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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2F754 it is the complementary color #2D08AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2F754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2F754 shade: #D7F74F, #E8FF62, #F9FF75, #FFFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2F754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2F754 shade: #D2F754, #C1E541, #B0D32E, #9FC11B and #8EAF08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2F754 shade: #D2F654, #F6F054, #F6C454, #F69854 and #F66C54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2F754 shade: #D2F654, #A6F654, #7AF654, #54F65A and #54F686

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2F754 shade matches the following richer shades: #D2F654

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2F754 shade: #D2F654, #CAE862, #C2DA71, #BACB7F and #B2BD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2F754 shade: #F6C354, #F6EE54, #D3F654, #A8F654 and #7DF654

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2F754 shade: #BAED0B, #C7F52D, #D2F654, #DCF87B and #E6FAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2F754 shade: #D2F754, #54F698 and #D954F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2F754 shade: #D2F754, #54D3F6 and #F654D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2F754 shade: #D2F754, #54F698, #7754F6 and #F654B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2F754 shade: #D2F754, #54F6C8, #7754F6 and #F65482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 66 / 3

HEX #D2F754

RGB 210 247 84

HSL 73.62, 0.91%, 0.65%

LAB 92.07, -33.5, 71.22

 

Complementary color

CMYK 74 / 95 / 0 / 33

HEX #2D08AB

RGB 45 8 171

HSL 253.62, 0.91%, 0.35%

LAB 22.56, 57.58, -75.3

 

CMYK 13 / 0 / 68 / 3

HEX #D7F74F

RGB 215 247 79

HSL 71.43, 0.91%, 0.64%

LAB 92.37, -31.86, 73.48

 

CMYK 9 / 0 / 62 / 0

HEX #E8FF62

RGB 232 255 98

HSL 68.79, 1%, 0.69%

LAB 95.81, -27.76, 70.17

 

CMYK 2 / 0 / 54 / 0

HEX #F9FF75

RGB 249 255 117

HSL 62.61, 1%, 0.73%

LAB 97.2, -19.76, 64.1

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 15 / 0 / 66 / 3

HEX #D2F754

RGB 210 247 84

HSL 73.62, 0.91%, 0.65%

LAB 92.07, -33.5, 71.22

 

CMYK 16 / 0 / 72 / 10

HEX #C1E541

RGB 193 229 65

HSL 73.17, 0.76%, 0.58%

LAB 85.89, -32.95, 71.48

 

CMYK 17 / 0 / 78 / 17

HEX #B0D32E

RGB 176 211 46

HSL 72.73, 0.65%, 0.5%

LAB 79.62, -32.26, 71.16

 

CMYK 18 / 0 / 86 / 24

HEX #9FC11B

RGB 159 193 27

HSL 72.29, 0.75%, 0.43%

LAB 73.28, -31.4, 69.93

 

CMYK 19 / 0 / 95 / 31

HEX #8EAF08

RGB 142 175 8

HSL 71.86, 0.91%, 0.36%

LAB 66.85, -30.33, 67.31

 

CMYK 15 / 0 / 66 / 4

HEX #D2F654

RGB 210 246 84

HSL 73.33, 0.9%, 0.65%

LAB 91.8, -33.04, 70.94

 

CMYK 0 / 2 / 66 / 4

HEX #F6F054

RGB 246 240 84

HSL 57.78, 0.9%, 0.65%

LAB 92.82, -15.87, 72.82

 

CMYK 0 / 20 / 66 / 4

HEX #F6C454

RGB 246 196 84

HSL 41.48, 0.9%, 0.65%

LAB 81.68, 6.31, 61.18

 

CMYK 0 / 38 / 66 / 4

HEX #F69854

RGB 246 152 84

HSL 25.19, 0.9%, 0.65%

LAB 71.34, 29.38, 49.77

 

CMYK 0 / 56 / 66 / 4

HEX #F66C54

RGB 246 108 84

HSL 8.89, 0.9%, 0.65%

LAB 62.47, 51.37, 39.43

 

CMYK 15 / 0 / 66 / 4

HEX #D2F654

RGB 210 246 84

HSL 73.33, 0.9%, 0.65%

LAB 91.8, -33.04, 70.94

 

CMYK 33 / 0 / 66 / 4

HEX #A6F654

RGB 166 246 84

HSL 89.63, 0.9%, 0.65%

LAB 89.23, -49.21, 67.47

 

CMYK 50 / 0 / 66 / 4

HEX #7AF654

RGB 122 246 84

HSL 105.93, 0.9%, 0.65%

LAB 87.33, -62.82, 64.88

 

CMYK 66 / 0 / 63 / 4

HEX #54F65A

RGB 84 246 90

HSL 122.22, 0.9%, 0.65%

LAB 86.27, -71.02, 61.01

 

CMYK 66 / 0 / 46 / 4

HEX #54F686

RGB 84 246 134

HSL 138.52, 0.9%, 0.65%

LAB 86.76, -65.4, 41.73

 

CMYK 15 / 0 / 66 / 4

HEX #D2F654

RGB 210 246 84

HSL 73.33, 0.9%, 0.65%

LAB 91.8, -33.04, 70.94

 

CMYK 15 / 0 / 66 / 4

HEX #D2F654

RGB 210 246 84

HSL 73.33, 0.9%, 0.65%

LAB 91.8, -33.04, 70.94

 

CMYK 13 / 0 / 58 / 9

HEX #CAE862

RGB 202 232 98

HSL 73.43, 0.74%, 0.65%

LAB 87.56, -28.66, 60.54

 

