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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7AFDB it is the complementary color #285024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7AFDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7AFDB shade: #DCAFD6, #EDC1E9, #FED3FC, #FFE5FF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7AFDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7AFDB shade: #D7AFDB, #C69DC8, #B58BB5, #A479A2 and #93678F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7AFDB shade: #D6AEDA, #DAAED2, #DAAEC6, #DAAEBA and #DAAEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7AFDB shade: #D6AEDA, #CAAEDA, #BEAEDA, #B2AEDA and #AEAEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7AFDB shade matches the following richer shades: #D6AEDA, #DEA4E4, #E69BED and #ED91F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7AFDB shade: #D6AEDA, #CEB7D1, #C7C1C7, #BFCABE and #B7D4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7AFDB shade: #BEAEDA, #CAAEDA, #D6AEDA, #DAAED3 and #DAAEC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7AFDB shade: #BA75C1, #C891CD, #D6AEDA, #E4CAE7 and #F3E7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7AFDB shade: #D7AFDB, #DAB2AE and #AEDAC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7AFDB shade: #D7AFDB, #DAD6AE and #AEDAD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7AFDB shade: #D7AFDB, #DAB2AE, #B2DAAE and #AED6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7AFDB shade: #D7AFDB, #DABFAE, #B2DAAE and #AEC8DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 20 / 0 / 14

HEX #D7AFDB

RGB 215 175 219

HSL 294.55, 0.38%, 0.77%

LAB 76.21, 22.08, -16.67

 

Complementary color

CMYK 50 / 0 / 55 / 69

HEX #285024

RGB 40 80 36

HSL 114.55, 0.38%, 0.23%

LAB 30.2, -24.31, 21.51

 

CMYK 0 / 20 / 3 / 14

HEX #DCAFD6

RGB 220 175 214

HSL 308, 0.39%, 0.77%

LAB 76.52, 22.83, -13.44

 

CMYK 0 / 19 / 2 / 7

HEX #EDC1E9

RGB 237 193 233

HSL 305.45, 0.55%, 0.84%

LAB 82.93, 22.31, -13.91

 

CMYK 0 / 17 / 1 / 0

HEX #FED3FC

RGB 254 211 252

HSL 302.79, 0.96%, 0.91%

LAB 89.25, 21.83, -14.36

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 2 / 20 / 0 / 14

HEX #D7AFDB

RGB 215 175 219

HSL 294.55, 0.38%, 0.77%

LAB 76.21, 22.08, -16.67

 

CMYK 1 / 22 / 0 / 22

HEX #C69DC8

RGB 198 157 200

HSL 297.21, 0.28%, 0.7%

LAB 69.68, 22.62, -16.26

 

CMYK 0 / 23 / 0 / 29

HEX #B58BB5

RGB 181 139 181

HSL 300, 0.22%, 0.63%

LAB 63.03, 23.2, -15.84

 

CMYK 0 / 26 / 1 / 36

HEX #A479A2

RGB 164 121 162

HSL 302.79, 0.19%, 0.56%

LAB 56.26, 23.84, -15.4

 

CMYK 0 / 30 / 3 / 42

HEX #93678F

RGB 147 103 143

HSL 305.45, 0.18%, 0.49%

LAB 49.36, 24.54, -14.93

 

CMYK 2 / 20 / 0 / 15

HEX #D6AEDA

RGB 214 174 218

HSL 294.55, 0.37%, 0.77%

LAB 75.84, 22.1, -16.68

 

CMYK 0 / 20 / 4 / 15

HEX #DAAED2

RGB 218 174 210

HSL 310.91, 0.37%, 0.77%

LAB 75.97, 21.97, -12.1

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC6

RGB 218 174 198

HSL 327.27, 0.37%, 0.77%

LAB 75.61, 19.87, -6.09

 

CMYK 0 / 20 / 15 / 15

HEX #DAAEBA

RGB 218 174 186

HSL 343.64, 0.37%, 0.77%

LAB 75.28, 17.88, -0.02

 

