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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D386CD it is the complementary color #2C7932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D386CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D386CD shade: #D886C8, #E998DB, #FAAAEE, #FFBCFF and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D386CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D386CD shade: #D386CD, #C274BA, #B162A7, #A05094 and #8F3E81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D386CD shade: #D387CD, #D387B9, #D387A4, #D3878F and #D38787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D386CD shade: #D387CD, #C587D3, #B087D3, #9B87D3 and #8787D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D386CD shade matches the following richer shades: #D387CD, #E079D8, #EE6CE4 and #FB5FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D386CD shade: #D387CD, #C694C2, #B9A1B7, #ACAEAC and #9EBBA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D386CD shade: #AF87D3, #C487D3, #D387CE, #D387BA and #D387A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D386CD shade: #BD4AB4, #C868C1, #D387CD, #DEA5DA and #E9C3E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D386CD shade: #D386CD, #D39B87 and #87D3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D386CD shade: #D386CD, #CED387 and #87CED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D386CD shade: #D386CD, #D39B87, #87D38C and #87BFD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D386CD shade: #D386CD, #D3B287, #87D38C and #87A8D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 3 / 17

HEX #D386CD

RGB 211 134 205

HSL 304.68, 0.47%, 0.68%

LAB 65.99, 40.33, -24.53

 

Complementary color

CMYK 64 / 0 / 59 / 53

HEX #2C7932

RGB 44 121 50

HSL 124.68, 0.47%, 0.32%

LAB 44.86, -39.15, 31.63

 

CMYK 0 / 38 / 7 / 15

HEX #D886C8

RGB 216 134 200

HSL 311.71, 0.51%, 0.69%

LAB 66.38, 41.05, -21.08

 

CMYK 0 / 35 / 6 / 9

HEX #E998DB

RGB 233 152 219

HSL 310.37, 0.65%, 0.75%

LAB 72.82, 40.31, -21.62

 

CMYK 0 / 32 / 5 / 2

HEX #FAAAEE

RGB 250 170 238

HSL 309, 0.89%, 0.82%

LAB 79.18, 39.6, -22.12

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 36 / 3 / 17

HEX #D386CD

RGB 211 134 205

HSL 304.68, 0.47%, 0.68%

LAB 65.99, 40.33, -24.53

 

CMYK 0 / 40 / 4 / 24

HEX #C274BA

RGB 194 116 186

HSL 306.15, 0.39%, 0.61%

LAB 59.44, 41.08, -24.02

 

CMYK 0 / 45 / 6 / 31

HEX #B162A7

RGB 177 98 167

HSL 307.59, 0.34%, 0.54%

LAB 52.81, 41.84, -23.44

 

CMYK 0 / 50 / 7 / 37

HEX #A05094

RGB 160 80 148

HSL 309, 0.33%, 0.47%

LAB 46.11, 42.56, -22.74

 

CMYK 0 / 57 / 10 / 44

HEX #8F3E81

RGB 143 62 129

HSL 310.37, 0.4%, 0.4%

LAB 39.36, 43.16, -21.86

 

CMYK 0 / 36 / 3 / 17

HEX #D387CD

RGB 211 135 205

HSL 304.74, 0.46%, 0.68%

LAB 66.2, 39.8, -24.2

 

CMYK 0 / 36 / 12 / 17

HEX #D387B9

RGB 211 135 185

HSL 320.53, 0.46%, 0.68%

LAB 65.5, 36.34, -14.05

 

CMYK 0 / 36 / 22 / 17

HEX #D387A4

RGB 211 135 164

HSL 337.11, 0.46%, 0.68%

LAB 64.85, 33.04, -3.16

 

CMYK 0 / 36 / 32 / 17

HEX #D3878F

RGB 211 135 143

HSL 353.68, 0.46%, 0.68%

LAB 64.29, 30.13, 7.92

 

