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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D435C4 it is the complementary color #2BCA3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D435C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D435C4 shade: #D935BF, #EA47D2, #FB59E5, #FF6BF8 and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D435C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D435C4 shade: #D435C4, #C323B1, #B2119E, #A1008B and #900078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D435C4 shade: #D435C4, #D43599, #D4356E, #D43543 and #D43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D435C4 shade: #D435C4, #B935D4, #8E35D4, #6335D4 and #3835D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D435C4 shade matches the following richer shades: #D435C4, #E721D3 and #FB0DE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D435C4 shade: #D435C4, #C048B4, #AC5CA4, #987094 and #848484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D435C4 shade: #8F35D4, #B935D4, #D435C4, #D43599 and #D4356F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D435C4 shade: #961F8A, #B827AA, #D435C4, #DB57CE and #E279D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D435C4 shade: #D435C4, #D46435 and #35D4A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D435C4 shade: #D435C4, #C4D435 and #35C4D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D435C4 shade: #D435C4, #D46435, #35D444 and #35A4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D435C4 shade: #D435C4, #D49435, #35D444 and #3574D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

Complementary color

CMYK 79 / 0 / 71 / 21

HEX #2BCA3B

RGB 43 202 59

HSL 126.04, 0.65%, 0.48%

LAB 71.6, -66.44, 57.21

 

CMYK 0 / 76 / 12 / 15

HEX #D935BF

RGB 217 53 191

HSL 309.51, 0.68%, 0.53%

LAB 53.01, 75, -36.62

 

CMYK 0 / 70 / 10 / 8

HEX #EA47D2

RGB 234 71 210

HSL 308.83, 0.8%, 0.6%

LAB 58.65, 75.9, -38.47

 

CMYK 0 / 65 / 9 / 2

HEX #FB59E5

RGB 251 89 229

HSL 308.15, 0.95%, 0.67%

LAB 64.41, 76.27, -39.95

 

CMYK 0 / 58 / 3 / 0

HEX #FF6BF8

RGB 255 107 248

HSL 302.84, 1%, 0.71%

LAB 68.43, 73.06, -44.13

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 82 / 9 / 24

HEX #C323B1

RGB 195 35 177

HSL 306.75, 0.7%, 0.45%

LAB 46.95, 73.01, -38.26

 

CMYK 0 / 90 / 11 / 30

HEX #B2119E

RGB 178 17 158

HSL 307.45, 0.83%, 0.38%

LAB 41.74, 70.32, -35.36

 

CMYK 0 / 100 / 14 / 37

HEX #A1008B

RGB 161 0 139

HSL 308.2, 1%, 0.32%

LAB 36.82, 66.51, -31.77

 

CMYK 0 / 100 / 17 / 44

HEX #900078

RGB 144 0 120

HSL 310, 1%, 0.28%

LAB 32.45, 60.72, -27.02

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 75 / 28 / 17

HEX #D43599

RGB 212 53 153

HSL 322.26, 0.65%, 0.52%

LAB 50.5, 68.89, -18.27

 

CMYK 0 / 75 / 48 / 17

HEX #D4356E

RGB 212 53 110

HSL 338.49, 0.65%, 0.52%

LAB 49.09, 64.49, 5.57

 

CMYK 0 / 75 / 68 / 17

HEX #D43543

RGB 212 53 67

HSL 354.72, 0.65%, 0.52%

LAB 48.2, 61.59, 30.45

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 13 / 75 / 0 / 17

HEX #B935D4

RGB 185 53 212

HSL 289.81, 0.65%, 0.52%

LAB 49.02, 71.73, -55.37

 

CMYK 33 / 75 / 0 / 17

HEX #8E35D4

RGB 142 53 212

HSL 273.58, 0.65%, 0.52%

LAB 42.84, 63.78, -65.67

 

CMYK 53 / 75 / 0 / 17

HEX #6335D4

RGB 99 53 212

HSL 257.36, 0.65%, 0.52%

LAB 37.76, 57.02, -74.19

 

CMYK 74 / 75 / 0 / 17

HEX #3835D4

RGB 56 53 212

HSL 241.13, 0.65%, 0.52%

LAB 34.27, 52.22, -80.05

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 86 / 9 / 9

HEX #E721D3

RGB 231 33 211

HSL 306.06, 0.8%, 0.52%

LAB 54.84, 85.07, -45.07

 

