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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D40628 it is the complementary color #2BF9D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D40628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D40628 shade: #D90623, #EA1836, #FB2A49, #FF3C5C and #FF4E6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D40628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D40628 shade: #D40628, #C30015, #B20002, #A10000 and #900000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D40628 shade: #D40628 and #D40606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D40628 shade: #D40628, #D40660, #D40697, #D406CF and #A206D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D40628 shade matches the following richer shades: #D40628

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D40628 shade: #D40628, #C21834, #B12A40, #9F3B4C and #8D4D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D40628 shade: #D40696, #D4065F, #D40628, #D41B06 and #D45206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D40628 shade: #840419, #AC0520, #D40628, #F70D33 and #F83555

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D40628 shade: #D40628, #CDD406 and #067BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D40628 shade: #D40628, #28D406 and #0628D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D40628 shade: #D40628, #CDD406, #06D4B2 and #0D06D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D40628 shade: #D40628, #90D406, #06D4B2 and #4B06D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

Complementary color

CMYK 83 / 0 / 14 / 2

HEX #2BF9D7

RGB 43 249 215

HSL 170.1, 0.94%, 0.57%

LAB 88.53, -54.78, 2.87

 

CMYK 0 / 97 / 84 / 15

HEX #D90623

RGB 217 6 35

HSL 351.75, 0.95%, 0.44%

LAB 45.64, 70.86, 46.15

 

CMYK 0 / 90 / 77 / 8

HEX #EA1836

RGB 234 24 54

HSL 351.43, 0.83%, 0.51%

LAB 49.99, 73.67, 41.2

 

CMYK 0 / 83 / 71 / 2

HEX #FB2A49

RGB 251 42 73

HSL 351.1, 0.96%, 0.57%

LAB 54.71, 75.51, 36.53

 

CMYK 0 / 76 / 64 / 0

HEX #FF3C5C

RGB 255 60 92

HSL 350.15, 1%, 0.62%

LAB 57.33, 73, 28.87

 

CMYK 0 / 69 / 56 / 0

HEX #FF4E6F

RGB 255 78 111

HSL 348.81, 1%, 0.65%

LAB 59.76, 68.37, 20.96

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 0 / 100 / 89 / 24

HEX #C30015

RGB 195 0 21

HSL 353.54, 1%, 0.38%

LAB 40.66, 65.7, 47.07

 

CMYK 0 / 100 / 99 / 30

HEX #B20002

RGB 178 0 2

HSL 359.33, 1%, 0.35%

LAB 36.87, 61.19, 50.46

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 0 / 97 / 97 / 17

HEX #D40606

RGB 212 6 6

HSL 0, 0.94%, 0.43%

LAB 44.43, 69.2, 56.62

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 0 / 97 / 55 / 17

HEX #D40660

RGB 212 6 96

HSL 333.79, 0.94%, 0.43%

LAB 45.6, 72.37, 9.23

 

CMYK 0 / 97 / 29 / 17

HEX #D40697

RGB 212 6 151

HSL 317.77, 0.94%, 0.43%

LAB 47.45, 77.25, -21.77

 

CMYK 0 / 97 / 2 / 17

HEX #D406CF

RGB 212 6 207

HSL 301.46, 0.94%, 0.43%

LAB 50.25, 84.31, -50.28

 

CMYK 24 / 97 / 0 / 17

HEX #A206D4

RGB 162 6 212

HSL 285.44, 0.94%, 0.43%

LAB 42.1, 77.64, -66.75

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 0 / 88 / 73 / 24

HEX #C21834

RGB 194 24 52

HSL 350.12, 0.78%, 0.43%

LAB 41.8, 63.32, 30.95

 

CMYK 0 / 76 / 64 / 31

HEX #B12A40

RGB 177 42 64

HSL 350.22, 0.62%, 0.43%

LAB 40.2, 54.57, 20.8

 

CMYK 0 / 63 / 52 / 38

HEX #9F3B4C

RGB 159 59 76

HSL 349.8, 0.46%, 0.43%

LAB 39.62, 42.91, 11.91

 

