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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D387C7 it is the complementary color #2C7838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D387C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D387C7 shade: #D887C2, #E999D5, #FAABE8, #FFBDFB and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D387C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D387C7 shade: #D387C7, #C275B4, #B163A1, #A0518E and #8F3F7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D387C7 shade: #D287C7, #D287B2, #D2879E, #D2878A and #D28787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D387C7 shade: #D287C7, #CA87D2, #B687D2, #A287D2 and #8D87D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D387C7 shade matches the following richer shades: #D287C7, #E07AD0, #ED6DD9 and #FA60E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D387C7 shade: #D287C7, #C595BE, #B8A2B5, #ABAFAB and #9EBCA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D387C7 shade: #B687D2, #CA87D2, #D287C7, #D287B3 and #D2879F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D387C7 shade: #BC4BAA, #C769B8, #D287C7, #DEA5D5 and #E9C4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D387C7 shade: #D387C7, #D2A287 and #87D2C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D387C7 shade: #D387C7, #C7D287 and #87C7D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D387C7 shade: #D387C7, #D2A287, #87D293 and #87B8D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D387C7 shade: #D387C7, #D2B887, #87D293 and #87A2D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 6 / 17

HEX #D387C7

RGB 211 135 199

HSL 309.47, 0.46%, 0.68%

LAB 65.98, 38.73, -21.18

 

Complementary color

CMYK 63 / 0 / 53 / 53

HEX #2C7838

RGB 44 120 56

HSL 129.47, 0.46%, 0.32%

LAB 44.59, -37.86, 28.17

 

CMYK 0 / 38 / 10 / 15

HEX #D887C2

RGB 216 135 194

HSL 316.3, 0.51%, 0.69%

LAB 66.38, 39.5, -17.71

 

CMYK 0 / 34 / 9 / 9

HEX #E999D5

RGB 233 153 213

HSL 315, 0.65%, 0.76%

LAB 72.83, 38.76, -18.31

 

CMYK 0 / 32 / 7 / 2

HEX #FAABE8

RGB 250 171 232

HSL 313.67, 0.89%, 0.83%

LAB 79.2, 38.06, -18.85

 

CMYK 0 / 26 / 2 / 0

HEX #FFBDFB

RGB 255 189 251

HSL 303.64, 1%, 0.87%

LAB 84.29, 33.53, -21.29

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 36 / 6 / 17

HEX #D387C7

RGB 211 135 199

HSL 309.47, 0.46%, 0.68%

LAB 65.98, 38.73, -21.18

 

CMYK 0 / 40 / 7 / 24

HEX #C275B4

RGB 194 117 180

HSL 310.91, 0.39%, 0.61%

LAB 59.42, 39.48, -20.62

 

CMYK 0 / 44 / 9 / 31

HEX #B163A1

RGB 177 99 161

HSL 312.31, 0.33%, 0.54%

LAB 52.78, 40.25, -19.98

 

CMYK 0 / 49 / 11 / 37

HEX #A0518E

RGB 160 81 142

HSL 313.67, 0.33%, 0.47%

LAB 46.06, 41, -19.23

 

CMYK 0 / 56 / 14 / 44

HEX #8F3F7B

RGB 143 63 123

HSL 315, 0.39%, 0.4%

LAB 39.28, 41.64, -18.28

 

CMYK 0 / 36 / 5 / 18

HEX #D287C7

RGB 210 135 199

HSL 308.8, 0.45%, 0.68%

LAB 65.87, 38.4, -21.36

 

CMYK 0 / 36 / 15 / 18

HEX #D287B2

RGB 210 135 178

HSL 325.6, 0.45%, 0.68%

LAB 65.16, 34.85, -10.63

 

CMYK 0 / 36 / 25 / 18

HEX #D2879E

RGB 210 135 158

HSL 341.6, 0.45%, 0.68%

LAB 64.56, 31.81, -0.2

 