CMYK 0 / 20 / 20 / 15

HEX #DAAEAE

RGB 218 174 174

HSL 0, 0.37%, 0.77%

LAB 74.97, 16, 6.1

 

CMYK 2 / 20 / 0 / 15

HEX #D6AEDA

RGB 214 174 218

HSL 294.55, 0.37%, 0.77%

LAB 75.84, 22.1, -16.68

 

CMYK 7 / 20 / 0 / 15

HEX #CAAEDA

RGB 202 174 218

HSL 278.18, 0.37%, 0.77%

LAB 74.76, 18.14, -18.43

 

CMYK 13 / 20 / 0 / 15

HEX #BEAEDA

RGB 190 174 218

HSL 261.82, 0.37%, 0.77%

LAB 73.73, 14.23, -20.09

 

CMYK 18 / 20 / 0 / 15

HEX #B2AEDA

RGB 178 174 218

HSL 245.45, 0.37%, 0.77%

LAB 72.76, 10.41, -21.65

 

CMYK 20 / 20 / 0 / 15

HEX #AEAEDA

RGB 174 174 218

HSL 240, 0.37%, 0.77%

LAB 72.45, 9.16, -22.15

 

CMYK 2 / 20 / 0 / 15

HEX #D6AEDA

RGB 214 174 218

HSL 294.55, 0.37%, 0.77%

LAB 75.84, 22.1, -16.68

 

CMYK 3 / 28 / 0 / 11

HEX #DEA4E4

RGB 222 164 228

HSL 294.38, 0.54%, 0.77%

LAB 74.62, 32.02, -23.9

 

CMYK 3 / 35 / 0 / 7

HEX #E69BED

RGB 230 155 237

HSL 294.88, 0.69%, 0.77%

LAB 73.79, 41.03, -30.01

 

CMYK 4 / 41 / 0 / 3

HEX #ED91F7

RGB 237 145 247

HSL 294.12, 0.86%, 0.77%

LAB 72.87, 50.18, -36.81

 

CMYK 2 / 20 / 0 / 15

HEX #D6AEDA

RGB 214 174 218

HSL 294.55, 0.37%, 0.77%

LAB 75.84, 22.1, -16.68

 

CMYK 1 / 12 / 0 / 18

HEX #CEB7D1

RGB 206 183 209

HSL 293.08, 0.22%, 0.77%

LAB 77.04, 12.83, -10.08

 

CMYK 0 / 3 / 0 / 22

HEX #C7C1C7

RGB 199 193 199

HSL 300, 0.05%, 0.77%

LAB 78.7, 3.19, -2.27

 

CMYK 5 / 0 / 6 / 21

HEX #BFCABE

RGB 191 202 190

HSL 115, 0.1%, 0.77%

LAB 80.2, -5.97, 4.68

 

CMYK 14 / 0 / 15 / 17

HEX #B7D4B4

RGB 183 212 180

HSL 114.38, 0.27%, 0.77%

LAB 82.08, -15.64, 12.63

 

CMYK 13 / 20 / 0 / 15

HEX #BEAEDA

RGB 190 174 218

HSL 261.82, 0.37%, 0.77%

LAB 73.73, 14.23, -20.09

 

CMYK 7 / 20 / 0 / 15

HEX #CAAEDA

RGB 202 174 218

HSL 278.18, 0.37%, 0.77%

LAB 74.76, 18.14, -18.43

 

CMYK 2 / 20 / 0 / 15

HEX #D6AEDA

RGB 214 174 218

HSL 294.55, 0.37%, 0.77%

LAB 75.84, 22.1, -16.68

 

CMYK 0 / 20 / 3 / 15

HEX #DAAED3

RGB 218 174 211

HSL 309.55, 0.37%, 0.77%

LAB 76, 22.15, -12.6

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC7

RGB 218 174 199

HSL 325.91, 0.37%, 0.77%

LAB 75.64, 20.04, -6.59

 

