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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2EB8D it is the complementary color #2D1472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2EB8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2EB8D shade: #D7EB88, #E8FD9B, #F9FFAE, #FFFFC1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2EB8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2EB8D shade: #D2EB8D, #C1D97A, #B0C767, #9FB554 and #8EA341

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2EB8D shade: #D2EB8E, #EBEA8E, #EBD18E, #EBB88E and #EB9F8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2EB8D shade: #D2EB8E, #B9EB8E, #A0EB8E, #8EEB95 and #8EEBAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2EB8D shade matches the following richer shades: #D2EB8E and #D7F583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2EB8D shade: #D2EB8E, #CDE099, #C8D5A3, #C3CAAE and #BEC0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2EB8D shade: #EBD08E, #EBE98E, #D3EB8E, #BBEB8E and #A2EB8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2EB8D shade: #B6DE48, #C4E46B, #D2EB8E, #E0F1B1 and #EEF7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2EB8D shade: #D2EB8D, #8EEBB8 and #DD8EEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2EB8D shade: #D2EB8D, #8ED3EB and #EB8ED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2EB8D shade: #D2EB8D, #8EEBB8, #A58EEB and #EB8EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2EB8D shade: #D2EB8D, #8EEBD3, #A58EEB and #EB8EA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 40 / 8

HEX #D2EB8D

RGB 210 235 141

HSL 75.96, 0.7%, 0.74%

LAB 89.41, -22.85, 42.86

 

Complementary color

CMYK 61 / 82 / 0 / 55

HEX #2D1472

RGB 45 20 114

HSL 255.96, 0.7%, 0.26%

LAB 16.86, 37.48, -49.17

 

CMYK 9 / 0 / 42 / 8

HEX #D7EB88

RGB 215 235 136

HSL 72.12, 0.71%, 0.73%

LAB 89.69, -21.53, 45.73

 

CMYK 8 / 0 / 39 / 1

HEX #E8FD9B

RGB 232 253 155

HSL 72.86, 0.96%, 0.8%

LAB 95.9, -21.7, 44.6

 

CMYK 2 / 0 / 32 / 0

HEX #F9FFAE

RGB 249 255 174

HSL 64.44, 1%, 0.84%

LAB 97.92, -14.14, 38.12

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8D

RGB 210 235 141

HSL 75.96, 0.7%, 0.74%

LAB 89.41, -22.85, 42.86

 

CMYK 11 / 0 / 44 / 15

HEX #C1D97A

RGB 193 217 122

HSL 75.16, 0.56%, 0.66%

LAB 83.11, -22.71, 44

 

CMYK 12 / 0 / 48 / 22

HEX #B0C767

RGB 176 199 103

HSL 74.38, 0.46%, 0.59%

LAB 76.71, -22.52, 45.15

 

CMYK 12 / 0 / 54 / 29

HEX #9FB554

RGB 159 181 84

HSL 73.61, 0.4%, 0.52%

LAB 70.22, -22.27, 46.27

 

CMYK 13 / 0 / 60 / 36

HEX #8EA341

RGB 142 163 65

HSL 72.86, 0.43%, 0.45%

LAB 63.61, -21.92, 47.29

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8E

RGB 210 235 142

HSL 76.13, 0.7%, 0.74%

LAB 89.43, -22.74, 42.38

 

CMYK 0 / 0 / 40 / 8

HEX #EBEA8E

RGB 235 234 142

HSL 59.35, 0.7%, 0.74%

LAB 90.99, -12.73, 44.75

 

CMYK 0 / 11 / 40 / 8

HEX #EBD18E

RGB 235 209 142

HSL 43.23, 0.7%, 0.74%

LAB 84.59, -0.1, 36.55

 

CMYK 0 / 22 / 40 / 8

HEX #EBB88E

RGB 235 184 142

HSL 27.1, 0.7%, 0.74%

LAB 78.4, 12.97, 28.38

 

CMYK 0 / 32 / 40 / 8

HEX #EB9F8E

RGB 235 159 142

HSL 10.97, 0.7%, 0.74%

LAB 72.5, 26.26, 20.39

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8E

RGB 210 235 142

HSL 76.13, 0.7%, 0.74%

LAB 89.43, -22.74, 42.38

 

CMYK 21 / 0 / 40 / 8

HEX #B9EB8E

RGB 185 235 142

HSL 92.26, 0.7%, 0.74%

LAB 87.82, -31.84, 40

 

CMYK 32 / 0 / 40 / 8

HEX #A0EB8E

RGB 160 235 142

HSL 108.39, 0.7%, 0.74%

LAB 86.43, -40.33, 37.93

 

CMYK 40 / 0 / 37 / 8

HEX #8EEB95

RGB 142 235 149

HSL 124.52, 0.7%, 0.74%

LAB 85.67, -44.87, 33.27

 

CMYK 40 / 0 / 26 / 8

HEX #8EEBAE

RGB 142 235 174

HSL 140.65, 0.7%, 0.74%

LAB 86.12, -40.6, 21.09

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8E

RGB 210 235 142

HSL 76.13, 0.7%, 0.74%

LAB 89.43, -22.74, 42.38

 

CMYK 12 / 0 / 47 / 4

HEX #D7F583

RGB 215 245 131

HSL 75.79, 0.85%, 0.74%

LAB 92.31, -26.83, 51.36

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8E

RGB 210 235 142

HSL 76.13, 0.7%, 0.74%

LAB 89.43, -22.74, 42.38

 

