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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7C05B it is the complementary color #283FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7C05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7C05B shade: #DCC056, #EDD269, #FEE47C, #FFF68F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7C05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7C05B shade: #D7C05B, #C6AE48, #B59C35, #A48A22 and #93780F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7C05B shade: #D7C05A, #D79E5A, #D77D5A, #D75B5A and #D75A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7C05B shade: #D7C05A, #CCD75A, #ABD75A, #89D75A and #68D75A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7C05B shade matches the following richer shades: #D7C05A, #E7CA4A and #F8D439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7C05B shade: #D7C05A, #C6B56B, #B6AB7B, #A5A08C and #95969C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7C05B shade: #D77B5A, #D79D5A, #D7BE5A, #CED75A and #ADD75A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7C05B shade: #B39A2B, #CFB339, #D7C05A, #DFCC7B and #E7D99D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7C05B shade: #D7C05B, #5AD75A and #8C5AD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7C05B shade: #D7C05B, #5AD7BE and #BE5AD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7C05B shade: #D7C05B, #5AD75A, #5A73D7 and #D75AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7C05B shade: #D7C05B, #5AD780, #5A73D7 and #D75AB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 58 / 16

HEX #D7C05B

RGB 215 192 91

HSL 48.87, 0.61%, 0.6%

LAB 77.82, -4.11, 52.93

 

Complementary color

CMYK 76 / 62 / 0 / 36

HEX #283FA4

RGB 40 63 164

HSL 228.87, 0.61%, 0.4%

LAB 31.08, 27.9, -57.02

 

CMYK 0 / 13 / 61 / 14

HEX #DCC056

RGB 220 192 86

HSL 47.46, 0.66%, 0.6%

LAB 78.22, -2.37, 55.8

 

CMYK 0 / 11 / 56 / 7

HEX #EDD269

RGB 237 210 105

HSL 47.73, 0.79%, 0.67%

LAB 84.54, -3.22, 54.69

 

CMYK 0 / 10 / 51 / 0

HEX #FEE47C

RGB 254 228 124

HSL 48, 0.98%, 0.74%

LAB 90.79, -3.95, 53.51

 

CMYK 0 / 4 / 44 / 0

HEX #FFF68F

RGB 255 246 143

HSL 55.18, 1%, 0.78%

LAB 95.65, -10.81, 50.43

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05B

RGB 215 192 91

HSL 48.87, 0.61%, 0.6%

LAB 77.82, -4.11, 52.93

 

CMYK 0 / 12 / 64 / 22

HEX #C6AE48

RGB 198 174 72

HSL 48.57, 0.53%, 0.53%

LAB 71.38, -3.22, 53.99

 

CMYK 0 / 14 / 71 / 29

HEX #B59C35

RGB 181 156 53

HSL 48.28, 0.55%, 0.46%

LAB 64.85, -2.16, 54.8

 

CMYK 0 / 16 / 79 / 36

HEX #A48A22

RGB 164 138 34

HSL 48, 0.66%, 0.39%

LAB 58.21, -0.86, 55.08

 

CMYK 0 / 18 / 90 / 42

HEX #93780F

RGB 147 120 15

HSL 47.73, 0.81%, 0.32%

LAB 51.46, 0.72, 54.24

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05A

RGB 215 192 90

HSL 48.96, 0.61%, 0.6%

LAB 77.81, -4.19, 53.38

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 42 / 58 / 16

HEX #D77D5A

RGB 215 125 90

HSL 16.8, 0.61%, 0.6%

LAB 61.53, 31.58, 34

 

CMYK 0 / 58 / 58 / 16

HEX #D75B5A

RGB 215 91 90

HSL 0.48, 0.61%, 0.6%

LAB 54.73, 48.71, 25.32

 

CMYK 0 / 58 / 58 / 16

HEX #D75A5A

RGB 215 90 90

HSL 0, 0.61%, 0.6%

LAB 54.55, 49.18, 25.09

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05A

RGB 215 192 90

HSL 48.96, 0.61%, 0.6%

LAB 77.81, -4.19, 53.38

 

CMYK 5 / 0 / 58 / 16

HEX #CCD75A

RGB 204 215 90

HSL 65.28, 0.61%, 0.6%

LAB 83.01, -20.33, 58.97

 

CMYK 20 / 0 / 58 / 16

HEX #ABD75A

RGB 171 215 90

HSL 81.12, 0.61%, 0.6%

LAB 80.74, -33.31, 55.81

 

CMYK 36 / 0 / 58 / 16

HEX #89D75A

RGB 137 215 90

HSL 97.44, 0.61%, 0.6%

LAB 78.84, -45.5, 53.15

 

CMYK 52 / 0 / 58 / 16

HEX #68D75A

RGB 104 215 90

HSL 113.28, 0.61%, 0.6%

LAB 77.45, -55.49, 51.18

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05A

RGB 215 192 90

HSL 48.96, 0.61%, 0.6%

LAB 77.81, -4.19, 53.38

 

CMYK 0 / 13 / 68 / 9

HEX #E7CA4A

RGB 231 202 74

HSL 48.92, 0.77%, 0.6%

LAB 81.69, -3.63, 64.93

 

CMYK 0 / 15 / 77 / 3

HEX #F8D439

RGB 248 212 57

HSL 48.69, 0.93%, 0.6%

LAB 85.67, -2.32, 75.45

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05A

RGB 215 192 90

HSL 48.96, 0.61%, 0.6%

LAB 77.81, -4.19, 53.38

 

