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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3977D it is the complementary color #2C6882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3977D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3977D shade: #D89778, #E9A98B, #FABB9E, #FFCDB1 and #FFDFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3977D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3977D shade: #D3977D, #C2856A, #B17357, #A06144 and #8F4F31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3977D shade: #D2977D, #D2807D and #D27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3977D shade: #D2977D, #D2AE7D, #D2C57D, #C9D27D and #B2D27D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3977D shade matches the following richer shades: #D2977D, #E0916F, #EE8C61 and #FC8653

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3977D shade: #D2977D, #C49D8B, #B6A299, #A8A8A7 and #9AADB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3977D shade: #D27D91, #D2807D, #D2977D, #D2AD7D and #D2C47D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3977D shade: #BD6640, #C87E5F, #D2977D, #DDB09C and #E7C8BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3977D shade: #D3977D, #A8D27D and #7D86D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3977D shade: #D3977D, #7DD297 and #977DD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3977D shade: #D3977D, #A8D27D, #7DB9D2 and #A87DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3977D shade: #D3977D, #8ED27D, #7DB9D2 and #C17DD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 41 / 17

HEX #D3977D

RGB 211 151 125

HSL 18.14, 0.49%, 0.66%

LAB 67.62, 19.28, 22.63

 

Complementary color

CMYK 66 / 20 / 0 / 49

HEX #2C6882

RGB 44 104 130

HSL 198.14, 0.49%, 0.34%

LAB 41.29, -10.76, -20.19

 

CMYK 0 / 30 / 44 / 15

HEX #D89778

RGB 216 151 120

HSL 19.38, 0.55%, 0.66%

LAB 68.09, 20.73, 26.09

 

CMYK 0 / 27 / 40 / 9

HEX #E9A98B

RGB 233 169 139

HSL 19.15, 0.68%, 0.73%

LAB 74.55, 19.82, 24.77

 

CMYK 0 / 25 / 37 / 2

HEX #FABB9E

RGB 250 187 158

HSL 18.91, 0.9%, 0.8%

LAB 80.92, 19.02, 23.55

 

CMYK 0 / 20 / 31 / 0

HEX #FFCDB1

RGB 255 205 177

HSL 21.54, 1%, 0.85%

LAB 86.05, 13.8, 20.64

 

CMYK 0 / 13 / 23 / 0

HEX #FFDFC4

RGB 255 223 196

HSL 27.46, 1%, 0.88%

LAB 90.79, 7, 17.29

 

CMYK 0 / 28 / 41 / 17

HEX #D3977D

RGB 211 151 125

HSL 18.14, 0.49%, 0.66%

LAB 67.62, 19.28, 22.63

 

CMYK 0 / 31 / 45 / 24

HEX #C2856A

RGB 194 133 106

HSL 18.41, 0.42%, 0.59%

LAB 61.03, 20.23, 24

 

CMYK 0 / 35 / 51 / 31

HEX #B17357

RGB 177 115 87

HSL 18.67, 0.37%, 0.52%

LAB 54.34, 21.31, 25.52

 

CMYK 0 / 39 / 58 / 37

HEX #A06144

RGB 160 97 68

HSL 18.91, 0.4%, 0.45%

LAB 47.55, 22.57, 27.22

 

CMYK 0 / 45 / 66 / 44

HEX #8F4F31

RGB 143 79 49

HSL 19.15, 0.49%, 0.38%

LAB 40.66, 24.03, 29.15

 

CMYK 0 / 28 / 40 / 18

HEX #D2977D

RGB 210 151 125

HSL 18.35, 0.49%, 0.66%

LAB 67.51, 18.88, 22.47

 

CMYK 0 / 39 / 40 / 18

HEX #D2807D

RGB 210 128 125

HSL 2.12, 0.49%, 0.66%

LAB 62.19, 31.33, 15.16

 

CMYK 0 / 40 / 40 / 18

HEX #D27D7D

RGB 210 125 125

HSL 0, 0.49%, 0.66%

LAB 61.52, 32.93, 14.24

 

CMYK 0 / 28 / 40 / 18

HEX #D2977D

RGB 210 151 125

HSL 18.35, 0.49%, 0.66%

LAB 67.51, 18.88, 22.47

 

CMYK 0 / 17 / 40 / 18

HEX #D2AE7D

RGB 210 174 125

HSL 34.59, 0.49%, 0.66%

LAB 73.19, 6.46, 30.04

 

CMYK 0 / 6 / 40 / 18

HEX #D2C57D

RGB 210 197 125

HSL 50.82, 0.49%, 0.66%

LAB 79.11, -5.66, 37.72

 

CMYK 4 / 0 / 40 / 18

HEX #C9D27D

RGB 201 210 125

HSL 66.35, 0.49%, 0.66%

LAB 81.83, -15.83, 41.04

 

CMYK 15 / 0 / 40 / 18

HEX #B2D27D

RGB 178 210 125

HSL 82.59, 0.49%, 0.66%

LAB 80.2, -24.65, 38.63

 

CMYK 0 / 28 / 40 / 18

HEX #D2977D

RGB 210 151 125

HSL 18.35, 0.49%, 0.66%

LAB 67.51, 18.88, 22.47

 

CMYK 0 / 35 / 50 / 12

HEX #E0916F

RGB 224 145 111

HSL 18.05, 0.65%, 0.66%

LAB 67.46, 26.27, 30.36

 

CMYK 0 / 41 / 59 / 7

HEX #EE8C61

RGB 238 140 97

HSL 18.3, 0.81%, 0.66%

LAB 67.87, 33.3, 38.76

 

CMYK 0 / 47 / 67 / 1

HEX #FC8653

RGB 252 134 83

HSL 18.11, 0.97%, 0.66%

LAB 68.29, 40.92, 47

 

