.61%, 0.67%

LAB 84.57, -24.69, 47.3

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 6 / 0 / 22 / 7

HEX #E0EEB9

RGB 224 238 185

HSL 75.85, 0.61%, 0.83%

LAB 91.91, -13.43, 24.16

 

CMYK 3 / 0 / 11 / 4

HEX #EFF6DA

RGB 239 246 218

HSL 75, 0.61%, 0.91%

LAB 95.72, -7.09, 12.68

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 34 / 0 / 19 / 10

HEX #98E6BB

RGB 152 230 187

HSL 146.92, 0.61%, 0.75%

LAB 85.43, -33, 13.44

 

CMYK 5 / 34 / 0 / 10

HEX #DA98E6

RGB 218 152 230

HSL 290.77, 0.61%, 0.75%

LAB 71.61, 37.59, -29.66

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 34 / 9 / 0 / 10

HEX #98D2E6

RGB 152 210 230

HSL 195.38, 0.61%, 0.75%

LAB 81.01, -13.75, -15.81

 

CMYK 0 / 34 / 9 / 10

HEX #E698D2

RGB 230 152 210

HSL 315.38, 0.61%, 0.75%

LAB 72.18, 37.8, -17.67

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 34 / 0 / 19 / 10

HEX #98E6BB

RGB 152 230 187

HSL 146.92, 0.61%, 0.75%

LAB 85.43, -33, 13.44

 

CMYK 26 / 34 / 0 / 10

HEX #AB98E6

RGB 171 152 230

HSL 254.62, 0.61%, 0.75%

LAB 67.15, 23.37, -36.92

 

CMYK 0 / 34 / 15 / 10

HEX #E698C3

RGB 230 152 195

HSL 326.92, 0.61%, 0.75%

LAB 71.7, 35.34, -10.11

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 34 / 0 / 9 / 10

HEX #98E6D2

RGB 152 230 210

HSL 164.62, 0.61%, 0.75%

LAB 85.97, -28.29, 2.13

 

CMYK 26 / 34 / 0 / 10

HEX #AB98E6

RGB 171 152 230

HSL 254.62, 0.61%, 0.75%

LAB 67.15, 23.37, -36.92

 

CMYK 0 / 34 / 26 / 10

HEX #E698AB

RGB 230 152 171

HSL 345.38, 0.61%, 0.75%

LAB 71.02, 31.77, 2.2

 

Description

Color code: HEX #D2E698 | qconv.com Color code: HEX #D2E698 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 230 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 230 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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