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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D393D0 it is the complementary color #2C6C2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D393D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D393D0 shade: #D893CB, #E9A5DE, #FAB7F1, #FFC9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D393D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D393D0 shade: #D393D0, #C281BD, #B16FAA, #A05D97 and #8F4B84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D393D0 shade: #D292CF, #D292BE, #D292AC, #D2929B and #D29292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D393D0 shade: #D292CF, #C492D2, #B292D2, #A192D2 and #9292D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D393D0 shade matches the following richer shades: #D292CF, #DF85DA, #EB79E6 and #F76DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D393D0 shade: #D292CF, #C69EC4, #B9ABB9, #ADB7AD and #A1C3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D393D0 shade: #B292D2, #C392D2, #D292D0, #D292BF and #D292AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D393D0 shade: #BA57B6, #C675C2, #D292CF, #DEAFDC and #EACCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D393D0 shade: #D393D0, #D2A192 and #92D2BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D393D0 shade: #D393D0, #D0D292 and #92D0D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D393D0 shade: #D393D0, #D2A192, #92D294 and #92C3D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D393D0 shade: #D393D0, #D2B492, #92D294 and #92B0D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 1 / 17

HEX #D393D0

RGB 211 147 208

HSL 302.81, 0.42%, 0.7%

LAB 68.95, 33.9, -21.67

 

Complementary color

CMYK 59 / 0 / 56 / 58

HEX #2C6C2F

RGB 44 108 47

HSL 122.81, 0.42%, 0.3%

LAB 40.35, -34.18, 27.82

 

CMYK 0 / 32 / 6 / 15

HEX #D893CB

RGB 216 147 203

HSL 311.3, 0.47%, 0.71%

LAB 69.31, 34.64, -18.3

 

CMYK 0 / 29 / 5 / 9

HEX #E9A5DE

RGB 233 165 222

HSL 309.71, 0.61%, 0.78%

LAB 75.77, 33.96, -18.79

 

CMYK 0 / 27 / 4 / 2

HEX #FAB7F1

RGB 250 183 241

HSL 308.06, 0.87%, 0.85%

LAB 82.13, 33.31, -19.26

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 30 / 1 / 17

HEX #D393D0

RGB 211 147 208

HSL 302.81, 0.42%, 0.7%

LAB 68.95, 33.9, -21.67

 

CMYK 0 / 34 / 3 / 24

HEX #C281BD

RGB 194 129 189

HSL 304.62, 0.35%, 0.63%

LAB 62.38, 34.62, -21.23

 

CMYK 0 / 37 / 4 / 31

HEX #B16FAA

RGB 177 111 170

HSL 306.36, 0.3%, 0.56%

LAB 55.7, 35.37, -20.74

 

CMYK 0 / 42 / 6 / 37

HEX #A05D97

RGB 160 93 151

HSL 308.06, 0.26%, 0.5%

LAB 48.93, 36.15, -20.19

 

CMYK 0 / 48 / 8 / 44

HEX #8F4B84

RGB 143 75 132

HSL 309.71, 0.31%, 0.43%

LAB 42.06, 36.93, -19.53

 

CMYK 0 / 30 / 1 / 18

HEX #D292CF

RGB 210 146 207

HSL 302.81, 0.42%, 0.7%

LAB 68.58, 33.93, -21.69

 

CMYK 0 / 30 / 10 / 18

HEX #D292BE

RGB 210 146 190

HSL 318.75, 0.42%, 0.7%

LAB 68, 30.91, -13.1

 

CMYK 0 / 30 / 18 / 18

HEX #D292AC

RGB 210 146 172

HSL 335.63, 0.42%, 0.7%

LAB 67.46, 27.96, -3.84

 

CMYK 0 / 30 / 26 / 18

HEX #D2929B

RGB 210 146 155

HSL 351.56, 0.42%, 0.7%

LAB 67, 25.42, 5.02

 

