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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D404F4 it is the complementary color #2BFB0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D404F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D404F4 shade: #D904EF, #EA16FF, #FB28FF, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D404F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D404F4 shade: #D404F4, #C300E1, #B200CE, #A100BB and #9000A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D404F4 shade: #D503F6, #F603D5, #F60393, #F60352 and #F60310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D404F4 shade: #D503F6, #9403F6, #5303F6, #1103F6 and #0303F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D404F4 shade matches the following richer shades: #D503F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D404F4 shade: #D503F6, #C717E1, #B82CCD, #A940B9 and #9A54A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D404F4 shade: #5403F6, #9503F6, #D503F6, #F603D5 and #F60395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D404F4 shade: #8F02A4, #B203CD, #D503F6, #DF27FB and #E550FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D404F4 shade: #D404F4, #F61303 and #03F674

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D404F4 shade: #D404F4, #F6D503 and #03F6D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D404F4 shade: #D404F4, #F61303, #24F603 and #03E5F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D404F4 shade: #D404F4, #F65C03, #24F603 and #039DF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 98 / 0 / 4

HEX #D404F4

RGB 212 4 244

HSL 292, 0.97%, 0.49%

LAB 52.53, 90.02, -67.63

 

Complementary color

CMYK 83 / 0 / 96 / 2

HEX #2BFB0B

RGB 43 251 11

HSL 112, 0.97%, 0.51%

LAB 86.77, -82.7, 81.66

 

CMYK 9 / 98 / 0 / 6

HEX #D904EF

RGB 217 4 239

HSL 294.38, 0.97%, 0.48%

LAB 53.03, 89.96, -63.98

 

CMYK 8 / 91 / 0 / 0

HEX #EA16FF

RGB 234 22 255

HSL 294.59, 1%, 0.54%

LAB 57.35, 93.46, -65.79

 

CMYK 2 / 84 / 0 / 0

HEX #FB28FF

RGB 251 40 255

HSL 298.88, 1%, 0.58%

LAB 61, 93.65, -59.79

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 13 / 98 / 0 / 4

HEX #D404F4

RGB 212 4 244

HSL 292, 0.97%, 0.49%

LAB 52.53, 90.02, -67.63

 

CMYK 13 / 100 / 0 / 12

HEX #C300E1

RGB 195 0 225

HSL 292, 1%, 0.44%

LAB 48.31, 84.89, -63.87

 

CMYK 14 / 100 / 0 / 19

HEX #B200CE

RGB 178 0 206

HSL 291.84, 1%, 0.4%

LAB 44.12, 79.4, -59.88

 

CMYK 14 / 100 / 0 / 27

HEX #A100BB

RGB 161 0 187

HSL 291.66, 1%, 0.37%

LAB 39.86, 73.8, -55.83

 

CMYK 14 / 100 / 0 / 34

HEX #9000A8

RGB 144 0 168

HSL 291.43, 1%, 0.33%

LAB 35.51, 68.1, -51.7

 

CMYK 13 / 99 / 0 / 4

HEX #D503F6

RGB 213 3 246

HSL 291.85, 0.98%, 0.49%

LAB 52.8, 90.55, -68.3

 

CMYK 0 / 99 / 13 / 4

HEX #F603D5

RGB 246 3 213

HSL 308.15, 0.98%, 0.49%

LAB 56.55, 91.05, -43.35

 

CMYK 0 / 99 / 40 / 4

HEX #F60393

RGB 246 3 147

HSL 324.44, 0.98%, 0.49%

LAB 53.78, 83.98, -9.14

 

CMYK 0 / 99 / 67 / 4

HEX #F60352

RGB 246 3 82

HSL 340.49, 0.98%, 0.49%

LAB 52.14, 79.62, 27.82

 

CMYK 0 / 99 / 93 / 4

HEX #F60310

RGB 246 3 16

HSL 356.79, 0.98%, 0.49%

LAB 51.49, 77.86, 61.22

 

CMYK 13 / 99 / 0 / 4

HEX #D503F6

RGB 213 3 246

HSL 291.85, 0.98%, 0.49%

LAB 52.8, 90.55, -68.3

 

CMYK 40 / 99 / 0 / 4

HEX #9403F6

RGB 148 3 246

HSL 275.8, 0.98%, 0.49%

LAB 42.79, 82.76, -85.07

 

CMYK 66 / 99 / 0 / 4

HEX #5303F6

RGB 83 3 246

HSL 259.75, 0.98%, 0.49%

LAB 35.12, 78.21, -98

 

CMYK 93 / 99 / 0 / 4

HEX #1103F6

RGB 17 3 246

HSL 243.46, 0.98%, 0.49%

LAB 31.44, 76.69, -104.24

 

CMYK 99 / 99 / 0 / 4

HEX #0303F6

RGB 3 3 246

HSL 240, 0.98%, 0.49%

LAB 31.2, 76.61, -104.63

 

CMYK 13 / 99 / 0 / 4

HEX #D503F6

RGB 213 3 246

HSL 291.85, 0.98%, 0.49%

LAB 52.8, 90.55, -68.3

 

CMYK 13 / 99 / 0 / 4

HEX #D503F6

RGB 213 3 246

HSL 291.85, 0.98%, 0.49%

LAB 52.8, 90.55, -68.3

 

CMYK 12 / 90 / 0 / 12

HEX #C717E1

RGB 199 23 225

HSL 292.28, 0.81%, 0.49%

LAB 49.73, 83.25, -61.54

 

