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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7E5D5 it is the complementary color #281A2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7E5D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7E5D5 shade: #DCE5D0, #EDF7E3 and #FEFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7E5D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7E5D5 shade: #D7E5D5, #C6D3C2, #B5C1AF, #A4AF9C and #939D89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7E5D5 shade: #D7E5D5, #DCE5D5, #E0E5D5, #E4E5D5 and #E5E2D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7E5D5 shade: #D7E5D5, #D5E5D8, #D5E5DC, #D5E5E0 and #D5E5E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7E5D5 shade matches the following richer shades: #D7E5D5, #D3EBD0, #CFF0CB, #CBF5C5 and #C7FBC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7E5D5 shade: #D7E5D5, #DBE0DB, #DFDBE0, #E3D5E5 and #E7D0EB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7E5D5 shade: #E0E5D5, #DCE5D5, #D8E5D5, #D5E5D8 and #D5E5DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7E5D5 shade: #A7C6A2, #BFD6BC, #D7E5D5 and #F0F5EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7E5D5 shade: #D7E5D5, #D5E4E5 and #E5D5DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7E5D5 shade: #D7E5D5, #D5D8E5 and #E5D5D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7E5D5 shade: #D7E5D5, #D5E4E5, #E3D5E5 and #E5D6D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7E5D5 shade: #D7E5D5, #D5DFE5, #E3D5E5 and #E5DBD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

Complementary color

CMYK 5 / 38 / 0 / 84

HEX #281A2A

RGB 40 26 42

HSL 292.5, 0.24%, 0.13%

LAB 11.67, 10.53, -8.1

 

CMYK 4 / 0 / 9 / 10

HEX #DCE5D0

RGB 220 229 208

HSL 85.71, 0.29%, 0.86%

LAB 89.77, -6.71, 9.2

 

CMYK 4 / 0 / 8 / 3

HEX #EDF7E3

RGB 237 247 227

HSL 90, 0.56%, 0.93%

LAB 96.03, -6.79, 8.47

 

CMYK 0 / 0 / 4 / 0

HEX #FEFFF6

RGB 254 255 246

HSL 66.67, 1%, 0.98%

LAB 99.71, -1.88, 4.17

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 6 / 0 / 8 / 17

HEX #C6D3C2

RGB 198 211 194

HSL 105.88, 0.16%, 0.79%

LAB 83.17, -7.5, 6.9

 

CMYK 6 / 0 / 9 / 24

HEX #B5C1AF

RGB 181 193 175

HSL 100, 0.13%, 0.72%

LAB 76.71, -7.46, 7.64

 

CMYK 6 / 0 / 11 / 31

HEX #A4AF9C

RGB 164 175 156

HSL 94.74, 0.11%, 0.65%

LAB 70.14, -7.41, 8.42

 

CMYK 6 / 0 / 13 / 38

HEX #939D89

RGB 147 157 137

HSL 90, 0.09%, 0.58%

LAB 63.44, -7.36, 9.25

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 4 / 0 / 7 / 10

HEX #DCE5D5

RGB 220 229 213

HSL 93.75, 0.24%, 0.87%

LAB 89.89, -5.85, 6.75

 

CMYK 2 / 0 / 7 / 10

HEX #E0E5D5

RGB 224 229 213

HSL 78.75, 0.24%, 0.87%

LAB 90.18, -4.48, 7.21

 

CMYK 0 / 0 / 7 / 10

HEX #E4E5D5

RGB 228 229 213

HSL 63.75, 0.24%, 0.87%

LAB 90.48, -3.1, 7.67

 

CMYK 0 / 1 / 7 / 10

HEX #E5E2D5

RGB 229 226 213

HSL 48.75, 0.24%, 0.87%

LAB 89.79, -1.22, 6.7

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 7 / 0 / 6 / 10

HEX #D5E5D8

RGB 213 229 216

HSL 131.25, 0.24%, 0.87%

LAB 89.46, -7.7, 4.5

 

CMYK 7 / 0 / 4 / 10

HEX #D5E5DC

RGB 213 229 220

HSL 146.25, 0.24%, 0.87%

LAB 89.56, -6.97, 2.55

 

CMYK 7 / 0 / 2 / 10

HEX #D5E5E0

RGB 213 229 224

HSL 161.25, 0.24%, 0.87%

LAB 89.66, -6.23, 0.6

 

CMYK 7 / 0 / 0 / 10

HEX #D5E5E5

RGB 213 229 229

HSL 180, 0.24%, 0.87%

LAB 89.79, -5.3, -1.84

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 10 / 0 / 11 / 8

HEX #D3EBD0

RGB 211 235 208

HSL 113.33, 0.4%, 0.87%

LAB 90.7, -12.8, 10.44

 

CMYK 14 / 0 / 15 / 6

HEX #CFF0CB

RGB 207 240 203

HSL 113.51, 0.55%, 0.87%

LAB 91.64, -17.49, 14.33

 

