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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D39D44 it is the complementary color #2C62BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D39D44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D39D44 shade: #D89D3F, #E9AF52, #FAC165, #FFD378 and #FFE58B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D39D44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D39D44 shade: #D39D44, #C28B31, #B1791E, #A0670B and #8F5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D39D44 shade: #D39D45, #D37745, #D35045 and #D34545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D39D44 shade: #D39D45, #D3C445, #BCD345, #96D345 and #6FD345

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D39D44 shade matches the following richer shades: #D39D45, #E5A232 and #F8A61F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D39D44 shade: #D39D45, #C09957, #AE946A, #9B907C and #898B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D39D44 shade: #D35045, #D37645, #D39C45, #D3C245 and #BED345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D39D44 shade: #A07225, #C1892D, #D39D45, #DBAF66 and #E3C087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D39D44 shade: #D39D44, #5FD345 and #6345D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D39D44 shade: #D39D44, #45D39C and #9C45D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D39D44 shade: #D39D44, #5FD345, #457BD3 and #B945D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D39D44 shade: #D39D44, #45D355, #457BD3 and #D345C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 68 / 17

HEX #D39D44

RGB 211 157 68

HSL 37.34, 0.62%, 0.55%

LAB 68.3, 11.22, 52.85

 

Complementary color

CMYK 76 / 48 / 0 / 27

HEX #2C62BB

RGB 44 98 187

HSL 217.34, 0.62%, 0.45%

LAB 42.55, 14.03, -52.04

 

CMYK 0 / 27 / 71 / 15

HEX #D89D3F

RGB 216 157 63

HSL 36.86, 0.66%, 0.55%

LAB 68.8, 13.1, 55.77

 

CMYK 0 / 25 / 65 / 9

HEX #E9AF52

RGB 233 175 82

HSL 36.95, 0.77%, 0.62%

LAB 75.2, 11.76, 54.63

 

CMYK 0 / 23 / 60 / 2

HEX #FAC165

RGB 250 193 101

HSL 37.05, 0.94%, 0.69%

LAB 81.51, 10.6, 53.36

 

CMYK 0 / 17 / 53 / 0

HEX #FFD378

RGB 255 211 120

HSL 40.44, 1%, 0.74%

LAB 86.61, 4.76, 50.41

 

CMYK 0 / 10 / 45 / 0

HEX #FFE58B

RGB 255 229 139

HSL 46.55, 1%, 0.77%

LAB 91.31, -2.73, 46.96

 

CMYK 0 / 26 / 68 / 17

HEX #D39D44

RGB 211 157 68

HSL 37.34, 0.62%, 0.55%

LAB 68.3, 11.22, 52.85

 

CMYK 0 / 28 / 75 / 24

HEX #C28B31

RGB 194 139 49

HSL 37.24, 0.6%, 0.48%

LAB 61.79, 12.67, 53.85

 

CMYK 0 / 32 / 83 / 31

HEX #B1791E

RGB 177 121 30

HSL 37.14, 0.71%, 0.41%

LAB 55.19, 14.37, 54.31

 

CMYK 0 / 36 / 93 / 37

HEX #A0670B

RGB 160 103 11

HSL 37.05, 0.87%, 0.34%

LAB 48.51, 16.38, 53.53

 

CMYK 0 / 41 / 100 / 44

HEX #8F5500

RGB 143 85 0

HSL 35.66, 1%, 0.28%

LAB 41.75, 18.73, 50.44

 

CMYK 0 / 26 / 67 / 17

HEX #D39D45

RGB 211 157 69

HSL 37.18, 0.62%, 0.55%

LAB 68.31, 11.28, 52.4

 

CMYK 0 / 44 / 67 / 17

HEX #D37745

RGB 211 119 69

HSL 21.13, 0.62%, 0.55%

LAB 59.41, 31.75, 42.53

 

CMYK 0 / 62 / 67 / 17

HEX #D35045

RGB 211 80 69

HSL 4.65, 0.62%, 0.55%

LAB 51.86, 50.98, 33.68

 

CMYK 0 / 67 / 67 / 17

HEX #D34545

RGB 211 69 69

HSL 0, 0.62%, 0.55%

LAB 50.14, 55.6, 31.6

 

CMYK 0 / 26 / 67 / 17

HEX #D39D45

RGB 211 157 69

HSL 37.18, 0.62%, 0.55%

LAB 68.31, 11.28, 52.4

 

CMYK 0 / 7 / 67 / 17

HEX #D3C445

RGB 211 196 69

HSL 53.66, 0.62%, 0.55%

LAB 78.32, -9.27, 62.91

 

CMYK 11 / 0 / 67 / 17

HEX #BCD345

RGB 188 211 69

HSL 69.72, 0.62%, 0.55%

LAB 80.58, -26.27, 64.63

 

CMYK 29 / 0 / 67 / 17

HEX #96D345

RGB 150 211 69

HSL 85.77, 0.62%, 0.55%

LAB 78.17, -41, 61.39

 

CMYK 47 / 0 / 67 / 17

HEX #6FD345

RGB 111 211 69

HSL 102.25, 0.62%, 0.55%

LAB 76.31, -54.01, 58.87

 

CMYK 0 / 26 / 67 / 17

HEX #D39D45

RGB 211 157 69

HSL 37.18, 0.62%, 0.55%

LAB 68.31, 11.28, 52.4

 

CMYK 0 / 29 / 78 / 10

HEX #E5A232

RGB 229 162 50

HSL 37.54, 0.77%, 0.55%

LAB 71.37, 15.42, 64

 

CMYK 0 / 33 / 88 / 3

HEX #F8A61F

RGB 248 166 31

HSL 37.33, 0.94%, 0.55%

LAB 74.4, 20.84, 73.3

 

