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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D37496 it is the complementary color #2C8B69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D37496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D37496 shade: #D87491, #E986A4, #FA98B7, #FFAACA and #FFBCDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D37496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D37496 shade: #D37496, #C26283, #B15070, #A03E5D and #8F2C4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D37496 shade: #D27395, #D2737B and #D27373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D37496 shade: #D27395, #D273AF, #D273C9, #C373D2 and #A973D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D37496 shade matches the following richer shades: #D27395, #E16491 and #F0558D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D37496 shade: #D27395, #C48299, #B5919E, #A6A0A2 and #97AEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D37496 shade: #D273C9, #D273AF, #D27396, #D2737D and #D28373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D37496 shade: #B93A67, #C9547D, #D27395, #DC92AD and #E6B2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D37496 shade: #D37496, #D2C373 and #73BCD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D37496 shade: #D37496, #96D273 and #7396D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D37496 shade: #D37496, #D2C373, #73D2AF and #7383D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D37496 shade: #D37496, #C6D273, #73D2AF and #8073D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 29 / 17

HEX #D37496

RGB 211 116 150

HSL 338.53, 0.52%, 0.64%

LAB 60.37, 41.11, -1.74

 

Complementary color

CMYK 68 / 0 / 24 / 45

HEX #2C8B69

RGB 44 139 105

HSL 158.53, 0.52%, 0.36%

LAB 51.86, -36.07, 10.26

 

CMYK 0 / 46 / 33 / 15

HEX #D87491

RGB 216 116 145

HSL 342.6, 0.56%, 0.65%

LAB 60.9, 42.21, 1.98

 

CMYK 0 / 42 / 30 / 9

HEX #E986A4

RGB 233 134 164

HSL 341.82, 0.69%, 0.72%

LAB 67.32, 41.33, 0.77

 

CMYK 0 / 39 / 27 / 2

HEX #FA98B7

RGB 250 152 183

HSL 341.02, 0.91%, 0.79%

LAB 73.67, 40.47, -0.3

 

CMYK 0 / 33 / 21 / 0

HEX #FFAACA

RGB 255 170 202

HSL 337.41, 1%, 0.83%

LAB 78.62, 35.53, -3.39

 

CMYK 0 / 26 / 13 / 0

HEX #FFBCDD

RGB 255 188 221

HSL 330.45, 1%, 0.87%

LAB 83.15, 29, -6.97

 

CMYK 0 / 45 / 29 / 17

HEX #D37496

RGB 211 116 150

HSL 338.53, 0.52%, 0.64%

LAB 60.37, 41.11, -1.74

 

CMYK 0 / 49 / 32 / 24

HEX #C26283

RGB 194 98 131

HSL 339.38, 0.44%, 0.57%

LAB 53.86, 41.98, -0.48

 

CMYK 0 / 55 / 37 / 31

HEX #B15070

RGB 177 80 112

HSL 340.21, 0.38%, 0.5%

LAB 47.31, 42.83, 1.02

 

CMYK 0 / 61 / 42 / 37

HEX #A03E5D

RGB 160 62 93

HSL 341.02, 0.44%, 0.44%

LAB 40.75, 43.56, 2.88

 

CMYK 0 / 69 / 48 / 44

HEX #8F2C4A

RGB 143 44 74

HSL 341.82, 0.53%, 0.37%

LAB 34.26, 43.99, 5.27

 

CMYK 0 / 45 / 29 / 18

HEX #D27395

RGB 210 115 149

HSL 338.53, 0.51%, 0.64%

LAB 60.01, 41.15, -1.72

 

CMYK 0 / 45 / 41 / 18

HEX #D2737B

RGB 210 115 123

HSL 354.95, 0.51%, 0.64%

LAB 59.34, 37.99, 12.33

 

CMYK 0 / 45 / 45 / 18

HEX #D27373

RGB 210 115 115

HSL 0, 0.51%, 0.64%

LAB 59.16, 37.14, 16.69

 

CMYK 0 / 45 / 29 / 18

HEX #D27395

RGB 210 115 149

HSL 338.53, 0.51%, 0.64%

LAB 60.01, 41.15, -1.72

 

CMYK 0 / 45 / 17 / 18

HEX #D273AF

RGB 210 115 175

HSL 322.11, 0.51%, 0.64%

LAB 60.83, 44.91, -15.43

 

CMYK 0 / 45 / 4 / 18

HEX #D273C9

RGB 210 115 201

HSL 305.68, 0.51%, 0.64%

LAB 61.81, 49.2, -28.72

 

CMYK 7 / 45 / 0 / 18

HEX #C373D2

RGB 195 115 210

HSL 290.53, 0.51%, 0.64%

LAB 60.35, 46.43, -36.2

 

CMYK 20 / 45 / 0 / 18

HEX #A973D2

RGB 169 115 210

HSL 274.11, 0.51%, 0.64%

LAB 57.41, 38.93, -41.02

 

CMYK 0 / 45 / 29 / 18

HEX #D27395

RGB 210 115 149

HSL 338.53, 0.51%, 0.64%

LAB 60.01, 41.15, -1.72

 

CMYK 0 / 56 / 36 / 12

HEX #E16491

RGB 225 100 145

HSL 338.4, 0.68%, 0.64%

LAB 59.13, 53.1, -0.45

 

CMYK 0 / 65 / 41 / 6

HEX #F0558D

RGB 240 85 141

HSL 338.32, 0.84%, 0.64%

LAB 58.92, 63.82, 1.87

 

CMYK 0 / 45 / 29 / 18

HEX #D27395

RGB 210 115 149

HSL 338.53, 0.51%, 0.64%

LAB 60.01, 41.15, -1.72

 