CMYK 17 / 0 / 20 / 4

HEX #CBF5C5

RGB 203 245 197

HSL 112.5, 0.71%, 0.87%

LAB 92.59, -22.27, 18.73

 

CMYK 21 / 0 / 24 / 2

HEX #C7FBC0

RGB 199 251 192

HSL 112.88, 0.88%, 0.87%

LAB 93.86, -27.29, 23.02

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 2 / 0 / 2 / 12

HEX #DBE0DB

RGB 219 224 219

HSL 120, 0.07%, 0.87%

LAB 88.68, -2.58, 1.85

 

CMYK 0 / 2 / 0 / 12

HEX #DFDBE0

RGB 223 219 224

HSL 288, 0.07%, 0.87%

LAB 87.84, 2.26, -1.98

 

CMYK 1 / 7 / 0 / 10

HEX #E3D5E5

RGB 227 213 229

HSL 292.5, 0.24%, 0.87%

LAB 86.79, 7.65, -6.13

 

CMYK 2 / 11 / 0 / 8

HEX #E7D0EB

RGB 231 208 235

HSL 291.11, 0.4%, 0.87%

LAB 86.06, 12.72, -10.36

 

CMYK 2 / 0 / 7 / 10

HEX #E0E5D5

RGB 224 229 213

HSL 78.75, 0.24%, 0.87%

LAB 90.18, -4.48, 7.21

 

CMYK 4 / 0 / 7 / 10

HEX #DCE5D5

RGB 220 229 213

HSL 93.75, 0.24%, 0.87%

LAB 89.89, -5.85, 6.75

 

CMYK 6 / 0 / 7 / 10

HEX #D8E5D5

RGB 216 229 213

HSL 108.75, 0.24%, 0.87%

LAB 89.6, -7.22, 6.3

 

CMYK 7 / 0 / 6 / 10

HEX #D5E5D8

RGB 213 229 216

HSL 131.25, 0.24%, 0.87%

LAB 89.46, -7.7, 4.5

 

CMYK 7 / 0 / 4 / 10

HEX #D5E5DC

RGB 213 229 220

HSL 146.25, 0.24%, 0.87%

LAB 89.56, -6.97, 2.55

 

CMYK 16 / 0 / 18 / 22

HEX #A7C6A2

RGB 167 198 162

HSL 111.67, 0.24%, 0.71%

LAB 76.81, -17.23, 14.63

 

CMYK 11 / 0 / 12 / 16

HEX #BFD6BC

RGB 191 214 188

HSL 113.08, 0.24%, 0.79%

LAB 83.34, -12.51, 10.25

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 2 / 0 / 2 / 4

HEX #F0F5EF

RGB 240 245 239

HSL 110, 0.23%, 0.95%

LAB 96.02, -2.71, 2.29

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 7 / 0 / 0 / 10

HEX #D5E4E5

RGB 213 228 229

HSL 183.75, 0.24%, 0.87%

LAB 89.53, -4.78, -2.21

 

CMYK 0 / 7 / 3 / 10

HEX #E5D5DE

RGB 229 213 222

HSL 326.25, 0.24%, 0.87%

LAB 86.76, 7.07, -2.45

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 7 / 6 / 0 / 10

HEX #D5D8E5

RGB 213 216 229

HSL 228.75, 0.24%, 0.87%

LAB 86.46, 1.43, -6.73

 

CMYK 0 / 7 / 6 / 10

HEX #E5D5D8

RGB 229 213 216

HSL 348.75, 0.24%, 0.87%

LAB 86.61, 6.03, 0.5

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 7 / 0 / 0 / 10

HEX #D5E4E5

RGB 213 228 229

HSL 183.75, 0.24%, 0.87%

LAB 89.53, -4.78, -2.21

 

CMYK 1 / 7 / 0 / 10

HEX #E3D5E5

RGB 227 213 229

HSL 292.5, 0.24%, 0.87%

LAB 86.79, 7.65, -6.13

 

CMYK 0 / 7 / 7 / 10

HEX #E5D6D5

RGB 229 214 213

HSL 3.75, 0.24%, 0.87%

LAB 86.78, 4.99, 2.34

 

CMYK 6 / 0 / 7 / 10

HEX #D7E5D5

RGB 215 229 213

HSL 112.5, 0.24%, 0.87%

LAB 89.53, -7.55, 6.19

 

CMYK 7 / 3 / 0 / 10

HEX #D5DFE5

RGB 213 223 229

HSL 202.5, 0.24%, 0.87%

LAB 88.25, -2.21, -4.1

 

CMYK 1 / 7 / 0 / 10

HEX #E3D5E5

RGB 227 213 229

HSL 292.5, 0.24%, 0.87%

LAB 86.79, 7.65, -6.13

 

CMYK 0 / 4 / 7 / 10

HEX #E5DBD5

RGB 229 219 213

HSL 22.5, 0.24%, 0.87%

LAB 88.03, 2.39, 4.15

 

Description

Color code: HEX #D7E5D5 | qconv.com Color code: HEX #D7E5D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 229 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 229 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 7 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 7% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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