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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7B69D it is the complementary color #284962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7B69D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7B69D shade: #DCB698, #EDC8AB, #FEDABE, #FFECD1 and #FFFEE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7B69D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7B69D shade: #D7B69D, #C6A48A, #B59277, #A48064 and #936E51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7B69D shade: #D7B69D, #D7A69D and #D79D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7B69D shade: #D7B69D, #D7C59D, #D7D59D, #C9D79D and #B9D79D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7B69D shade matches the following richer shades: #D7B69D, #E2B492, #EDB386 and #F8B17B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7B69D shade: #D7B69D, #CBB7A8, #C0B9B3, #B5BABE and #AABCC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7B69D shade: #D79DA3, #D7A59D, #D7B59D, #D7C49D and #D7D49D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7B69D shade: #BF8A62, #CBA07F, #D7B69D, #E3CBBA and #EEE1D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7B69D shade: #D7B69D, #B3D79D and #9E9DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7B69D shade: #D7B69D, #9DD7B5 and #B59DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7B69D shade: #D7B69D, #B3D79D, #9DBED7 and #C09DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7B69D shade: #D7B69D, #A2D79D, #9DBED7 and #D29DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

Complementary color

CMYK 59 / 26 / 0 / 62

HEX #284962

RGB 40 73 98

HSL 205.86, 0.42%, 0.27%

LAB 29.66, -3.85, -18.34

 

CMYK 0 / 17 / 31 / 14

HEX #DCB698

RGB 220 182 152

HSL 26.47, 0.49%, 0.73%

LAB 76.64, 9.39, 20.41

 

CMYK 0 / 16 / 28 / 7

HEX #EDC8AB

RGB 237 200 171

HSL 26.36, 0.65%, 0.8%

LAB 83.05, 8.86, 19.38

 

CMYK 0 / 14 / 25 / 0

HEX #FEDABE

RGB 254 218 190

HSL 26.25, 0.97%, 0.87%

LAB 89.36, 8.39, 18.41

 

CMYK 0 / 7 / 18 / 0

HEX #FFECD1

RGB 255 236 209

HSL 35.22, 1%, 0.91%

LAB 94.25, 2.21, 15.42

 

CMYK 0 / 0 / 11 / 0

HEX #FFFEE4

RGB 255 254 228

HSL 57.78, 1%, 0.95%

LAB 99.12, -3.98, 12.55

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 0 / 17 / 30 / 22

HEX #C6A48A

RGB 198 164 138

HSL 26, 0.34%, 0.66%

LAB 69.75, 8.65, 18.17

 

CMYK 0 / 19 / 34 / 29

HEX #B59277

RGB 181 146 119

HSL 26.13, 0.3%, 0.59%

LAB 63.11, 9.26, 19.29

 

CMYK 0 / 22 / 39 / 36

HEX #A48064

RGB 164 128 100

HSL 26.25, 0.26%, 0.52%

LAB 56.34, 9.96, 20.51

 

CMYK 0 / 25 / 45 / 42

HEX #936E51

RGB 147 110 81

HSL 26.36, 0.29%, 0.45%

LAB 49.43, 10.79, 21.86

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 0 / 23 / 27 / 16

HEX #D7A69D

RGB 215 166 157

HSL 9.31, 0.42%, 0.73%

LAB 72.33, 16.73, 11.6

 

CMYK 0 / 27 / 27 / 16

HEX #D79D9D

RGB 215 157 157

HSL 0, 0.42%, 0.73%

LAB 70.17, 21.6, 8.53

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 0 / 8 / 27 / 16

HEX #D7C59D

RGB 215 197 157

HSL 41.38, 0.42%, 0.73%

LAB 80.07, 0.2, 22.39

 

CMYK 0 / 1 / 27 / 16

HEX #D7D59D

RGB 215 213 157

HSL 57.93, 0.42%, 0.73%

LAB 84.21, -8.07, 28.01

 

CMYK 7 / 0 / 27 / 16

HEX #C9D79D

RGB 201 215 157

HSL 74.48, 0.42%, 0.73%

LAB 83.68, -14.33, 27.12

 

CMYK 14 / 0 / 27 / 16

HEX #B9D79D

RGB 185 215 157

HSL 91.03, 0.42%, 0.73%

LAB 82.57, -20.17, 25.42

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 0 / 20 / 35 / 11

HEX #E2B492

RGB 226 180 146

HSL 25.5, 0.58%, 0.73%

LAB 76.61, 12.03, 23.68

 

CMYK 0 / 24 / 43 / 7

HEX #EDB386

RGB 237 179 134

HSL 26.21, 0.74%, 0.73%

LAB 77.26, 15.55, 31.13

 

