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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7E650 it is the complementary color #2819AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7E650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7E650 shade: #DCE64B, #EDF85E, #FEFF71, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7E650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7E650 shade: #D7E650, #C6D43D, #B5C22A, #A4B017 and #939E04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7E650 shade: #D7E650, #E6CC50, #E6A450, #E67C50 and #E65450

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7E650 shade: #D7E650, #AEE650, #86E650, #5EE650 and #50E66B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7E650 shade matches the following richer shades: #D7E650 and #E4F640

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7E650 shade: #D7E650, #CAD661, #BDC571, #B0B581 and #A3A591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7E650 shade: #E6A550, #E6CD50, #D7E650, #AFE650 and #87E650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7E650 shade: #B6C81C, #CEE02C, #D7E650, #DFEB75 and #E7F099

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7E650 shade: #D7E650, #50E67D and #B950E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7E650 shade: #D7E650, #50D7E6 and #E650D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7E650 shade: #D7E650, #50E67D, #5F50E6 and #E650B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7E650 shade: #D7E650, #50E6AA, #5F50E6 and #E6508C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

Complementary color

CMYK 77 / 86 / 0 / 31

HEX #2819AF

RGB 40 25 175

HSL 246, 0.75%, 0.39%

LAB 24.45, 53.19, -74.56

 

CMYK 4 / 0 / 67 / 10

HEX #DCE64B

RGB 220 230 75

HSL 63.87, 0.76%, 0.6%

LAB 88.12, -22.08, 70.78

 

CMYK 4 / 0 / 62 / 3

HEX #EDF85E

RGB 237 248 94

HSL 64.29, 0.92%, 0.67%

LAB 94.29, -22.75, 70.25

 

CMYK 0 / 0 / 56 / 0

HEX #FEFF71

RGB 254 255 113

HSL 60.42, 1%, 0.72%

LAB 97.54, -18.09, 66.31

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 7 / 0 / 71 / 17

HEX #C6D43D

RGB 198 212 61

HSL 65.56, 0.64%, 0.54%

LAB 81.53, -23.11, 68.73

 

CMYK 7 / 0 / 78 / 24

HEX #B5C22A

RGB 181 194 42

HSL 65.13, 0.64%, 0.46%

LAB 75.19, -22.24, 68.44

 

CMYK 7 / 0 / 87 / 31

HEX #A4B017

RGB 164 176 23

HSL 64.71, 0.77%, 0.39%

LAB 68.75, -21.19, 67.15

 

CMYK 7 / 0 / 97 / 38

HEX #939E04

RGB 147 158 4

HSL 64.29, 0.95%, 0.32%

LAB 62.22, -19.91, 64.44

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 0 / 11 / 65 / 10

HEX #E6CC50

RGB 230 204 80

HSL 49.6, 0.75%, 0.61%

LAB 82.16, -4.74, 62.93

 

CMYK 0 / 29 / 65 / 10

HEX #E6A450

RGB 230 164 80

HSL 33.6, 0.75%, 0.61%

LAB 72.2, 16.22, 52.15

 

CMYK 0 / 46 / 65 / 10

HEX #E67C50

RGB 230 124 80

HSL 17.6, 0.75%, 0.61%

LAB 63.19, 37.33, 41.85

 

CMYK 0 / 63 / 65 / 10

HEX #E65450

RGB 230 84 80

HSL 1.6, 0.75%, 0.61%

LAB 55.83, 56.3, 32.98

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 24 / 0 / 65 / 10

HEX #AEE650

RGB 174 230 80

HSL 82.4, 0.75%, 0.61%

LAB 85.08, -39.76, 64.77

 

CMYK 42 / 0 / 65 / 10

HEX #86E650

RGB 134 230 80

HSL 98.4, 0.75%, 0.61%

LAB 83.04, -53.54, 61.99

 

CMYK 59 / 0 / 65 / 10

HEX #5EE650

RGB 94 230 80

HSL 114.4, 0.75%, 0.61%

LAB 81.59, -64.48, 60

 

CMYK 65 / 0 / 53 / 10

HEX #50E66B

RGB 80 230 107

HSL 130.8, 0.75%, 0.61%

LAB 81.49, -64.38, 48.01

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 7 / 0 / 74 / 4

HEX #E4F640

RGB 228 246 64

HSL 65.93, 0.91%, 0.61%

LAB 92.92, -26.98, 79.35

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 6 / 0 / 55 / 16

HEX #CAD661

RGB 202 214 97

HSL 66.15, 0.59%, 0.61%

LAB 82.65, -20.1, 55.43

 