CMYK 0 / 26 / 67 / 17

HEX #D39D45

RGB 211 157 69

HSL 37.18, 0.62%, 0.55%

LAB 68.31, 11.28, 52.4

 

CMYK 0 / 20 / 55 / 25

HEX #C09957

RGB 192 153 87

HSL 37.71, 0.45%, 0.55%

LAB 65.5, 6.59, 39.87

 

CMYK 0 / 15 / 39 / 32

HEX #AE946A

RGB 174 148 106

HSL 37.06, 0.3%, 0.55%

LAB 62.69, 3.67, 25.82

 

CMYK 0 / 7 / 20 / 39

HEX #9B907C

RGB 155 144 124

HSL 38.71, 0.13%, 0.55%

LAB 60.22, 0.66, 12.11

 

CMYK 4 / 3 / 0 / 44

HEX #898B8F

RGB 137 139 143

HSL 220, 0.03%, 0.55%

LAB 57.82, 0.07, -2.39

 

CMYK 0 / 62 / 67 / 17

HEX #D35045

RGB 211 80 69

HSL 4.65, 0.62%, 0.55%

LAB 51.86, 50.98, 33.68

 

CMYK 0 / 44 / 67 / 17

HEX #D37645

RGB 211 118 69

HSL 20.7, 0.62%, 0.55%

LAB 59.19, 32.28, 42.28

 

CMYK 0 / 26 / 67 / 17

HEX #D39C45

RGB 211 156 69

HSL 36.76, 0.62%, 0.55%

LAB 68.06, 11.82, 52.14

 

CMYK 0 / 8 / 67 / 17

HEX #D3C245

RGB 211 194 69

HSL 52.82, 0.62%, 0.55%

LAB 77.79, -8.25, 62.37

 

CMYK 10 / 0 / 67 / 17

HEX #BED345

RGB 190 211 69

HSL 68.87, 0.62%, 0.55%

LAB 80.72, -25.46, 64.82

 

CMYK 0 / 29 / 77 / 37

HEX #A07225

RGB 160 114 37

HSL 37.56, 0.62%, 0.39%

LAB 51.43, 10.9, 47.4

 

CMYK 0 / 29 / 77 / 24

HEX #C1892D

RGB 193 137 45

HSL 37.3, 0.62%, 0.47%

LAB 61.15, 13.15, 54.83

 

CMYK 0 / 26 / 67 / 17

HEX #D39D45

RGB 211 157 69

HSL 37.18, 0.62%, 0.55%

LAB 68.31, 11.28, 52.4

 

CMYK 0 / 20 / 53 / 14

HEX #DBAF66

RGB 219 175 102

HSL 37.44, 0.62%, 0.63%

LAB 73.98, 7.36, 43.18

 

CMYK 0 / 15 / 41 / 11

HEX #E3C087

RGB 227 192 135

HSL 37.17, 0.62%, 0.71%

LAB 79.49, 4.82, 33.35

 

CMYK 0 / 26 / 68 / 17

HEX #D39D44

RGB 211 157 68

HSL 37.34, 0.62%, 0.55%

LAB 68.3, 11.22, 52.85

 

CMYK 55 / 0 / 67 / 17

HEX #5FD345

RGB 95 211 69

HSL 109.01, 0.62%, 0.55%

LAB 75.73, -58.45, 58.08

 

CMYK 53 / 67 / 0 / 17

HEX #6345D3

RGB 99 69 211

HSL 252.68, 0.62%, 0.55%

LAB 40.59, 48.58, -68.97

 

CMYK 0 / 26 / 68 / 17

HEX #D39D44

RGB 211 157 68

HSL 37.34, 0.62%, 0.55%

LAB 68.3, 11.22, 52.85

 

CMYK 67 / 0 / 26 / 17

HEX #45D39C

RGB 69 211 156

HSL 156.76, 0.62%, 0.55%

LAB 76.22, -50.6, 16.39

 

CMYK 26 / 67 / 0 / 17

HEX #9C45D3

RGB 156 69 211

HSL 276.76, 0.62%, 0.55%

LAB 47.01, 59.49, -58.25

 

CMYK 0 / 26 / 68 / 17

HEX #D39D44

RGB 211 157 68

HSL 37.34, 0.62%, 0.55%

LAB 68.3, 11.22, 52.85

 

CMYK 55 / 0 / 67 / 17

HEX #5FD345

RGB 95 211 69

HSL 109.01, 0.62%, 0.55%

LAB 75.73, -58.45, 58.08

 

CMYK 67 / 42 / 0 / 17

HEX #457BD3

RGB 69 123 211

HSL 217.18, 0.62%, 0.55%

LAB 51.99, 10.63, -50.65

 

CMYK 12 / 67 / 0 / 17

HEX #B945D3

RGB 185 69 211

HSL 289.01, 0.62%, 0.55%

LAB 51.01, 65.75, -51.62

 

CMYK 0 / 26 / 68 / 17

HEX #D39D44

RGB 211 157 68

HSL 37.34, 0.62%, 0.55%

LAB 68.3, 11.22, 52.85

 

CMYK 67 / 0 / 60 / 17

HEX #45D355

RGB 69 211 85

HSL 126.76, 0.62%, 0.55%

LAB 75.15, -62.62, 50.49

 

CMYK 67 / 42 / 0 / 17

HEX #457BD3

RGB 69 123 211

HSL 217.18, 0.62%, 0.55%

LAB 51.99, 10.63, -50.65

 

CMYK 0 / 67 / 8 / 17

HEX #D345C2

RGB 211 69 194

HSL 307.18, 0.62%, 0.55%

LAB 54.03, 68.84, -36.83

 

Description

Color code: HEX #D39D44 | qconv.com Color code: HEX #D39D44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 157 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 157 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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