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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2FFB1 it is the complementary color #2D004E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2FFB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2FFB1 shade: #D7FFAC, #E8FFBF, #F9FFD2, #FFFFE5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2FFB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2FFB1 shade: #D2FFB1, #C1ED9E, #B0DB8B, #9FC978 and #8EB765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2FFB1 shade: #D2FFB2, #E7FFB2, #FCFFB2, #FFEDB2 and #FFD8B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2FFB1 shade: #D2FFB2, #BEFFB2, #B2FFBB, #B2FFD0 and #B2FFE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2FFB1 shade matches the following richer shades: #D2FFB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2FFB1 shade: #D2FFB2, #D3F8B8, #D4F2BE, #D5ECC5 and #D6E6CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2FFB1 shade: #FCFFB2, #E8FFB2, #D3FFB2, #BFFFB2 and #B2FFBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2FFB1 shade: #A3FF5F, #BBFF89, #D2FFB2 and #EAFFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2FFB1 shade: #D2FFB1, #B2FFED and #FFB2F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2FFB1 shade: #D2FFB1, #B2D3FF and #FFB2D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2FFB1 shade: #D2FFB1, #B2FFED, #DDB2FF and #FFB2C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2FFB1 shade: #D2FFB1, #B2F9FF, #DDB2FF and #FFB7B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 31 / 0

HEX #D2FFB1

RGB 210 255 177

HSL 94.62, 1%, 0.85%

LAB 95.33, -27.74, 32.71

 

Complementary color

CMYK 42 / 100 / 0 / 69

HEX #2D004E

RGB 45 0 78

HSL 274.62, 1%, 0.15%

LAB 9.86, 36.38, -36.63

 

CMYK 16 / 0 / 33 / 0

HEX #D7FFAC

RGB 215 255 172

HSL 88.92, 1%, 0.84%

LAB 95.56, -26.69, 35.57

 

CMYK 9 / 0 / 25 / 0

HEX #E8FFBF

RGB 232 255 191

HSL 81.56, 1%, 0.87%

LAB 97, -18.06, 28.17

 

CMYK 2 / 0 / 18 / 0

HEX #F9FFD2

RGB 249 255 210

HSL 68, 1%, 0.91%

LAB 98.56, -9.31, 20.88

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 18 / 0 / 31 / 0

HEX #D2FFB1

RGB 210 255 177

HSL 94.62, 1%, 0.85%

LAB 95.33, -27.74, 32.71

 

CMYK 19 / 0 / 33 / 7

HEX #C1ED9E

RGB 193 237 158

HSL 93.42, 0.69%, 0.77%

LAB 89.1, -27.83, 33.77

 

CMYK 20 / 0 / 37 / 14

HEX #B0DB8B

RGB 176 219 139

HSL 92.25, 0.53%, 0.7%

LAB 82.78, -27.91, 34.87

 

CMYK 21 / 0 / 40 / 21

HEX #9FC978

RGB 159 201 120

HSL 91.11, 0.43%, 0.63%

LAB 76.38, -27.98, 36.01

 

CMYK 22 / 0 / 45 / 28

HEX #8EB765

RGB 142 183 101

HSL 90, 0.36%, 0.56%

LAB 69.86, -28.03, 37.2

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB2

RGB 210 255 178

HSL 95.06, 1%, 0.85%

LAB 95.34, -27.6, 32.23

 

CMYK 9 / 0 / 30 / 0

HEX #E7FFB2

RGB 231 255 178

HSL 78.7, 1%, 0.85%

LAB 96.71, -20.2, 34.29

 

CMYK 1 / 0 / 30 / 0

HEX #FCFFB2

RGB 252 255 178

HSL 62.34, 1%, 0.85%

LAB 98.21, -12.55, 36.56

 

CMYK 0 / 7 / 30 / 0

HEX #FFEDB2

RGB 255 237 178

HSL 45.97, 1%, 0.85%

LAB 93.9, -2.5, 30.84

 

CMYK 0 / 15 / 30 / 0

HEX #FFD8B2

RGB 255 216 178

HSL 29.61, 1%, 0.85%

LAB 88.73, 8.22, 23.8

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB2

RGB 210 255 178

HSL 95.06, 1%, 0.85%

LAB 95.34, -27.6, 32.23

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB2

RGB 190 255 178

HSL 110.65, 1%, 0.85%

LAB 94.18, -34.31, 30.46

 

CMYK 30 / 0 / 27 / 0

HEX #B2FFBB

RGB 178 255 187

HSL 127.01, 1%, 0.85%

LAB 93.7, -36.68, 25.16

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD0

RGB 178 255 208

HSL 143.38, 1%, 0.85%

LAB 94.11, -32.98, 15.02

 

CMYK 30 / 0 / 11 / 0

HEX #B2FFE4

RGB 178 255 228

HSL 158.96, 1%, 0.85%

LAB 94.56, -29.1, 5.38

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB2

RGB 210 255 178

HSL 95.06, 1%, 0.85%

LAB 95.34, -27.6, 32.23

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB2

RGB 210 255 178

HSL 95.06, 1%, 0.85%

LAB 95.34, -27.6, 32.23

 

CMYK 15 / 0 / 26 / 3

HEX #D3F8B8

RGB 211 248 184

HSL 94.69, 0.82%, 0.85%

LAB 93.64, -23.05, 26.91

 

