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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7DBE4 it is the complementary color #28241B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7DBE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7DBE4 shade: #DCDBDF, #EDEDF2 and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7DBE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7DBE4 shade: #D7DBE4, #C6C9D1, #B5B7BE, #A4A5AB and #939398

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7DBE4 shade: #D7DBE4, #D7D8E4, #DAD7E4, #DDD7E4 and #E1D7E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7DBE4 shade: #D7DBE4, #D7D8E4 and #D7D7E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7DBE4 shade matches the following richer shades: #D7DBE4, #D2D9E9, #CCD7EE, #C7D5F4 and #C2D3F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7DBE4 shade: #D7DBE4, #DCDDDE, #E2DFD9, #E7E1D4 and #EDE3CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7DBE4 shade: #D7E2E4, #D7DEE4, #D7DBE4, #D7D8E4 and #DAD7E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7DBE4 shade: #A6AFC2, #BFC5D3, #D7DBE4 and #F0F1F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7DBE4 shade: #D7DBE4, #E2D7E4 and #E0E4D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7DBE4 shade: #D7DBE4, #E4D7DB and #DBE4D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7DBE4 shade: #D7DBE4, #E2D7E4, #E4E0D7 and #D9E4D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7DBE4 shade: #D7DBE4, #E4D7E1, #E4E0D7 and #D7E4D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

Complementary color

CMYK 0 / 10 / 33 / 84

HEX #28241B

RGB 40 36 27

HSL 41.54, 0.19%, 0.13%

LAB 14.36, 0.01, 6.71

 

CMYK 1 / 2 / 0 / 13

HEX #DCDBDF

RGB 220 219 223

HSL 255, 0.06%, 0.87%

LAB 87.59, 1.07, -1.85

 

CMYK 2 / 2 / 0 / 5

HEX #EDEDF2

RGB 237 237 242

HSL 240, 0.16%, 0.94%

LAB 93.88, 0.9, -2.42

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 5 / 4 / 0 / 18

HEX #C6C9D1

RGB 198 201 209

HSL 223.64, 0.11%, 0.8%

LAB 80.95, 0.48, -4.34

 

CMYK 5 / 4 / 0 / 25

HEX #B5B7BE

RGB 181 183 190

HSL 226.67, 0.06%, 0.73%

LAB 74.45, 0.64, -3.79

 

CMYK 4 / 4 / 0 / 33

HEX #A4A5AB

RGB 164 165 171

HSL 231.43, 0.04%, 0.66%

LAB 67.83, 0.81, -3.23

 

CMYK 3 / 3 / 0 / 40

HEX #939398

RGB 147 147 152

HSL 240, 0.02%, 0.59%

LAB 61.08, 0.99, -2.64

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 6 / 5 / 0 / 11

HEX #D7D8E4

RGB 215 216 228

HSL 235.38, 0.19%, 0.87%

LAB 86.58, 1.9, -6.01

 

CMYK 4 / 6 / 0 / 11

HEX #DAD7E4

RGB 218 215 228

HSL 253.85, 0.19%, 0.87%

LAB 86.56, 3.41, -6.02

 

CMYK 3 / 6 / 0 / 11

HEX #DDD7E4

RGB 221 215 228

HSL 267.69, 0.19%, 0.87%

LAB 86.79, 4.41, -5.65

 

CMYK 1 / 6 / 0 / 11

HEX #E1D7E4

RGB 225 215 228

HSL 286.15, 0.19%, 0.87%

LAB 87.1, 5.75, -5.16

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 6 / 5 / 0 / 11

HEX #D7D8E4

RGB 215 216 228

HSL 235.38, 0.19%, 0.87%

LAB 86.58, 1.9, -6.01

 

CMYK 6 / 6 / 0 / 11

HEX #D7D7E4

RGB 215 215 228

HSL 240, 0.19%, 0.87%

LAB 86.33, 2.42, -6.38

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 10 / 7 / 0 / 9

HEX #D2D9E9

RGB 210 217 233

HSL 221.74, 0.34%, 0.87%

LAB 86.61, 0.71, -8.65

 

CMYK 14 / 10 / 0 / 7

HEX #CCD7EE

RGB 204 215 238

HSL 220.59, 0.5%, 0.87%

LAB 85.81, 0.85, -12.53

 

CMYK 18 / 13 / 0 / 4

HEX #C7D5F4

RGB 199 213 244

HSL 221.33, 0.67%, 0.87%

LAB 85.13, 1.6, -16.76

 

