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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D382C8 it is the complementary color #2C7D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D382C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D382C8 shade: #D882C3, #E994D6, #FAA6E9, #FFB8FC and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D382C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D382C8 shade: #D382C8, #C270B5, #B15EA2, #A04C8F and #8F3A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D382C8 shade: #D382C8, #D382B2, #D3829C, #D38286 and #D38282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D382C8 shade: #D382C8, #C882D3, #B282D3, #9C82D3 and #8782D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D382C8 shade matches the following richer shades: #D382C8, #E074D2, #EE67DC and #FC59E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D382C8 shade: #D382C8, #C590BE, #B89DB4, #AAABAA and #9CB8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D382C8 shade: #B282D3, #C882D3, #D382C8, #D382B2 and #D3829D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D382C8 shade: #BD45AD, #C863BA, #D382C8, #DDA0D5 and #E8BFE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D382C8 shade: #D382C8, #D39D82 and #82D3BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D382C8 shade: #D382C8, #C8D382 and #82C8D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D382C8 shade: #D382C8, #D39D82, #82D38D and #82B8D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D382C8 shade: #D382C8, #D3B582, #82D38D and #82A0D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

Complementary color

CMYK 65 / 0 / 56 / 51

HEX #2C7D37

RGB 44 125 55

HSL 128.15, 0.48%, 0.33%

LAB 46.28, -40.04, 30.75

 

CMYK 0 / 40 / 10 / 15

HEX #D882C3

RGB 216 130 195

HSL 314.65, 0.52%, 0.68%

LAB 65.36, 42.3, -19.83

 

CMYK 0 / 36 / 8 / 9

HEX #E994D6

RGB 233 148 214

HSL 313.41, 0.66%, 0.75%

LAB 71.8, 41.55, -20.43

 

CMYK 0 / 34 / 7 / 2

HEX #FAA6E9

RGB 250 166 233

HSL 312.14, 0.89%, 0.82%

LAB 78.16, 40.83, -20.97

 

CMYK 0 / 28 / 1 / 0

HEX #FFB8FC

RGB 255 184 252

HSL 302.54, 1%, 0.86%

LAB 83.22, 36.33, -23.46

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 42 / 7 / 24

HEX #C270B5

RGB 194 112 181

HSL 309.51, 0.4%, 0.6%

LAB 58.41, 42.31, -22.74

 

CMYK 0 / 47 / 8 / 31

HEX #B15EA2

RGB 177 94 162

HSL 310.84, 0.35%, 0.53%

LAB 51.79, 43.06, -22.08

 

CMYK 0 / 53 / 11 / 37

HEX #A04C8F

RGB 160 76 143

HSL 312.14, 0.36%, 0.46%

LAB 45.12, 43.74, -21.27

 

CMYK 0 / 59 / 13 / 44

HEX #8F3A7C

RGB 143 58 124

HSL 313.41, 0.42%, 0.39%

LAB 38.41, 44.27, -20.24

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 38 / 16 / 17

HEX #D382B2

RGB 211 130 178

HSL 324.44, 0.48%, 0.67%

LAB 64.18, 37.87, -12.08

 

CMYK 0 / 38 / 26 / 17

HEX #D3829C

RGB 211 130 156

HSL 340.74, 0.48%, 0.67%

LAB 63.52, 34.56, -0.57

 

CMYK 0 / 38 / 36 / 17

HEX #D38286

RGB 211 130 134

HSL 357.04, 0.48%, 0.67%

LAB 62.96, 31.69, 11.14

 

CMYK 0 / 38 / 38 / 17

HEX #D38282

RGB 211 130 130

HSL 0, 0.48%, 0.67%

LAB 62.87, 31.21, 13.29

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 5 / 38 / 0 / 17

HEX #C882D3

RGB 200 130 211

HSL 291.85, 0.48%, 0.67%

LAB 64.12, 40.16, -30.86

 

CMYK 16 / 38 / 0 / 17

HEX #B282D3

RGB 178 130 211

HSL 275.56, 0.48%, 0.67%

LAB 61.77, 33.46, -34.69

 

CMYK 26 / 38 / 0 / 17

HEX #9C82D3

RGB 156 130 211

HSL 259.26, 0.48%, 0.67%

LAB 59.65, 26.94, -38.16

 

CMYK 36 / 38 / 0 / 17

HEX #8782D3

RGB 135 130 211

HSL 243.7, 0.48%, 0.67%

LAB 57.87, 21.03, -41.09

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 48 / 6 / 12

HEX #E074D2

RGB 224 116 210

HSL 307.78, 0.64%, 0.67%

LAB 64.15, 54.39, -30.01

 

CMYK 0 / 57 / 8 / 7

HEX #EE67DC

RGB 238 103 220

HSL 308, 0.8%, 0.67%

LAB 64.2, 65.94, -35.4

 

