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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D35FED it is the complementary color #2CA012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D35FED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D35FED shade: #D85FE8, #E971FB, #FA83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D35FED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D35FED shade: #D35FED, #C24DDA, #B13BC7, #A029B4 and #8F17A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D35FED shade: #D25EED, #ED5EE0, #ED5EBA, #ED5E93 and #ED5E6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D35FED shade: #D25EED, #AC5EED, #855EED, #5F5EED and #5E5EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D35FED shade matches the following richer shades: #D25EED and #DC4FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D35FED shade: #D25EED, #C96CDE, #C07BD0, #B789C1 and #AE98B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D35FED shade: #865EED, #AC5EED, #D25EED, #ED5EE1 and #ED5EBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D35FED shade: #BB18E0, #C839E9, #D25EED, #DD83F1 and #E7A8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D35FED shade: #D35FED, #ED605E and #5EED99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D35FED shade: #D35FED, #EDD25E and #5EEDD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D35FED shade: #D35FED, #ED605E, #78ED5E and #5EEAED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D35FED shade: #D35FED, #ED8B5E, #78ED5E and #5EBFED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 60 / 0 / 7

HEX #D35FED

RGB 211 95 237

HSL 289.01, 0.8%, 0.65%

LAB 60.02, 65.57, -51.71

 

Complementary color

CMYK 73 / 0 / 89 / 37

HEX #2CA012

RGB 44 160 18

HSL 109.01, 0.8%, 0.35%

LAB 57.77, -55.7, 56.47

 

CMYK 7 / 59 / 0 / 9

HEX #D85FE8

RGB 216 95 232

HSL 292.99, 0.75%, 0.64%

LAB 60.44, 65.86, -48.23

 

CMYK 7 / 55 / 0 / 2

HEX #E971FB

RGB 233 113 251

HSL 292.17, 0.95%, 0.71%

LAB 66.6, 65.44, -48.86

 

CMYK 2 / 49 / 0 / 0

HEX #FA83FF

RGB 250 131 255

HSL 297.58, 1%, 0.76%

LAB 72.08, 62.2, -42.29

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 11 / 60 / 0 / 7

HEX #D35FED

RGB 211 95 237

HSL 289.01, 0.8%, 0.65%

LAB 60.02, 65.57, -51.71

 

CMYK 11 / 65 / 0 / 15

HEX #C24DDA

RGB 194 77 218

HSL 289.79, 0.66%, 0.58%

LAB 53.86, 65.8, -50.99

 

CMYK 11 / 70 / 0 / 22

HEX #B13BC7

RGB 177 59 199

HSL 290.57, 0.56%, 0.51%

LAB 47.75, 65.66, -50

 

CMYK 11 / 77 / 0 / 29

HEX #A029B4

RGB 160 41 180

HSL 291.37, 0.63%, 0.43%

LAB 41.77, 64.92, -48.62

 

CMYK 11 / 86 / 0 / 37

HEX #8F17A1

RGB 143 23 161

HSL 292.17, 0.75%, 0.36%

LAB 36.03, 63.21, -46.65

 

CMYK 11 / 60 / 0 / 7

HEX #D25EED

RGB 210 94 237

HSL 288.67, 0.8%, 0.65%

LAB 59.73, 65.78, -52.19

 

CMYK 0 / 60 / 5 / 7

HEX #ED5EE0

RGB 237 94 224

HSL 305.45, 0.8%, 0.65%

LAB 62.84, 70.12, -39.77

 

CMYK 0 / 60 / 22 / 7

HEX #ED5EBA

RGB 237 94 186

HSL 321.4, 0.8%, 0.65%

LAB 61.27, 64.54, -20.71

 

CMYK 0 / 60 / 38 / 7

HEX #ED5E93

RGB 237 94 147

HSL 337.76, 0.8%, 0.65%

LAB 59.99, 59.8, -0.12

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6D

RGB 237 94 109

HSL 353.71, 0.8%, 0.65%

LAB 59.08, 56.27, 20.7

 

CMYK 11 / 60 / 0 / 7

HEX #D25EED

RGB 210 94 237

HSL 288.67, 0.8%, 0.65%

LAB 59.73, 65.78, -52.19

 

CMYK 27 / 60 / 0 / 7

HEX #AC5EED

RGB 172 94 237

HSL 272.73, 0.8%, 0.65%

LAB 54.96, 56.91, -60.08

 

CMYK 44 / 60 / 0 / 7

HEX #855EED

RGB 133 94 237

HSL 256.36, 0.8%, 0.65%

LAB 50.81, 48.48, -66.98

 

CMYK 60 / 60 / 0 / 7

HEX #5F5EED

RGB 95 94 237

HSL 240.42, 0.8%, 0.65%

LAB 47.69, 41.53, -72.19

 

CMYK 60 / 60 / 0 / 7

HEX #5E5EED

RGB 94 94 237

HSL 240, 0.8%, 0.65%

LAB 47.62, 41.37, -72.3

 

CMYK 11 / 60 / 0 / 7

HEX #D25EED

RGB 210 94 237

HSL 288.67, 0.8%, 0.65%

LAB 59.73, 65.78, -52.19

 

CMYK 12 / 69 / 0 / 2

HEX #DC4FFB

RGB 220 79 251

HSL 289.19, 0.96%, 0.65%

LAB 59.68, 76.66, -59.95

 

CMYK 11 / 60 / 0 / 7

HEX #D25EED

RGB 210 94 237

HSL 288.67, 0.8%, 0.65%

LAB 59.73, 65.78, -52.19

 