CMYK 0 / 9 / 46 / 22

HEX #C6B56B

RGB 198 181 107

HSL 48.79, 0.44%, 0.6%

LAB 73.62, -4.05, 39.75

 

CMYK 0 / 6 / 32 / 29

HEX #B6AB7B

RGB 182 171 123

HSL 48.81, 0.29%, 0.6%

LAB 69.82, -3.45, 26.19

 

CMYK 0 / 3 / 15 / 35

HEX #A5A08C

RGB 165 160 140

HSL 48, 0.12%, 0.6%

LAB 65.78, -1.69, 11.08

 

CMYK 4 / 4 / 0 / 39

HEX #95969C

RGB 149 150 156

HSL 231.43, 0.03%, 0.6%

LAB 62.17, 0.83, -3.28

 

CMYK 0 / 43 / 58 / 16

HEX #D77B5A

RGB 215 123 90

HSL 15.84, 0.61%, 0.6%

LAB 61.09, 32.64, 33.46

 

CMYK 0 / 27 / 58 / 16

HEX #D79D5A

RGB 215 157 90

HSL 32.16, 0.61%, 0.6%

LAB 68.97, 14.38, 43.09

 

CMYK 0 / 12 / 58 / 16

HEX #D7BE5A

RGB 215 190 90

HSL 48, 0.61%, 0.6%

LAB 77.29, -3.15, 52.79

 

CMYK 4 / 0 / 58 / 16

HEX #CED75A

RGB 206 215 90

HSL 64.32, 0.61%, 0.6%

LAB 83.16, -19.52, 59.18

 

CMYK 20 / 0 / 58 / 16

HEX #ADD75A

RGB 173 215 90

HSL 80.16, 0.61%, 0.6%

LAB 80.86, -32.55, 55.98

 

CMYK 0 / 14 / 76 / 30

HEX #B39A2B

RGB 179 154 43

HSL 48.97, 0.61%, 0.44%

LAB 64.05, -2.44, 57.84

 

CMYK 0 / 14 / 72 / 19

HEX #CFB339

RGB 207 179 57

HSL 48.8, 0.61%, 0.52%

LAB 73.42, -2.8, 62.55

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05A

RGB 215 192 90

HSL 48.96, 0.61%, 0.6%

LAB 77.81, -4.19, 53.38

 

CMYK 0 / 9 / 45 / 13

HEX #DFCC7B

RGB 223 204 123

HSL 48.6, 0.61%, 0.68%

LAB 82, -4.26, 42.63

 

CMYK 0 / 6 / 32 / 9

HEX #E7D99D

RGB 231 217 157

HSL 48.65, 0.61%, 0.76%

LAB 86.53, -4.02, 31.35

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05B

RGB 215 192 91

HSL 48.87, 0.61%, 0.6%

LAB 77.82, -4.11, 52.93

 

CMYK 58 / 0 / 58 / 16

HEX #5AD75A

RGB 90 215 90

HSL 120, 0.61%, 0.6%

LAB 76.99, -59.02, 50.53

 

CMYK 35 / 58 / 0 / 16

HEX #8C5AD7

RGB 140 90 215

HSL 264, 0.61%, 0.6%

LAB 49.25, 46.38, -57.04

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05B

RGB 215 192 91

HSL 48.87, 0.61%, 0.6%

LAB 77.82, -4.11, 52.93

 

CMYK 58 / 0 / 12 / 16

HEX #5AD7BE

RGB 90 215 190

HSL 168, 0.61%, 0.6%

LAB 78.75, -40.66, 1.94

 

CMYK 12 / 58 / 0 / 16

HEX #BE5AD7

RGB 190 90 215

HSL 288, 0.61%, 0.6%

LAB 55.24, 58.52, -47.11

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05B

RGB 215 192 91

HSL 48.87, 0.61%, 0.6%

LAB 77.82, -4.11, 52.93

 

CMYK 58 / 0 / 58 / 16

HEX #5AD75A

RGB 90 215 90

HSL 120, 0.61%, 0.6%

LAB 76.99, -59.02, 50.53

 

CMYK 58 / 47 / 0 / 16

HEX #5A73D7

RGB 90 115 215

HSL 228, 0.61%, 0.6%

LAB 51.08, 20.66, -54.31

 

CMYK 0 / 58 / 0 / 16

HEX #D75AD7

RGB 215 90 215

HSL 300, 0.61%, 0.6%

LAB 58.66, 64.81, -41.48

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05B

RGB 215 192 91

HSL 48.87, 0.61%, 0.6%

LAB 77.82, -4.11, 52.93

 

CMYK 58 / 0 / 40 / 16

HEX #5AD780

RGB 90 215 128

HSL 138.24, 0.61%, 0.6%

LAB 77.48, -53.6, 32.77

 

CMYK 58 / 47 / 0 / 16

HEX #5A73D7

RGB 90 115 215

HSL 228, 0.61%, 0.6%

LAB 51.08, 20.66, -54.31

 

CMYK 0 / 58 / 18 / 16

HEX #D75AB1

RGB 215 90 177

HSL 318.24, 0.61%, 0.6%

LAB 57.01, 58.79, -22.34

 

Description

Color code: HEX #D7C05B | qconv.com Color code: HEX #D7C05B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 192 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 192 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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