CMYK 4 / 39 / 0 / 24

HEX #BA75C1

RGB 186 117 193

HSL 294.47, 0.38%, 0.61%

LAB 58.99, 39.34, -28.79

 

CMYK 2 / 29 / 0 / 20

HEX #C891CD

RGB 200 145 205

HSL 295, 0.38%, 0.69%

LAB 67.23, 30.84, -22.73

 

CMYK 2 / 20 / 0 / 15

HEX #D6AEDA

RGB 214 174 218

HSL 294.55, 0.37%, 0.77%

LAB 75.84, 22.1, -16.68

 

CMYK 1 / 13 / 0 / 9

HEX #E4CAE7

RGB 228 202 231

HSL 293.79, 0.38%, 0.85%

LAB 84.23, 14.16, -10.98

 

CMYK 0 / 5 / 0 / 4

HEX #F3E7F4

RGB 243 231 244

HSL 295.38, 0.37%, 0.93%

LAB 92.9, 6.33, -4.84

 

CMYK 2 / 20 / 0 / 14

HEX #D7AFDB

RGB 215 175 219

HSL 294.55, 0.38%, 0.77%

LAB 76.21, 22.08, -16.67

 

CMYK 0 / 18 / 20 / 15

HEX #DAB2AE

RGB 218 178 174

HSL 5.45, 0.37%, 0.77%

LAB 75.95, 13.85, 7.5

 

CMYK 20 / 0 / 10 / 15

HEX #AEDAC4

RGB 174 218 196

HSL 150, 0.37%, 0.77%

LAB 83.51, -18.7, 6.12

 

CMYK 2 / 20 / 0 / 14

HEX #D7AFDB

RGB 215 175 219

HSL 294.55, 0.38%, 0.77%

LAB 76.21, 22.08, -16.67

 

CMYK 0 / 2 / 20 / 15

HEX #DAD6AE

RGB 218 214 174

HSL 54.55, 0.37%, 0.77%

LAB 85.02, -5.11, 20.29

 

CMYK 20 / 0 / 2 / 15

HEX #AEDAD6

RGB 174 218 214

HSL 174.55, 0.37%, 0.77%

LAB 83.96, -15.07, -2.77

 

CMYK 2 / 20 / 0 / 14

HEX #D7AFDB

RGB 215 175 219

HSL 294.55, 0.38%, 0.77%

LAB 76.21, 22.08, -16.67

 

CMYK 0 / 18 / 20 / 15

HEX #DAB2AE

RGB 218 178 174

HSL 5.45, 0.37%, 0.77%

LAB 75.95, 13.85, 7.5

 

CMYK 18 / 0 / 20 / 15

HEX #B2DAAE

RGB 178 218 174

HSL 114.55, 0.37%, 0.77%

LAB 83.27, -21.38, 17.42

 

CMYK 20 / 2 / 0 / 15

HEX #AED6DA

RGB 174 214 218

HSL 185.45, 0.37%, 0.77%

LAB 83, -12.19, -6.32

 

CMYK 2 / 20 / 0 / 14

HEX #D7AFDB

RGB 215 175 219

HSL 294.55, 0.38%, 0.77%

LAB 76.21, 22.08, -16.67

 

CMYK 0 / 12 / 20 / 15

HEX #DABFAE

RGB 218 191 174

HSL 23.18, 0.37%, 0.77%

LAB 79.17, 6.91, 12.09

 

CMYK 18 / 0 / 20 / 15

HEX #B2DAAE

RGB 178 218 174

HSL 114.55, 0.37%, 0.77%

LAB 83.27, -21.38, 17.42

 

CMYK 20 / 8 / 0 / 15

HEX #AEC8DA

RGB 174 200 218

HSL 204.55, 0.37%, 0.77%

LAB 79.25, -4.9, -11.88

 

Description

Color code: HEX #D7AFDB | qconv.com Color code: HEX #D7AFDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 175 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 175 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 20 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 20% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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