CMYK 8 / 0 / 32 / 12

HEX #CDE099

RGB 205 224 153

HSL 76.06, 0.53%, 0.74%

LAB 86.3, -17.87, 32.73

 

CMYK 6 / 0 / 23 / 16

HEX #C8D5A3

RGB 200 213 163

HSL 75.6, 0.37%, 0.74%

LAB 83.19, -12.83, 23.3

 

CMYK 3 / 0 / 14 / 21

HEX #C3CAAE

RGB 195 202 174

HSL 75, 0.21%, 0.74%

LAB 80.12, -7.32, 13.17

 

CMYK 1 / 0 / 4 / 25

HEX #BEC0B9

RGB 190 192 185

HSL 77.14, 0.05%, 0.74%

LAB 77.37, -1.97, 3.27

 

CMYK 0 / 11 / 40 / 8

HEX #EBD08E

RGB 235 208 142

HSL 42.58, 0.7%, 0.74%

LAB 84.34, 0.42, 36.22

 

CMYK 0 / 1 / 40 / 8

HEX #EBE98E

RGB 235 233 142

HSL 58.71, 0.7%, 0.74%

LAB 90.73, -12.24, 44.42

 

CMYK 10 / 0 / 40 / 8

HEX #D3EB8E

RGB 211 235 142

HSL 75.48, 0.7%, 0.74%

LAB 89.5, -22.36, 42.49

 

CMYK 20 / 0 / 40 / 8

HEX #BBEB8E

RGB 187 235 142

HSL 90.97, 0.7%, 0.74%

LAB 87.94, -31.14, 40.18

 

CMYK 31 / 0 / 40 / 8

HEX #A2EB8E

RGB 162 235 142

HSL 107.1, 0.7%, 0.74%

LAB 86.53, -39.68, 38.08

 

CMYK 18 / 0 / 68 / 13

HEX #B6DE48

RGB 182 222 72

HSL 76, 0.69%, 0.58%

LAB 83.26, -33.64, 66.11

 

CMYK 14 / 0 / 53 / 11

HEX #C4E46B

RGB 196 228 107

HSL 75.87, 0.69%, 0.66%

LAB 86.15, -28.33, 54.82

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8E

RGB 210 235 142

HSL 76.13, 0.7%, 0.74%

LAB 89.43, -22.74, 42.38

 

CMYK 7 / 0 / 27 / 5

HEX #E0F1B1

RGB 224 241 177

HSL 75.94, 0.7%, 0.82%

LAB 92.54, -16.05, 29.12

 

CMYK 4 / 0 / 14 / 3

HEX #EEF7D4

RGB 238 247 212

HSL 75.43, 0.69%, 0.9%

LAB 95.77, -8.88, 15.83

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8D

RGB 210 235 141

HSL 75.96, 0.7%, 0.74%

LAB 89.41, -22.85, 42.86

 

CMYK 40 / 0 / 22 / 8

HEX #8EEBB8

RGB 142 235 184

HSL 147.1, 0.7%, 0.74%

LAB 86.32, -38.71, 16.19

 

CMYK 6 / 40 / 0 / 8

HEX #DD8EEB

RGB 221 142 235

HSL 290.97, 0.7%, 0.74%

LAB 69.98, 44.77, -34.89

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8D

RGB 210 235 141

HSL 75.96, 0.7%, 0.74%

LAB 89.41, -22.85, 42.86

 

CMYK 40 / 10 / 0 / 8

HEX #8ED3EB

RGB 142 211 235

HSL 195.48, 0.7%, 0.74%

LAB 80.93, -15.66, -18.65

 

CMYK 0 / 40 / 10 / 8

HEX #EB8ED3

RGB 235 142 211

HSL 315.48, 0.7%, 0.74%

LAB 70.67, 44.81, -20.46

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8D

RGB 210 235 141

HSL 75.96, 0.7%, 0.74%

LAB 89.41, -22.85, 42.86

 

CMYK 40 / 0 / 22 / 8

HEX #8EEBB8

RGB 142 235 184

HSL 147.1, 0.7%, 0.74%

LAB 86.32, -38.71, 16.19

 

CMYK 30 / 40 / 0 / 8

HEX #A58EEB

RGB 165 142 235

HSL 254.84, 0.7%, 0.74%

LAB 64.44, 28.56, -43.95

 

CMYK 0 / 40 / 18 / 8

HEX #EB8EC1

RGB 235 142 193

HSL 327.1, 0.7%, 0.74%

LAB 70.08, 41.97, -11.37

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8D

RGB 210 235 141

HSL 75.96, 0.7%, 0.74%

LAB 89.41, -22.85, 42.86

 

CMYK 40 / 0 / 10 / 8

HEX #8EEBD3

RGB 142 235 211

HSL 164.52, 0.7%, 0.74%

LAB 86.93, -33.12, 2.95

 

CMYK 30 / 40 / 0 / 8

HEX #A58EEB

RGB 165 142 235

HSL 254.84, 0.7%, 0.74%

LAB 64.44, 28.56, -43.95

 

CMYK 0 / 40 / 30 / 8

HEX #EB8EA5

RGB 235 142 165

HSL 345.16, 0.7%, 0.74%

LAB 69.27, 38.01, 3.08

 

Description

Color code: HEX #D2EB8D | qconv.com Color code: HEX #D2EB8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 235 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 235 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 40 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 40% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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