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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D33CE0 it is the complementary color #2CC31F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D33CE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D33CE0 shade: #D83CDB, #E94EEE, #FA60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D33CE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D33CE0 shade: #D33CE0, #C22ACD, #B118BA, #A006A7 and #8F0094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D33CE0 shade: #D33CE0, #E03CC1, #E03C95, #E03C69 and #E03C3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D33CE0 shade: #D33CE0, #A73CE0, #7B3CE0, #4F3CE0 and #3C3CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D33CE0 shade matches the following richer shades: #D33CE0 and #E22AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D33CE0 shade: #D33CE0, #C44FCE, #B561BC, #A573AA and #968598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D33CE0 shade: #7B3CE0, #A73CE0, #D33CE0, #E03CC2 and #E03C96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D33CE0 shade: #A31BAF, #C520D3, #D33CE0, #DB60E6 and #E384EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D33CE0 shade: #D33CE0, #E0503C and #3CE091

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D33CE0 shade: #D33CE0, #E0D33C and #3CE0D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D33CE0 shade: #D33CE0, #E0503C, #4AE03C and #3CCDE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D33CE0 shade: #D33CE0, #E0813C, #4AE03C and #3C9CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

Complementary color

CMYK 77 / 0 / 84 / 24

HEX #2CC31F

RGB 44 195 31

HSL 115.24, 0.73%, 0.44%

LAB 69.23, -66.06, 63.69

 

CMYK 1 / 73 / 0 / 14

HEX #D83CDB

RGB 216 60 219

HSL 298.87, 0.69%, 0.55%

LAB 55.02, 76.9, -49.51

 

CMYK 2 / 67 / 0 / 7

HEX #E94EEE

RGB 233 78 238

HSL 298.13, 0.82%, 0.62%

LAB 60.73, 77.56, -50.95

 

CMYK 2 / 62 / 0 / 0

HEX #FA60FF

RGB 250 96 255

HSL 298.11, 1%, 0.69%

LAB 66.45, 77.44, -51.13

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 5 / 80 / 0 / 20

HEX #C22ACD

RGB 194 42 205

HSL 295.95, 0.66%, 0.48%

LAB 48.92, 75.42, -51.43

 

CMYK 5 / 87 / 0 / 27

HEX #B118BA

RGB 177 24 186

HSL 296.67, 0.77%, 0.41%

LAB 43.57, 73.2, -49.11

 

CMYK 4 / 96 / 0 / 35

HEX #A006A7

RGB 160 6 167

HSL 297.39, 0.93%, 0.34%

LAB 38.54, 69.74, -46.07

 

CMYK 3 / 100 / 0 / 42

HEX #8F0094

RGB 143 0 148

HSL 297.97, 1%, 0.29%

LAB 33.94, 64.65, -42.1

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 0 / 73 / 14 / 12

HEX #E03CC1

RGB 224 60 193

HSL 311.34, 0.73%, 0.56%

LAB 55, 74.75, -34.58

 

CMYK 0 / 73 / 33 / 12

HEX #E03C95

RGB 224 60 149

HSL 327.44, 0.73%, 0.56%

LAB 53.22, 69.27, -11.58

 

CMYK 0 / 73 / 53 / 12

HEX #E03C69

RGB 224 60 105

HSL 343.54, 0.73%, 0.56%

LAB 51.95, 65.18, 12.94

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3D

RGB 224 60 61

HSL 359.63, 0.73%, 0.56%

LAB 51.17, 62.6, 38

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 25 / 73 / 0 / 12

HEX #A73CE0

RGB 167 60 224

HSL 279.15, 0.73%, 0.56%

LAB 48.04, 68.15, -63.93

 

CMYK 45 / 73 / 0 / 12

HEX #7B3CE0

RGB 123 60 224

HSL 263.05, 0.73%, 0.56%

LAB 42.5, 60.51, -73.2

 

CMYK 65 / 73 / 0 / 12

HEX #4F3CE0

RGB 79 60 224

HSL 246.95, 0.73%, 0.56%

LAB 38.33, 54.5, -80.19

 

CMYK 73 / 73 / 0 / 12

HEX #3C3CE0

RGB 60 60 224

HSL 240, 0.73%, 0.56%

LAB 37.07, 52.61, -82.32

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 7 / 83 / 0 / 5

HEX #E22AF2

RGB 226 42 242

HSL 295.2, 0.88%, 0.56%

LAB 56.32, 87.04, -60.28

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 5 / 62 / 0 / 19

HEX #C44FCE

RGB 196 79 206

HSL 295.28, 0.56%, 0.56%

LAB 53.8, 63.25, -44.23

 