CMYK 0 / 30 / 30 / 18

HEX #D29292

RGB 210 146 146

HSL 0, 0.42%, 0.7%

LAB 66.77, 24.19, 9.76

 

CMYK 0 / 30 / 1 / 18

HEX #D292CF

RGB 210 146 207

HSL 302.81, 0.42%, 0.7%

LAB 68.58, 33.93, -21.69

 

CMYK 7 / 30 / 0 / 18

HEX #C492D2

RGB 196 146 210

HSL 286.88, 0.42%, 0.7%

LAB 67.24, 29.98, -25.53

 

CMYK 15 / 30 / 0 / 18

HEX #B292D2

RGB 178 146 210

HSL 270, 0.42%, 0.7%

LAB 65.5, 24.27, -28.36

 

CMYK 23 / 30 / 0 / 18

HEX #A192D2

RGB 161 146 210

HSL 254.06, 0.42%, 0.7%

LAB 63.99, 19.01, -30.81

 

CMYK 30 / 30 / 0 / 18

HEX #9292D2

RGB 146 146 210

HSL 240, 0.42%, 0.7%

LAB 62.78, 14.56, -32.78

 

CMYK 0 / 30 / 1 / 18

HEX #D292CF

RGB 210 146 207

HSL 302.81, 0.42%, 0.7%

LAB 68.58, 33.93, -21.69

 

CMYK 0 / 40 / 2 / 13

HEX #DF85DA

RGB 223 133 218

HSL 303.33, 0.58%, 0.7%

LAB 67.67, 46.91, -29.06

 

CMYK 0 / 49 / 2 / 8

HEX #EB79E6

RGB 235 121 230

HSL 302.63, 0.74%, 0.7%

LAB 67.31, 58.5, -36.14

 

CMYK 0 / 56 / 2 / 3

HEX #F76DF1

RGB 247 109 241

HSL 302.61, 0.9%, 0.7%

LAB 67.32, 69.06, -42.09

 

CMYK 0 / 30 / 1 / 18

HEX #D292CF

RGB 210 146 207

HSL 302.81, 0.42%, 0.7%

LAB 68.58, 33.93, -21.69

 

CMYK 0 / 20 / 1 / 22

HEX #C69EC4

RGB 198 158 196

HSL 303, 0.26%, 0.7%

LAB 69.79, 21.31, -13.88

 

CMYK 0 / 8 / 0 / 27

HEX #B9ABB9

RGB 185 171 185

HSL 300, 0.09%, 0.7%

LAB 71.52, 7.58, -5.34

 

CMYK 5 / 0 / 5 / 28

HEX #ADB7AD

RGB 173 183 173

HSL 120, 0.06%, 0.7%

LAB 73.39, -5.36, 3.87

 

CMYK 17 / 0 / 17 / 24

HEX #A1C3A2

RGB 161 195 162

HSL 121.76, 0.22%, 0.7%

LAB 75.59, -17.79, 12.86

 

CMYK 15 / 30 / 0 / 18

HEX #B292D2

RGB 178 146 210

HSL 270, 0.42%, 0.7%

LAB 65.5, 24.27, -28.36

 

CMYK 7 / 30 / 0 / 18

HEX #C392D2

RGB 195 146 210

HSL 285.94, 0.42%, 0.7%

LAB 67.14, 29.66, -25.7

 

CMYK 0 / 30 / 1 / 18

HEX #D292D0

RGB 210 146 208

HSL 301.88, 0.42%, 0.7%

LAB 68.62, 34.12, -22.19

 

CMYK 0 / 30 / 9 / 18

HEX #D292BF

RGB 210 146 191

HSL 317.81, 0.42%, 0.7%

LAB 68.04, 31.08, -13.61

 

CMYK 0 / 30 / 17 / 18

HEX #D292AE

RGB 210 146 174

HSL 333.75, 0.42%, 0.7%

LAB 67.51, 28.27, -4.88

 