CMYK 0 / 29 / 50 / 3

HEX #F8B17B

RGB 248 177 123

HSL 25.92, 0.9%, 0.73%

LAB 77.77, 19.92, 37.79

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 0 / 10 / 17 / 20

HEX #CBB7A8

RGB 203 183 168

HSL 25.71, 0.25%, 0.73%

LAB 75.69, 4.68, 10.21

 

CMYK 0 / 4 / 7 / 25

HEX #C0B9B3

RGB 192 185 179

HSL 27.69, 0.09%, 0.73%

LAB 75.55, 1.4, 3.91

 

CMYK 5 / 2 / 0 / 25

HEX #B5BABE

RGB 181 186 190

HSL 206.67, 0.06%, 0.73%

LAB 75.24, -0.97, -2.63

 

CMYK 15 / 6 / 0 / 21

HEX #AABCC9

RGB 170 188 201

HSL 205.16, 0.22%, 0.73%

LAB 75.28, -3.46, -8.64

 

CMYK 0 / 27 / 24 / 16

HEX #D79DA3

RGB 215 157 163

HSL 353.79, 0.42%, 0.73%

LAB 70.32, 22.46, 5.42

 

CMYK 0 / 23 / 27 / 16

HEX #D7A59D

RGB 215 165 157

HSL 8.28, 0.42%, 0.73%

LAB 72.09, 17.27, 11.26

 

CMYK 0 / 16 / 27 / 16

HEX #D7B59D

RGB 215 181 157

HSL 24.83, 0.42%, 0.73%

LAB 76.03, 8.66, 16.79

 

CMYK 0 / 9 / 27 / 16

HEX #D7C49D

RGB 215 196 157

HSL 40.34, 0.42%, 0.73%

LAB 79.82, 0.72, 22.04

 

CMYK 0 / 1 / 27 / 16

HEX #D7D49D

RGB 215 212 157

HSL 56.9, 0.42%, 0.73%

LAB 83.95, -7.56, 27.66

 

CMYK 0 / 28 / 49 / 25

HEX #BF8A62

RGB 191 138 98

HSL 25.81, 0.42%, 0.57%

LAB 61.77, 15.42, 29.34

 

CMYK 0 / 21 / 37 / 20

HEX #CBA07F

RGB 203 160 127

HSL 26.05, 0.42%, 0.65%

LAB 69.02, 11.42, 23.28

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 0 / 11 / 18 / 11

HEX #E3CBBA

RGB 227 203 186

HSL 24.88, 0.42%, 0.81%

LAB 83.23, 5.7, 11.53

 

CMYK 0 / 5 / 10 / 7

HEX #EEE1D7

RGB 238 225 215

HSL 26.09, 0.4%, 0.89%

LAB 90.29, 2.76, 6.46

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 17 / 0 / 27 / 16

HEX #B3D79D

RGB 179 215 157

HSL 97.24, 0.42%, 0.73%

LAB 82.17, -22.31, 24.82

 

CMYK 27 / 27 / 0 / 16

HEX #9E9DD7

RGB 158 157 215

HSL 241.03, 0.42%, 0.73%

LAB 66.74, 13.07, -29.36

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 27 / 0 / 16 / 16

HEX #9DD7B5

RGB 157 215 181

HSL 144.83, 0.42%, 0.73%

LAB 81.35, -25.5, 10.84

 

CMYK 16 / 27 / 0 / 16

HEX #B59DD7

RGB 181 157 215

HSL 264.83, 0.42%, 0.73%

LAB 68.64, 20.14, -26.28

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 17 / 0 / 27 / 16

HEX #B3D79D

RGB 179 215 157

HSL 97.24, 0.42%, 0.73%

LAB 82.17, -22.31, 24.82

 

CMYK 27 / 12 / 0 / 16

HEX #9DBED7

RGB 157 190 215

HSL 205.86, 0.42%, 0.73%

LAB 75.39, -5.43, -16.17

 

CMYK 11 / 27 / 0 / 16

HEX #C09DD7

RGB 192 157 215

HSL 276.21, 0.42%, 0.73%

LAB 69.63, 23.64, -24.67

 

CMYK 0 / 15 / 27 / 16

HEX #D7B69D

RGB 215 182 157

HSL 25.86, 0.42%, 0.73%

LAB 76.28, 8.13, 17.14

 

CMYK 25 / 0 / 27 / 16

HEX #A2D79D

RGB 162 215 157

HSL 114.83, 0.42%, 0.73%

LAB 81.14, -28.16, 23.23

 

CMYK 27 / 12 / 0 / 16

HEX #9DBED7

RGB 157 190 215

HSL 205.86, 0.42%, 0.73%

LAB 75.39, -5.43, -16.17

 

CMYK 2 / 27 / 0 / 16

HEX #D29DD7

RGB 210 157 215

HSL 294.83, 0.42%, 0.73%

LAB 71.37, 29.46, -21.86

 

Description

Color code: HEX #D7B69D | qconv.com Color code: HEX #D7B69D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 182 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 182 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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