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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4062F it is the complementary color #2BF9D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4062F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4062F shade: #D9062A, #EA183D, #FB2A50, #FF3C63 and #FF4E76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4062F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4062F shade: #D4062F, #C3001C, #B20009, #A10000 and #900000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4062F shade: #D4062F and #D40606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4062F shade: #D4062F, #D40667, #D4069E, #D306D4 and #9B06D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4062F shade matches the following richer shades: #D4062F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4062F shade: #D4062F, #C2183A, #B12A44, #9F3B4F and #8D4D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4062F shade: #D4069D, #D40666, #D4062F, #D41406 and #D44B06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4062F shade: #84041D, #AC0526, #D4062F, #F70D3B and #F8355C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4062F shade: #D4062F, #D4D406 and #0682D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4062F shade: #D4062F, #2FD406 and #062FD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4062F shade: #D4062F, #D4D406, #06D4AB and #0606D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4062F shade: #D4062F, #96D406, #06D4AB and #4406D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

Complementary color

CMYK 83 / 0 / 16 / 2

HEX #2BF9D0

RGB 43 249 208

HSL 168.06, 0.94%, 0.57%

LAB 88.36, -56.54, 6.26

 

CMYK 0 / 97 / 81 / 15

HEX #D9062A

RGB 217 6 42

HSL 349.76, 0.95%, 0.44%

LAB 45.7, 71.03, 42.42

 

CMYK 0 / 90 / 74 / 8

HEX #EA183D

RGB 234 24 61

HSL 349.43, 0.83%, 0.51%

LAB 50.08, 73.91, 37.26

 

CMYK 0 / 83 / 68 / 2

HEX #FB2A50

RGB 251 42 80

HSL 349.09, 0.96%, 0.57%

LAB 54.81, 75.81, 32.57

 

CMYK 0 / 76 / 61 / 0

HEX #FF3C63

RGB 255 60 99

HSL 348, 1%, 0.62%

LAB 57.46, 73.39, 24.92

 

CMYK 0 / 69 / 54 / 0

HEX #FF4E76

RGB 255 78 118

HSL 346.44, 1%, 0.65%

LAB 59.9, 68.87, 17.07

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 100 / 86 / 24

HEX #C3001C

RGB 195 0 28

HSL 351.38, 1%, 0.38%

LAB 40.71, 65.84, 43.66

 

CMYK 0 / 100 / 95 / 30

HEX #B20009

RGB 178 0 9

HSL 356.97, 1%, 0.35%

LAB 36.9, 61.27, 47.73

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 97 / 97 / 17

HEX #D40606

RGB 212 6 6

HSL 0, 0.94%, 0.43%

LAB 44.43, 69.2, 56.62

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 97 / 51 / 17

HEX #D40667

RGB 212 6 103

HSL 331.75, 0.94%, 0.43%

LAB 45.78, 72.87, 5.13

 

CMYK 0 / 97 / 25 / 17

HEX #D4069E

RGB 212 6 158

HSL 315.73, 0.94%, 0.43%

LAB 47.75, 78.02, -25.5

 

CMYK 0 / 97 / 0 / 17

HEX #D306D4

RGB 211 6 212

HSL 299.71, 0.94%, 0.43%

LAB 50.37, 84.86, -52.97

 

CMYK 27 / 97 / 0 / 17

HEX #9B06D4

RGB 155 6 212

HSL 283.4, 0.94%, 0.43%

LAB 40.98, 76.73, -68.62

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 88 / 70 / 24

HEX #C2183A

RGB 194 24 58

HSL 348, 0.78%, 0.43%

LAB 41.89, 63.58, 27.38

 

CMYK 0 / 76 / 62 / 31

HEX #B12A44

RGB 177 42 68

HSL 348.44, 0.62%, 0.43%

LAB 40.28, 54.82, 18.39

 

CMYK 0 / 63 / 50 / 38

HEX #9F3B4F

RGB 159 59 79

HSL 348, 0.46%, 0.43%

LAB 39.69, 43.18, 10.13

 

