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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D33A94 it is the complementary color #2CC56B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D33A94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D33A94 shade: #D83A8F, #E94CA2, #FA5EB5, #FF70C8 and #FF82DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D33A94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D33A94 shade: #D33A94, #C22881, #B1166E, #A0045B and #8F0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D33A94 shade: #D23B94, #D23B6B, #D23B43 and #D23B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D33A94 shade: #D23B94, #D23BBD, #BF3BD2, #963BD2 and #6D3BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D33A94 shade matches the following richer shades: #D23B94, #E62897 and #F9149B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D33A94 shade: #D23B94, #BF4F91, #AB628D, #98758A and #858986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D33A94 shade: #BE3BD2, #D23BBE, #D23B96, #D23B6D and #D23B45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D33A94 shade: #992268, #BA2A7F, #D23B94, #DA5DA6 and #E17EB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D33A94 shade: #D33A94, #D2963B and #3BD2D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D33A94 shade: #D33A94, #96D23B and #3B96D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D33A94 shade: #D33A94, #D2963B, #3BD278 and #3B78D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D33A94 shade: #D33A94, #D2C33B, #3BD278 and #3B4AD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 30 / 17

HEX #D33A94

RGB 211 58 148

HSL 324.71, 0.63%, 0.53%

LAB 50.7, 66.46, -15.01

 

Complementary color

CMYK 78 / 0 / 46 / 23

HEX #2CC56B

RGB 44 197 107

HSL 144.71, 0.63%, 0.47%

LAB 70.55, -58.52, 34.25

 

CMYK 0 / 73 / 34 / 15

HEX #D83A8F

RGB 216 58 143

HSL 327.72, 0.67%, 0.54%

LAB 51.39, 67.18, -10.9

 

CMYK 0 / 67 / 30 / 9

HEX #E94CA2

RGB 233 76 162

HSL 327.13, 0.78%, 0.61%

LAB 57.17, 67.57, -13.12

 

CMYK 0 / 62 / 28 / 2

HEX #FA5EB5

RGB 250 94 181

HSL 326.54, 0.94%, 0.67%

LAB 63.07, 67.53, -14.94

 

CMYK 0 / 56 / 22 / 0

HEX #FF70C8

RGB 255 112 200

HSL 323.08, 1%, 0.72%

LAB 67.29, 63.76, -19.23

 

CMYK 0 / 49 / 14 / 0

HEX #FF82DB

RGB 255 130 219

HSL 317.28, 1%, 0.75%

LAB 71.1, 58.2, -24

 

CMYK 0 / 73 / 30 / 17

HEX #D33A94

RGB 211 58 148

HSL 324.71, 0.63%, 0.53%

LAB 50.7, 66.46, -15.01

 

CMYK 0 / 79 / 34 / 24

HEX #C22881

RGB 194 40 129

HSL 325.32, 0.66%, 0.46%

LAB 45.04, 65.45, -12.4

 

CMYK 0 / 88 / 38 / 31

HEX #B1166E

RGB 177 22 110

HSL 325.94, 0.78%, 0.39%

LAB 39.66, 63.47, -9.06

 

CMYK 0 / 98 / 43 / 37

HEX #A0045B

RGB 160 4 91

HSL 326.54, 0.95%, 0.32%

LAB 34.63, 60.28, -4.81

 

CMYK 0 / 100 / 50 / 44

HEX #8F0048

RGB 143 0 72

HSL 329.79, 1%, 0.28%

LAB 30.18, 55.22, 0.69

 

CMYK 0 / 72 / 30 / 18

HEX #D23B94

RGB 210 59 148

HSL 324.64, 0.63%, 0.53%

LAB 50.65, 65.86, -15.1

 

CMYK 0 / 72 / 49 / 18

HEX #D23B6B

RGB 210 59 107

HSL 340.93, 0.63%, 0.53%

LAB 49.36, 61.68, 7.73

 