CMYK 0 / 53 / 2 / 27

HEX #BA57B6

RGB 186 87 182

HSL 302.42, 0.42%, 0.54%

LAB 52.55, 52.75, -32.48

 

CMYK 0 / 41 / 2 / 22

HEX #C675C2

RGB 198 117 194

HSL 302.96, 0.42%, 0.62%

LAB 60.45, 43.26, -26.98

 

CMYK 0 / 30 / 1 / 18

HEX #D292CF

RGB 210 146 207

HSL 302.81, 0.42%, 0.7%

LAB 68.58, 33.93, -21.69

 

CMYK 0 / 21 / 1 / 13

HEX #DEAFDC

RGB 222 175 220

HSL 302.55, 0.42%, 0.78%

LAB 76.89, 24.6, -16.11

 

CMYK 0 / 13 / 0 / 8

HEX #EACCE9

RGB 234 204 233

HSL 302, 0.42%, 0.86%

LAB 85.28, 15.47, -10.42

 

CMYK 0 / 30 / 1 / 17

HEX #D393D0

RGB 211 147 208

HSL 302.81, 0.42%, 0.7%

LAB 68.95, 33.9, -21.67

 

CMYK 0 / 23 / 30 / 18

HEX #D2A192

RGB 210 161 146

HSL 14.06, 0.42%, 0.7%

LAB 70.36, 16.03, 14.81

 

CMYK 30 / 0 / 11 / 18

HEX #92D2BB

RGB 146 210 187

HSL 158.44, 0.42%, 0.7%

LAB 79.5, -25.21, 4.91

 

CMYK 0 / 30 / 1 / 17

HEX #D393D0

RGB 211 147 208

HSL 302.81, 0.42%, 0.7%

LAB 68.95, 33.9, -21.67

 

CMYK 1 / 0 / 30 / 18

HEX #D0D292

RGB 208 210 146

HSL 61.88, 0.42%, 0.7%

LAB 82.69, -10.64, 31.57

 

CMYK 30 / 1 / 0 / 18

HEX #92D0D2

RGB 146 208 210

HSL 181.88, 0.42%, 0.7%

LAB 79.54, -19.14, -7.33

 

CMYK 0 / 30 / 1 / 17

HEX #D393D0

RGB 211 147 208

HSL 302.81, 0.42%, 0.7%

LAB 68.95, 33.9, -21.67

 

CMYK 0 / 23 / 30 / 18

HEX #D2A192

RGB 210 161 146

HSL 14.06, 0.42%, 0.7%

LAB 70.36, 16.03, 14.81

 

CMYK 30 / 0 / 30 / 18

HEX #92D294

RGB 146 210 148

HSL 121.88, 0.42%, 0.7%

LAB 78.66, -32.56, 24.42

 

CMYK 30 / 7 / 0 / 18

HEX #92C3D2

RGB 146 195 210

HSL 194.06, 0.42%, 0.7%

LAB 75.94, -12.46, -12.7

 

CMYK 0 / 30 / 1 / 17

HEX #D393D0

RGB 211 147 208

HSL 302.81, 0.42%, 0.7%

LAB 68.95, 33.9, -21.67

 

CMYK 0 / 14 / 30 / 18

HEX #D2B492

RGB 210 180 146

HSL 31.88, 0.42%, 0.7%

LAB 75.09, 5.79, 21.36

 

CMYK 30 / 0 / 30 / 18

HEX #92D294

RGB 146 210 148

HSL 121.88, 0.42%, 0.7%

LAB 78.66, -32.56, 24.42

 

CMYK 30 / 16 / 0 / 18

HEX #92B0D2

RGB 146 176 210

HSL 211.88, 0.42%, 0.7%

LAB 70.74, -2.31, -20.54

 

Description

Color code: HEX #D393D0 | qconv.com Color code: HEX #D393D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 147 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 147 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 1 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 1% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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