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Color name
HEX #D7A2F0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7A2F0 it is the complementary color #285D0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7A2F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7A2F0 shade: #DCA2EB, #EDB4FE, #FEC6FF, #FFD8FF and #FFEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7A2F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7A2F0 shade: #D7A2F0, #C690DD, #B57ECA, #A46CB7 and #935AA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7A2F0 shade: #D7A2F0, #ECA2F0, #F0A2DF, #F0A2CA and #F0A2B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7A2F0 shade: #D7A2F0, #C2A2F0, #ADA2F0 and #A2A2F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7A2F0 shade matches the following richer shades: #D7A2F0 and #DA9AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7A2F0 shade: #D7A2F0, #D4ABE7, #D1B4DE, #CDBCD6 and #CAC5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7A2F0 shade: #ADA2F0, #C1A2F0, #D6A2F0, #EAA2F0 and #F0A2E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7A2F0 shade: #B85BE4, #C77FEA, #D7A2F0, #E6C6F5 and #F5E9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7A2F0 shade: #D7A2F0, #F0A2AD and #A2F0B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7A2F0 shade: #D7A2F0, #F0D6A2 and #A2F0D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7A2F0 shade: #D7A2F0, #F0A2AD, #BCF0A2 and #A2F0E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7A2F0 shade: #D7A2F0, #F0AFA2, #BCF0A2 and #A2E3F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

Complementary color

CMYK 57 / 0 / 84 / 64

HEX #285D0F

RGB 40 93 15

HSL 100.77, 0.72%, 0.21%

LAB 34.63, -32.45, 36.34

 

CMYK 6 / 31 / 0 / 8

HEX #DCA2EB

RGB 220 162 235

HSL 287.67, 0.65%, 0.78%

LAB 74.22, 33.81, -28.34

 

CMYK 7 / 29 / 0 / 0

HEX #EDB4FE

RGB 237 180 254

HSL 286.22, 0.97%, 0.85%

LAB 80.63, 33.16, -28.63

 

CMYK 0 / 22 / 0 / 0

HEX #FEC6FF

RGB 254 198 255

HSL 298.95, 1%, 0.89%

LAB 86.34, 29.2, -20.31

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 10 / 35 / 0 / 13

HEX #C690DD

RGB 198 144 221

HSL 282.08, 0.53%, 0.72%

LAB 67.41, 33.94, -31.35

 

CMYK 10 / 38 / 0 / 21

HEX #B57ECA

RGB 181 126 202

HSL 283.42, 0.42%, 0.64%

LAB 60.79, 34.67, -31.13

 

CMYK 10 / 41 / 0 / 28

HEX #A46CB7

RGB 164 108 183

HSL 284.8, 0.34%, 0.57%

LAB 54.07, 35.45, -30.9

 

CMYK 10 / 45 / 0 / 36

HEX #935AA4

RGB 147 90 164

HSL 286.22, 0.29%, 0.5%

LAB 47.23, 36.25, -30.63

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 2 / 33 / 0 / 6

HEX #ECA2F0

RGB 236 162 240

HSL 296.92, 0.72%, 0.79%

LAB 76.05, 39.75, -28.12

 

CMYK 0 / 33 / 7 / 6

HEX #F0A2DF

RGB 240 162 223

HSL 313.08, 0.72%, 0.79%

LAB 75.88, 38, -19.09

 

CMYK 0 / 33 / 16 / 6

HEX #F0A2CA

RGB 240 162 202

HSL 329.23, 0.72%, 0.79%

LAB 75.22, 34.57, -8.61

 

CMYK 0 / 33 / 25 / 6

HEX #F0A2B5

RGB 240 162 181

HSL 345.38, 0.72%, 0.79%

LAB 74.64, 31.45, 2.06

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 19 / 33 / 0 / 6

HEX #C2A2F0

RGB 194 162 240

HSL 264.62, 0.72%, 0.79%

LAB 71.96, 26.88, -34.76

 

CMYK 28 / 33 / 0 / 6

HEX #ADA2F0

RGB 173 162 240

HSL 248.46, 0.72%, 0.79%

LAB 70.19, 20.73, -37.65

 

CMYK 33 / 33 / 0 / 6

HEX #A2A2F0

RGB 162 162 240

HSL 240, 0.72%, 0.79%

LAB 69.34, 17.63, -39.04

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 12 / 38 / 0 / 3

HEX #DA9AF8

RGB 218 154 248

HSL 280.85, 0.87%, 0.79%

LAB 72.76, 40.09, -37.7

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 8 / 26 / 0 / 9

HEX #D4ABE7

RGB 212 171 231

HSL 281, 0.56%, 0.79%

LAB 75.38, 25.61, -24.46

 