CMYK 0 / 36 / 36 / 17

HEX #D38787

RGB 211 135 135

HSL 0, 0.46%, 0.68%

LAB 64.1, 29.12, 12.19

 

CMYK 0 / 36 / 3 / 17

HEX #D387CD

RGB 211 135 205

HSL 304.74, 0.46%, 0.68%

LAB 66.2, 39.8, -24.2

 

CMYK 7 / 36 / 0 / 17

HEX #C587D3

RGB 197 135 211

HSL 288.95, 0.46%, 0.68%

LAB 64.88, 36.53, -29.7

 

CMYK 17 / 36 / 0 / 17

HEX #B087D3

RGB 176 135 211

HSL 272.37, 0.46%, 0.68%

LAB 62.73, 30.05, -33.22

 

CMYK 27 / 36 / 0 / 17

HEX #9B87D3

RGB 155 135 211

HSL 255.79, 0.46%, 0.68%

LAB 60.78, 23.77, -36.4

 

CMYK 36 / 36 / 0 / 17

HEX #8787D3

RGB 135 135 211

HSL 240, 0.46%, 0.68%

LAB 59.14, 18.1, -39.08

 

CMYK 0 / 36 / 3 / 17

HEX #D387CD

RGB 211 135 205

HSL 304.74, 0.46%, 0.68%

LAB 66.2, 39.8, -24.2

 

CMYK 0 / 46 / 4 / 12

HEX #E079D8

RGB 224 121 216

HSL 304.66, 0.62%, 0.68%

LAB 65.34, 52.94, -31.53

 

CMYK 0 / 55 / 4 / 7

HEX #EE6CE4

RGB 238 108 228

HSL 304.62, 0.79%, 0.68%

LAB 65.36, 65.02, -38.05

 

CMYK 0 / 62 / 5 / 2

HEX #FB5FEF

RGB 251 95 239

HSL 304.62, 0.95%, 0.68%

LAB 65.69, 75.5, -43.5

 

CMYK 0 / 36 / 3 / 17

HEX #D387CD

RGB 211 135 205

HSL 304.74, 0.46%, 0.68%

LAB 66.2, 39.8, -24.2

 

CMYK 0 / 25 / 2 / 22

HEX #C694C2

RGB 198 148 194

HSL 304.8, 0.3%, 0.68%

LAB 67.34, 26.45, -16.46

 

CMYK 0 / 13 / 1 / 27

HEX #B9A1B7

RGB 185 161 183

HSL 305, 0.15%, 0.68%

LAB 68.91, 12.71, -8.1

 

CMYK 1 / 0 / 1 / 32

HEX #ACAEAC

RGB 172 174 172

HSL 120, 0.01%, 0.68%

LAB 70.89, -1.08, 0.77

 

CMYK 16 / 0 / 14 / 27

HEX #9EBBA1

RGB 158 187 161

HSL 126.21, 0.18%, 0.68%

LAB 73.14, -14.92, 9.91

 

CMYK 17 / 36 / 0 / 17

HEX #AF87D3

RGB 175 135 211

HSL 271.58, 0.46%, 0.68%

LAB 62.63, 29.75, -33.38

 

CMYK 7 / 36 / 0 / 17

HEX #C487D3

RGB 196 135 211

HSL 288.16, 0.46%, 0.68%

LAB 64.78, 36.21, -29.88

 

CMYK 0 / 36 / 2 / 17

HEX #D387CE

RGB 211 135 206

HSL 303.95, 0.46%, 0.68%

LAB 66.24, 39.98, -24.7

 

CMYK 0 / 36 / 12 / 17

HEX #D387BA

RGB 211 135 186

HSL 319.74, 0.46%, 0.68%

LAB 65.53, 36.5, -14.56

 

CMYK 0 / 36 / 22 / 17

HEX #D387A5

RGB 211 135 165

HSL 336.32, 0.46%, 0.68%

LAB 64.88, 33.19, -3.69

 