CMYK 4 / 48 / 0 / 26

HEX #B561BC

RGB 181 97 188

HSL 295.38, 0.4%, 0.56%

LAB 54.03, 47.45, -33.68

 

CMYK 3 / 32 / 0 / 33

HEX #A573AA

RGB 165 115 170

HSL 294.55, 0.24%, 0.56%

LAB 55.24, 29.16, -21.57

 

CMYK 1 / 13 / 0 / 40

HEX #968598

RGB 150 133 152

HSL 293.68, 0.08%, 0.56%

LAB 57.58, 10.01, -7.78

 

CMYK 45 / 73 / 0 / 12

HEX #7B3CE0

RGB 123 60 224

HSL 263.05, 0.73%, 0.56%

LAB 42.5, 60.51, -73.2

 

CMYK 25 / 73 / 0 / 12

HEX #A73CE0

RGB 167 60 224

HSL 279.15, 0.73%, 0.56%

LAB 48.04, 68.15, -63.93

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 0 / 73 / 13 / 12

HEX #E03CC2

RGB 224 60 194

HSL 310.98, 0.73%, 0.56%

LAB 55.05, 74.89, -35.09

 

CMYK 0 / 73 / 33 / 12

HEX #E03C96

RGB 224 60 150

HSL 327.07, 0.73%, 0.56%

LAB 53.26, 69.38, -12.12

 

CMYK 7 / 85 / 0 / 31

HEX #A31BAF

RGB 163 27 175

HSL 295.14, 0.73%, 0.4%

LAB 40.68, 68.32, -47.38

 

CMYK 7 / 85 / 0 / 17

HEX #C520D3

RGB 197 32 211

HSL 295.31, 0.74%, 0.48%

LAB 49.02, 79.17, -54.71

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 5 / 58 / 0 / 10

HEX #DB60E6

RGB 219 96 230

HSL 295.07, 0.73%, 0.64%

LAB 60.9, 65.8, -46.34

 

CMYK 3 / 44 / 0 / 8

HEX #E384EB

RGB 227 132 235

HSL 295.34, 0.72%, 0.72%

LAB 68.63, 51.69, -36.93

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 0 / 64 / 73 / 12

HEX #E0503C

RGB 224 80 60

HSL 7.32, 0.73%, 0.56%

LAB 53.93, 54.98, 41.65

 

CMYK 73 / 0 / 35 / 12

HEX #3CE091

RGB 60 224 145

HSL 151.1, 0.73%, 0.56%

LAB 79.79, -59.26, 27.01

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 0 / 6 / 73 / 12

HEX #E0D33C

RGB 224 211 60

HSL 55.24, 0.73%, 0.56%

LAB 83.32, -11.81, 71.51

 

CMYK 73 / 0 / 6 / 12

HEX #3CE0D3

RGB 60 224 211

HSL 175.24, 0.73%, 0.56%

LAB 81.28, -43.74, -5.62

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 0 / 64 / 73 / 12

HEX #E0503C

RGB 224 80 60

HSL 7.32, 0.73%, 0.56%

LAB 53.93, 54.98, 41.65

 

CMYK 67 / 0 / 73 / 12

HEX #4AE03C

RGB 74 224 60

HSL 114.88, 0.73%, 0.56%

LAB 79.1, -68.35, 64.69

 

CMYK 73 / 8 / 0 / 12

HEX #3CCDE0

RGB 60 205 224

HSL 186.95, 0.73%, 0.56%

LAB 76.07, -31.29, -20.37

 

CMYK 6 / 73 / 0 / 12

HEX #D33CE0

RGB 211 60 224

HSL 295.24, 0.73%, 0.56%

LAB 54.51, 76.7, -53.19

 

CMYK 0 / 42 / 73 / 12

HEX #E0813C

RGB 224 129 60

HSL 25.24, 0.73%, 0.56%

LAB 63.24, 31.29, 51.65

 

CMYK 67 / 0 / 73 / 12

HEX #4AE03C

RGB 74 224 60

HSL 114.88, 0.73%, 0.56%

LAB 79.1, -68.35, 64.69

 

CMYK 73 / 30 / 0 / 12

HEX #3C9CE0

RGB 60 156 224

HSL 204.88, 0.73%, 0.56%

LAB 61.76, -5.64, -42.49

 

Description

Color code: HEX #D33CE0 | qconv.com Color code: HEX #D33CE0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 60 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 60 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 73 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 73% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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