CMYK 4 / 0 / 43 / 23

HEX #BDC571

RGB 189 197 113

HSL 65.71, 0.42%, 0.61%

LAB 77.25, -15.33, 41.09

 

CMYK 3 / 0 / 29 / 29

HEX #B0B581

RGB 176 181 129

HSL 65.77, 0.26%, 0.61%

LAB 72.14, -10.3, 25.98

 

CMYK 1 / 0 / 12 / 35

HEX #A3A591

RGB 163 165 145

HSL 66, 0.1%, 0.61%

LAB 67.08, -4.33, 10.13

 

CMYK 0 / 28 / 65 / 10

HEX #E6A550

RGB 230 165 80

HSL 34, 0.75%, 0.61%

LAB 72.44, 15.69, 52.41

 

CMYK 0 / 11 / 65 / 10

HEX #E6CD50

RGB 230 205 80

HSL 50, 0.75%, 0.61%

LAB 82.41, -5.25, 63.2

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 24 / 0 / 65 / 10

HEX #AFE650

RGB 175 230 80

HSL 82, 0.75%, 0.61%

LAB 85.14, -39.39, 64.85

 

CMYK 41 / 0 / 65 / 10

HEX #87E650

RGB 135 230 80

HSL 98, 0.75%, 0.61%

LAB 83.09, -53.22, 62.05

 

CMYK 9 / 0 / 86 / 22

HEX #B6C81C

RGB 182 200 28

HSL 66.28, 0.75%, 0.45%

LAB 76.88, -25.18, 73.37

 

CMYK 8 / 0 / 80 / 12

HEX #CEE02C

RGB 206 224 44

HSL 66, 0.74%, 0.53%

LAB 85.31, -26.27, 77.54

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 5 / 0 / 50 / 8

HEX #DFEB75

RGB 223 235 117

HSL 66.1, 0.75%, 0.69%

LAB 90.04, -20.31, 55.29

 

CMYK 4 / 0 / 36 / 6

HEX #E7F099

RGB 231 240 153

HSL 66.21, 0.74%, 0.77%

LAB 92.4, -16.01, 41.07

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 65 / 0 / 46 / 10

HEX #50E67D

RGB 80 230 125

HSL 138, 0.75%, 0.61%

LAB 81.72, -61.77, 39.68

 

CMYK 20 / 65 / 0 / 10

HEX #B950E6

RGB 185 80 230

HSL 282, 0.75%, 0.61%

LAB 53.78, 64.84, -57.96

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 65 / 7 / 0 / 10

HEX #50D7E6

RGB 80 215 230

HSL 186, 0.75%, 0.61%

LAB 79.62, -31.67, -18.17

 

CMYK 0 / 65 / 7 / 10

HEX #E650D7

RGB 230 80 215

HSL 306, 0.75%, 0.61%

LAB 59.4, 72.51, -40.17

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 65 / 0 / 46 / 10

HEX #50E67D

RGB 80 230 125

HSL 138, 0.75%, 0.61%

LAB 81.72, -61.77, 39.68

 

CMYK 59 / 65 / 0 / 10

HEX #5F50E6

RGB 95 80 230

HSL 246, 0.75%, 0.61%

LAB 44.07, 47.49, -74.15

 

CMYK 0 / 65 / 20 / 10

HEX #E650B9

RGB 230 80 185

HSL 318, 0.75%, 0.61%

LAB 58.1, 68.16, -25.09

 

CMYK 7 / 0 / 65 / 10

HEX #D7E650

RGB 215 230 80

HSL 66, 0.75%, 0.61%

LAB 87.79, -23.82, 68.43

 

CMYK 65 / 0 / 26 / 10

HEX #50E6AA

RGB 80 230 170

HSL 156, 0.75%, 0.61%

LAB 82.49, -53.41, 17.81

 

CMYK 59 / 65 / 0 / 10

HEX #5F50E6

RGB 95 80 230

HSL 246, 0.75%, 0.61%

LAB 44.07, 47.49, -74.15

 

CMYK 0 / 65 / 39 / 10

HEX #E6508C

RGB 230 80 140

HSL 336, 0.75%, 0.61%

LAB 56.54, 62.76, -1.22

 

Description

Color code: HEX #D7E650 | qconv.com Color code: HEX #D7E650 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 230 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 230 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 65% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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