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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3119E it is the complementary color #2CEE61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3119E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3119E shade: #D81199, #E923AC, #FA35BF, #FF47D2 and #FF59E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3119E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3119E shade: #D3119E, #C2008B, #B10078, #A00065 and #8F0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3119E shade: #D4119E, #D4116A, #D41135 and #D41111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3119E shade: #D4119E, #D411D3, #A011D4, #6B11D4 and #3711D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3119E shade matches the following richer shades: #D4119E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3119E shade: #D4119E, #C12396, #AF368E, #9C4885 and #8A5B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3119E shade: #A011D4, #D411D4, #D411A0, #D4116C and #D41138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3119E shade: #870B65, #AE0E82, #D4119E, #ED21B5 and #F047C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3119E shade: #D3119E, #D46C11 and #11D4BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3119E shade: #D3119E, #A0D411 and #11A0D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3119E shade: #D3119E, #D46C11, #11D445 and #1179D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3119E shade: #D3119E, #D4A611, #11D445 and #113ED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 25 / 17

HEX #D3119E

RGB 211 17 158

HSL 316.39, 0.85%, 0.45%

LAB 47.9, 76.81, -25.27

 

Complementary color

CMYK 82 / 0 / 59 / 7

HEX #2CEE61

RGB 44 238 97

HSL 136.39, 0.85%, 0.55%

LAB 83.2, -73.47, 54.39

 

CMYK 0 / 92 / 29 / 15

HEX #D81199

RGB 216 17 153

HSL 318.99, 0.85%, 0.46%

LAB 48.64, 77.27, -21.07

 

CMYK 0 / 85 / 26 / 9

HEX #E923AC

RGB 233 35 172

HSL 318.48, 0.82%, 0.53%

LAB 53.5, 80.23, -24.58

 

CMYK 0 / 79 / 24 / 2

HEX #FA35BF

RGB 250 53 191

HSL 317.97, 0.95%, 0.59%

LAB 58.63, 82.21, -27.44

 

CMYK 0 / 72 / 18 / 0

HEX #FF47D2

RGB 255 71 210

HSL 314.67, 1%, 0.64%

LAB 62.01, 80.7, -32.97

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E5

RGB 255 89 229

HSL 309.4, 1%, 0.67%

LAB 65.01, 77.23, -38.97

 

CMYK 0 / 92 / 25 / 17

HEX #D3119E

RGB 211 17 158

HSL 316.39, 0.85%, 0.45%

LAB 47.9, 76.81, -25.27

 

CMYK 0 / 100 / 28 / 24

HEX #C2008B

RGB 194 0 139

HSL 317.01, 1%, 0.38%

LAB 43.26, 72.87, -21.24

 

CMYK 0 / 100 / 32 / 31

HEX #B10078

RGB 177 0 120

HSL 319.32, 1%, 0.35%

LAB 39.08, 67.36, -16.21

 

CMYK 0 / 100 / 37 / 37

HEX #A00065

RGB 160 0 101

HSL 322.13, 1%, 0.31%

LAB 34.83, 61.77, -10.97

 

CMYK 0 / 100 / 43 / 44

HEX #8F0052

RGB 143 0 82

HSL 325.59, 1%, 0.28%

LAB 30.52, 56.12, -5.44

 

CMYK 0 / 92 / 25 / 17

HEX #D4119E

RGB 212 17 158

HSL 316.62, 0.85%, 0.45%

LAB 48.09, 77.01, -24.97

 

CMYK 0 / 92 / 50 / 17

HEX #D4116A

RGB 212 17 106

HSL 332.62, 0.85%, 0.45%

LAB 46.23, 72.03, 3.91

 

CMYK 0 / 92 / 75 / 17

HEX #D41135

RGB 212 17 53

HSL 348.92, 0.85%, 0.45%

LAB 45.16, 69.06, 35.18

 

CMYK 0 / 92 / 92 / 17

HEX #D41111

RGB 212 17 17

HSL 0, 0.85%, 0.45%

LAB 44.86, 68.2, 53.32

 

CMYK 0 / 92 / 25 / 17

HEX #D4119E

RGB 212 17 158

HSL 316.62, 0.85%, 0.45%

LAB 48.09, 77.01, -24.97

 

CMYK 0 / 92 / 0 / 17

HEX #D411D3

RGB 212 17 211

HSL 300.31, 0.85%, 0.45%

LAB 50.81, 83.94, -51.7

 

CMYK 25 / 92 / 0 / 17

HEX #A011D4

RGB 160 17 212

HSL 284, 0.85%, 0.45%

LAB 42.2, 76.13, -66.6

 

CMYK 50 / 92 / 0 / 17

HEX #6B11D4

RGB 107 17 212

HSL 267.69, 0.85%, 0.45%

LAB 34.56, 69.98, -79.42

 

CMYK 74 / 92 / 0 / 17

HEX #3711D4

RGB 55 17 212

HSL 251.69, 0.85%, 0.45%

LAB 29.33, 66.52, -88.26

 

CMYK 0 / 92 / 25 / 17

HEX #D4119E

RGB 212 17 158

HSL 316.62, 0.85%, 0.45%

LAB 48.09, 77.01, -24.97

 

CMYK 0 / 92 / 25 / 17

HEX #D4119E

RGB 212 17 158

HSL 316.62, 0.85%, 0.45%

LAB 48.09, 77.01, -24.97

 