CMYK 0 / 45 / 36 / 45

HEX #8D4D5A

RGB 141 77 90

HSL 347.81, 0.29%, 0.43%

LAB 40.75, 28.47, 4.37

 

CMYK 0 / 97 / 26 / 17

HEX #D4069D

RGB 212 6 157

HSL 316.02, 0.94%, 0.43%

LAB 47.7, 77.91, -24.97

 

CMYK 0 / 97 / 52 / 17

HEX #D40666

RGB 212 6 102

HSL 332.04, 0.94%, 0.43%

LAB 45.75, 72.79, 5.71

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 91 / 97 / 17

HEX #D41406

RGB 212 20 6

HSL 4.08, 0.94%, 0.43%

LAB 44.96, 67.69, 56.86

 

CMYK 0 / 65 / 97 / 17

HEX #D44B06

RGB 212 75 6

HSL 20.1, 0.94%, 0.43%

LAB 50.74, 51.64, 59.92

 

CMYK 0 / 97 / 78 / 48

HEX #84041D

RGB 132 4 29

HSL 348.28, 0.94%, 0.27%

LAB 26.96, 49.11, 24.81

 

CMYK 0 / 97 / 78 / 33

HEX #AC0526

RGB 172 5 38

HSL 348.14, 0.94%, 0.35%

LAB 36.02, 59.77, 31.68

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 95 / 76 / 3

HEX #F70D3B

RGB 247 13 59

HSL 348.21, 0.94%, 0.51%

LAB 52.26, 78.24, 41.58

 

CMYK 0 / 79 / 63 / 3

HEX #F8355C

RGB 248 53 92

HSL 348, 0.93%, 0.59%

LAB 55.35, 73.02, 26.06

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 0 / 97 / 17

HEX #D4D406

RGB 212 212 6

HSL 60, 0.94%, 0.43%

LAB 82.43, -18.7, 81.66

 

CMYK 97 / 39 / 0 / 17

HEX #0682D4

RGB 6 130 212

HSL 203.88, 0.94%, 0.43%

LAB 52.68, 1.06, -50.19

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 78 / 0 / 97 / 17

HEX #2FD406

RGB 47 212 6

HSL 108.06, 0.94%, 0.43%

LAB 74.64, -71.4, 72.24

 

CMYK 97 / 78 / 0 / 17

HEX #062FD4

RGB 6 47 212

HSL 228.06, 0.94%, 0.43%

LAB 31.41, 53.12, -84.85

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 0 / 0 / 97 / 17

HEX #D4D406

RGB 212 212 6

HSL 60, 0.94%, 0.43%

LAB 82.43, -18.7, 81.66

 

CMYK 97 / 0 / 19 / 17

HEX #06D4AB

RGB 6 212 171

HSL 168.06, 0.94%, 0.43%

LAB 76.11, -52.96, 8.13

 

CMYK 97 / 97 / 0 / 17

HEX #0606D4

RGB 6 6 212

HSL 240, 0.94%, 0.43%

LAB 26.51, 67.76, -93.01

 

CMYK 0 / 97 / 78 / 17

HEX #D4062F

RGB 212 6 47

HSL 348.06, 0.94%, 0.43%

LAB 44.71, 69.95, 38.21

 

CMYK 29 / 0 / 97 / 17

HEX #96D406

RGB 150 212 6

HSL 78.06, 0.94%, 0.43%

LAB 78.22, -43.84, 76.6

 

CMYK 97 / 0 / 19 / 17

HEX #06D4AB

RGB 6 212 171

HSL 168.06, 0.94%, 0.43%

LAB 76.11, -52.96, 8.13

 

CMYK 68 / 97 / 0 / 17

HEX #4406D4

RGB 68 6 212

HSL 258.06, 0.94%, 0.43%

LAB 29.69, 69.17, -87.62

 

Description

Color code: HEX #D4062F | qconv.com Color code: HEX #D4062F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 6 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 6 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 78 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 78% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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