CMYK 0 / 28 / 40 / 18

HEX #D2977D

RGB 210 151 125

HSL 18.35, 0.49%, 0.66%

LAB 67.51, 18.88, 22.47

 

CMYK 0 / 20 / 29 / 23

HEX #C49D8B

RGB 196 157 139

HSL 18.95, 0.33%, 0.66%

LAB 67.81, 11.82, 14.9

 

CMYK 0 / 11 / 16 / 29

HEX #B6A299

RGB 182 162 153

HSL 18.62, 0.17%, 0.66%

LAB 68.08, 5.79, 7.33

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 15 / 4 / 0 / 29

HEX #9AADB5

RGB 154 173 181

HSL 197.78, 0.15%, 0.66%

LAB 69.54, -4.89, -6.33

 

CMYK 0 / 40 / 31 / 18

HEX #D27D91

RGB 210 125 145

HSL 345.88, 0.49%, 0.66%

LAB 62.01, 35.37, 3.49

 

CMYK 0 / 39 / 40 / 18

HEX #D2807D

RGB 210 128 125

HSL 2.12, 0.49%, 0.66%

LAB 62.19, 31.33, 15.16

 

CMYK 0 / 28 / 40 / 18

HEX #D2977D

RGB 210 151 125

HSL 18.35, 0.49%, 0.66%

LAB 67.51, 18.88, 22.47

 

CMYK 0 / 18 / 40 / 18

HEX #D2AD7D

RGB 210 173 125

HSL 33.88, 0.49%, 0.66%

LAB 72.94, 6.99, 29.71

 

CMYK 0 / 7 / 40 / 18

HEX #D2C47D

RGB 210 196 125

HSL 50.12, 0.49%, 0.66%

LAB 78.85, -5.14, 37.39

 

CMYK 0 / 46 / 66 / 26

HEX #BD6640

RGB 189 102 64

HSL 18.24, 0.49%, 0.5%

LAB 52.61, 31.58, 36.53

 

CMYK 0 / 37 / 53 / 22

HEX #C87E5F

RGB 200 126 95

HSL 17.71, 0.49%, 0.58%

LAB 59.91, 25.43, 28.8

 

CMYK 0 / 28 / 40 / 18

HEX #D2977D

RGB 210 151 125

HSL 18.35, 0.49%, 0.66%

LAB 67.51, 18.88, 22.47

 

CMYK 0 / 20 / 29 / 13

HEX #DDB09C

RGB 221 176 156

HSL 18.46, 0.49%, 0.74%

LAB 75.34, 13.5, 16.46

 

CMYK 0 / 13 / 19 / 9

HEX #E7C8BB

RGB 231 200 187

HSL 17.73, 0.48%, 0.82%

LAB 82.85, 8.89, 10.52

 

CMYK 0 / 28 / 41 / 17

HEX #D3977D

RGB 211 151 125

HSL 18.14, 0.49%, 0.66%

LAB 67.62, 19.28, 22.63

 

CMYK 20 / 0 / 40 / 18

HEX #A8D27D

RGB 168 210 125

HSL 89.65, 0.49%, 0.66%

LAB 79.56, -28.35, 37.67

 

CMYK 40 / 36 / 0 / 18

HEX #7D86D2

RGB 125 134 210

HSL 233.65, 0.49%, 0.66%

LAB 58.1, 15.73, -40.21

 

CMYK 0 / 28 / 41 / 17

HEX #D3977D

RGB 211 151 125

HSL 18.14, 0.49%, 0.66%

LAB 67.62, 19.28, 22.63

 

CMYK 40 / 0 / 28 / 18

HEX #7DD297

RGB 125 210 151

HSL 138.35, 0.49%, 0.66%

LAB 77.69, -38.46, 21.35

 

CMYK 28 / 40 / 0 / 18

HEX #977DD2

RGB 151 125 210

HSL 258.35, 0.49%, 0.66%

LAB 57.94, 28.14, -40.31

 

CMYK 0 / 28 / 41 / 17

HEX #D3977D

RGB 211 151 125

HSL 18.14, 0.49%, 0.66%

LAB 67.62, 19.28, 22.63

 

CMYK 20 / 0 / 40 / 18

HEX #A8D27D

RGB 168 210 125

HSL 89.65, 0.49%, 0.66%

LAB 79.56, -28.35, 37.67

 

CMYK 40 / 12 / 0 / 18

HEX #7DB9D2

RGB 125 185 210

HSL 197.65, 0.49%, 0.66%

LAB 72.03, -12.94, -18.7

 

CMYK 20 / 40 / 0 / 18

HEX #A87DD2

RGB 168 125 210

HSL 270.35, 0.49%, 0.66%

LAB 59.57, 33.05, -37.65

 

CMYK 0 / 28 / 41 / 17

HEX #D3977D

RGB 211 151 125

HSL 18.14, 0.49%, 0.66%

LAB 67.62, 19.28, 22.63

 

CMYK 32 / 0 / 40 / 18

HEX #8ED27D

RGB 142 210 125

HSL 108, 0.49%, 0.66%

LAB 78.07, -37.43, 35.46

 

CMYK 40 / 12 / 0 / 18

HEX #7DB9D2

RGB 125 185 210

HSL 197.65, 0.49%, 0.66%

LAB 72.03, -12.94, -18.7

 

CMYK 8 / 40 / 0 / 18

HEX #C17DD2

RGB 193 125 210

HSL 288, 0.49%, 0.66%

LAB 62.22, 40.52, -33.31

 

Description

Color code: HEX #D3977D | qconv.com Color code: HEX #D3977D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 151 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 151 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 41 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 41% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - תינוקידס | אתר תינוק...
Link: http://tinokids.co.il

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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