CMYK 0 / 82 / 22 / 24

HEX #C12396

RGB 193 35 150

HSL 316.33, 0.69%, 0.45%

LAB 45.28, 68.95, -24.81

 

CMYK 0 / 69 / 19 / 31

HEX #AF368E

RGB 175 54 142

HSL 316.36, 0.53%, 0.45%

LAB 43.81, 57.72, -22.5

 

CMYK 0 / 54 / 15 / 39

HEX #9C4885

RGB 156 72 133

HSL 316.43, 0.37%, 0.45%

LAB 43.35, 42.85, -17.99

 

CMYK 0 / 34 / 9 / 46

HEX #8A5B7D

RGB 138 91 125

HSL 316.6, 0.21%, 0.45%

LAB 44.75, 24.86, -11.23

 

CMYK 25 / 92 / 0 / 17

HEX #A011D4

RGB 160 17 212

HSL 284, 0.85%, 0.45%

LAB 42.2, 76.13, -66.6

 

CMYK 0 / 92 / 0 / 17

HEX #D411D4

RGB 212 17 212

HSL 300, 0.85%, 0.45%

LAB 50.86, 84.09, -52.18

 

CMYK 0 / 92 / 25 / 17

HEX #D411A0

RGB 212 17 160

HSL 316, 0.85%, 0.45%

LAB 48.18, 77.24, -26.02

 

CMYK 0 / 92 / 49 / 17

HEX #D4116C

RGB 212 17 108

HSL 332, 0.85%, 0.45%

LAB 46.29, 72.18, 2.76

 

CMYK 0 / 92 / 74 / 17

HEX #D41138

RGB 212 17 56

HSL 348, 0.85%, 0.45%

LAB 45.2, 69.17, 33.44

 

CMYK 0 / 92 / 25 / 47

HEX #870B65

RGB 135 11 101

HSL 316.45, 0.85%, 0.29%

LAB 30.23, 54.73, -18.46

 

CMYK 0 / 92 / 25 / 32

HEX #AE0E82

RGB 174 14 130

HSL 316.5, 0.85%, 0.37%

LAB 39.45, 66.3, -21.91

 

CMYK 0 / 92 / 25 / 17

HEX #D4119E

RGB 212 17 158

HSL 316.62, 0.85%, 0.45%

LAB 48.09, 77.01, -24.97

 

CMYK 0 / 86 / 24 / 7

HEX #ED21B5

RGB 237 33 181

HSL 316.47, 0.85%, 0.53%

LAB 54.48, 82.44, -28.27

 

CMYK 0 / 70 / 19 / 6

HEX #F047C2

RGB 240 71 194

HSL 316.33, 0.85%, 0.61%

LAB 58.91, 75.09, -28.88

 

CMYK 0 / 92 / 25 / 17

HEX #D3119E

RGB 211 17 158

HSL 316.39, 0.85%, 0.45%

LAB 47.9, 76.81, -25.27

 

CMYK 0 / 49 / 92 / 17

HEX #D46C11

RGB 212 108 17

HSL 28, 0.85%, 0.45%

LAB 56.84, 36.07, 61.45

 

CMYK 92 / 0 / 12 / 17

HEX #11D4BA

RGB 17 212 186

HSL 172, 0.85%, 0.45%

LAB 76.53, -48.7, 0.7

 

CMYK 0 / 92 / 25 / 17

HEX #D3119E

RGB 211 17 158

HSL 316.39, 0.85%, 0.45%

LAB 47.9, 76.81, -25.27

 

CMYK 25 / 0 / 92 / 17

HEX #A0D411

RGB 160 212 17

HSL 76, 0.85%, 0.45%

LAB 78.81, -39.87, 76.16

 

CMYK 92 / 25 / 0 / 17

HEX #11A0D4

RGB 17 160 212

HSL 196, 0.85%, 0.45%

LAB 61.67, -15.76, -36.02

 

CMYK 0 / 92 / 25 / 17

HEX #D3119E

RGB 211 17 158

HSL 316.39, 0.85%, 0.45%

LAB 47.9, 76.81, -25.27

 

CMYK 0 / 49 / 92 / 17

HEX #D46C11

RGB 212 108 17

HSL 28, 0.85%, 0.45%

LAB 56.84, 36.07, 61.45

 

CMYK 92 / 0 / 67 / 17

HEX #11D445

RGB 17 212 69

HSL 136, 0.85%, 0.45%

LAB 74.59, -70.78, 56.43

 

CMYK 92 / 43 / 0 / 17

HEX #1179D4

RGB 17 121 212

HSL 208, 0.85%, 0.45%

LAB 50.15, 6.96, -54.23

 

CMYK 0 / 92 / 25 / 17

HEX #D3119E

RGB 211 17 158

HSL 316.39, 0.85%, 0.45%

LAB 47.9, 76.81, -25.27

 

CMYK 0 / 22 / 92 / 17

HEX #D4A611

RGB 212 166 17

HSL 45.85, 0.85%, 0.45%

LAB 70.39, 5.07, 71.4

 

CMYK 92 / 0 / 67 / 17

HEX #11D445

RGB 17 212 69

HSL 136, 0.85%, 0.45%

LAB 74.59, -70.78, 56.43

 

CMYK 92 / 71 / 0 / 17

HEX #113ED4

RGB 17 62 212

HSL 226.15, 0.85%, 0.45%

LAB 34.64, 44.77, -79.5

 

Description

Color code: HEX #D3119E | qconv.com Color code: HEX #D3119E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 17 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 17 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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