CMYK 10 / 79 / 0 / 20

HEX #B82CCD

RGB 184 44 205

HSL 292.17, 0.65%, 0.49%

LAB 47.49, 73.02, -53.81

 

CMYK 9 / 65 / 0 / 27

HEX #A940B9

RGB 169 64 185

HSL 292.07, 0.49%, 0.49%

LAB 46.45, 59.3, -44

 

CMYK 7 / 49 / 0 / 35

HEX #9A54A5

RGB 154 84 165

HSL 291.85, 0.33%, 0.49%

LAB 46.88, 41.84, -31.71

 

CMYK 66 / 99 / 0 / 4

HEX #5403F6

RGB 84 3 246

HSL 260, 0.98%, 0.49%

LAB 35.21, 78.26, -97.85

 

CMYK 39 / 99 / 0 / 4

HEX #9503F6

RGB 149 3 246

HSL 276.05, 0.98%, 0.49%

LAB 42.93, 82.85, -84.83

 

CMYK 13 / 99 / 0 / 4

HEX #D503F6

RGB 213 3 246

HSL 291.85, 0.98%, 0.49%

LAB 52.8, 90.55, -68.3

 

CMYK 0 / 99 / 13 / 4

HEX #F603D5

RGB 246 3 213

HSL 308.15, 0.98%, 0.49%

LAB 56.55, 91.05, -43.35

 

CMYK 0 / 99 / 39 / 4

HEX #F60395

RGB 246 3 149

HSL 323.95, 0.98%, 0.49%

LAB 53.84, 84.16, -10.23

 

CMYK 13 / 99 / 0 / 36

HEX #8F02A4

RGB 143 2 164

HSL 292.22, 0.98%, 0.33%

LAB 35.13, 67.01, -49.92

 

CMYK 13 / 99 / 0 / 20

HEX #B203CD

RGB 178 3 205

HSL 291.98, 0.97%, 0.41%

LAB 44.14, 78.95, -59.26

 

CMYK 13 / 99 / 0 / 4

HEX #D503F6

RGB 213 3 246

HSL 291.85, 0.98%, 0.49%

LAB 52.8, 90.55, -68.3

 

CMYK 11 / 84 / 0 / 2

HEX #DF27FB

RGB 223 39 251

HSL 292.08, 0.96%, 0.57%

LAB 56.19, 88.57, -65.54

 

CMYK 9 / 68 / 0 / 1

HEX #E550FC

RGB 229 80 252

HSL 291.98, 0.97%, 0.65%

LAB 61.15, 78.34, -58.08

 

CMYK 13 / 98 / 0 / 4

HEX #D404F4

RGB 212 4 244

HSL 292, 0.97%, 0.49%

LAB 52.53, 90.02, -67.63

 

CMYK 0 / 92 / 99 / 4

HEX #F61303

RGB 246 19 3

HSL 3.95, 0.98%, 0.49%

LAB 51.91, 76.45, 64.83

 

CMYK 99 / 0 / 53 / 4

HEX #03F674

RGB 3 246 116

HSL 147.9, 0.98%, 0.49%

LAB 85.6, -75.68, 48.62

 

CMYK 13 / 98 / 0 / 4

HEX #D404F4

RGB 212 4 244

HSL 292, 0.97%, 0.49%

LAB 52.53, 90.02, -67.63

 

CMYK 0 / 13 / 99 / 4

HEX #F6D503

RGB 246 213 3

HSL 51.85, 0.98%, 0.49%

LAB 85.6, -4.72, 85.55

 

CMYK 99 / 0 / 13 / 4

HEX #03F6D5

RGB 3 246 213

HSL 171.85, 0.98%, 0.49%

LAB 87.36, -55.79, 2.18

 

CMYK 13 / 98 / 0 / 4

HEX #D404F4

RGB 212 4 244

HSL 292, 0.97%, 0.49%

LAB 52.53, 90.02, -67.63

 

CMYK 0 / 92 / 99 / 4

HEX #F61303

RGB 246 19 3

HSL 3.95, 0.98%, 0.49%

LAB 51.91, 76.45, 64.83

 

CMYK 85 / 0 / 99 / 4

HEX #24F603

RGB 36 246 3

HSL 111.85, 0.98%, 0.49%

LAB 85.15, -82.08, 80.94

 

CMYK 99 / 7 / 0 / 4

HEX #03E5F6

RGB 3 229 246

HSL 184.2, 0.98%, 0.49%

LAB 83.29, -39.17, -21.21

 

CMYK 13 / 98 / 0 / 4

HEX #D404F4

RGB 212 4 244

HSL 292, 0.97%, 0.49%

LAB 52.53, 90.02, -67.63

 

CMYK 0 / 63 / 99 / 4

HEX #F65C03

RGB 246 92 3

HSL 21.98, 0.98%, 0.49%

LAB 59.21, 56.21, 68.33

 

CMYK 85 / 0 / 99 / 4

HEX #24F603

RGB 36 246 3

HSL 111.85, 0.98%, 0.49%

LAB 85.15, -82.08, 80.94

 

CMYK 99 / 36 / 0 / 4

HEX #039DF6

RGB 3 157 246

HSL 201.98, 0.98%, 0.49%

LAB 62.33, -2.06, -53.77

 

Description

Color code: HEX #D404F4 | qconv.com Color code: HEX #D404F4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 4 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 4 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 98 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 98% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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