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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7AF41 it is the complementary color #2850BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7AF41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7AF41 shade: #DCAF3C, #EDC14F, #FED362, #FFE575 and #FFF788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7AF41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7AF41 shade: #D7AF41, #C69D2E, #B58B1B, #A47908 and #936700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7AF41 shade: #D6AF41, #D68641, #D65E41 and #D64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7AF41 shade: #D6AF41, #D6D641, #AED641, #85D641 and #5DD641

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7AF41 shade matches the following richer shades: #D6AF41, #E9B72F and #FBC01C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7AF41 shade: #D6AF41, #C4A654, #B19D66, #9F9579 and #8C8C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7AF41 shade: #D65F41, #D68741, #D6AF41, #D6D641 and #AFD641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7AF41 shade: #A38122, #C59B29, #D6AF41, #DEBD63 and #E5CB85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7AF41 shade: #D7AF41, #4BD641 and #7341D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7AF41 shade: #D7AF41, #41D6AF and #AF41D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7AF41 shade: #D7AF41, #4BD641, #4169D6 and #CC41D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7AF41 shade: #D7AF41, #41D664, #4169D6 and #D641B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 70 / 16

HEX #D7AF41

RGB 215 175 65

HSL 44, 0.65%, 0.55%

LAB 73.21, 3.15, 59.42

 

Complementary color

CMYK 79 / 58 / 0 / 25

HEX #2850BE

RGB 40 80 190

HSL 224, 0.65%, 0.45%

LAB 37.67, 26.51, -61.7

 

CMYK 0 / 20 / 73 / 14

HEX #DCAF3C

RGB 220 175 60

HSL 43.13, 0.7%, 0.55%

LAB 73.68, 5.06, 62.07

 

CMYK 0 / 19 / 67 / 7

HEX #EDC14F

RGB 237 193 79

HSL 43.29, 0.81%, 0.62%

LAB 80.02, 3.82, 61.29

 

CMYK 0 / 17 / 61 / 0

HEX #FED362

RGB 254 211 98

HSL 43.46, 0.99%, 0.69%

LAB 86.28, 2.75, 60.26

 

CMYK 0 / 10 / 54 / 0

HEX #FFE575

RGB 255 229 117

HSL 48.7, 1%, 0.73%

LAB 91.05, -4.62, 57.11

 

CMYK 0 / 3 / 47 / 0

HEX #FFF788

RGB 255 247 136

HSL 55.97, 1%, 0.77%

LAB 95.81, -11.95, 53.95

 

CMYK 0 / 19 / 70 / 16

HEX #D7AF41

RGB 215 175 65

HSL 44, 0.65%, 0.55%

LAB 73.21, 3.15, 59.42

 

CMYK 0 / 21 / 77 / 22

HEX #C69D2E

RGB 198 157 46

HSL 43.82, 0.62%, 0.48%

LAB 66.76, 4.49, 59.96

 

CMYK 0 / 23 / 85 / 29

HEX #B58B1B

RGB 181 139 27

HSL 43.64, 0.74%, 0.41%

LAB 60.22, 6.07, 59.74

 

CMYK 0 / 26 / 95 / 36

HEX #A47908

RGB 164 121 8

HSL 43.46, 0.91%, 0.34%

LAB 53.58, 7.95, 58.08

 

CMYK 0 / 30 / 100 / 42

HEX #936700

RGB 147 103 0

HSL 42.04, 1%, 0.29%

LAB 46.85, 10.17, 54.05

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 0 / 37 / 70 / 16

HEX #D68641

RGB 214 134 65

HSL 27.79, 0.65%, 0.55%

LAB 63.12, 24.75, 48.76

 

CMYK 0 / 56 / 70 / 16

HEX #D65E41

RGB 214 94 65

HSL 11.68, 0.65%, 0.55%

LAB 54.74, 45.38, 39.42

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 0 / 0 / 70 / 16

HEX #D6D641

RGB 214 214 65

HSL 60, 0.65%, 0.55%

LAB 83.32, -17.26, 69.49

 

CMYK 19 / 0 / 70 / 16

HEX #AED641

RGB 174 214 65

HSL 76.11, 0.65%, 0.55%

LAB 80.45, -33.5, 65.68

 

CMYK 38 / 0 / 70 / 16

HEX #85D641

RGB 133 214 65

HSL 92.62, 0.65%, 0.55%

LAB 78.15, -48.54, 62.61

 

CMYK 57 / 0 / 70 / 16

HEX #5DD641

RGB 93 214 65

HSL 108.72, 0.65%, 0.55%

LAB 76.56, -60.37, 60.47

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 0 / 21 / 80 / 9

HEX #E9B72F

RGB 233 183 47

HSL 43.87, 0.81%, 0.55%

LAB 76.92, 5.93, 70.21

 

