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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D30D0B it is the complementary color #2CF2F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D30D0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D30D0B shade: #D80D06, #E91F19, #FA312C, #FF433F and #FF5552

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D30D0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D30D0B shade: #D30D0B, #C20000, #B10000, #A00000 and #8F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D30D0B shade: #D50D0B and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D30D0B shade: #D50D0B, #D5430B, #D57A0B, #D5B00B and #C3D50B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D30D0B shade matches the following richer shades: #D50D0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D30D0B shade: #D50D0B, #C31F1D, #B0302F, #9E4241 and #8C5453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D30D0B shade: #D50B76, #D50B41, #D50B0B, #D5410B and #D5760B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D30D0B shade: #860807, #AD0A09, #D50D0B, #F21916 and #F43F3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D30D0B shade: #D30D0B, #ACD50B and #0B5CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D30D0B shade: #D30D0B, #0BD50B and #0B0BD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D30D0B shade: #D30D0B, #ACD50B, #0BD5D5 and #330BD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D30D0B shade: #D30D0B, #70D50B, #0BD5D5 and #700BD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 95 / 17

HEX #D30D0B

RGB 211 13 11

HSL 0.6, 0.9%, 0.44%

LAB 44.46, 68.35, 55.02

 

Complementary color

CMYK 82 / 1 / 0 / 4

HEX #2CF2F4

RGB 44 242 244

HSL 180.6, 0.9%, 0.56%

LAB 87.28, -43.91, -14.13

 

CMYK 0 / 94 / 97 / 15

HEX #D80D06

RGB 216 13 6

HSL 2, 0.95%, 0.44%

LAB 45.5, 69.57, 57.6

 

CMYK 0 / 87 / 89 / 9

HEX #E91F19

RGB 233 31 25

HSL 1.73, 0.83%, 0.51%

LAB 49.95, 71.62, 55.67

 

CMYK 0 / 80 / 82 / 2

HEX #FA312C

RGB 250 49 44

HSL 1.46, 0.95%, 0.58%

LAB 54.76, 72.7, 52.33

 

CMYK 0 / 74 / 75 / 0

HEX #FF433F

RGB 255 67 63

HSL 1.25, 1%, 0.62%

LAB 57.69, 69.59, 45.71

 

CMYK 0 / 67 / 68 / 0

HEX #FF5552

RGB 255 85 82

HSL 1.04, 1%, 0.66%

LAB 60.22, 64.07, 38.17

 

CMYK 0 / 94 / 95 / 17

HEX #D30D0B

RGB 211 13 11

HSL 0.6, 0.9%, 0.44%

LAB 44.46, 68.35, 55.02

 

CMYK 0 / 100 / 100 / 24

HEX #C20000

RGB 194 0 0

HSL 0, 1%, 0.38%

LAB 40.36, 65.21, 54.72

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 94 / 95 / 16

HEX #D50D0B

RGB 213 13 11

HSL 0.59, 0.9%, 0.44%

LAB 44.88, 68.85, 55.48

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 94 / 95 / 16

HEX #D50D0B

RGB 213 13 11

HSL 0.59, 0.9%, 0.44%

LAB 44.88, 68.85, 55.48

 

CMYK 0 / 69 / 95 / 16

HEX #D5430B

RGB 213 67 11

HSL 16.63, 0.9%, 0.44%

LAB 49.72, 55.29, 58.25

 

CMYK 0 / 43 / 95 / 16

HEX #D57A0B

RGB 213 122 11

HSL 32.97, 0.9%, 0.44%

LAB 59.97, 29.08, 64.93

 

CMYK 0 / 17 / 95 / 16

HEX #D5B00B

RGB 213 176 11

HSL 49.01, 0.9%, 0.44%

LAB 73.04, 0.13, 74.25

 

CMYK 8 / 0 / 95 / 16

HEX #C3D50B

RGB 195 213 11

HSL 65.35, 0.9%, 0.44%

LAB 81.41, -26.28, 79.86

 

CMYK 0 / 94 / 95 / 16

HEX #D50D0B

RGB 213 13 11

HSL 0.59, 0.9%, 0.44%

LAB 44.88, 68.85, 55.48

 

CMYK 0 / 94 / 95 / 16

HEX #D50D0B

RGB 213 13 11

HSL 0.59, 0.9%, 0.44%

LAB 44.88, 68.85, 55.48

 

CMYK 0 / 84 / 85 / 24

HEX #C31F1D

RGB 195 31 29

HSL 0.72, 0.74%, 0.44%

LAB 42.26, 61.42, 44.5

 

CMYK 0 / 73 / 73 / 31

HEX #B0302F

RGB 176 48 47

HSL 0.47, 0.58%, 0.44%

LAB 40.49, 51.27, 31.51

 

CMYK 0 / 58 / 59 / 38

HEX #9E4241

RGB 158 66 65

HSL 0.65, 0.42%, 0.44%

LAB 40.49, 38.25, 19.9

 