CMYK 6 / 19 / 0 / 13

HEX #D1B4DE

RGB 209 180 222

HSL 281.43, 0.39%, 0.79%

LAB 76.96, 17.96, -17.21

 

CMYK 4 / 12 / 0 / 16

HEX #CDBCD6

RGB 205 188 214

HSL 279.23, 0.24%, 0.79%

LAB 78.35, 10.75, -10.84

 

CMYK 1 / 4 / 0 / 20

HEX #CAC5CD

RGB 202 197 205

HSL 277.5, 0.07%, 0.79%

LAB 80.12, 3.2, -3.38

 

CMYK 28 / 33 / 0 / 6

HEX #ADA2F0

RGB 173 162 240

HSL 248.46, 0.72%, 0.79%

LAB 70.19, 20.73, -37.65

 

CMYK 20 / 33 / 0 / 6

HEX #C1A2F0

RGB 193 162 240

HSL 263.85, 0.72%, 0.79%

LAB 71.87, 26.58, -34.9

 

CMYK 11 / 33 / 0 / 6

HEX #D6A2F0

RGB 214 162 240

HSL 280, 0.72%, 0.79%

LAB 73.82, 32.95, -31.73

 

CMYK 3 / 33 / 0 / 6

HEX #EAA2F0

RGB 234 162 240

HSL 295.38, 0.72%, 0.79%

LAB 75.84, 39.13, -28.46

 

CMYK 0 / 33 / 7 / 6

HEX #F0A2E0

RGB 240 162 224

HSL 312.31, 0.72%, 0.79%

LAB 75.91, 38.17, -19.59

 

CMYK 19 / 60 / 0 / 11

HEX #B85BE4

RGB 184 91 228

HSL 280.73, 0.72%, 0.63%

LAB 55.35, 59.2, -54.32

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 6 / 19 / 0 / 4

HEX #E6C6F5

RGB 230 198 245

HSL 280.85, 0.7%, 0.87%

LAB 83.86, 19.6, -18.96

 

CMYK 2 / 7 / 0 / 2

HEX #F5E9FB

RGB 245 233 251

HSL 280, 0.69%, 0.95%

LAB 93.73, 7.23, -7.24

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 0 / 33 / 28 / 6

HEX #F0A2AD

RGB 240 162 173

HSL 351.54, 0.72%, 0.79%

LAB 74.43, 30.36, 6.17

 

CMYK 33 / 0 / 24 / 6

HEX #A2F0B7

RGB 162 240 183

HSL 136.15, 0.72%, 0.79%

LAB 88.65, -35.41, 20.1

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 0 / 11 / 33 / 6

HEX #F0D6A2

RGB 240 214 162

HSL 40, 0.72%, 0.79%

LAB 86.62, 1.57, 29.02

 

CMYK 33 / 0 / 11 / 6

HEX #A2F0D6

RGB 162 240 214

HSL 160, 0.72%, 0.79%

LAB 89.33, -29.41, 4.97

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 0 / 33 / 28 / 6

HEX #F0A2AD

RGB 240 162 173

HSL 351.54, 0.72%, 0.79%

LAB 74.43, 30.36, 6.17

 

CMYK 22 / 0 / 33 / 6

HEX #BCF0A2

RGB 188 240 162

HSL 100, 0.72%, 0.79%

LAB 89.68, -30.41, 32.47

 

CMYK 33 / 0 / 5 / 6

HEX #A2F0E5

RGB 162 240 229

HSL 171.54, 0.72%, 0.79%

LAB 89.7, -26.2, -2.32

 

CMYK 10 / 33 / 0 / 6

HEX #D7A2F0

RGB 215 162 240

HSL 280.77, 0.72%, 0.79%

LAB 73.92, 33.25, -31.57

 

CMYK 0 / 27 / 33 / 6

HEX #F0AFA2

RGB 240 175 162

HSL 10, 0.72%, 0.79%

LAB 77.16, 22.04, 16.04

 

CMYK 22 / 0 / 33 / 6

HEX #BCF0A2

RGB 188 240 162

HSL 100, 0.72%, 0.79%

LAB 89.68, -30.41, 32.47

 

CMYK 33 / 5 / 0 / 6

HEX #A2E3F0

RGB 162 227 240

HSL 190, 0.72%, 0.79%

LAB 86.46, -17.3, -12.89

 

Description

Color code: HEX #D7A2F0 | qconv.com Color code: HEX #D7A2F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 162 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 162 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 33 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 33% 0% 6% C M Y K

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Provide designers and agencies with accurate color values.

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