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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D357DF it is the complementary color #2CA820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D357DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D357DF shade: #D857DA, #E969ED, #FA7BFF, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D357DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D357DF shade: #D357DF, #C245CC, #B133B9, #A021A6 and #8F0F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D357DF shade: #D357DF, #DF57C6, #DF57A2, #DF577D and #DF5759

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D357DF shade: #D357DF, #AE57DF, #8A57DF, #6557DF and #5757DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D357DF shade matches the following richer shades: #D357DF and #E047EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D357DF shade: #D357DF, #C568CF, #B878BE, #AB88AE and #9E989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D357DF shade: #8957DF, #AD57DF, #D157DF, #DF57C8 and #DF57A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D357DF shade: #B224C0, #CA35D8, #D357DF, #DC7AE5 and #E59DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D357DF shade: #D357DF, #DF6557 and #57DF9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D357DF shade: #D357DF, #DFD157 and #57DFD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D357DF shade: #D357DF, #DF6557, #65DF57 and #57D1DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D357DF shade: #D357DF, #DF8E57, #65DF57 and #57A9DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

Complementary color

CMYK 74 / 0 / 81 / 34

HEX #2CA820

RGB 44 168 32

HSL 114.71, 0.68%, 0.39%

LAB 60.47, -57.6, 55.36

 

CMYK 1 / 60 / 0 / 15

HEX #D857DA

RGB 216 87 218

HSL 299.08, 0.64%, 0.6%

LAB 58.49, 66.84, -43.45

 

CMYK 2 / 56 / 0 / 7

HEX #E969ED

RGB 233 105 237

HSL 298.18, 0.79%, 0.67%

LAB 64.6, 66.57, -44.29

 

CMYK 2 / 52 / 0 / 0

HEX #FA7BFF

RGB 250 123 255

HSL 297.73, 1%, 0.74%

LAB 70.67, 65.93, -44.49

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 5 / 66 / 0 / 20

HEX #C245CC

RGB 194 69 204

HSL 295.56, 0.57%, 0.54%

LAB 51.93, 66.5, -46.06

 

CMYK 4 / 72 / 0 / 27

HEX #B133B9

RGB 177 51 185

HSL 296.42, 0.57%, 0.46%

LAB 45.93, 66.04, -44.75

 

CMYK 4 / 80 / 0 / 35

HEX #A021A6

RGB 160 33 166

HSL 297.29, 0.67%, 0.39%

LAB 40.11, 64.81, -42.96

 

CMYK 3 / 90 / 0 / 42

HEX #8F0F93

RGB 143 15 147

HSL 298.18, 0.81%, 0.32%

LAB 34.58, 62.41, -40.47

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 61 / 11 / 13

HEX #DF57C6

RGB 223 87 198

HSL 311.03, 0.68%, 0.61%

LAB 58.59, 65.4, -31.87

 

CMYK 0 / 61 / 27 / 13

HEX #DF57A2

RGB 223 87 162

HSL 326.91, 0.68%, 0.61%

LAB 57.19, 60.36, -13.26

 

CMYK 0 / 61 / 44 / 13

HEX #DF577D

RGB 223 87 125

HSL 343.24, 0.68%, 0.61%

LAB 56.07, 56.2, 6.81

 

CMYK 0 / 61 / 60 / 13

HEX #DF5759

RGB 223 87 89

HSL 359.12, 0.68%, 0.61%

LAB 55.3, 53.22, 26.9

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 22 / 61 / 0 / 13

HEX #AE57DF

RGB 174 87 223

HSL 278.38, 0.68%, 0.61%

LAB 53.11, 57.7, -55.17

 

CMYK 38 / 61 / 0 / 13

HEX #8A57DF

RGB 138 87 223

HSL 262.5, 0.68%, 0.61%

LAB 48.94, 49.6, -62.08

 

CMYK 55 / 61 / 0 / 13

HEX #6557DF

RGB 101 87 223

HSL 246.18, 0.68%, 0.61%

LAB 45.51, 42.3, -67.8

 

CMYK 61 / 61 / 0 / 13

HEX #5757DF

RGB 87 87 223

HSL 240, 0.68%, 0.61%

LAB 44.48, 39.95, -69.54

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 6 / 70 / 0 / 6

HEX #E047EF

RGB 224 71 239

HSL 294.64, 0.84%, 0.61%

LAB 58.59, 78.25, -55

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 5 / 50 / 0 / 19

HEX #C568CF

RGB 197 104 207

HSL 294.17, 0.52%, 0.61%

LAB 58.3, 52.05, -37.7

 