CMYK 0 / 95 / 10 / 2

HEX #FB0DE3

RGB 251 13 227

HSL 306.05, 0.97%, 0.52%

LAB 58.36, 93.06, -48.36

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 63 / 6 / 25

HEX #C048B4

RGB 192 72 180

HSL 306, 0.49%, 0.52%

LAB 50.85, 60.77, -33.91

 

CMYK 0 / 47 / 5 / 33

HEX #AC5CA4

RGB 172 92 164

HSL 306, 0.33%, 0.52%

LAB 50.81, 42.89, -24.82

 

CMYK 0 / 26 / 3 / 40

HEX #987094

RGB 152 112 148

HSL 306, 0.16%, 0.52%

LAB 52.29, 22.07, -13.39

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 33 / 75 / 0 / 17

HEX #8F35D4

RGB 143 53 212

HSL 273.96, 0.65%, 0.52%

LAB 42.97, 63.95, -65.45

 

CMYK 13 / 75 / 0 / 17

HEX #B935D4

RGB 185 53 212

HSL 289.81, 0.65%, 0.52%

LAB 49.02, 71.73, -55.37

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 75 / 28 / 17

HEX #D43599

RGB 212 53 153

HSL 322.26, 0.65%, 0.52%

LAB 50.5, 68.89, -18.27

 

CMYK 0 / 75 / 48 / 17

HEX #D4356F

RGB 212 53 111

HSL 338.11, 0.65%, 0.52%

LAB 49.12, 64.57, 4.99

 

CMYK 0 / 79 / 8 / 41

HEX #961F8A

RGB 150 31 138

HSL 306.05, 0.66%, 0.35%

LAB 36.55, 58.76, -31.71

 

CMYK 0 / 79 / 8 / 28

HEX #B827AA

RGB 184 39 170

HSL 305.79, 0.65%, 0.44%

LAB 45, 68.75, -37.31

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 60 / 6 / 14

HEX #DB57CE

RGB 219 87 206

HSL 305.91, 0.65%, 0.6%

LAB 58.35, 65.61, -36.83

 

CMYK 0 / 46 / 5 / 11

HEX #E279D7

RGB 226 121 215

HSL 306.29, 0.64%, 0.68%

LAB 65.55, 53.36, -30.63

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 53 / 75 / 17

HEX #D46435

RGB 212 100 53

HSL 17.74, 0.65%, 0.52%

LAB 55.45, 41.13, 46.35

 

CMYK 75 / 0 / 23 / 17

HEX #35D4A4

RGB 53 212 164

HSL 161.89, 0.65%, 0.52%

LAB 76.39, -51.44, 12.33

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 8 / 0 / 75 / 17

HEX #C4D435

RGB 196 212 53

HSL 66.04, 0.65%, 0.52%

LAB 81.34, -24.3, 71.15

 

CMYK 75 / 8 / 0 / 17

HEX #35C4D4

RGB 53 196 212

HSL 186.04, 0.65%, 0.52%

LAB 72.89, -31.38, -18.73

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 53 / 75 / 17

HEX #D46435

RGB 212 100 53

HSL 17.74, 0.65%, 0.52%

LAB 55.45, 41.13, 46.35

 

CMYK 75 / 0 / 68 / 17

HEX #35D444

RGB 53 212 68

HSL 125.66, 0.65%, 0.52%

LAB 74.99, -67.39, 57.37

 

CMYK 75 / 23 / 0 / 17

HEX #35A4D4

RGB 53 164 212

HSL 198.11, 0.65%, 0.52%

LAB 63.39, -15.05, -33.29

 

CMYK 0 / 75 / 8 / 17

HEX #D435C4

RGB 212 53 196

HSL 306.04, 0.65%, 0.52%

LAB 52.43, 74.64, -40.49

 

CMYK 0 / 30 / 75 / 17

HEX #D49435

RGB 212 148 53

HSL 35.85, 0.65%, 0.52%

LAB 66.09, 15.76, 57.12

 

CMYK 75 / 0 / 68 / 17

HEX #35D444

RGB 53 212 68

HSL 125.66, 0.65%, 0.52%

LAB 74.99, -67.39, 57.37

 

CMYK 75 / 45 / 0 / 17

HEX #3574D4

RGB 53 116 212

HSL 216.23, 0.65%, 0.52%

LAB 49.5, 13.07, -55.24

 

Description

Color code: HEX #D435C4 | qconv.com Color code: HEX #D435C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 53 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 53 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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