CMYK 0 / 24 / 89 / 2

HEX #FBC01C

RGB 251 192 28

HSL 44.13, 0.97%, 0.55%

LAB 80.9, 8.47, 79.15

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 0 / 15 / 57 / 23

HEX #C4A654

RGB 196 166 84

HSL 43.93, 0.49%, 0.55%

LAB 69.22, 1.03, 45.89

 

CMYK 0 / 11 / 42 / 31

HEX #B19D66

RGB 177 157 102

HSL 44, 0.32%, 0.55%

LAB 65.29, -0.46, 31.43

 

CMYK 0 / 6 / 24 / 38

HEX #9F9579

RGB 159 149 121

HSL 44.21, 0.17%, 0.55%

LAB 61.87, -0.98, 16.14

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 56 / 70 / 16

HEX #D65F41

RGB 214 95 65

HSL 12.08, 0.65%, 0.55%

LAB 54.93, 44.9, 39.64

 

CMYK 0 / 37 / 70 / 16

HEX #D68741

RGB 214 135 65

HSL 28.19, 0.65%, 0.55%

LAB 63.35, 24.21, 49.01

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 0 / 0 / 70 / 16

HEX #D6D641

RGB 214 214 65

HSL 60, 0.65%, 0.55%

LAB 83.32, -17.26, 69.49

 

CMYK 18 / 0 / 70 / 16

HEX #AFD641

RGB 175 214 65

HSL 75.7, 0.65%, 0.55%

LAB 80.51, -33.11, 65.77

 

CMYK 0 / 21 / 79 / 36

HEX #A38122

RGB 163 129 34

HSL 44.19, 0.65%, 0.39%

LAB 55.69, 3.67, 52.73

 

CMYK 0 / 21 / 79 / 23

HEX #C59B29

RGB 197 155 41

HSL 43.85, 0.66%, 0.47%

LAB 66.12, 4.94, 61.11

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 0 / 15 / 55 / 13

HEX #DEBD63

RGB 222 189 99

HSL 43.9, 0.65%, 0.63%

LAB 77.77, 0.98, 49.26

 

CMYK 0 / 11 / 42 / 10

HEX #E5CB85

RGB 229 203 133

HSL 43.75, 0.65%, 0.71%

LAB 82.41, -0.33, 38.21

 

CMYK 0 / 19 / 70 / 16

HEX #D7AF41

RGB 215 175 65

HSL 44, 0.65%, 0.55%

LAB 73.21, 3.15, 59.42

 

CMYK 65 / 0 / 70 / 16

HEX #4BD641

RGB 75 214 65

HSL 115.97, 0.65%, 0.55%

LAB 76.05, -64.47, 59.79

 

CMYK 46 / 70 / 0 / 16

HEX #7341D6

RGB 115 65 214

HSL 260.13, 0.65%, 0.55%

LAB 41.66, 54.21, -68.88

 

CMYK 0 / 19 / 70 / 16

HEX #D7AF41

RGB 215 175 65

HSL 44, 0.65%, 0.55%

LAB 73.21, 3.15, 59.42

 

CMYK 70 / 0 / 18 / 16

HEX #41D6AF

RGB 65 214 175

HSL 164.3, 0.65%, 0.55%

LAB 77.47, -48.06, 8.03

 

CMYK 18 / 70 / 0 / 16

HEX #AF41D6

RGB 175 65 214

HSL 284.3, 0.65%, 0.55%

LAB 49.19, 65.78, -56.33

 

CMYK 0 / 19 / 70 / 16

HEX #D7AF41

RGB 215 175 65

HSL 44, 0.65%, 0.55%

LAB 73.21, 3.15, 59.42

 

CMYK 65 / 0 / 70 / 16

HEX #4BD641

RGB 75 214 65

HSL 115.97, 0.65%, 0.55%

LAB 76.05, -64.47, 59.79

 

CMYK 70 / 51 / 0 / 16

HEX #4169D6

RGB 65 105 214

HSL 223.89, 0.65%, 0.55%

LAB 47.08, 22.33, -60.24

 

CMYK 5 / 70 / 0 / 16

HEX #CC41D6

RGB 204 65 214

HSL 295.97, 0.65%, 0.55%

LAB 53.46, 71.91, -49.25

 

CMYK 0 / 19 / 70 / 16

HEX #D7AF41

RGB 215 175 65

HSL 44, 0.65%, 0.55%

LAB 73.21, 3.15, 59.42

 

CMYK 70 / 0 / 53 / 16

HEX #41D664

RGB 65 214 100

HSL 134.09, 0.65%, 0.55%

LAB 76.15, -62.45, 44.76

 

CMYK 70 / 51 / 0 / 16

HEX #4169D6

RGB 65 105 214

HSL 223.89, 0.65%, 0.55%

LAB 47.08, 22.33, -60.24

 

CMYK 0 / 70 / 16 / 16

HEX #D641B4

RGB 214 65 180

HSL 313.69, 0.65%, 0.55%

LAB 53.35, 68.95, -29.74

 

Description

Color code: HEX #D7AF41 | qconv.com Color code: HEX #D7AF41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 175 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 175 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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