CMYK 12 / 0 / 21 / 5

HEX #D4F2BE

RGB 212 242 190

HSL 94.62, 0.67%, 0.85%

LAB 92.23, -18.88, 21.91

 

CMYK 10 / 0 / 17 / 7

HEX #D5ECC5

RGB 213 236 197

HSL 95.38, 0.51%, 0.85%

LAB 90.86, -14.47, 16.39

 

CMYK 7 / 0 / 12 / 10

HEX #D6E6CB

RGB 214 230 203

HSL 95.56, 0.35%, 0.85%

LAB 89.49, -10.12, 11.35

 

CMYK 1 / 0 / 30 / 0

HEX #FCFFB2

RGB 252 255 178

HSL 62.34, 1%, 0.85%

LAB 98.21, -12.55, 36.56

 

CMYK 9 / 0 / 30 / 0

HEX #E8FFB2

RGB 232 255 178

HSL 77.92, 1%, 0.85%

LAB 96.78, -19.84, 34.4

 

CMYK 17 / 0 / 30 / 0

HEX #D3FFB2

RGB 211 255 178

HSL 94.29, 1%, 0.85%

LAB 95.41, -27.25, 32.32

 

CMYK 25 / 0 / 30 / 0

HEX #BFFFB2

RGB 191 255 178

HSL 109.87, 1%, 0.85%

LAB 94.23, -33.98, 30.54

 

CMYK 30 / 0 / 27 / 0

HEX #B2FFBA

RGB 178 255 186

HSL 126.23, 1%, 0.85%

LAB 93.68, -36.85, 25.64

 

CMYK 36 / 0 / 63 / 0

HEX #A3FF5F

RGB 163 255 95

HSL 94.5, 1%, 0.69%

LAB 91.74, -53.05, 65.79

 

CMYK 27 / 0 / 46 / 0

HEX #BBFF89

RGB 187 255 137

HSL 94.58, 1%, 0.77%

LAB 93.4, -40.82, 49.49

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB2

RGB 210 255 178

HSL 95.06, 1%, 0.85%

LAB 95.34, -27.6, 32.23

 

CMYK 8 / 0 / 14 / 0

HEX #EAFFDB

RGB 234 255 219

HSL 95, 1%, 0.93%

LAB 97.68, -13.1, 14.91

 

CMYK 18 / 0 / 31 / 0

HEX #D2FFB1

RGB 210 255 177

HSL 94.62, 1%, 0.85%

LAB 95.33, -27.74, 32.71

 

CMYK 30 / 0 / 7 / 0

HEX #B2FFED

RGB 178 255 237

HSL 165.97, 1%, 0.85%

LAB 94.78, -27.25, 1.05

 

CMYK 0 / 30 / 5 / 0

HEX #FFB2F2

RGB 255 178 242

HSL 310.13, 1%, 0.85%

LAB 81.57, 37.72, -20.6

 

CMYK 18 / 0 / 31 / 0

HEX #D2FFB1

RGB 210 255 177

HSL 94.62, 1%, 0.85%

LAB 95.33, -27.74, 32.71

 

CMYK 30 / 17 / 0 / 0

HEX #B2D3FF

RGB 178 211 255

HSL 214.29, 1%, 0.85%

LAB 83.59, -1.04, -25.06

 

CMYK 0 / 30 / 17 / 0

HEX #FFB2D3

RGB 255 178 211

HSL 334.29, 1%, 0.85%

LAB 80.63, 32.69, -5.31

 

CMYK 18 / 0 / 31 / 0

HEX #D2FFB1

RGB 210 255 177

HSL 94.62, 1%, 0.85%

LAB 95.33, -27.74, 32.71

 

CMYK 30 / 0 / 7 / 0

HEX #B2FFED

RGB 178 255 237

HSL 165.97, 1%, 0.85%

LAB 94.78, -27.25, 1.05

 

CMYK 13 / 30 / 0 / 0

HEX #DDB2FF

RGB 221 178 255

HSL 273.51, 1%, 0.85%

LAB 78.71, 29.52, -32.24

 

CMYK 0 / 30 / 23 / 0

HEX #FFB2C4

RGB 255 178 196

HSL 345.97, 1%, 0.85%

LAB 80.23, 30.49, 2.21

 

CMYK 18 / 0 / 31 / 0

HEX #D2FFB1

RGB 210 255 177

HSL 94.62, 1%, 0.85%

LAB 95.33, -27.74, 32.71

 

CMYK 30 / 2 / 0 / 0

HEX #B2F9FF

RGB 178 249 255

HSL 184.68, 1%, 0.85%

LAB 93.64, -20.44, -9.93

 

CMYK 13 / 30 / 0 / 0

HEX #DDB2FF

RGB 221 178 255

HSL 273.51, 1%, 0.85%

LAB 78.71, 29.52, -32.24

 

CMYK 0 / 28 / 30 / 0

HEX #FFB7B2

RGB 255 183 178

HSL 3.9, 1%, 0.85%

LAB 80.93, 25.44, 12.93

 

Description

Color code: HEX #D2FFB1 | qconv.com Color code: HEX #D2FFB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 255 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 255 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 31 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 31% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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