CMYK 0 / 65 / 9 / 1

HEX #FC59E6

RGB 252 89 230

HSL 308.1, 0.96%, 0.67%

LAB 64.61, 76.66, -40.19

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 27 / 4 / 23

HEX #C590BE

RGB 197 144 190

HSL 307.92, 0.31%, 0.67%

LAB 66.16, 27.57, -16.01

 

CMYK 0 / 15 / 2 / 28

HEX #B89DB4

RGB 184 157 180

HSL 308.89, 0.16%, 0.67%

LAB 67.72, 14.01, -8.21

 

CMYK 1 / 0 / 1 / 33

HEX #AAABAA

RGB 170 171 170

HSL 120, 0.01%, 0.67%

LAB 69.88, -0.54, 0.38

 

CMYK 15 / 0 / 13 / 28

HEX #9CB8A0

RGB 156 184 160

HSL 128.57, 0.16%, 0.67%

LAB 72.15, -14.24, 9.03

 

CMYK 16 / 38 / 0 / 17

HEX #B282D3

RGB 178 130 211

HSL 275.56, 0.48%, 0.67%

LAB 61.77, 33.46, -34.69

 

CMYK 5 / 38 / 0 / 17

HEX #C882D3

RGB 200 130 211

HSL 291.85, 0.48%, 0.67%

LAB 64.12, 40.16, -30.86

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 38 / 16 / 17

HEX #D382B2

RGB 211 130 178

HSL 324.44, 0.48%, 0.67%

LAB 64.18, 37.87, -12.08

 

CMYK 0 / 38 / 26 / 17

HEX #D3829D

RGB 211 130 157

HSL 340, 0.48%, 0.67%

LAB 63.55, 34.71, -1.1

 

CMYK 0 / 63 / 8 / 26

HEX #BD45AD

RGB 189 69 173

HSL 308, 0.48%, 0.51%

LAB 49.61, 60.11, -31.79

 

CMYK 0 / 51 / 7 / 22

HEX #C863BA

RGB 200 99 186

HSL 308.32, 0.48%, 0.59%

LAB 56.83, 51.64, -27.98

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 28 / 4 / 13

HEX #DDA0D5

RGB 221 160 213

HSL 307.87, 0.47%, 0.75%

LAB 73.1, 31.08, -18.03

 

CMYK 0 / 18 / 2 / 9

HEX #E8BFE3

RGB 232 191 227

HSL 307.32, 0.47%, 0.83%

LAB 81.82, 20.63, -12.4

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 26 / 38 / 17

HEX #D39D82

RGB 211 157 130

HSL 20, 0.48%, 0.67%

LAB 69.17, 16.6, 21.98

 

CMYK 38 / 0 / 10 / 17

HEX #82D3BD

RGB 130 211 189

HSL 163.7, 0.48%, 0.67%

LAB 79.05, -29.8, 3.1

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 5 / 0 / 38 / 17

HEX #C8D382

RGB 200 211 130

HSL 68.15, 0.48%, 0.67%

LAB 82.1, -16.16, 38.85

 

CMYK 38 / 5 / 0 / 17

HEX #82C8D3

RGB 130 200 211

HSL 188.15, 0.48%, 0.67%

LAB 76.53, -19.16, -12.44

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 26 / 38 / 17

HEX #D39D82

RGB 211 157 130

HSL 20, 0.48%, 0.67%

LAB 69.17, 16.6, 21.98

 

CMYK 38 / 0 / 33 / 17

HEX #82D38D

RGB 130 211 141

HSL 128.15, 0.48%, 0.67%

LAB 78.03, -39.2, 27.08

 

CMYK 38 / 13 / 0 / 17

HEX #82B8D3

RGB 130 184 211

HSL 200, 0.48%, 0.67%

LAB 72.05, -10.84, -19.2

 

CMYK 0 / 38 / 5 / 17

HEX #D382C8

RGB 211 130 200

HSL 308.15, 0.48%, 0.67%

LAB 64.95, 41.56, -23.31

 

CMYK 0 / 14 / 38 / 17

HEX #D3B582

RGB 211 181 130

HSL 37.78, 0.48%, 0.67%

LAB 75.14, 3.69, 29.99

 

CMYK 38 / 0 / 33 / 17

HEX #82D38D

RGB 130 211 141

HSL 128.15, 0.48%, 0.67%

LAB 78.03, -39.2, 27.08

 

CMYK 38 / 24 / 0 / 17

HEX #82A0D3

RGB 130 160 211

HSL 217.78, 0.48%, 0.67%

LAB 65.43, 2.32, -29.33

 

Description

Color code: HEX #D382C8 | qconv.com Color code: HEX #D382C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 130 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 130 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 5 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 5% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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