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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7B70A it is the complementary color #2848F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7B70A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7B70A shade: #DCB705, #EDC918, #FEDB2B, #FFED3E and #FFFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7B70A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7B70A shade: #D7B70A, #C6A500, #B59300, #A48100 and #936F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7B70A shade: #D6B60A, #D67F0A, #D6480A, #D6110A and #D60A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7B70A shade: #D6B60A, #BFD60A, #88D60A, #50D60A and #19D60A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7B70A shade matches the following richer shades: #D6B60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7B70A shade: #D6B60A, #C4A91C, #B19D2E, #9F9040 and #8D8452

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7B70A shade: #D6470A, #D67D0A, #D6B40A, #C1D60A and #8BD60A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7B70A shade: #877306, #AE9408, #D6B60A, #F4D115 and #F5D93D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7B70A shade: #D7B70A, #0AD610 and #620AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7B70A shade: #D7B70A, #0AD6B4 and #B40AD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7B70A shade: #D7B70A, #0AD610, #0A2CD6 and #D60ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7B70A shade: #D7B70A, #0AD64E, #0A2CD6 and #D60A92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 95 / 16

HEX #D7B70A

RGB 215 183 10

HSL 50.63, 0.91%, 0.44%

LAB 75.04, -2.66, 75.92

 

Complementary color

CMYK 84 / 71 / 0 / 4

HEX #2848F5

RGB 40 72 245

HSL 230.63, 0.91%, 0.56%

LAB 40.7, 51.37, -88.26

 

CMYK 0 / 17 / 98 / 14

HEX #DCB705

RGB 220 183 5

HSL 49.67, 0.96%, 0.44%

LAB 75.51, -0.52, 77.01

 

CMYK 0 / 15 / 90 / 7

HEX #EDC918

RGB 237 201 24

HSL 49.86, 0.86%, 0.51%

LAB 81.75, -2.24, 79.94

 

CMYK 0 / 14 / 83 / 0

HEX #FEDB2B

RGB 254 219 43

HSL 50.05, 0.99%, 0.58%

LAB 87.92, -3.76, 81.58

 

CMYK 0 / 7 / 76 / 0

HEX #FFED3E

RGB 255 237 62

HSL 54.4, 1%, 0.62%

LAB 92.65, -11.71, 80.48

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 15 / 95 / 16

HEX #D7B70A

RGB 215 183 10

HSL 50.63, 0.91%, 0.44%

LAB 75.04, -2.66, 75.92

 

CMYK 0 / 17 / 100 / 22

HEX #C6A500

RGB 198 165 0

HSL 50, 1%, 0.39%

LAB 68.69, -0.81, 71.75

 

CMYK 0 / 19 / 100 / 29

HEX #B59300

RGB 181 147 0

HSL 48.73, 1%, 0.35%

LAB 62.25, 1.22, 66.43

 

CMYK 0 / 21 / 100 / 36

HEX #A48100

RGB 164 129 0

HSL 47.2, 1%, 0.32%

LAB 55.68, 3.34, 61.02

 

CMYK 0 / 24 / 100 / 42

HEX #936F00

RGB 147 111 0

HSL 45.31, 1%, 0.29%

LAB 48.97, 5.56, 55.5

 

CMYK 0 / 15 / 95 / 16

HEX #D6B60A

RGB 214 182 10

HSL 50.59, 0.91%, 0.44%

LAB 74.68, -2.58, 75.61

 

CMYK 0 / 41 / 95 / 16

HEX #D67F0A

RGB 214 127 10

HSL 34.41, 0.91%, 0.44%

LAB 61.22, 26.83, 66.01

 

CMYK 0 / 66 / 95 / 16

HEX #D6480A

RGB 214 72 10

HSL 18.24, 0.91%, 0.44%

LAB 50.63, 53.62, 59.13

 

CMYK 0 / 92 / 95 / 16

HEX #D6110A

RGB 214 17 10

HSL 2.06, 0.91%, 0.44%

LAB 45.25, 68.65, 56.07

 

CMYK 0 / 95 / 95 / 16

HEX #D60A0A

RGB 214 10 10

HSL 0, 0.91%, 0.44%

LAB 44.99, 69.38, 55.94

 

CMYK 0 / 15 / 95 / 16

HEX #D6B60A

RGB 214 182 10

HSL 50.59, 0.91%, 0.44%

LAB 74.68, -2.58, 75.61

 

CMYK 11 / 0 / 95 / 16

HEX #BFD60A

RGB 191 214 10

HSL 66.76, 0.91%, 0.44%

LAB 81.4, -28.43, 79.82

 

CMYK 36 / 0 / 95 / 16

HEX #88D60A

RGB 136 214 10

HSL 82.94, 0.91%, 0.44%

LAB 78.08, -49.7, 75.81

 

CMYK 63 / 0 / 95 / 16

HEX #50D60A

RGB 80 214 10

HSL 99.41, 0.91%, 0.44%

LAB 75.96, -66.04, 73.21

 

CMYK 88 / 0 / 95 / 16

HEX #19D60A

RGB 25 214 10

HSL 115.59, 0.91%, 0.44%

LAB 75.03, -74.14, 72.06

 

CMYK 0 / 15 / 95 / 16

HEX #D6B60A

RGB 214 182 10

HSL 50.59, 0.91%, 0.44%

LAB 74.68, -2.58, 75.61

 

CMYK 0 / 15 / 95 / 16

HEX #D6B60A

RGB 214 182 10

HSL 50.59, 0.91%, 0.44%

LAB 74.68, -2.58, 75.61

 

