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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D316BB it is the complementary color #2CE944. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D316BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D316BB shade: #D816B6, #E928C9, #FA3ADC, #FF4CEF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D316BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D316BB shade: #D316BB, #C204A8, #B10095, #A00082 and #8F006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D316BB shade: #D416BC, #D41688, #D41655, #D41622 and #D41616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D316BB shade: #D416BC, #B916D4, #8516D4, #5216D4 and #1F16D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D316BB shade matches the following richer shades: #D416BC and #E703CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D316BB shade: #D416BC, #C129AE, #AE3C9F, #9B4F91 and #886283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D316BB shade: #8516D4, #B716D4, #D416BE, #D4168B and #D41658

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D316BB shade: #890E79, #AE129B, #D416BC, #E82BD0 and #EC50D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D316BB shade: #D316BB, #D45216 and #16D49E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D316BB shade: #D316BB, #BED416 and #16BED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D316BB shade: #D316BB, #D45216, #16D42C and #1698D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D316BB shade: #D316BB, #D48B16, #16D42C and #165FD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 11 / 17

HEX #D316BB

RGB 211 22 187

HSL 307.62, 0.81%, 0.46%

LAB 49.51, 79.8, -39.89

 

Complementary color

CMYK 81 / 0 / 71 / 9

HEX #2CE944

RGB 44 233 68

HSL 127.62, 0.81%, 0.54%

LAB 81.42, -74.92, 64.08

 

CMYK 0 / 90 / 16 / 15

HEX #D816B6

RGB 216 22 182

HSL 310.52, 0.82%, 0.47%

LAB 50.16, 80.09, -35.88

 

CMYK 0 / 83 / 14 / 9

HEX #E928C9

RGB 233 40 201

HSL 309.95, 0.81%, 0.54%

LAB 55.13, 82.82, -38.87

 

CMYK 0 / 77 / 12 / 2

HEX #FA3ADC

RGB 250 58 220

HSL 309.38, 0.95%, 0.6%

LAB 60.35, 84.64, -41.28

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CEF

RGB 255 76 239

HSL 305.36, 1%, 0.65%

LAB 63.89, 83.16, -46.3

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 90 / 11 / 17

HEX #D316BB

RGB 211 22 187

HSL 307.62, 0.81%, 0.46%

LAB 49.51, 79.8, -39.89

 

CMYK 0 / 98 / 13 / 24

HEX #C204A8

RGB 194 4 168

HSL 308.21, 0.96%, 0.39%

LAB 44.78, 76.02, -36.36

 

CMYK 0 / 100 / 16 / 31

HEX #B10095

RGB 177 0 149

HSL 309.49, 1%, 0.35%

LAB 40.44, 70.8, -31.98

 

CMYK 0 / 100 / 19 / 37

HEX #A00082

RGB 160 0 130

HSL 311.25, 1%, 0.31%

LAB 36.15, 65.13, -27.26

 

CMYK 0 / 100 / 22 / 44

HEX #8F006F

RGB 143 0 111

HSL 313.43, 1%, 0.28%

LAB 31.78, 59.35, -22.36

 

CMYK 0 / 90 / 11 / 17

HEX #D416BC

RGB 212 22 188

HSL 307.58, 0.81%, 0.46%

LAB 49.74, 80.12, -40.09

 

CMYK 0 / 90 / 36 / 17

HEX #D41688

RGB 212 22 136

HSL 324, 0.81%, 0.46%

LAB 47.43, 74.01, -12.73

 

CMYK 0 / 90 / 60 / 17

HEX #D41655

RGB 212 22 85

HSL 340.11, 0.81%, 0.46%

LAB 45.94, 69.91, 16.56

 

CMYK 0 / 90 / 84 / 17

HEX #D41622

RGB 212 22 34

HSL 356.21, 0.81%, 0.46%

LAB 45.2, 67.81, 45.88

 

CMYK 0 / 90 / 90 / 17

HEX #D41616

RGB 212 22 22

HSL 0, 0.81%, 0.46%

LAB 45.12, 67.58, 51.5

 

CMYK 0 / 90 / 11 / 17

HEX #D416BC

RGB 212 22 188

HSL 307.58, 0.81%, 0.46%

LAB 49.74, 80.12, -40.09

 

CMYK 13 / 90 / 0 / 17

HEX #B916D4

RGB 185 22 212

HSL 291.47, 0.81%, 0.46%

LAB 46.5, 79.08, -59.43

 

CMYK 37 / 90 / 0 / 17

HEX #8516D4

RGB 133 22 212

HSL 275.05, 0.81%, 0.46%

LAB 38.4, 71.78, -72.98

 

CMYK 61 / 90 / 0 / 17

HEX #5216D4

RGB 82 22 212

HSL 258.95, 0.81%, 0.46%

LAB 32.08, 66.8, -83.61

 

CMYK 85 / 90 / 0 / 17

HEX #1F16D4

RGB 31 22 212

HSL 242.84, 0.81%, 0.46%

LAB 28.43, 64.35, -89.79

 

CMYK 0 / 90 / 11 / 17

HEX #D416BC

RGB 212 22 188

HSL 307.58, 0.81%, 0.46%

LAB 49.74, 80.12, -40.09

 

CMYK 0 / 99 / 13 / 9

HEX #E703CA

RGB 231 3 202

HSL 307.63, 0.97%, 0.46%

LAB 53.3, 87.07, -42.36

 

CMYK 0 / 90 / 11 / 17

HEX #D416BC

RGB 212 22 188

HSL 307.58, 0.81%, 0.46%

LAB 49.74, 80.12, -40.09

 