CMYK 0 / 61 / 5 / 26

HEX #BD4AB4

RGB 189 74 180

HSL 304.7, 0.47%, 0.52%

LAB 50.7, 59.14, -34.17

 

CMYK 0 / 48 / 4 / 22

HEX #C868C1

RGB 200 104 193

HSL 304.38, 0.47%, 0.6%

LAB 58.07, 50.37, -30.07

 

CMYK 0 / 36 / 3 / 17

HEX #D387CD

RGB 211 135 205

HSL 304.74, 0.46%, 0.68%

LAB 66.2, 39.8, -24.2

 

CMYK 0 / 26 / 2 / 13

HEX #DEA5DA

RGB 222 165 218

HSL 304.21, 0.46%, 0.76%

LAB 74.51, 29.62, -18.62

 

CMYK 0 / 16 / 1 / 9

HEX #E9C3E6

RGB 233 195 230

HSL 304.74, 0.46%, 0.84%

LAB 82.95, 19.37, -12.31

 

CMYK 0 / 36 / 3 / 17

HEX #D386CD

RGB 211 134 205

HSL 304.68, 0.47%, 0.68%

LAB 65.99, 40.33, -24.53

 

CMYK 0 / 27 / 36 / 17

HEX #D39B87

RGB 211 155 135

HSL 15.79, 0.46%, 0.68%

LAB 68.78, 18.28, 18.7

 

CMYK 36 / 0 / 12 / 17

HEX #87D3BA

RGB 135 211 186

HSL 160.26, 0.46%, 0.68%

LAB 79.2, -29.08, 4.96

 

CMYK 0 / 36 / 3 / 17

HEX #D386CD

RGB 211 134 205

HSL 304.68, 0.47%, 0.68%

LAB 65.99, 40.33, -24.53

 

CMYK 2 / 0 / 36 / 17

HEX #CED387

RGB 206 211 135

HSL 63.95, 0.46%, 0.68%

LAB 82.63, -13.25, 37.09

 

CMYK 36 / 2 / 0 / 17

HEX #87CED3

RGB 135 206 211

HSL 183.95, 0.46%, 0.68%

LAB 78.46, -20.89, -9.54

 

CMYK 0 / 36 / 3 / 17

HEX #D386CD

RGB 211 134 205

HSL 304.68, 0.47%, 0.68%

LAB 65.99, 40.33, -24.53

 

CMYK 0 / 27 / 36 / 17

HEX #D39B87

RGB 211 155 135

HSL 15.79, 0.46%, 0.68%

LAB 68.78, 18.28, 18.7

 

CMYK 36 / 0 / 34 / 17

HEX #87D38C

RGB 135 211 140

HSL 123.95, 0.46%, 0.68%

LAB 78.25, -37.83, 27.94

 

CMYK 36 / 9 / 0 / 17

HEX #87BFD3

RGB 135 191 211

HSL 195.79, 0.46%, 0.68%

LAB 74.26, -13.19, -15.82

 

CMYK 0 / 36 / 3 / 17

HEX #D386CD

RGB 211 134 205

HSL 304.68, 0.47%, 0.68%

LAB 65.99, 40.33, -24.53

 

CMYK 0 / 16 / 36 / 17

HEX #D3B287

RGB 211 178 135

HSL 33.95, 0.46%, 0.68%

LAB 74.47, 5.87, 26.43

 

CMYK 36 / 0 / 34 / 17

HEX #87D38C

RGB 135 211 140

HSL 123.95, 0.46%, 0.68%

LAB 78.25, -37.83, 27.94

 

CMYK 36 / 20 / 0 / 17

HEX #87A8D3

RGB 135 168 211

HSL 213.95, 0.46%, 0.68%

LAB 67.92, -0.78, -25.47

 

Description

Color code: HEX #D386CD | qconv.com Color code: HEX #D386CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 134 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 134 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 3 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 3% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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