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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D35BE0 it is the complementary color #2CA41F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D35BE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D35BE0 shade: #D85BDB, #E96DEE, #FA7FFF, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D35BE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D35BE0 shade: #D35BE0, #C249CD, #B137BA, #A025A7 and #8F1394

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D35BE0 shade: #D35CDF, #DF5CC9, #DF5CA5, #DF5C82 and #DF5C5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D35BE0 shade: #D35CDF, #AF5CDF, #8C5CDF, #685CDF and #5C5CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D35BE0 shade matches the following richer shades: #D35CDF and #DF4CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D35BE0 shade: #D35CDF, #C66BD0, #B97BC0, #AD8BB0 and #A09AA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D35BE0 shade: #8C5CDF, #AF5CDF, #D25CDF, #DF5CCA and #DF5CA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D35BE0 shade: #B425C4, #C939D9, #D35CDF, #DC7EE6 and #E5A1ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D35BE0 shade: #D35BE0, #DF695C and #5CDF9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D35BE0 shade: #D35BE0, #DFD25C and #5CDFD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D35BE0 shade: #D35BE0, #DF695C, #69DF5C and #5CD2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D35BE0 shade: #D35BE0, #DF905C, #69DF5C and #5CABDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 12

HEX #D35BE0

RGB 211 91 224

HSL 294.14, 0.68%, 0.62%

LAB 58.71, 64.95, -46.52

 

Complementary color

CMYK 73 / 0 / 81 / 36

HEX #2CA41F

RGB 44 164 31

HSL 114.14, 0.68%, 0.38%

LAB 59.15, -56.36, 54.41

 

CMYK 1 / 58 / 0 / 14

HEX #D85BDB

RGB 216 91 219

HSL 298.59, 0.64%, 0.61%

LAB 59.15, 65.31, -42.96

 

CMYK 2 / 54 / 0 / 7

HEX #E96DEE

RGB 233 109 238

HSL 297.67, 0.79%, 0.68%

LAB 65.31, 64.95, -43.73

 

CMYK 2 / 50 / 0 / 0

HEX #FA7FFF

RGB 250 127 255

HSL 297.66, 1%, 0.75%

LAB 71.37, 64.08, -43.4

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 6 / 59 / 0 / 12

HEX #D35BE0

RGB 211 91 224

HSL 294.14, 0.68%, 0.62%

LAB 58.71, 64.95, -46.52

 

CMYK 5 / 64 / 0 / 20

HEX #C249CD

RGB 194 73 205

HSL 295, 0.57%, 0.55%

LAB 52.56, 65.09, -45.64

 

CMYK 5 / 70 / 0 / 27

HEX #B137BA

RGB 177 55 186

HSL 295.88, 0.54%, 0.47%

LAB 46.48, 64.81, -44.47

 

CMYK 4 / 78 / 0 / 35

HEX #A025A7

RGB 160 37 167

HSL 296.77, 0.64%, 0.4%

LAB 40.55, 63.86, -42.85

 

CMYK 3 / 87 / 0 / 42

HEX #8F1394

RGB 143 19 148

HSL 297.67, 0.77%, 0.33%

LAB 34.89, 61.84, -40.58

 

CMYK 5 / 59 / 0 / 13

HEX #D35CDF

RGB 211 92 223

HSL 294.5, 0.67%, 0.62%

LAB 58.82, 64.33, -45.79

 

CMYK 0 / 59 / 10 / 13

HEX #DF5CC9

RGB 223 92 201

HSL 310.08, 0.67%, 0.62%

LAB 59.49, 63.74, -32.17

 

CMYK 0 / 59 / 26 / 13

HEX #DF5CA5

RGB 223 92 165

HSL 326.56, 0.67%, 0.62%

LAB 58.09, 58.58, -13.64

 

CMYK 0 / 59 / 42 / 13

HEX #DF5C82

RGB 223 92 130

HSL 342.6, 0.67%, 0.62%

LAB 57.03, 54.48, 5.24

 

CMYK 0 / 59 / 58 / 13

HEX #DF5C5E

RGB 223 92 94

HSL 359.08, 0.67%, 0.62%

LAB 56.24, 51.32, 25.22

 

CMYK 5 / 59 / 0 / 13

HEX #D35CDF

RGB 211 92 223

HSL 294.5, 0.67%, 0.62%

LAB 58.82, 64.33, -45.79

 

CMYK 22 / 59 / 0 / 13

HEX #AF5CDF

RGB 175 92 223

HSL 278.02, 0.67%, 0.62%

LAB 54.13, 55.51, -53.53

 

CMYK 37 / 59 / 0 / 13

HEX #8C5CDF

RGB 140 92 223

HSL 261.98, 0.67%, 0.62%

LAB 50.17, 47.35, -60.1

 

CMYK 53 / 59 / 0 / 13

HEX #685CDF

RGB 104 92 223

HSL 245.5, 0.67%, 0.62%

LAB 46.88, 39.91, -65.58

 

CMYK 59 / 59 / 0 / 13

HEX #5C5CDF

RGB 92 92 223

HSL 240, 0.67%, 0.62%

LAB 45.98, 37.76, -67.07

 

CMYK 5 / 59 / 0 / 13

HEX #D35CDF

RGB 211 92 223

HSL 294.5, 0.67%, 0.62%

LAB 58.82, 64.33, -45.79

 

CMYK 7 / 68 / 0 / 6

HEX #DF4CEF

RGB 223 76 239

HSL 294.11, 0.84%, 0.62%

LAB 59.06, 76.29, -54.26

 