CMYK 0 / 14 / 86 / 23

HEX #C4A91C

RGB 196 169 28

HSL 50.36, 0.75%, 0.44%

LAB 69.61, -3.39, 67.87

 

CMYK 0 / 11 / 74 / 31

HEX #B19D2E

RGB 177 157 46

HSL 50.84, 0.59%, 0.44%

LAB 64.69, -4.81, 57.27

 

CMYK 0 / 9 / 60 / 38

HEX #9F9040

RGB 159 144 64

HSL 50.53, 0.43%, 0.44%

LAB 59.61, -4.69, 43.67

 

CMYK 0 / 6 / 42 / 45

HEX #8D8452

RGB 141 132 82

HSL 50.85, 0.26%, 0.44%

LAB 54.84, -4.23, 28.19

 

CMYK 0 / 67 / 95 / 16

HEX #D6470A

RGB 214 71 10

HSL 17.94, 0.91%, 0.44%

LAB 50.48, 54.02, 59.04

 

CMYK 0 / 42 / 95 / 16

HEX #D67D0A

RGB 214 125 10

HSL 33.82, 0.91%, 0.44%

LAB 60.77, 27.89, 65.7

 

CMYK 0 / 16 / 95 / 16

HEX #D6B40A

RGB 214 180 10

HSL 50, 0.91%, 0.44%

LAB 74.16, -1.54, 75.23

 

CMYK 10 / 0 / 95 / 16

HEX #C1D60A

RGB 193 214 10

HSL 66.18, 0.91%, 0.44%

LAB 81.54, -27.6, 79.99

 

CMYK 35 / 0 / 95 / 16

HEX #8BD60A

RGB 139 214 10

HSL 82.06, 0.91%, 0.44%

LAB 78.23, -48.64, 75.99

 

CMYK 0 / 15 / 96 / 47

HEX #877306

RGB 135 115 6

HSL 50.7, 0.91%, 0.28%

LAB 48.79, -2.31, 53.5

 

CMYK 0 / 15 / 95 / 32

HEX #AE9408

RGB 174 148 8

HSL 50.6, 0.91%, 0.36%

LAB 61.82, -2.4, 64.63

 

CMYK 0 / 15 / 95 / 16

HEX #D6B60A

RGB 214 182 10

HSL 50.59, 0.91%, 0.44%

LAB 74.68, -2.58, 75.61

 

CMYK 0 / 14 / 91 / 4

HEX #F4D115

RGB 244 209 21

HSL 50.58, 0.91%, 0.52%

LAB 84.43, -3.37, 82.74

 

CMYK 0 / 11 / 75 / 4

HEX #F5D93D

RGB 245 217 61

HSL 50.87, 0.9%, 0.6%

LAB 86.69, -5.96, 74.99

 

CMYK 0 / 15 / 95 / 16

HEX #D7B70A

RGB 215 183 10

HSL 50.63, 0.91%, 0.44%

LAB 75.04, -2.66, 75.92

 

CMYK 95 / 0 / 93 / 16

HEX #0AD610

RGB 10 214 16

HSL 121.76, 0.91%, 0.44%

LAB 74.95, -74.83, 71.28

 

CMYK 54 / 95 / 0 / 16

HEX #620AD6

RGB 98 10 214

HSL 265.88, 0.91%, 0.44%

LAB 33.28, 70.84, -82.73

 

CMYK 0 / 15 / 95 / 16

HEX #D7B70A

RGB 215 183 10

HSL 50.63, 0.91%, 0.44%

LAB 75.04, -2.66, 75.92

 

CMYK 95 / 0 / 16 / 16

HEX #0AD6B4

RGB 10 214 180

HSL 170, 0.91%, 0.44%

LAB 76.95, -51.34, 4.53

 

CMYK 16 / 95 / 0 / 16

HEX #B40AD6

RGB 180 10 214

HSL 290, 0.91%, 0.44%

LAB 45.33, 80.1, -62.52

 

CMYK 0 / 15 / 95 / 16

HEX #D7B70A

RGB 215 183 10

HSL 50.63, 0.91%, 0.44%

LAB 75.04, -2.66, 75.92

 

CMYK 95 / 0 / 93 / 16

HEX #0AD610

RGB 10 214 16

HSL 121.76, 0.91%, 0.44%

LAB 74.95, -74.83, 71.28

 

CMYK 95 / 79 / 0 / 16

HEX #0A2CD6

RGB 10 44 214

HSL 230, 0.91%, 0.44%

LAB 31.16, 55.4, -86.41

 

CMYK 0 / 95 / 3 / 16

HEX #D60ACF

RGB 214 10 207

HSL 302.06, 0.91%, 0.44%

LAB 50.71, 84.33, -49.54

 

CMYK 0 / 15 / 95 / 16

HEX #D7B70A

RGB 215 183 10

HSL 50.63, 0.91%, 0.44%

LAB 75.04, -2.66, 75.92

 

CMYK 95 / 0 / 64 / 16

HEX #0AD64E

RGB 10 214 78

HSL 140, 0.91%, 0.44%

LAB 75.27, -70.72, 53.47

 

CMYK 95 / 79 / 0 / 16

HEX #0A2CD6

RGB 10 44 214

HSL 230, 0.91%, 0.44%

LAB 31.16, 55.4, -86.41

 

CMYK 0 / 95 / 32 / 16

HEX #D60A92

RGB 214 10 146

HSL 320, 0.91%, 0.44%

LAB 47.74, 76.79, -18.28

 

Description

Color code: HEX #D7B70A | qconv.com Color code: HEX #D7B70A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 183 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 183 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 95 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 95% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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