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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2E1BB it is the complementary color #2D1E44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2E1BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2E1BB shade: #D7E1B6, #E8F3C9, #F9FFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2E1BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2E1BB shade: #D2E1BB, #C1CFA8, #B0BD95, #9FAB82 and #8E996F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2E1BB shade: #D2E1BB, #DCE1BB, #E1DBBB, #E1D1BB and #E1C7BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2E1BB shade: #D2E1BB, #C8E1BB, #BEE1BB, #BBE1C3 and #BBE1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2E1BB shade matches the following richer shades: #D2E1BB, #D4E9B3, #D5F1AB and #D7F8A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2E1BB shade: #D2E1BB, #D0D9C3, #CFD1CB, #CDC9D3 and #CBC2DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2E1BB shade: #E1DBBB, #DDE1BB, #D2E1BB, #C8E1BB and #BEE1BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2E1BB shade: #ACC882, #BFD49E, #D2E1BB, #E5EED8 and #F8FAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2E1BB shade: #D2E1BB, #BBE1D1 and #E0BBE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2E1BB shade: #D2E1BB, #BBD2E1 and #E1BBD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2E1BB shade: #D2E1BB, #BBE1D1, #CABBE1 and #E1BBCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2E1BB shade: #D2E1BB, #BBE1DD, #CABBE1 and #E1BBC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

Complementary color

CMYK 34 / 56 / 0 / 73

HEX #2D1E44

RGB 45 30 68

HSL 263.68, 0.39%, 0.19%

LAB 14.97, 16.95, -21.41

 

CMYK 4 / 0 / 19 / 12

HEX #D7E1B6

RGB 215 225 182

HSL 73.95, 0.42%, 0.8%

LAB 87.81, -10.61, 19.95

 

CMYK 5 / 0 / 17 / 5

HEX #E8F3C9

RGB 232 243 201

HSL 75.71, 0.64%, 0.87%

LAB 94.09, -10.69, 19.05

 

CMYK 2 / 0 / 14 / 0

HEX #F9FFDC

RGB 249 255 220

HSL 70.29, 1%, 0.93%

LAB 98.76, -7.8, 16.07

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 7 / 0 / 19 / 19

HEX #C1CFA8

RGB 193 207 168

HSL 81.54, 0.29%, 0.74%

LAB 81.18, -11.57, 17.82

 

CMYK 7 / 0 / 21 / 26

HEX #B0BD95

RGB 176 189 149

HSL 79.5, 0.23%, 0.66%

LAB 74.7, -11.53, 18.76

 

CMYK 7 / 0 / 24 / 33

HEX #9FAB82

RGB 159 171 130

HSL 77.56, 0.2%, 0.59%

LAB 68.1, -11.47, 19.75

 

CMYK 7 / 0 / 27 / 40

HEX #8E996F

RGB 142 153 111

HSL 75.71, 0.17%, 0.52%

LAB 61.38, -11.4, 20.81

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 2 / 0 / 17 / 12

HEX #DCE1BB

RGB 220 225 187

HSL 67.89, 0.39%, 0.81%

LAB 88.28, -8.05, 18.05

 

CMYK 0 / 3 / 17 / 12

HEX #E1DBBB

RGB 225 219 187

HSL 50.53, 0.39%, 0.81%

LAB 87.12, -3.19, 16.49

 

CMYK 0 / 7 / 17 / 12

HEX #E1D1BB

RGB 225 209 187

HSL 34.74, 0.39%, 0.81%

LAB 84.58, 1.98, 12.91

 

CMYK 0 / 12 / 17 / 12

HEX #E1C7BB

RGB 225 199 187

HSL 18.95, 0.39%, 0.81%

LAB 82.08, 7.22, 9.34

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 11 / 0 / 17 / 12

HEX #C8E1BB

RGB 200 225 187

HSL 99.47, 0.39%, 0.81%

LAB 86.86, -15.12, 15.85

 

CMYK 16 / 0 / 17 / 12

HEX #BEE1BB

RGB 190 225 187

HSL 115.26, 0.39%, 0.81%

LAB 86.2, -18.54, 14.83

 

CMYK 17 / 0 / 13 / 12

HEX #BBE1C3

RGB 187 225 195

HSL 132.63, 0.39%, 0.81%

LAB 86.18, -18.14, 10.58

 

CMYK 17 / 0 / 9 / 12

HEX #BBE1CD

RGB 187 225 205

HSL 148.42, 0.39%, 0.81%

LAB 86.42, -16.29, 5.66

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 9 / 0 / 23 / 9

HEX #D4E9B3

RGB 212 233 179

HSL 83.33, 0.55%, 0.81%

LAB 89.64, -16.13, 23.99

 

CMYK 12 / 0 / 29 / 5

HEX #D5F1AB

RGB 213 241 171

HSL 84, 0.71%, 0.81%

LAB 91.68, -20.84, 30.87

 