CMYK 5 / 59 / 0 / 13

HEX #D35CDF

RGB 211 92 223

HSL 294.5, 0.67%, 0.62%

LAB 58.82, 64.33, -45.79

 

CMYK 5 / 49 / 0 / 18

HEX #C66BD0

RGB 198 107 208

HSL 294.06, 0.52%, 0.62%

LAB 59.04, 51.02, -37.09

 

CMYK 4 / 36 / 0 / 25

HEX #B97BC0

RGB 185 123 192

HSL 293.91, 0.35%, 0.62%

LAB 60.15, 35.56, -26.43

 

CMYK 2 / 21 / 0 / 31

HEX #AD8BB0

RGB 173 139 176

HSL 295.14, 0.19%, 0.62%

LAB 62.07, 19.48, -14.54

 

CMYK 1 / 4 / 0 / 37

HEX #A09AA1

RGB 160 154 161

HSL 291.43, 0.04%, 0.62%

LAB 64.29, 3.52, -2.88

 

CMYK 37 / 59 / 0 / 13

HEX #8C5CDF

RGB 140 92 223

HSL 261.98, 0.67%, 0.62%

LAB 50.17, 47.35, -60.1

 

CMYK 22 / 59 / 0 / 13

HEX #AF5CDF

RGB 175 92 223

HSL 278.02, 0.67%, 0.62%

LAB 54.13, 55.51, -53.53

 

CMYK 6 / 59 / 0 / 13

HEX #D25CDF

RGB 210 92 223

HSL 294.05, 0.67%, 0.62%

LAB 58.68, 64.08, -46.01

 

CMYK 0 / 59 / 9 / 13

HEX #DF5CCA

RGB 223 92 202

HSL 309.62, 0.67%, 0.62%

LAB 59.53, 63.9, -32.68

 

CMYK 0 / 59 / 26 / 13

HEX #DF5CA6

RGB 223 92 166

HSL 326.11, 0.67%, 0.62%

LAB 58.13, 58.71, -14.16

 

CMYK 8 / 81 / 0 / 23

HEX #B425C4

RGB 180 37 196

HSL 293.96, 0.68%, 0.46%

LAB 45.65, 72.6, -51.59

 

CMYK 7 / 74 / 0 / 15

HEX #C939D9

RGB 201 57 217

HSL 294, 0.68%, 0.54%

LAB 52.23, 74.47, -52.95

 

CMYK 5 / 59 / 0 / 13

HEX #D35CDF

RGB 211 92 223

HSL 294.5, 0.67%, 0.62%

LAB 58.82, 64.33, -45.79

 

CMYK 4 / 45 / 0 / 10

HEX #DC7EE6

RGB 220 126 230

HSL 294.23, 0.68%, 0.7%

LAB 66.41, 51.79, -37.7

 

CMYK 3 / 32 / 0 / 7

HEX #E5A1ED

RGB 229 161 237

HSL 293.68, 0.68%, 0.78%

LAB 74.99, 37.54, -28.18

 

CMYK 6 / 59 / 0 / 12

HEX #D35BE0

RGB 211 91 224

HSL 294.14, 0.68%, 0.62%

LAB 58.71, 64.95, -46.52

 

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

CMYK 59 / 0 / 29 / 13

HEX #5CDF9E

RGB 92 223 158

HSL 150.23, 0.67%, 0.62%

LAB 80.47, -50.83, 21.32

 

CMYK 6 / 59 / 0 / 12

HEX #D35BE0

RGB 211 91 224

HSL 294.14, 0.68%, 0.62%

LAB 58.71, 64.95, -46.52

 

CMYK 0 / 6 / 59 / 13

HEX #DFD25C

RGB 223 210 92

HSL 54.05, 0.67%, 0.62%

LAB 83.21, -9.93, 58.74

 

CMYK 59 / 0 / 6 / 13

HEX #5CDFD2

RGB 92 223 210

HSL 174.05, 0.67%, 0.62%

LAB 81.68, -38.88, -4.42

 

CMYK 6 / 59 / 0 / 12

HEX #D35BE0

RGB 211 91 224

HSL 294.14, 0.68%, 0.62%

LAB 58.71, 64.95, -46.52

 

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

CMYK 53 / 0 / 59 / 13

HEX #69DF5C

RGB 105 223 92

HSL 114.05, 0.67%, 0.62%

LAB 79.93, -58.04, 53.16

 

CMYK 59 / 6 / 0 / 13

HEX #5CD2DF

RGB 92 210 223

HSL 185.95, 0.67%, 0.62%

LAB 78.28, -29.28, -16.42

 

CMYK 6 / 59 / 0 / 12

HEX #D35BE0

RGB 211 91 224

HSL 294.14, 0.68%, 0.62%

LAB 58.71, 64.95, -46.52

 

CMYK 0 / 35 / 59 / 13

HEX #DF905C

RGB 223 144 92

HSL 23.82, 0.67%, 0.62%

LAB 66.83, 24.83, 39.7

 

CMYK 53 / 0 / 59 / 13

HEX #69DF5C

RGB 105 223 92

HSL 114.05, 0.67%, 0.62%

LAB 79.93, -58.04, 53.16

 

CMYK 59 / 23 / 0 / 13

HEX #5CABDF

RGB 92 171 223

HSL 203.82, 0.67%, 0.62%

LAB 67.07, -9.17, -33.56

 

Description

Color code: HEX #D35BE0 | qconv.com Color code: HEX #D35BE0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 91 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 91 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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