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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D34177 it is the complementary color #2CBE88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D34177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D34177 shade: #D84172, #E95385, #FA6598, #FF77AB and #FF89BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D34177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D34177 shade: #D34177, #C22F64, #B11D51, #A00B3E and #8F002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D34177 shade: #D24076, #D2404F and #D24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D34177 shade: #D24076, #D2409D, #D240C5, #B840D2 and #9140D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D34177 shade matches the following richer shades: #D24076, #E52D71 and #F81B6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D34177 shade: #D24076, #BF537B, #AC6680, #997985 and #868C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D34177 shade: #D240C6, #D2409F, #D24078, #D24051 and #D25640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D34177 shade: #9C2450, #BD2C62, #D24076, #DA628E and #E283A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D34177 shade: #D34177, #D2B740 and #40B2D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D34177 shade: #D34177, #78D240 and #4078D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D34177 shade: #D34177, #D2B740, #40D29A and #405BD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D34177 shade: #D34177, #C1D240, #40D29A and #5140D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 44 / 17

HEX #D34177

RGB 211 65 119

HSL 337.81, 0.62%, 0.54%

LAB 50.64, 60.89, 2.32

 

Complementary color

CMYK 77 / 0 / 28 / 25

HEX #2CBE88

RGB 44 190 136

HSL 157.81, 0.62%, 0.46%

LAB 68.85, -50.17, 16.75

 

CMYK 0 / 70 / 47 / 15

HEX #D84172

RGB 216 65 114

HSL 340.53, 0.66%, 0.55%

LAB 51.38, 61.88, 6.5

 

CMYK 0 / 64 / 43 / 9

HEX #E95385

RGB 233 83 133

HSL 340, 0.77%, 0.62%

LAB 57.27, 61.75, 4.03

 

CMYK 0 / 60 / 39 / 2

HEX #FA6598

RGB 250 101 152

HSL 339.46, 0.94%, 0.69%

LAB 63.26, 61.31, 1.98

 

CMYK 0 / 53 / 33 / 0

HEX #FF77AB

RGB 255 119 171

HSL 337.06, 1%, 0.73%

LAB 67.57, 56.91, -2.46

 

CMYK 0 / 46 / 25 / 0

HEX #FF89BE

RGB 255 137 190

HSL 333.05, 1%, 0.77%

LAB 71.47, 50.67, -7.36

 

CMYK 0 / 69 / 44 / 17

HEX #D34177

RGB 211 65 119

HSL 337.81, 0.62%, 0.54%

LAB 50.64, 60.89, 2.32

 

CMYK 0 / 76 / 48 / 24

HEX #C22F64

RGB 194 47 100

HSL 338.37, 0.61%, 0.47%

LAB 44.83, 60.54, 5.17

 

CMYK 0 / 84 / 54 / 31

HEX #B11D51

RGB 177 29 81

HSL 338.92, 0.72%, 0.4%

LAB 39.28, 59.42, 8.78

 

CMYK 0 / 93 / 61 / 37

HEX #A00B3E

RGB 160 11 62

HSL 339.46, 0.87%, 0.34%

LAB 34.11, 57.1, 13.38

 

CMYK 0 / 100 / 70 / 44

HEX #8F002B

RGB 143 0 43

HSL 341.96, 1%, 0.28%

LAB 29.45, 53.28, 19.14

 

CMYK 0 / 70 / 44 / 18

HEX #D24076

RGB 210 64 118

HSL 337.81, 0.62%, 0.54%

LAB 50.31, 60.87, 2.41

 

CMYK 0 / 70 / 62 / 18

HEX #D2404F

RGB 210 64 79

HSL 353.84, 0.62%, 0.54%

LAB 49.41, 57.8, 24.75

 

CMYK 0 / 70 / 70 / 18

HEX #D24040

RGB 210 64 64

HSL 0, 0.62%, 0.54%

LAB 49.18, 56.97, 33.31

 

CMYK 0 / 70 / 44 / 18

HEX #D24076

RGB 210 64 118

HSL 337.81, 0.62%, 0.54%

LAB 50.31, 60.87, 2.41

 

CMYK 0 / 70 / 25 / 18

HEX #D2409D

RGB 210 64 157

HSL 321.78, 0.62%, 0.54%

LAB 51.61, 65.22, -18.98

 

CMYK 0 / 70 / 6 / 18

HEX #D240C5

RGB 210 64 197

HSL 305.34, 0.62%, 0.54%

LAB 53.38, 70.85, -39.58

 

CMYK 12 / 70 / 0 / 18

HEX #B840D2

RGB 184 64 210

HSL 289.32, 0.62%, 0.54%

LAB 50.11, 67.29, -52.49

 

CMYK 31 / 70 / 0 / 18

HEX #9140D2

RGB 145 64 210

HSL 273.29, 0.62%, 0.54%

LAB 44.72, 59.26, -61.46

 

CMYK 0 / 70 / 44 / 18

HEX #D24076

RGB 210 64 118

HSL 337.81, 0.62%, 0.54%

LAB 50.31, 60.87, 2.41

 

CMYK 0 / 80 / 51 / 10

HEX #E52D71

RGB 229 45 113

HSL 337.83, 0.78%, 0.54%

LAB 51.53, 71.47, 7.64

 

CMYK 0 / 89 / 56 / 3

HEX #F81B6C

RGB 248 27 108

HSL 338.01, 0.94%, 0.54%

LAB 53.84, 79.23, 14.44

 

CMYK 0 / 70 / 44 / 18

HEX #D24076

RGB 210 64 118

HSL 337.81, 0.62%, 0.54%

LAB 50.31, 60.87, 2.41

 