CMYK 0 / 72 / 68 / 18

HEX #D23B43

RGB 210 59 67

HSL 356.82, 0.63%, 0.53%

LAB 48.55, 58.95, 30.8

 

CMYK 0 / 72 / 72 / 18

HEX #D23B3B

RGB 210 59 59

HSL 0, 0.63%, 0.53%

LAB 48.44, 58.57, 35.33

 

CMYK 0 / 72 / 30 / 18

HEX #D23B94

RGB 210 59 148

HSL 324.64, 0.63%, 0.53%

LAB 50.65, 65.86, -15.1

 

CMYK 0 / 72 / 10 / 18

HEX #D23BBD

RGB 210 59 189

HSL 308.34, 0.63%, 0.53%

LAB 52.4, 71.32, -36.5

 

CMYK 9 / 72 / 0 / 18

HEX #BF3BD2

RGB 191 59 210

HSL 292.45, 0.63%, 0.53%

LAB 50.52, 70.57, -51.78

 

CMYK 29 / 72 / 0 / 18

HEX #963BD2

RGB 150 59 210

HSL 276.16, 0.63%, 0.53%

LAB 44.61, 62.38, -61.6

 

CMYK 48 / 72 / 0 / 18

HEX #6D3BD2

RGB 109 59 210

HSL 259.87, 0.63%, 0.53%

LAB 39.63, 55.11, -69.91

 

CMYK 0 / 72 / 30 / 18

HEX #D23B94

RGB 210 59 148

HSL 324.64, 0.63%, 0.53%

LAB 50.65, 65.86, -15.1

 

CMYK 0 / 83 / 34 / 10

HEX #E62897

RGB 230 40 151

HSL 324.95, 0.79%, 0.53%

LAB 52.48, 76.3, -13.78

 

CMYK 0 / 92 / 38 / 2

HEX #F9149B

RGB 249 20 155

HSL 324.63, 0.95%, 0.53%

LAB 55.08, 84, -11.88

 

CMYK 0 / 72 / 30 / 18

HEX #D23B94

RGB 210 59 148

HSL 324.64, 0.63%, 0.53%

LAB 50.65, 65.86, -15.1

 

CMYK 0 / 59 / 24 / 25

HEX #BF4F91

RGB 191 79 145

HSL 324.64, 0.47%, 0.53%

LAB 50.35, 52.13, -14.06

 

CMYK 0 / 43 / 18 / 33

HEX #AB628D

RGB 171 98 141

HSL 324.66, 0.3%, 0.53%

LAB 51.06, 35.42, -10.9

 

CMYK 0 / 23 / 9 / 40

HEX #98758A

RGB 152 117 138

HSL 324, 0.15%, 0.53%

LAB 53.2, 17.29, -6.15

 

CMYK 3 / 0 / 2 / 46

HEX #858986

RGB 133 137 134

HSL 135, 0.02%, 0.53%

LAB 56.68, -2.06, 1.09

 

CMYK 10 / 72 / 0 / 18

HEX #BE3BD2

RGB 190 59 210

HSL 292.05, 0.63%, 0.53%

LAB 50.37, 70.37, -52.03

 

CMYK 0 / 72 / 10 / 18

HEX #D23BBE

RGB 210 59 190

HSL 307.95, 0.63%, 0.53%

LAB 52.45, 71.47, -37.01

 

CMYK 0 / 72 / 29 / 18

HEX #D23B96

RGB 210 59 150

HSL 323.84, 0.63%, 0.53%

LAB 50.72, 66.1, -16.18

 

CMYK 0 / 72 / 48 / 18

HEX #D23B6D

RGB 210 59 109

HSL 340.13, 0.63%, 0.53%

LAB 49.42, 61.85, 6.59

 

CMYK 0 / 72 / 67 / 18

HEX #D23B45

RGB 210 59 69

HSL 356.03, 0.63%, 0.53%

LAB 48.59, 59.06, 29.66

 

