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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D34017 it is the complementary color #2CBFE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D34017. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D34017 shade: #D84012, #E95225, #FA6438, #FF764B and #FF885E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D34017. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D34017 shade: #D34017, #C22E04, #B11C00, #A00A00 and #8F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D34017 shade: #D34017 and #D31717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D34017 shade: #D34017, #D37317, #D3A517, #CED317 and #9BD317

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D34017 shade matches the following richer shades: #D34017 and #E63504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D34017 shade: #D34017, #C04B2A, #AD553D, #9A6050 and #876B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D34017 shade: #D31752, #D31720, #D34017, #D37217 and #D3A417

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D34017 shade: #88290F, #AE3513, #D34017, #E7552C and #EB7351

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D34017 shade: #D34017, #84D317 and #1739D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D34017 shade: #D34017, #17D340 and #4017D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D34017 shade: #D34017, #84D317, #17AAD3 and #6517D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D34017 shade: #D34017, #4CD317, #17AAD3 and #9D17D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

Complementary color

CMYK 81 / 18 / 0 / 9

HEX #2CBFE8

RGB 44 191 232

HSL 193.09, 0.8%, 0.54%

LAB 71.98, -23.45, -30.99

 

CMYK 0 / 70 / 92 / 15

HEX #D84012

RGB 216 64 18

HSL 13.94, 0.85%, 0.46%

LAB 49.87, 57.5, 56.64

 

CMYK 0 / 65 / 84 / 9

HEX #E95225

RGB 233 82 37

HSL 13.78, 0.82%, 0.53%

LAB 55.58, 56.42, 55.1

 

CMYK 0 / 60 / 78 / 2

HEX #FA6438

RGB 250 100 56

HSL 13.61, 0.95%, 0.6%

LAB 61.42, 55.13, 52.89

 

CMYK 0 / 54 / 71 / 0

HEX #FF764B

RGB 255 118 75

HSL 14.33, 1%, 0.65%

LAB 65.53, 49.45, 48.06

 

CMYK 0 / 47 / 63 / 0

HEX #FF885E

RGB 255 136 94

HSL 15.65, 1%, 0.68%

LAB 69.24, 41.7, 42.53

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 76 / 98 / 24

HEX #C22E04

RGB 194 46 4

HSL 13.26, 0.96%, 0.39%

LAB 43.41, 56.62, 54.67

 

CMYK 0 / 84 / 100 / 31

HEX #B11C00

RGB 177 28 0

HSL 9.49, 1%, 0.35%

LAB 38.16, 56.56, 51.68

 

CMYK 0 / 94 / 100 / 37

HEX #A00A00

RGB 160 10 0

HSL 3.75, 1%, 0.31%

LAB 33.33, 55.18, 47.24

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 89 / 89 / 17

HEX #D31717

RGB 211 23 23

HSL 0, 0.8%, 0.46%

LAB 44.97, 67.18, 50.87

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 45 / 89 / 17

HEX #D37317

RGB 211 115 23

HSL 29.36, 0.8%, 0.46%

LAB 58.2, 32.12, 60.81

 

CMYK 0 / 22 / 89 / 17

HEX #D3A517

RGB 211 165 23

HSL 45.32, 0.8%, 0.46%

LAB 70.05, 5.26, 69.97

 

CMYK 2 / 0 / 89 / 17

HEX #CED317

RGB 206 211 23

HSL 61.6, 0.8%, 0.46%

LAB 81.71, -20.53, 78.93

 

CMYK 27 / 0 / 89 / 17

HEX #9BD317

RGB 155 211 23

HSL 77.87, 0.8%, 0.46%

LAB 78.24, -41.23, 74.68

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 77 / 98 / 10

HEX #E63504

RGB 230 53 4

HSL 13.01, 0.97%, 0.46%

LAB 51.13, 65.35, 62.38

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 61 / 78 / 25

HEX #C04B2A

RGB 192 75 42

HSL 13.2, 0.64%, 0.46%

LAB 47.5, 45.24, 42.69

 