CMYK 22 / 15 / 0 / 2

HEX #C2D3F9

RGB 194 211 249

HSL 221.45, 0.82%, 0.87%

LAB 84.43, 2.23, -20.5

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 1 / 0 / 0 / 13

HEX #DCDDDE

RGB 220 221 222

HSL 210, 0.03%, 0.87%

LAB 88.07, -0.15, -0.62

 

CMYK 0 / 1 / 4 / 11

HEX #E2DFD9

RGB 226 223 217

HSL 40, 0.13%, 0.87%

LAB 88.9, -0.03, 3.28

 

CMYK 0 / 3 / 8 / 9

HEX #E7E1D4

RGB 231 225 212

HSL 41.05, 0.28%, 0.87%

LAB 89.67, -0.18, 7.07

 

CMYK 0 / 4 / 13 / 7

HEX #EDE3CE

RGB 237 227 206

HSL 40.65, 0.46%, 0.87%

LAB 90.5, -0.06, 11.46

 

CMYK 6 / 1 / 0 / 11

HEX #D7E2E4

RGB 215 226 228

HSL 189.23, 0.19%, 0.87%

LAB 89.13, -3.29, -2.26

 

CMYK 6 / 3 / 0 / 11

HEX #D7DEE4

RGB 215 222 228

HSL 207.69, 0.19%, 0.87%

LAB 88.11, -1.23, -3.76

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 6 / 5 / 0 / 11

HEX #D7D8E4

RGB 215 216 228

HSL 235.38, 0.19%, 0.87%

LAB 86.58, 1.9, -6.01

 

CMYK 4 / 6 / 0 / 11

HEX #DAD7E4

RGB 218 215 228

HSL 253.85, 0.19%, 0.87%

LAB 86.56, 3.41, -6.02

 

CMYK 14 / 10 / 0 / 24

HEX #A6AFC2

RGB 166 175 194

HSL 220.71, 0.19%, 0.71%

LAB 71.32, 0.76, -10.74

 

CMYK 9 / 7 / 0 / 17

HEX #BFC5D3

RGB 191 197 211

HSL 222, 0.19%, 0.79%

LAB 79.45, 0.67, -7.7

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 2 / 1 / 0 / 4

HEX #F0F1F4

RGB 240 241 244

HSL 225, 0.15%, 0.95%

LAB 95.15, 0.21, -1.57

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 1 / 6 / 0 / 11

HEX #E2D7E4

RGB 226 215 228

HSL 290.77, 0.19%, 0.87%

LAB 87.18, 6.08, -5.03

 

CMYK 2 / 0 / 6 / 11

HEX #E0E4D7

RGB 224 228 215

HSL 78.46, 0.19%, 0.87%

LAB 89.97, -3.63, 5.86

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 0 / 6 / 4 / 11

HEX #E4D7DB

RGB 228 215 219

HSL 341.54, 0.19%, 0.87%

LAB 87.1, 5.16, -0.37

 

CMYK 4 / 0 / 6 / 11

HEX #DBE4D7

RGB 219 228 215

HSL 101.54, 0.19%, 0.87%

LAB 89.6, -5.34, 5.29

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 1 / 6 / 0 / 11

HEX #E2D7E4

RGB 226 215 228

HSL 290.77, 0.19%, 0.87%

LAB 87.18, 6.08, -5.03

 

CMYK 0 / 2 / 6 / 11

HEX #E4E0D7

RGB 228 224 215

HSL 41.54, 0.19%, 0.87%

LAB 89.26, -0.2, 4.87

 

CMYK 5 / 0 / 6 / 11

HEX #D9E4D7

RGB 217 228 215

HSL 110.77, 0.19%, 0.87%

LAB 89.46, -6.02, 5.06

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 0 / 6 / 1 / 11

HEX #E4D7E1

RGB 228 215 225

HSL 313.85, 0.19%, 0.87%

LAB 87.26, 6.22, -3.31

 

CMYK 0 / 2 / 6 / 11

HEX #E4E0D7

RGB 228 224 215

HSL 41.54, 0.19%, 0.87%

LAB 89.26, -0.2, 4.87

 

CMYK 6 / 0 / 5 / 11

HEX #D7E4D9

RGB 215 228 217

HSL 129.23, 0.19%, 0.87%

LAB 89.37, -6.34, 3.86

 

Description

Color code: HEX #D7DBE4 | qconv.com Color code: HEX #D7DBE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 219 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 219 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 4 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 4% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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