CMYK 0 / 78 / 32 / 40

HEX #992268

RGB 153 34 104

HSL 324.71, 0.64%, 0.37%

LAB 35.82, 53.9, -11.51

 

CMYK 0 / 77 / 32 / 27

HEX #BA2A7F

RGB 186 42 127

HSL 324.58, 0.63%, 0.45%

LAB 43.69, 62.67, -13.36

 

CMYK 0 / 72 / 30 / 18

HEX #D23B94

RGB 210 59 148

HSL 324.64, 0.63%, 0.53%

LAB 50.65, 65.86, -15.1

 

CMYK 0 / 57 / 24 / 15

HEX #DA5DA6

RGB 218 93 166

HSL 324.96, 0.63%, 0.61%

LAB 57.55, 56.78, -15.11

 

CMYK 0 / 44 / 18 / 12

HEX #E17EB9

RGB 225 126 185

HSL 324.24, 0.62%, 0.69%

LAB 65.3, 45.69, -14.18

 

CMYK 0 / 73 / 30 / 17

HEX #D33A94

RGB 211 58 148

HSL 324.71, 0.63%, 0.53%

LAB 50.7, 66.46, -15.01

 

CMYK 0 / 29 / 72 / 18

HEX #D2963B

RGB 210 150 59

HSL 36.16, 0.63%, 0.53%

LAB 66.39, 14.1, 54.81

 

CMYK 72 / 0 / 0 / 18

HEX #3BD2D2

RGB 59 210 210

HSL 180, 0.63%, 0.53%

LAB 77.09, -37.86, -11.31

 

CMYK 0 / 73 / 30 / 17

HEX #D33A94

RGB 211 58 148

HSL 324.71, 0.63%, 0.53%

LAB 50.7, 66.46, -15.01

 

CMYK 29 / 0 / 72 / 18

HEX #96D23B

RGB 150 210 59

HSL 83.84, 0.63%, 0.53%

LAB 77.81, -41.22, 64.73

 

CMYK 72 / 29 / 0 / 18

HEX #3B96D2

RGB 59 150 210

HSL 203.84, 0.63%, 0.53%

LAB 59.34, -7.21, -38.49

 

CMYK 0 / 73 / 30 / 17

HEX #D33A94

RGB 211 58 148

HSL 324.71, 0.63%, 0.53%

LAB 50.7, 66.46, -15.01

 

CMYK 0 / 29 / 72 / 18

HEX #D2963B

RGB 210 150 59

HSL 36.16, 0.63%, 0.53%

LAB 66.39, 14.1, 54.81

 

CMYK 72 / 0 / 43 / 18

HEX #3BD278

RGB 59 210 120

HSL 144.24, 0.63%, 0.53%

LAB 75.06, -58.87, 33.54

 

CMYK 72 / 43 / 0 / 18

HEX #3B78D2

RGB 59 120 210

HSL 215.76, 0.63%, 0.53%

LAB 50.71, 10.63, -52.16

 

CMYK 0 / 73 / 30 / 17

HEX #D33A94

RGB 211 58 148

HSL 324.71, 0.63%, 0.53%

LAB 50.7, 66.46, -15.01

 

CMYK 0 / 7 / 72 / 18

HEX #D2C33B

RGB 210 195 59

HSL 54.04, 0.63%, 0.53%

LAB 77.9, -9.7, 66.26

 

CMYK 72 / 0 / 43 / 18

HEX #3BD278

RGB 59 210 120

HSL 144.24, 0.63%, 0.53%

LAB 75.06, -58.87, 33.54

 

CMYK 72 / 65 / 0 / 18

HEX #3B4AD2

RGB 59 74 210

HSL 234.04, 0.63%, 0.53%

LAB 38.69, 39.68, -71.62

 

Description

Color code: HEX #D33A94 | qconv.com Color code: HEX #D33A94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 58 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 58 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 30 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 30% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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