CMYK 0 / 51 / 65 / 32

HEX #AD553D

RGB 173 85 61

HSL 12.86, 0.48%, 0.46%

LAB 46.6, 33.98, 30.48

 

CMYK 0 / 38 / 48 / 40

HEX #9A6050

RGB 154 96 80

HSL 12.97, 0.32%, 0.46%

LAB 46.73, 21.74, 19.01

 

CMYK 0 / 21 / 27 / 47

HEX #876B63

RGB 135 107 99

HSL 13.33, 0.15%, 0.46%

LAB 47.71, 9.84, 8.71

 

CMYK 0 / 89 / 61 / 17

HEX #D31752

RGB 211 23 82

HSL 341.17, 0.8%, 0.46%

LAB 45.73, 69.33, 18.1

 

CMYK 0 / 89 / 85 / 17

HEX #D31720

RGB 211 23 32

HSL 357.13, 0.8%, 0.46%

LAB 45.03, 67.35, 46.68

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 46 / 89 / 17

HEX #D37217

RGB 211 114 23

HSL 29.04, 0.8%, 0.46%

LAB 57.99, 32.65, 60.65

 

CMYK 0 / 22 / 89 / 17

HEX #D3A417

RGB 211 164 23

HSL 45, 0.8%, 0.46%

LAB 69.8, 5.8, 69.77

 

CMYK 0 / 70 / 89 / 47

HEX #88290F

RGB 136 41 15

HSL 12.89, 0.8%, 0.3%

LAB 31.47, 39.27, 37.42

 

CMYK 0 / 70 / 89 / 32

HEX #AE3513

RGB 174 53 19

HSL 13.16, 0.8%, 0.38%

LAB 40.56, 47.77, 46.01

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 63 / 81 / 9

HEX #E7552C

RGB 231 85 44

HSL 13.16, 0.8%, 0.54%

LAB 55.75, 54.67, 52

 

CMYK 0 / 51 / 66 / 8

HEX #EB7351

RGB 235 115 81

HSL 13.25, 0.79%, 0.62%

LAB 62.1, 43.83, 40.2

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 37 / 0 / 89 / 17

HEX #84D317

RGB 132 211 23

HSL 85.21, 0.8%, 0.46%

LAB 77.01, -49.63, 73.17

 

CMYK 89 / 73 / 0 / 17

HEX #1739D3

RGB 23 57 211

HSL 229.15, 0.8%, 0.46%

LAB 33.59, 47.62, -80.65

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 89 / 0 / 70 / 17

HEX #17D340

RGB 23 211 64

HSL 133.09, 0.8%, 0.46%

LAB 74.28, -70.61, 58.05

 

CMYK 70 / 89 / 0 / 17

HEX #4017D3

RGB 64 23 211

HSL 253.09, 0.8%, 0.46%

LAB 30.41, 65.11, -85.85

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 37 / 0 / 89 / 17

HEX #84D317

RGB 132 211 23

HSL 85.21, 0.8%, 0.46%

LAB 77.01, -49.63, 73.17

 

CMYK 89 / 19 / 0 / 17

HEX #17AAD3

RGB 23 170 211

HSL 193.09, 0.8%, 0.46%

LAB 64.67, -21.14, -30.79

 

CMYK 52 / 89 / 0 / 17

HEX #6517D3

RGB 101 23 211

HSL 264.89, 0.8%, 0.46%

LAB 34.15, 67.89, -79.54

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 64 / 0 / 89 / 17

HEX #4CD317

RGB 76 211 23

HSL 103.09, 0.8%, 0.46%

LAB 74.94, -65.64, 70.59

 

CMYK 89 / 19 / 0 / 17

HEX #17AAD3

RGB 23 170 211

HSL 193.09, 0.8%, 0.46%

LAB 64.67, -21.14, -30.79

 

CMYK 26 / 89 / 0 / 17

HEX #9D17D3

RGB 157 23 211

HSL 282.77, 0.8%, 0.46%

LAB 41.98, 74.55, -66.41

 

Description

Color code: HEX #D34017 | qconv.com Color code: HEX #D34017 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 64 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 64 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 89 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 89% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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