CMYK 0 / 79 / 10 / 24

HEX #C129AE

RGB 193 41 174

HSL 307.5, 0.65%, 0.46%

LAB 46.95, 70.71, -36.51

 

CMYK 0 / 66 / 9 / 32

HEX #AE3C9F

RGB 174 60 159

HSL 307.89, 0.49%, 0.46%

LAB 45.27, 57.68, -30.46

 

CMYK 0 / 49 / 6 / 39

HEX #9B4F91

RGB 155 79 145

HSL 307.89, 0.32%, 0.46%

LAB 45.09, 40.98, -22.58

 

CMYK 0 / 28 / 4 / 47

HEX #886283

RGB 136 98 131

HSL 307.89, 0.16%, 0.46%

LAB 46.46, 21.17, -12.29

 

CMYK 37 / 90 / 0 / 17

HEX #8516D4

RGB 133 22 212

HSL 275.05, 0.81%, 0.46%

LAB 38.4, 71.78, -72.98

 

CMYK 14 / 90 / 0 / 17

HEX #B716D4

RGB 183 22 212

HSL 290.84, 0.81%, 0.46%

LAB 46.17, 78.77, -59.98

 

CMYK 0 / 90 / 10 / 17

HEX #D416BE

RGB 212 22 190

HSL 306.95, 0.81%, 0.46%

LAB 49.84, 80.39, -41.09

 

CMYK 0 / 90 / 34 / 17

HEX #D4168B

RGB 212 22 139

HSL 323.05, 0.81%, 0.46%

LAB 47.54, 74.31, -14.38

 

CMYK 0 / 90 / 58 / 17

HEX #D41658

RGB 212 22 88

HSL 339.16, 0.81%, 0.46%

LAB 46.01, 70.1, 14.79

 

CMYK 0 / 90 / 12 / 46

HEX #890E79

RGB 137 14 121

HSL 307.8, 0.81%, 0.3%

LAB 31.84, 57.39, -28.71

 

CMYK 0 / 90 / 11 / 32

HEX #AE129B

RGB 174 18 155

HSL 307.31, 0.81%, 0.38%

LAB 40.89, 68.98, -34.94

 

CMYK 0 / 90 / 11 / 17

HEX #D416BC

RGB 212 22 188

HSL 307.58, 0.81%, 0.46%

LAB 49.74, 80.12, -40.09

 

CMYK 0 / 81 / 10 / 9

HEX #E82BD0

RGB 232 43 208

HSL 307.62, 0.8%, 0.54%

LAB 55.52, 82.94, -42.28

 

CMYK 0 / 66 / 8 / 7

HEX #EC50D8

RGB 236 80 216

HSL 307.69, 0.8%, 0.62%

LAB 60.36, 74.09, -39.16

 

CMYK 0 / 90 / 11 / 17

HEX #D316BB

RGB 211 22 187

HSL 307.62, 0.81%, 0.46%

LAB 49.51, 79.8, -39.89

 

CMYK 0 / 61 / 90 / 17

HEX #D45216

RGB 212 82 22

HSL 18.95, 0.81%, 0.46%

LAB 51.94, 48.78, 56.47

 

CMYK 90 / 0 / 25 / 17

HEX #16D49E

RGB 22 212 158

HSL 162.95, 0.81%, 0.46%

LAB 75.9, -55.52, 14.78

 

CMYK 0 / 90 / 11 / 17

HEX #D316BB

RGB 211 22 187

HSL 307.62, 0.81%, 0.46%

LAB 49.51, 79.8, -39.89

 

CMYK 10 / 0 / 90 / 17

HEX #BED416

RGB 190 212 22

HSL 66.95, 0.81%, 0.46%

LAB 80.79, -27.72, 77.85

 

CMYK 90 / 10 / 0 / 17

HEX #16BED4

RGB 22 190 212

HSL 186.95, 0.81%, 0.46%

LAB 70.7, -30.91, -22.08

 

CMYK 0 / 90 / 11 / 17

HEX #D316BB

RGB 211 22 187

HSL 307.62, 0.81%, 0.46%

LAB 49.51, 79.8, -39.89

 

CMYK 0 / 61 / 90 / 17

HEX #D45216

RGB 212 82 22

HSL 18.95, 0.81%, 0.46%

LAB 51.94, 48.78, 56.47

 

CMYK 90 / 0 / 79 / 17

HEX #16D42C

RGB 22 212 44

HSL 126.95, 0.81%, 0.46%

LAB 74.47, -72.49, 64.98

 

CMYK 90 / 28 / 0 / 17

HEX #1698D4

RGB 22 152 212

HSL 198.95, 0.81%, 0.46%

LAB 59.32, -11.11, -39.68

 

CMYK 0 / 90 / 11 / 17

HEX #D316BB

RGB 211 22 187

HSL 307.62, 0.81%, 0.46%

LAB 49.51, 79.8, -39.89

 

CMYK 0 / 34 / 90 / 17

HEX #D48B16

RGB 212 139 22

HSL 36.95, 0.81%, 0.46%

LAB 63.77, 19.69, 65.39

 

CMYK 90 / 0 / 79 / 17

HEX #16D42C

RGB 22 212 44

HSL 126.95, 0.81%, 0.46%

LAB 74.47, -72.49, 64.98

 

CMYK 90 / 55 / 0 / 17

HEX #165FD4

RGB 22 95 212

HSL 216.95, 0.81%, 0.46%

LAB 42.93, 23.84, -65.9

 

Description

Color code: HEX #D316BB | qconv.com Color code: HEX #D316BB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 22 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 22 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 11 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 11% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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