CMYK 0 / 57 / 36 / 25

HEX #BF537B

RGB 191 83 123

HSL 337.78, 0.46%, 0.54%

LAB 50.33, 47.41, -0.95

 

CMYK 0 / 41 / 26 / 33

HEX #AC6680

RGB 172 102 128

HSL 337.71, 0.3%, 0.54%

LAB 51.65, 31.58, -2.3

 

CMYK 0 / 21 / 13 / 40

HEX #997985

RGB 153 121 133

HSL 337.5, 0.14%, 0.54%

LAB 54.18, 14.46, -1.78

 

CMYK 4 / 0 / 1 / 45

HEX #868C8A

RGB 134 140 138

HSL 160, 0.03%, 0.54%

LAB 57.71, -2.59, 0.3

 

CMYK 0 / 70 / 6 / 18

HEX #D240C6

RGB 210 64 198

HSL 304.93, 0.62%, 0.54%

LAB 53.43, 71, -40.08

 

CMYK 0 / 70 / 24 / 18

HEX #D2409F

RGB 210 64 159

HSL 320.96, 0.62%, 0.54%

LAB 51.69, 65.48, -20.04

 

CMYK 0 / 70 / 43 / 18

HEX #D24078

RGB 210 64 120

HSL 336.99, 0.62%, 0.54%

LAB 50.36, 61.07, 1.29

 

CMYK 0 / 70 / 61 / 18

HEX #D24051

RGB 210 64 81

HSL 353.01, 0.62%, 0.54%

LAB 49.45, 57.93, 23.6

 

CMYK 0 / 59 / 70 / 18

HEX #D25640

RGB 210 86 64

HSL 9.04, 0.62%, 0.54%

LAB 52.65, 47.64, 37.39

 

CMYK 0 / 77 / 49 / 39

HEX #9C2450

RGB 156 36 80

HSL 338, 0.63%, 0.38%

LAB 35.81, 51.55, 3.93

 

CMYK 0 / 77 / 48 / 26

HEX #BD2C62

RGB 189 44 98

HSL 337.66, 0.62%, 0.46%

LAB 43.51, 59.92, 4.4

 

CMYK 0 / 70 / 44 / 18

HEX #D24076

RGB 210 64 118

HSL 337.81, 0.62%, 0.54%

LAB 50.31, 60.87, 2.41

 

CMYK 0 / 55 / 35 / 15

HEX #DA628E

RGB 218 98 142

HSL 338, 0.62%, 0.62%

LAB 57.65, 51.42, -0.98

 

CMYK 0 / 42 / 27 / 11

HEX #E283A6

RGB 226 131 166

HSL 337.89, 0.62%, 0.7%

LAB 65.87, 40.71, -2.58

 

CMYK 0 / 69 / 44 / 17

HEX #D34177

RGB 211 65 119

HSL 337.81, 0.62%, 0.54%

LAB 50.64, 60.89, 2.32

 

CMYK 0 / 13 / 70 / 18

HEX #D2B740

RGB 210 183 64

HSL 48.9, 0.62%, 0.54%

LAB 74.79, -3.25, 61.28

 

CMYK 70 / 15 / 0 / 18

HEX #40B2D2

RGB 64 178 210

HSL 193.15, 0.62%, 0.54%

LAB 67.71, -21.66, -25.49

 

CMYK 0 / 69 / 44 / 17

HEX #D34177

RGB 211 65 119

HSL 337.81, 0.62%, 0.54%

LAB 50.64, 60.89, 2.32

 

CMYK 43 / 0 / 70 / 18

HEX #78D240

RGB 120 210 64

HSL 96.99, 0.62%, 0.54%

LAB 76.35, -51.24, 60.95

 

CMYK 70 / 43 / 0 / 18

HEX #4078D2

RGB 64 120 210

HSL 216.99, 0.62%, 0.54%

LAB 50.89, 11.35, -51.85

 

CMYK 0 / 69 / 44 / 17

HEX #D34177

RGB 211 65 119

HSL 337.81, 0.62%, 0.54%

LAB 50.64, 60.89, 2.32

 

CMYK 0 / 13 / 70 / 18

HEX #D2B740

RGB 210 183 64

HSL 48.9, 0.62%, 0.54%

LAB 74.79, -3.25, 61.28

 

CMYK 70 / 0 / 27 / 18

HEX #40D29A

RGB 64 210 154

HSL 156.99, 0.62%, 0.54%

LAB 75.77, -51.42, 16.81

 

CMYK 70 / 57 / 0 / 18

HEX #405BD2

RGB 64 91 210

HSL 228.9, 0.62%, 0.54%

LAB 43.1, 29.64, -64.41

 

CMYK 0 / 69 / 44 / 17

HEX #D34177

RGB 211 65 119

HSL 337.81, 0.62%, 0.54%

LAB 50.64, 60.89, 2.32

 

CMYK 8 / 0 / 70 / 18

HEX #C1D240

RGB 193 210 64

HSL 66.99, 0.62%, 0.54%

LAB 80.63, -24.04, 66.66

 

CMYK 70 / 0 / 27 / 18

HEX #40D29A

RGB 64 210 154

HSL 156.99, 0.62%, 0.54%

LAB 75.77, -51.42, 16.81

 

CMYK 61 / 70 / 0 / 18

HEX #5140D2

RGB 81 64 210

HSL 246.99, 0.62%, 0.54%

LAB 37.97, 48.32, -72.75

 

Description

Color code: HEX #D34177 | qconv.com Color code: HEX #D34177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 65 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 65 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 44 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 44% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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