CMYK 11 / 0 / 48 / 15

HEX #C2DA71

RGB 194 218 113

HSL 73.71, 0.59%, 0.65%

LAB 83.34, -23.75, 48.65

 

CMYK 8 / 0 / 37 / 20

HEX #BACB7F

RGB 186 203 127

HSL 73.42, 0.42%, 0.65%

LAB 78.86, -17.92, 36.01

 

CMYK 6 / 0 / 25 / 26

HEX #B2BD8E

RGB 178 189 142

HSL 74.04, 0.26%, 0.65%

LAB 74.71, -11.84, 22.54

 

CMYK 0 / 21 / 66 / 4

HEX #F6C354

RGB 246 195 84

HSL 41.11, 0.9%, 0.65%

LAB 81.44, 6.83, 60.91

 

CMYK 0 / 3 / 66 / 4

HEX #F6EE54

RGB 246 238 84

HSL 57.04, 0.9%, 0.65%

LAB 92.3, -14.89, 72.29

 

CMYK 14 / 0 / 66 / 4

HEX #D3F654

RGB 211 246 84

HSL 72.96, 0.9%, 0.65%

LAB 91.86, -32.66, 71.03

 

CMYK 32 / 0 / 66 / 4

HEX #A8F654

RGB 168 246 84

HSL 88.89, 0.9%, 0.65%

LAB 89.34, -48.52, 67.61

 

CMYK 49 / 0 / 66 / 4

HEX #7DF654

RGB 125 246 84

HSL 104.81, 0.9%, 0.65%

LAB 87.44, -61.99, 65.02

 

CMYK 22 / 0 / 95 / 7

HEX #BAED0B

RGB 186 237 11

HSL 73.54, 0.91%, 0.49%

LAB 87.5, -40.9, 84.29

 

CMYK 19 / 0 / 82 / 4

HEX #C7F52D

RGB 199 245 45

HSL 73.8, 0.91%, 0.57%

LAB 90.61, -38.69, 81.73

 

CMYK 15 / 0 / 66 / 4

HEX #D2F654

RGB 210 246 84

HSL 73.33, 0.9%, 0.65%

LAB 91.8, -33.04, 70.94

 

CMYK 11 / 0 / 50 / 3

HEX #DCF87B

RGB 220 248 123

HSL 73.44, 0.9%, 0.73%

LAB 93.36, -27.13, 56.41

 

CMYK 8 / 0 / 35 / 2

HEX #E6FAA3

RGB 230 250 163

HSL 73.79, 0.9%, 0.81%

LAB 95.09, -20.06, 39.61

 

CMYK 15 / 0 / 66 / 3

HEX #D2F754

RGB 210 247 84

HSL 73.62, 0.91%, 0.65%

LAB 92.07, -33.5, 71.22

 

CMYK 66 / 0 / 38 / 4

HEX #54F698

RGB 84 246 152

HSL 145.19, 0.9%, 0.65%

LAB 87.03, -62.41, 33.21

 

CMYK 12 / 66 / 0 / 4

HEX #D954F6

RGB 217 84 246

HSL 289.26, 0.9%, 0.65%

LAB 59.66, 73.22, -57.25

 

CMYK 15 / 0 / 66 / 3

HEX #D2F754

RGB 210 247 84

HSL 73.62, 0.91%, 0.65%

LAB 92.07, -33.5, 71.22

 

CMYK 66 / 14 / 0 / 4

HEX #54D3F6

RGB 84 211 246

HSL 192.96, 0.9%, 0.65%

LAB 79.11, -24.41, -27.48

 

CMYK 0 / 66 / 14 / 4

HEX #F654D3

RGB 246 84 211

HSL 312.96, 0.9%, 0.65%

LAB 62.2, 74.31, -33.36

 

CMYK 15 / 0 / 66 / 3

HEX #D2F754

RGB 210 247 84

HSL 73.62, 0.91%, 0.65%

LAB 92.07, -33.5, 71.22

 

CMYK 66 / 0 / 38 / 4

HEX #54F698

RGB 84 246 152

HSL 145.19, 0.9%, 0.65%

LAB 87.03, -62.41, 33.21

 

CMYK 52 / 66 / 0 / 4

HEX #7754F6

RGB 119 84 246

HSL 252.96, 0.9%, 0.65%

LAB 48.15, 53.82, -76.39

 

CMYK 0 / 66 / 27 / 4

HEX #F654B3

RGB 246 84 179

HSL 324.81, 0.9%, 0.65%

LAB 60.95, 70.1, -17.06

 

CMYK 15 / 0 / 66 / 3

HEX #D2F754

RGB 210 247 84

HSL 73.62, 0.91%, 0.65%

LAB 92.07, -33.5, 71.22

 

CMYK 66 / 0 / 19 / 4

HEX #54F6C8

RGB 84 246 200

HSL 162.96, 0.9%, 0.65%

LAB 87.95, -52.58, 9.92

 

CMYK 52 / 66 / 0 / 4

HEX #7754F6

RGB 119 84 246

HSL 252.96, 0.9%, 0.65%

LAB 48.15, 53.82, -76.39

 

CMYK 0 / 66 / 47 / 4

HEX #F65482

RGB 246 84 130

HSL 342.96, 0.9%, 0.65%

LAB 59.48, 64.96, 9.23

 

Description

Color code: HEX #D2F754 | qconv.com Color code: HEX #D2F754 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 247 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 247 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 66 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 66% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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