CMYK 3 / 37 / 0 / 25

HEX #B878BE

RGB 184 120 190

HSL 294.86, 0.35%, 0.61%

LAB 59.29, 36.5, -26.63

 

CMYK 2 / 22 / 0 / 32

HEX #AB88AE

RGB 171 136 174

HSL 295.26, 0.19%, 0.61%

LAB 61.06, 20.09, -14.94

 

CMYK 0 / 4 / 0 / 38

HEX #9E989E

RGB 158 152 158

HSL 300, 0.03%, 0.61%

LAB 63.5, 3.33, -2.37

 

CMYK 39 / 61 / 0 / 13

HEX #8957DF

RGB 137 87 223

HSL 262.06, 0.68%, 0.61%

LAB 48.84, 49.39, -62.26

 

CMYK 22 / 61 / 0 / 13

HEX #AD57DF

RGB 173 87 223

HSL 277.94, 0.68%, 0.61%

LAB 52.98, 57.47, -55.38

 

CMYK 6 / 61 / 0 / 13

HEX #D157DF

RGB 209 87 223

HSL 293.82, 0.68%, 0.61%

LAB 57.75, 66.01, -47.49

 

CMYK 0 / 61 / 10 / 13

HEX #DF57C8

RGB 223 87 200

HSL 310.15, 0.68%, 0.61%

LAB 58.67, 65.7, -32.88

 

CMYK 0 / 61 / 26 / 13

HEX #DF57A4

RGB 223 87 164

HSL 326.03, 0.68%, 0.61%

LAB 57.25, 60.62, -14.32

 

CMYK 7 / 81 / 0 / 25

HEX #B224C0

RGB 178 36 192

HSL 294.62, 0.68%, 0.45%

LAB 44.99, 71.81, -50.35

 

CMYK 6 / 75 / 0 / 15

HEX #CA35D8

RGB 202 53 216

HSL 294.85, 0.68%, 0.53%

LAB 51.91, 75.73, -52.89

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 4 / 47 / 0 / 10

HEX #DC7AE5

RGB 220 122 229

HSL 294.95, 0.67%, 0.69%

LAB 65.59, 53.62, -38.42

 

CMYK 3 / 33 / 0 / 7

HEX #E59DEC

RGB 229 157 236

HSL 294.68, 0.68%, 0.77%

LAB 74.08, 39.47, -29.03

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 55 / 61 / 13

HEX #DF6557

RGB 223 101 87

HSL 6.18, 0.68%, 0.61%

LAB 57.74, 46.62, 31.15

 

CMYK 61 / 0 / 30 / 13

HEX #57DF9B

RGB 87 223 155

HSL 150, 0.68%, 0.61%

LAB 80.27, -52.43, 22.59

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 6 / 61 / 13

HEX #DFD157

RGB 223 209 87

HSL 53.82, 0.68%, 0.61%

LAB 82.9, -9.76, 60.58

 

CMYK 61 / 0 / 6 / 13

HEX #57DFD1

RGB 87 223 209

HSL 173.82, 0.68%, 0.61%

LAB 81.51, -40, -4.14

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 55 / 61 / 13

HEX #DF6557

RGB 223 101 87

HSL 6.18, 0.68%, 0.61%

LAB 57.74, 46.62, 31.15

 

CMYK 55 / 0 / 61 / 13

HEX #65DF57

RGB 101 223 87

HSL 113.82, 0.68%, 0.61%

LAB 79.74, -59.59, 55.1

 

CMYK 61 / 6 / 0 / 13

HEX #57D1DF

RGB 87 209 223

HSL 186.18, 0.68%, 0.61%

LAB 77.85, -29.67, -17.09

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 36 / 61 / 13

HEX #DF8E57

RGB 223 142 87

HSL 24.26, 0.68%, 0.61%

LAB 66.31, 25.54, 41.67

 

CMYK 55 / 0 / 61 / 13

HEX #65DF57

RGB 101 223 87

HSL 113.82, 0.68%, 0.61%

LAB 79.74, -59.59, 55.1

 

CMYK 61 / 24 / 0 / 13

HEX #57A9DF

RGB 87 169 223

HSL 203.82, 0.68%, 0.61%

LAB 66.31, -9.01, -34.75

 

Description

Color code: HEX #D357DF | qconv.com Color code: HEX #D357DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 87 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 87 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 61 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 61% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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