CMYK 0 / 36 / 34 / 18

HEX #D2878A

RGB 210 135 138

HSL 357.6, 0.45%, 0.68%

LAB 64.05, 29.11, 10.4

 

CMYK 0 / 36 / 36 / 18

HEX #D28787

RGB 210 135 135

HSL 0, 0.45%, 0.68%

LAB 63.98, 28.74, 12

 

CMYK 0 / 36 / 5 / 18

HEX #D287C7

RGB 210 135 199

HSL 308.8, 0.45%, 0.68%

LAB 65.87, 38.4, -21.36

 

CMYK 4 / 36 / 0 / 18

HEX #CA87D2

RGB 202 135 210

HSL 293.6, 0.45%, 0.68%

LAB 65.39, 37.89, -28.33

 

CMYK 13 / 36 / 0 / 18

HEX #B687D2

RGB 182 135 210

HSL 277.6, 0.45%, 0.68%

LAB 63.28, 31.67, -31.75

 

CMYK 23 / 36 / 0 / 18

HEX #A287D2

RGB 162 135 210

HSL 261.6, 0.45%, 0.68%

LAB 61.36, 25.6, -34.88

 

CMYK 33 / 36 / 0 / 18

HEX #8D87D2

RGB 141 135 210

HSL 244.8, 0.45%, 0.68%

LAB 59.57, 19.5, -37.82

 

CMYK 0 / 36 / 5 / 18

HEX #D287C7

RGB 210 135 199

HSL 308.8, 0.45%, 0.68%

LAB 65.87, 38.4, -21.36

 

CMYK 0 / 46 / 7 / 12

HEX #E07AD0

RGB 224 122 208

HSL 309.41, 0.62%, 0.68%

LAB 65.22, 51.08, -27.25

 

CMYK 0 / 54 / 8 / 7

HEX #ED6DD9

RGB 237 109 217

HSL 309.38, 0.78%, 0.68%

LAB 64.92, 62.52, -32.6

 

CMYK 0 / 62 / 10 / 2

HEX #FA60E2

RGB 250 96 226

HSL 309.35, 0.94%, 0.68%

LAB 65.11, 72.88, -37.21

 

CMYK 0 / 36 / 5 / 18

HEX #D287C7

RGB 210 135 199

HSL 308.8, 0.45%, 0.68%

LAB 65.87, 38.4, -21.36

 

CMYK 0 / 24 / 4 / 23

HEX #C595BE

RGB 197 149 190

HSL 308.75, 0.29%, 0.68%

LAB 67.34, 24.82, -14.23

 

CMYK 0 / 12 / 2 / 28

HEX #B8A2B5

RGB 184 162 181

HSL 308.18, 0.13%, 0.68%

LAB 69.02, 11.43, -6.84

 

CMYK 2 / 0 / 2 / 31

HEX #ABAFAB

RGB 171 175 171

HSL 120, 0.02%, 0.68%

LAB 71.05, -2.16, 1.55

 

CMYK 16 / 0 / 14 / 26

HEX #9EBCA2

RGB 158 188 162

HSL 128, 0.18%, 0.68%

LAB 73.44, -15.25, 9.79

 

CMYK 13 / 36 / 0 / 18

HEX #B687D2

RGB 182 135 210

HSL 277.6, 0.45%, 0.68%

LAB 63.28, 31.67, -31.75

 

CMYK 4 / 36 / 0 / 18

HEX #CA87D2

RGB 202 135 210

HSL 293.6, 0.45%, 0.68%

LAB 65.39, 37.89, -28.33

 

CMYK 0 / 36 / 5 / 18

HEX #D287C7

RGB 210 135 199

HSL 308.8, 0.45%, 0.68%

LAB 65.87, 38.4, -21.36

 

CMYK 0 / 36 / 15 / 18

HEX #D287B3

RGB 210 135 179

HSL 324.8, 0.45%, 0.68%

LAB 65.19, 35.01, -11.15

 

CMYK 0 / 36 / 24 / 18

HEX #D2879F

RGB 210 135 159

HSL 340.8, 0.45%, 0.68%

LAB 64.59, 31.95, -0.73

 