CMYK 0 / 40 / 41 / 45

HEX #8C5453

RGB 140 84 83

HSL 1.05, 0.26%, 0.44%

LAB 42.06, 23.18, 10.52

 

CMYK 0 / 95 / 45 / 16

HEX #D50B76

RGB 213 11 118

HSL 328.22, 0.9%, 0.44%

LAB 46.57, 73.85, -2.98

 

CMYK 0 / 95 / 69 / 16

HEX #D50B41

RGB 213 11 65

HSL 343.96, 0.9%, 0.44%

LAB 45.31, 70.43, 28.16

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 69 / 95 / 16

HEX #D5410B

RGB 213 65 11

HSL 16.04, 0.9%, 0.44%

LAB 49.44, 56.06, 58.08

 

CMYK 0 / 45 / 95 / 16

HEX #D5760B

RGB 213 118 11

HSL 31.78, 0.9%, 0.44%

LAB 59.09, 31.19, 64.33

 

CMYK 0 / 94 / 95 / 47

HEX #860807

RGB 134 8 7

HSL 0.47, 0.9%, 0.28%

LAB 27.46, 48.39, 37.45

 

CMYK 0 / 94 / 95 / 32

HEX #AD0A09

RGB 173 10 9

HSL 0.37, 0.9%, 0.36%

LAB 36.22, 58.79, 46.76

 

CMYK 0 / 94 / 95 / 16

HEX #D50D0B

RGB 213 13 11

HSL 0.59, 0.9%, 0.44%

LAB 44.88, 68.85, 55.48

 

CMYK 0 / 90 / 91 / 5

HEX #F21916

RGB 242 25 22

HSL 0.82, 0.89%, 0.52%

LAB 51.42, 74.86, 58.7

 

CMYK 0 / 74 / 75 / 4

HEX #F43F3E

RGB 244 63 62

HSL 0.33, 0.89%, 0.6%

LAB 55.21, 67.61, 42.98

 

CMYK 0 / 94 / 95 / 17

HEX #D30D0B

RGB 211 13 11

HSL 0.6, 0.9%, 0.44%

LAB 44.46, 68.35, 55.02

 

CMYK 19 / 0 / 95 / 16

HEX #ACD50B

RGB 172 213 11

HSL 72.18, 0.9%, 0.44%

LAB 79.83, -35.68, 77.96

 

CMYK 95 / 57 / 0 / 16

HEX #0B5CD5

RGB 11 92 213

HSL 215.94, 0.9%, 0.44%

LAB 42.05, 25.74, -67.91

 

CMYK 0 / 94 / 95 / 17

HEX #D30D0B

RGB 211 13 11

HSL 0.6, 0.9%, 0.44%

LAB 44.46, 68.35, 55.02

 

CMYK 95 / 0 / 95 / 16

HEX #0BD50B

RGB 11 213 11

HSL 120, 0.9%, 0.44%

LAB 74.63, -74.63, 71.6

 

CMYK 95 / 95 / 0 / 16

HEX #0B0BD5

RGB 11 11 213

HSL 240, 0.9%, 0.44%

LAB 27.06, 67.09, -92.67

 

CMYK 0 / 94 / 95 / 17

HEX #D30D0B

RGB 211 13 11

HSL 0.6, 0.9%, 0.44%

LAB 44.46, 68.35, 55.02

 

CMYK 19 / 0 / 95 / 16

HEX #ACD50B

RGB 172 213 11

HSL 72.18, 0.9%, 0.44%

LAB 79.83, -35.68, 77.96

 

CMYK 95 / 0 / 0 / 16

HEX #0BD5D5

RGB 11 213 213

HSL 180, 0.9%, 0.44%

LAB 77.56, -41.69, -12.28

 

CMYK 76 / 95 / 0 / 16

HEX #330BD5

RGB 51 11 213

HSL 251.88, 0.9%, 0.44%

LAB 28.77, 67.89, -89.78

 

CMYK 0 / 94 / 95 / 17

HEX #D30D0B

RGB 211 13 11

HSL 0.6, 0.9%, 0.44%

LAB 44.46, 68.35, 55.02

 

CMYK 47 / 0 / 95 / 16

HEX #70D50B

RGB 112 213 11

HSL 90, 0.9%, 0.44%

LAB 76.71, -57.18, 74.17

 

CMYK 95 / 0 / 0 / 16

HEX #0BD5D5

RGB 11 213 213

HSL 180, 0.9%, 0.44%

LAB 77.56, -41.69, -12.28

 

CMYK 47 / 95 / 0 / 16

HEX #700BD5

RGB 112 11 213

HSL 270, 0.9%, 0.44%

LAB 34.98, 71.65, -79.29

 

Description

Color code: HEX #D30D0B | qconv.com Color code: HEX #D30D0B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 13 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 13 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 95 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 95% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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