CMYK 0 / 45 / 38 / 45

HEX #8D4D58

RGB 141 77 88

HSL 349.69, 0.29%, 0.43%

LAB 40.69, 28.21, 5.53

 

CMYK 0 / 97 / 29 / 17

HEX #D40696

RGB 212 6 150

HSL 318.06, 0.94%, 0.43%

LAB 47.4, 77.14, -21.23

 

CMYK 0 / 97 / 55 / 17

HEX #D4065F

RGB 212 6 95

HSL 334.08, 0.94%, 0.43%

LAB 45.57, 72.3, 9.82

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 0 / 87 / 97 / 17

HEX #D41B06

RGB 212 27 6

HSL 6.12, 0.94%, 0.43%

LAB 45.35, 66.56, 57.05

 

CMYK 0 / 61 / 97 / 17

HEX #D45206

RGB 212 82 6

HSL 22.14, 0.94%, 0.43%

LAB 51.89, 48.57, 60.59

 

CMYK 0 / 97 / 81 / 48

HEX #840419

RGB 132 4 25

HSL 350.16, 0.94%, 0.27%

LAB 26.91, 48.97, 27.31

 

CMYK 0 / 97 / 81 / 33

HEX #AC0520

RGB 172 5 32

HSL 350.3, 0.94%, 0.35%

LAB 35.95, 59.58, 35.21

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 0 / 95 / 79 / 3

HEX #F70D33

RGB 247 13 51

HSL 350.26, 0.94%, 0.51%

LAB 52.18, 78, 45.97

 

CMYK 0 / 79 / 66 / 3

HEX #F83555

RGB 248 53 85

HSL 350.15, 0.93%, 0.59%

LAB 55.24, 72.65, 30.04

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 3 / 0 / 97 / 17

HEX #CDD406

RGB 205 212 6

HSL 62.04, 0.94%, 0.43%

LAB 81.88, -21.66, 81

 

CMYK 97 / 42 / 0 / 17

HEX #067BD4

RGB 6 123 212

HSL 205.92, 0.94%, 0.43%

LAB 50.64, 5.33, -53.46

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 81 / 0 / 97 / 17

HEX #28D406

RGB 40 212 6

HSL 110.1, 0.94%, 0.43%

LAB 74.54, -72.26, 72.12

 

CMYK 97 / 81 / 0 / 17

HEX #0628D4

RGB 6 40 212

HSL 230.1, 0.94%, 0.43%

LAB 30.18, 56.68, -86.89

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 3 / 0 / 97 / 17

HEX #CDD406

RGB 205 212 6

HSL 62.04, 0.94%, 0.43%

LAB 81.88, -21.66, 81

 

CMYK 97 / 0 / 16 / 17

HEX #06D4B2

RGB 6 212 178

HSL 170.1, 0.94%, 0.43%

LAB 76.28, -51.17, 4.63

 

CMYK 94 / 97 / 0 / 17

HEX #0D06D4

RGB 13 6 212

HSL 242.04, 0.94%, 0.43%

LAB 26.65, 67.81, -92.78

 

CMYK 0 / 97 / 81 / 17

HEX #D40628

RGB 212 6 40

HSL 350.1, 0.94%, 0.43%

LAB 44.63, 69.75, 42.12

 

CMYK 32 / 0 / 97 / 17

HEX #90D406

RGB 144 212 6

HSL 79.81, 0.94%, 0.43%

LAB 77.89, -46.06, 76.21

 

CMYK 97 / 0 / 16 / 17

HEX #06D4B2

RGB 6 212 178

HSL 170.1, 0.94%, 0.43%

LAB 76.28, -51.17, 4.63

 

CMYK 65 / 97 / 0 / 17

HEX #4B06D4

RGB 75 6 212

HSL 260.1, 0.94%, 0.43%

LAB 30.35, 69.51, -86.51

 

Description

Color code: HEX #D40628 | qconv.com Color code: HEX #D40628 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 6 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 6 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 81 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 81% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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