CMYK 13 / 0 / 34 / 3

HEX #D7F8A4

RGB 215 248 164

HSL 83.57, 0.86%, 0.81%

LAB 93.56, -24.43, 36.91

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 4 / 0 / 10 / 15

HEX #D0D9C3

RGB 208 217 195

HSL 84.55, 0.22%, 0.81%

LAB 85.49, -6.94, 9.79

 

CMYK 1 / 0 / 3 / 18

HEX #CFD1CB

RGB 207 209 203

HSL 80, 0.06%, 0.81%

LAB 83.54, -1.76, 2.72

 

CMYK 3 / 5 / 0 / 17

HEX #CDC9D3

RGB 205 201 211

HSL 264, 0.1%, 0.81%

LAB 81.54, 3.23, -4.49

 

CMYK 7 / 11 / 0 / 14

HEX #CBC2DB

RGB 203 194 219

HSL 261.6, 0.26%, 0.81%

LAB 79.84, 7.83, -11.32

 

CMYK 0 / 3 / 17 / 12

HEX #E1DBBB

RGB 225 219 187

HSL 50.53, 0.39%, 0.81%

LAB 87.12, -3.19, 16.49

 

CMYK 2 / 0 / 17 / 12

HEX #DDE1BB

RGB 221 225 187

HSL 66.32, 0.39%, 0.81%

LAB 88.36, -7.69, 18.17

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 11 / 0 / 17 / 12

HEX #C8E1BB

RGB 200 225 187

HSL 99.47, 0.39%, 0.81%

LAB 86.86, -15.12, 15.85

 

CMYK 16 / 0 / 17 / 12

HEX #BEE1BB

RGB 190 225 187

HSL 115.26, 0.39%, 0.81%

LAB 86.2, -18.54, 14.83

 

CMYK 14 / 0 / 35 / 22

HEX #ACC882

RGB 172 200 130

HSL 84, 0.39%, 0.65%

LAB 77.1, -21.35, 31.98

 

CMYK 10 / 0 / 25 / 17

HEX #BFD49E

RGB 191 212 158

HSL 83.33, 0.39%, 0.73%

LAB 82.18, -16.36, 24.44

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 4 / 0 / 9 / 7

HEX #E5EED8

RGB 229 238 216

HSL 84.55, 0.39%, 0.89%

LAB 92.91, -6.83, 9.61

 

CMYK 1 / 0 / 2 / 2

HEX #F8FAF5

RGB 248 250 245

HSL 84, 0.33%, 0.97%

LAB 98, -1.53, 2.15

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 17 / 0 / 7 / 12

HEX #BBE1D1

RGB 187 225 209

HSL 154.74, 0.39%, 0.81%

LAB 86.51, -15.52, 3.69

 

CMYK 0 / 17 / 0 / 12

HEX #E0BBE1

RGB 224 187 225

HSL 298.42, 0.39%, 0.81%

LAB 80.08, 19.73, -14.01

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 17 / 7 / 0 / 12

HEX #BBD2E1

RGB 187 210 225

HSL 203.68, 0.39%, 0.81%

LAB 82.96, -4.6, -10

 

CMYK 0 / 17 / 7 / 12

HEX #E1BBD2

RGB 225 187 210

HSL 323.68, 0.39%, 0.81%

LAB 79.73, 17.38, -6.44

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 17 / 0 / 7 / 12

HEX #BBE1D1

RGB 187 225 209

HSL 154.74, 0.39%, 0.81%

LAB 86.51, -15.52, 3.69

 

CMYK 10 / 17 / 0 / 12

HEX #CABBE1

RGB 202 187 225

HSL 263.68, 0.39%, 0.81%

LAB 78.19, 12.48, -17.04

 

CMYK 0 / 17 / 10 / 12

HEX #E1BBCB

RGB 225 187 203

HSL 334.74, 0.39%, 0.81%

LAB 79.53, 16.18, -2.94

 

CMYK 7 / 0 / 17 / 12

HEX #D2E1BB

RGB 210 225 187

HSL 83.68, 0.39%, 0.81%

LAB 87.55, -11.62, 16.93

 

CMYK 17 / 0 / 2 / 12

HEX #BBE1DD

RGB 187 225 221

HSL 173.68, 0.39%, 0.81%

LAB 86.82, -13.15, -2.19

 

CMYK 10 / 17 / 0 / 12

HEX #CABBE1

RGB 202 187 225

HSL 263.68, 0.39%, 0.81%

LAB 78.19, 12.48, -17.04

 

CMYK 0 / 17 / 15 / 12

HEX #E1BBC0

RGB 225 187 192

HSL 352.11, 0.39%, 0.81%

LAB 79.24, 14.38, 2.58

 

Description

Color code: HEX #D2E1BB | qconv.com Color code: HEX #D2E1BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 225 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 225 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 17 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 17% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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