CMYK 9 / 51 / 0 / 13

HEX #C96CDE

RGB 201 108 222

HSL 288.95, 0.63%, 0.65%

LAB 60.26, 54.03, -43.03

 

CMYK 8 / 41 / 0 / 18

HEX #C07BD0

RGB 192 123 208

HSL 288.71, 0.47%, 0.65%

LAB 61.59, 40.89, -33.17

 

CMYK 5 / 29 / 0 / 24

HEX #B789C1

RGB 183 137 193

HSL 289.29, 0.31%, 0.65%

LAB 63.18, 27.35, -22.35

 

CMYK 3 / 15 / 0 / 30

HEX #AE98B3

RGB 174 152 179

HSL 288.89, 0.15%, 0.65%

LAB 65.52, 13.1, -11.03

 

CMYK 43 / 60 / 0 / 7

HEX #865EED

RGB 134 94 237

HSL 256.78, 0.8%, 0.65%

LAB 50.91, 48.68, -66.82

 

CMYK 27 / 60 / 0 / 7

HEX #AC5EED

RGB 172 94 237

HSL 272.73, 0.8%, 0.65%

LAB 54.96, 56.91, -60.08

 

CMYK 11 / 60 / 0 / 7

HEX #D25EED

RGB 210 94 237

HSL 288.67, 0.8%, 0.65%

LAB 59.73, 65.78, -52.19

 

CMYK 0 / 60 / 5 / 7

HEX #ED5EE1

RGB 237 94 225

HSL 305.03, 0.8%, 0.65%

LAB 62.88, 70.28, -40.26

 

CMYK 0 / 60 / 21 / 7

HEX #ED5EBB

RGB 237 94 187

HSL 320.98, 0.8%, 0.65%

LAB 61.31, 64.67, -21.22

 

CMYK 17 / 89 / 0 / 12

HEX #BB18E0

RGB 187 24 224

HSL 288.9, 0.81%, 0.49%

LAB 47.75, 81.1, -64.26

 

CMYK 14 / 76 / 0 / 9

HEX #C839E9

RGB 200 57 233

HSL 288.75, 0.8%, 0.57%

LAB 53.05, 77.05, -60.71

 

CMYK 11 / 60 / 0 / 7

HEX #D25EED

RGB 210 94 237

HSL 288.67, 0.8%, 0.65%

LAB 59.73, 65.78, -52.19

 

CMYK 8 / 46 / 0 / 5

HEX #DD83F1

RGB 221 131 241

HSL 289.09, 0.8%, 0.73%

LAB 67.99, 51.62, -41.28

 

CMYK 6 / 31 / 0 / 4

HEX #E7A8F5

RGB 231 168 245

HSL 289.09, 0.79%, 0.81%

LAB 77.03, 35.96, -29.36

 

CMYK 11 / 60 / 0 / 7

HEX #D35FED

RGB 211 95 237

HSL 289.01, 0.8%, 0.65%

LAB 60.02, 65.57, -51.71

 

CMYK 0 / 59 / 60 / 7

HEX #ED605E

RGB 237 96 94

HSL 0.84, 0.8%, 0.65%

LAB 59.14, 54.31, 29.41

 

CMYK 60 / 0 / 35 / 7

HEX #5EED99

RGB 94 237 153

HSL 144.76, 0.8%, 0.65%

LAB 84.61, -56.96, 29.53

 

CMYK 11 / 60 / 0 / 7

HEX #D35FED

RGB 211 95 237

HSL 289.01, 0.8%, 0.65%

LAB 60.02, 65.57, -51.71

 

CMYK 0 / 11 / 60 / 7

HEX #EDD25E

RGB 237 210 94

HSL 48.67, 0.8%, 0.65%

LAB 84.44, -4.01, 59.56

 

CMYK 60 / 0 / 11 / 7

HEX #5EEDD2

RGB 94 237 210

HSL 168.67, 0.8%, 0.65%

LAB 85.81, -44.75, 1.63

 

CMYK 11 / 60 / 0 / 7

HEX #D35FED

RGB 211 95 237

HSL 289.01, 0.8%, 0.65%

LAB 60.02, 65.57, -51.71

 

CMYK 0 / 59 / 60 / 7

HEX #ED605E

RGB 237 96 94

HSL 0.84, 0.8%, 0.65%

LAB 59.14, 54.31, 29.41

 

CMYK 49 / 0 / 60 / 7

HEX #78ED5E

RGB 120 237 94

HSL 109.09, 0.8%, 0.65%

LAB 84.67, -59.09, 57.85

 

CMYK 60 / 1 / 0 / 7

HEX #5EEAED

RGB 94 234 237

HSL 181.26, 0.8%, 0.65%

LAB 85.68, -36.45, -12.76

 

CMYK 11 / 60 / 0 / 7

HEX #D35FED

RGB 211 95 237

HSL 289.01, 0.8%, 0.65%

LAB 60.02, 65.57, -51.71

 

CMYK 0 / 41 / 60 / 7

HEX #ED8B5E

RGB 237 139 94

HSL 18.88, 0.8%, 0.65%

LAB 67.49, 33.22, 39.85

 

CMYK 49 / 0 / 60 / 7

HEX #78ED5E

RGB 120 237 94

HSL 109.09, 0.8%, 0.65%

LAB 84.67, -59.09, 57.85

 

CMYK 60 / 19 / 0 / 7

HEX #5EBFED

RGB 94 191 237

HSL 199.3, 0.8%, 0.65%

LAB 73.39, -15.23, -31.42

 

Description

Color code: HEX #D35FED | qconv.com Color code: HEX #D35FED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 95 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 95 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 60 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 60% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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