CMYK 0 / 34 / 22 / 23

HEX #C48299

RGB 196 130 153

HSL 339.09, 0.36%, 0.64%

LAB 61.66, 28.7, -1.8

 

CMYK 0 / 20 / 13 / 29

HEX #B5919E

RGB 181 145 158

HSL 338.33, 0.2%, 0.64%

LAB 63.79, 15.66, -1.7

 

CMYK 0 / 4 / 2 / 35

HEX #A6A0A2

RGB 166 160 162

HSL 340, 0.03%, 0.64%

LAB 66.41, 2.54, -0.27

 

CMYK 13 / 0 / 5 / 32

HEX #97AEA6

RGB 151 174 166

HSL 159.13, 0.12%, 0.64%

LAB 69.19, -9.55, 1.42

 

CMYK 0 / 45 / 4 / 18

HEX #D273C9

RGB 210 115 201

HSL 305.68, 0.51%, 0.64%

LAB 61.81, 49.2, -28.72

 

CMYK 0 / 45 / 17 / 18

HEX #D273AF

RGB 210 115 175

HSL 322.11, 0.51%, 0.64%

LAB 60.83, 44.91, -15.43

 

CMYK 0 / 45 / 29 / 18

HEX #D27396

RGB 210 115 150

HSL 337.89, 0.51%, 0.64%

LAB 60.04, 41.28, -2.25

 

CMYK 0 / 45 / 40 / 18

HEX #D2737D

RGB 210 115 125

HSL 353.68, 0.51%, 0.64%

LAB 59.38, 38.21, 11.24

 

CMYK 0 / 38 / 45 / 18

HEX #D28373

RGB 210 131 115

HSL 10.11, 0.51%, 0.64%

LAB 62.65, 28.64, 21.46

 

CMYK 0 / 69 / 44 / 27

HEX #B93A67

RGB 185 58 103

HSL 338.74, 0.52%, 0.48%

LAB 44.69, 54.31, 2.9

 

CMYK 0 / 58 / 38 / 21

HEX #C9547D

RGB 201 84 125

HSL 338.97, 0.52%, 0.56%

LAB 52.11, 50.46, 0.64

 

CMYK 0 / 45 / 29 / 18

HEX #D27395

RGB 210 115 149

HSL 338.53, 0.51%, 0.64%

LAB 60.01, 41.15, -1.72

 

CMYK 0 / 34 / 21 / 14

HEX #DC92AD

RGB 220 146 173

HSL 338.11, 0.51%, 0.72%

LAB 68.6, 31.68, -2.59

 

CMYK 0 / 23 / 15 / 10

HEX #E6B2C4

RGB 230 178 196

HSL 339.23, 0.51%, 0.8%

LAB 77.67, 21.62, -1.84

 

CMYK 0 / 45 / 29 / 17

HEX #D37496

RGB 211 116 150

HSL 338.53, 0.52%, 0.64%

LAB 60.37, 41.11, -1.74

 

CMYK 0 / 7 / 45 / 18

HEX #D2C373

RGB 210 195 115

HSL 50.53, 0.51%, 0.64%

LAB 78.44, -5.66, 41.95

 

CMYK 45 / 10 / 0 / 18

HEX #73BCD2

RGB 115 188 210

HSL 193.89, 0.51%, 0.64%

LAB 72.4, -17.01, -18.18

 

CMYK 0 / 45 / 29 / 17

HEX #D37496

RGB 211 116 150

HSL 338.53, 0.52%, 0.64%

LAB 60.37, 41.11, -1.74

 

CMYK 29 / 0 / 45 / 18

HEX #96D273

RGB 150 210 115

HSL 97.89, 0.51%, 0.64%

LAB 78.35, -36.05, 40.92

 

CMYK 45 / 29 / 0 / 18

HEX #7396D2

RGB 115 150 210

HSL 217.89, 0.51%, 0.64%

LAB 61.75, 3.82, -34.54

 

CMYK 0 / 45 / 29 / 17

HEX #D37496

RGB 211 116 150

HSL 338.53, 0.52%, 0.64%

LAB 60.37, 41.11, -1.74

 

CMYK 0 / 7 / 45 / 18

HEX #D2C373

RGB 210 195 115

HSL 50.53, 0.51%, 0.64%

LAB 78.44, -5.66, 41.95

 

CMYK 45 / 0 / 17 / 18

HEX #73D2AF

RGB 115 210 175

HSL 157.89, 0.51%, 0.64%

LAB 77.78, -36.34, 8.67

 

CMYK 45 / 38 / 0 / 18

HEX #7383D2

RGB 115 131 210

HSL 229.89, 0.51%, 0.64%

LAB 56.62, 14.95, -42.59

 

CMYK 0 / 45 / 29 / 17

HEX #D37496

RGB 211 116 150

HSL 338.53, 0.52%, 0.64%

LAB 60.37, 41.11, -1.74

 

CMYK 6 / 0 / 45 / 18

HEX #C6D273

RGB 198 210 115

HSL 67.58, 0.51%, 0.64%

LAB 81.48, -18.07, 45.48

 

CMYK 45 / 0 / 17 / 18

HEX #73D2AF

RGB 115 210 175

HSL 157.89, 0.51%, 0.64%

LAB 77.78, -36.34, 8.67

 

CMYK 39 / 45 / 0 / 18

HEX #8073D2

RGB 128 115 210

HSL 248.21, 0.51%, 0.64%

LAB 53.5, 27.77, -47.47

 

Description

Color code: HEX #D37496 | qconv.com Color code: HEX #D37496 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 116 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 116 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 29% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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