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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2F041 it is the complementary color #2D0FBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2F041. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2F041 shade: #D7F03C, #E8FF4F, #F9FF62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2F041. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2F041 shade: #D2F041, #C1DE2E, #B0CC1B, #9FBA08 and #8EA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2F041 shade: #D1EF42, #EFDE42, #EFAF42, #EF8142 and #EF5242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2F041 shade: #D1EF42, #A3EF42, #74EF42, #45EF42 and #42EF6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2F041 shade matches the following richer shades: #D1EF42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2F041 shade: #D1EF42, #C7DF52, #BCCE63, #B1BE73 and #A6AD84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2F041 shade: #EFB042, #EFDE42, #D2EF42, #A4EF42 and #76EF42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2F041 shade: #AECE10, #C8EC1C, #D1EF42, #DBF268 and #E4F58E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2F041 shade: #D2F041, #42EF81 and #C742EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2F041 shade: #D2F041, #42D2EF and #EF42D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2F041 shade: #D2F041, #42EF81, #5F42EF and #EF42B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2F041 shade: #D2F041, #42EFB5, #5F42EF and #EF427C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 73 / 6

HEX #D2F041

RGB 210 240 65

HSL 70.29, 0.85%, 0.6%

LAB 90.05, -31.32, 75.88

 

Complementary color

CMYK 76 / 92 / 0 / 25

HEX #2D0FBE

RGB 45 15 190

HSL 250.29, 0.85%, 0.4%

LAB 25.62, 60.9, -81.57

 

CMYK 10 / 0 / 75 / 6

HEX #D7F03C

RGB 215 240 60

HSL 68.33, 0.86%, 0.59%

LAB 90.36, -29.55, 77.86

 

CMYK 9 / 0 / 69 / 0

HEX #E8FF4F

RGB 232 255 79

HSL 67.84, 1%, 0.65%

LAB 95.68, -28.88, 77.17

 

CMYK 2 / 0 / 62 / 0

HEX #F9FF62

RGB 249 255 98

HSL 62.29, 1%, 0.69%

LAB 97.04, -21.07, 71.85

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 13 / 0 / 73 / 6

HEX #D2F041

RGB 210 240 65

HSL 70.29, 0.85%, 0.6%

LAB 90.05, -31.32, 75.88

 

CMYK 13 / 0 / 79 / 13

HEX #C1DE2E

RGB 193 222 46

HSL 69.89, 0.73%, 0.53%

LAB 83.85, -30.54, 75.39

 

CMYK 14 / 0 / 87 / 20

HEX #B0CC1B

RGB 176 204 27

HSL 69.49, 0.77%, 0.45%

LAB 77.58, -29.6, 73.97

 

CMYK 15 / 0 / 96 / 27

HEX #9FBA08

RGB 159 186 8

HSL 69.1, 0.92%, 0.38%

LAB 71.22, -28.47, 71.21

 

CMYK 15 / 0 / 100 / 34

HEX #8EA800

RGB 142 168 0

HSL 69.29, 1%, 0.33%

LAB 64.77, -27.11, 66.74

 

CMYK 13 / 0 / 72 / 6

HEX #D1EF42

RGB 209 239 66

HSL 70.4, 0.84%, 0.6%

LAB 89.71, -31.2, 75.21

 

CMYK 0 / 7 / 72 / 6

HEX #EFDE42

RGB 239 222 66

HSL 54.1, 0.84%, 0.6%

LAB 87.48, -10.77, 73.87

 

CMYK 0 / 27 / 72 / 6

HEX #EFAF42

RGB 239 175 66

HSL 37.8, 0.84%, 0.6%

LAB 75.7, 13.44, 62.34

 

CMYK 0 / 46 / 72 / 6

HEX #EF8142

RGB 239 129 66

HSL 21.85, 0.84%, 0.6%

LAB 65.31, 37.56, 51.61

 

CMYK 0 / 66 / 72 / 6

HEX #EF5242

RGB 239 82 66

HSL 5.55, 0.84%, 0.6%

LAB 56.86, 59.38, 42.38

 

CMYK 13 / 0 / 72 / 6

HEX #D1EF42

RGB 209 239 66

HSL 70.4, 0.84%, 0.6%

LAB 89.71, -31.2, 75.21

 

CMYK 32 / 0 / 72 / 6

HEX #A3EF42

RGB 163 239 66

HSL 86.36, 0.84%, 0.6%

LAB 86.95, -48.51, 71.59

 

CMYK 51 / 0 / 72 / 6

HEX #74EF42

RGB 116 239 66

HSL 102.66, 0.84%, 0.6%

LAB 84.91, -63.26, 68.88

 

CMYK 71 / 0 / 72 / 6

HEX #45EF42

RGB 69 239 66

HSL 118.96, 0.84%, 0.6%

LAB 83.65, -73.53, 67.19

 

CMYK 72 / 0 / 54 / 6

HEX #42EF6D

RGB 66 239 109

HSL 134.91, 0.84%, 0.6%

LAB 83.96, -69.54, 50

 

CMYK 13 / 0 / 72 / 6

HEX #D1EF42

RGB 209 239 66

HSL 70.4, 0.84%, 0.6%

LAB 89.71, -31.2, 75.21

 

CMYK 13 / 0 / 72 / 6

HEX #D1EF42

RGB 209 239 66

HSL 70.4, 0.84%, 0.6%

LAB 89.71, -31.2, 75.21

 

CMYK 11 / 0 / 63 / 13

HEX #C7DF52

RGB 199 223 82

HSL 70.21, 0.69%, 0.6%

LAB 84.75, -26.76, 64.12

 