CMYK 0 / 60 / 10 / 26

HEX #BC4BAA

RGB 188 75 170

HSL 309.56, 0.46%, 0.52%

LAB 50.25, 56.81, -29.04

 

CMYK 0 / 47 / 8 / 22

HEX #C769B8

RGB 199 105 184

HSL 309.57, 0.46%, 0.6%

LAB 57.76, 48.01, -25.41

 

CMYK 0 / 36 / 5 / 18

HEX #D287C7

RGB 210 135 199

HSL 308.8, 0.45%, 0.68%

LAB 65.87, 38.4, -21.36

 

CMYK 0 / 26 / 4 / 13

HEX #DEA5D5

RGB 222 165 213

HSL 309.47, 0.46%, 0.76%

LAB 74.35, 28.72, -16.14

 

CMYK 0 / 16 / 3 / 9

HEX #E9C4E3

RGB 233 196 227

HSL 309.73, 0.46%, 0.84%

LAB 83.1, 18.3, -10.48

 

CMYK 0 / 36 / 6 / 17

HEX #D387C7

RGB 211 135 199

HSL 309.47, 0.46%, 0.68%

LAB 65.98, 38.73, -21.18

 

CMYK 0 / 23 / 36 / 18

HEX #D2A287

RGB 210 162 135

HSL 21.6, 0.45%, 0.68%

LAB 70.38, 14.09, 20.88

 

CMYK 36 / 0 / 9 / 18

HEX #87D2C0

RGB 135 210 192

HSL 165.6, 0.45%, 0.68%

LAB 79.07, -27.28, 1.55

 

CMYK 0 / 36 / 6 / 17

HEX #D387C7

RGB 211 135 199

HSL 309.47, 0.46%, 0.68%

LAB 65.98, 38.73, -21.18

 

CMYK 5 / 0 / 36 / 18

HEX #C7D287

RGB 199 210 135

HSL 68.8, 0.45%, 0.68%

LAB 81.83, -15.45, 35.96

 

CMYK 36 / 5 / 0 / 18

HEX #87C7D2

RGB 135 199 210

HSL 188.8, 0.45%, 0.68%

LAB 76.47, -17.58, -11.97

 

CMYK 0 / 36 / 6 / 17

HEX #D387C7

RGB 211 135 199

HSL 309.47, 0.46%, 0.68%

LAB 65.98, 38.73, -21.18

 

CMYK 0 / 23 / 36 / 18

HEX #D2A287

RGB 210 162 135

HSL 21.6, 0.45%, 0.68%

LAB 70.38, 14.09, 20.88

 

CMYK 36 / 0 / 30 / 18

HEX #87D293

RGB 135 210 147

HSL 129.6, 0.45%, 0.68%

LAB 78.08, -36.2, 24.06

 

CMYK 36 / 12 / 0 / 18

HEX #87B8D2

RGB 135 184 210

HSL 200.8, 0.45%, 0.68%

LAB 72.29, -9.74, -18.27

 

CMYK 0 / 36 / 6 / 17

HEX #D387C7

RGB 211 135 199

HSL 309.47, 0.46%, 0.68%

LAB 65.98, 38.73, -21.18

 

CMYK 0 / 12 / 36 / 18

HEX #D2B887

RGB 210 184 135

HSL 39.2, 0.45%, 0.68%

LAB 75.9, 2.29, 28.33

 

CMYK 36 / 0 / 30 / 18

HEX #87D293

RGB 135 210 147

HSL 129.6, 0.45%, 0.68%

LAB 78.08, -36.2, 24.06

 

CMYK 36 / 23 / 0 / 18

HEX #87A2D2

RGB 135 162 210

HSL 218.4, 0.45%, 0.68%

LAB 66.25, 2.31, -27.48

 

Description

Color code: HEX #D387C7 | qconv.com Color code: HEX #D387C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 135 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 135 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 6 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 6% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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