CMYK 9 / 0 / 52 / 19

HEX #BCCE63

RGB 188 206 99

HSL 70.09, 0.52%, 0.6%

LAB 79.46, -21.6, 50.55

 

CMYK 7 / 0 / 39 / 25

HEX #B1BE73

RGB 177 190 115

HSL 70.4, 0.37%, 0.6%

LAB 74.45, -16.32, 36.36

 

CMYK 4 / 0 / 24 / 32

HEX #A6AD84

RGB 166 173 132

HSL 70.24, 0.2%, 0.6%

LAB 69.23, -9.54, 20.29

 

CMYK 0 / 26 / 72 / 6

HEX #EFB042

RGB 239 176 66

HSL 38.15, 0.84%, 0.6%

LAB 75.94, 12.91, 62.58

 

CMYK 0 / 7 / 72 / 6

HEX #EFDE42

RGB 239 222 66

HSL 54.1, 0.84%, 0.6%

LAB 87.48, -10.77, 73.87

 

CMYK 12 / 0 / 72 / 6

HEX #D2EF42

RGB 210 239 66

HSL 70.06, 0.84%, 0.6%

LAB 89.78, -30.81, 75.3

 

CMYK 31 / 0 / 72 / 6

HEX #A4EF42

RGB 164 239 66

HSL 86.01, 0.84%, 0.6%

LAB 87.01, -48.16, 71.65

 

CMYK 51 / 0 / 72 / 6

HEX #76EF42

RGB 118 239 66

HSL 101.97, 0.84%, 0.6%

LAB 84.99, -62.72, 68.98

 

CMYK 16 / 0 / 92 / 19

HEX #AECE10

RGB 174 206 16

HSL 70.11, 0.86%, 0.44%

LAB 77.98, -31.58, 76

 

CMYK 15 / 0 / 88 / 7

HEX #C8EC1C

RGB 200 236 28

HSL 70.38, 0.85%, 0.52%

LAB 88.14, -34.7, 83.09

 

CMYK 13 / 0 / 72 / 6

HEX #D1EF42

RGB 209 239 66

HSL 70.4, 0.84%, 0.6%

LAB 89.71, -31.2, 75.21

 

CMYK 10 / 0 / 57 / 5

HEX #DBF268

RGB 219 242 104

HSL 70, 0.84%, 0.68%

LAB 91.49, -26.29, 62.68

 

CMYK 7 / 0 / 42 / 4

HEX #E4F58E

RGB 228 245 142

HSL 69.9, 0.84%, 0.76%

LAB 93.34, -20.78, 47.6

 

CMYK 13 / 0 / 73 / 6

HEX #D2F041

RGB 210 240 65

HSL 70.29, 0.85%, 0.6%

LAB 90.05, -31.32, 75.88

 

CMYK 72 / 0 / 46 / 6

HEX #42EF81

RGB 66 239 129

HSL 141.85, 0.84%, 0.6%

LAB 84.21, -66.62, 40.84

 

CMYK 17 / 72 / 0 / 6

HEX #C742EF

RGB 199 66 239

HSL 286.13, 0.84%, 0.6%

LAB 54.31, 74.97, -62.05

 

CMYK 13 / 0 / 73 / 6

HEX #D2F041

RGB 210 240 65

HSL 70.29, 0.85%, 0.6%

LAB 90.05, -31.32, 75.88

 

CMYK 72 / 12 / 0 / 6

HEX #42D2EF

RGB 66 210 239

HSL 190.06, 0.84%, 0.6%

LAB 78.16, -28.46, -25.24

 

CMYK 0 / 72 / 12 / 6

HEX #EF42D2

RGB 239 66 210

HSL 310.06, 0.84%, 0.6%

LAB 58.88, 78.64, -38.05

 

CMYK 13 / 0 / 73 / 6

HEX #D2F041

RGB 210 240 65

HSL 70.29, 0.85%, 0.6%

LAB 90.05, -31.32, 75.88

 

CMYK 72 / 0 / 46 / 6

HEX #42EF81

RGB 66 239 129

HSL 141.85, 0.84%, 0.6%

LAB 84.21, -66.62, 40.84

 

CMYK 60 / 72 / 0 / 6

HEX #5F42EF

RGB 95 66 239

HSL 250.06, 0.84%, 0.6%

LAB 42.09, 57.73, -82.47

 

CMYK 0 / 72 / 26 / 6

HEX #EF42B0

RGB 239 66 176

HSL 321.85, 0.84%, 0.6%

LAB 57.45, 74.22, -20.76

 

CMYK 13 / 0 / 73 / 6

HEX #D2F041

RGB 210 240 65

HSL 70.29, 0.85%, 0.6%

LAB 90.05, -31.32, 75.88

 

CMYK 72 / 0 / 24 / 6

HEX #42EFB5

RGB 66 239 181

HSL 159.88, 0.84%, 0.6%

LAB 85.11, -56.65, 15.72

 

CMYK 60 / 72 / 0 / 6

HEX #5F42EF

RGB 95 66 239

HSL 250.06, 0.84%, 0.6%

LAB 42.09, 57.73, -82.47

 

CMYK 0 / 72 / 48 / 6

HEX #EF427C

RGB 239 66 124

HSL 339.88, 0.84%, 0.6%

LAB 55.79, 68.92, 7.36

 

Description

Color code: HEX #D2F041 | qconv.com Color code: HEX #D2F041 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 240 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 240 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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