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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D438AF it is the complementary color #2BC750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D438AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D438AF shade: #D938AA, #EA4ABD, #FB5CD0, #FF6EE3 and #FF80F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D438AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D438AF shade: #D438AF, #C3269C, #B21489, #A10276 and #900063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D438AF shade: #D33AAF, #D33A86, #D33A5C and #D33A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D438AF shade: #D33AAF, #CE3AD3, #A53AD3, #7C3AD3 and #523AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D438AF shade matches the following richer shades: #D33AAF, #E727B9 and #FA13C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D438AF shade: #D33AAF, #C04DA5, #AD619B, #997490 and #868886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D438AF shade: #A53AD3, #CE3AD3, #D33AB0, #D33A87 and #D33A5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D438AF shade: #99217D, #BB2999, #D33AAF, #DB5CBD and #E27ECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D438AF shade: #D438AF, #D37C3A and #3AD3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D438AF shade: #D438AF, #B0D33A and #3AB0D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D438AF shade: #D438AF, #D37C3A, #3AD35E and #3A91D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D438AF shade: #D438AF, #D3AA3A, #3AD35E and #3A63D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 17 / 17

HEX #D438AF

RGB 212 56 175

HSL 314.23, 0.64%, 0.53%

LAB 51.75, 70.76, -29.35

 

Complementary color

CMYK 78 / 0 / 60 / 22

HEX #2BC750

RGB 43 199 80

HSL 134.23, 0.64%, 0.47%

LAB 70.83, -63.29, 47.62

 

CMYK 0 / 74 / 22 / 15

HEX #D938AA

RGB 217 56 170

HSL 317.52, 0.68%, 0.54%

LAB 52.38, 71.28, -25.37

 

CMYK 0 / 68 / 19 / 8

HEX #EA4ABD

RGB 234 74 189

HSL 316.88, 0.79%, 0.6%

LAB 58.1, 71.94, -27.34

 

CMYK 0 / 63 / 17 / 2

HEX #FB5CD0

RGB 251 92 208

HSL 316.23, 0.95%, 0.67%

LAB 63.93, 72.11, -28.92

 

CMYK 0 / 57 / 11 / 0

HEX #FF6EE3

RGB 255 110 227

HSL 311.59, 1%, 0.72%

LAB 67.99, 68.51, -33.22

 

CMYK 0 / 50 / 4 / 0

HEX #FF80F6

RGB 255 128 246

HSL 304.25, 1%, 0.75%

LAB 71.79, 63.43, -37.78

 

CMYK 0 / 74 / 17 / 17

HEX #D438AF

RGB 212 56 175

HSL 314.23, 0.64%, 0.53%

LAB 51.75, 70.76, -29.35

 

CMYK 0 / 81 / 20 / 24

HEX #C3269C

RGB 195 38 156

HSL 314.9, 0.67%, 0.46%

LAB 46.16, 69.44, -27.01

 

CMYK 0 / 89 / 23 / 30

HEX #B21489

RGB 178 20 137

HSL 315.57, 0.8%, 0.39%

LAB 40.85, 67.1, -23.99

 

CMYK 0 / 99 / 27 / 37

HEX #A10276

RGB 161 2 118

HSL 316.23, 0.98%, 0.32%

LAB 35.85, 63.6, -20.2

 

CMYK 0 / 100 / 31 / 44

HEX #900063

RGB 144 0 99

HSL 318.75, 1%, 0.28%

LAB 31.42, 58.12, -15.18

 

CMYK 0 / 73 / 17 / 17

HEX #D33AAF

RGB 211 58 175

HSL 314.12, 0.63%, 0.53%

LAB 51.8, 69.89, -29.27

 

CMYK 0 / 73 / 36 / 17

HEX #D33A86

RGB 211 58 134

HSL 330.2, 0.63%, 0.53%

LAB 50.21, 64.89, -7.36

 

CMYK 0 / 73 / 56 / 17

HEX #D33A5C

RGB 211 58 92

HSL 346.67, 0.63%, 0.53%

LAB 49.07, 61.14, 16.47

 

CMYK 0 / 73 / 73 / 17

HEX #D33A3A

RGB 211 58 58

HSL 0, 0.63%, 0.53%

LAB 48.49, 59.19, 36

 

CMYK 0 / 73 / 17 / 17

HEX #D33AAF

RGB 211 58 175

HSL 314.12, 0.63%, 0.53%

LAB 51.8, 69.89, -29.27

 

CMYK 2 / 73 / 0 / 17

HEX #CE3AD3

RGB 206 58 211

HSL 298.04, 0.63%, 0.53%

LAB 52.79, 74.18, -48.6

 

CMYK 22 / 73 / 0 / 17

HEX #A53AD3

RGB 165 58 211

HSL 281.96, 0.63%, 0.53%

LAB 46.62, 65.89, -58.83

 

CMYK 41 / 73 / 0 / 17

HEX #7C3AD3

RGB 124 58 211

HSL 265.88, 0.63%, 0.53%

LAB 41.24, 58.32, -67.8

 

CMYK 61 / 73 / 0 / 17

HEX #523AD3

RGB 82 58 211

HSL 249.41, 0.63%, 0.53%

LAB 36.97, 52, -74.96

 

CMYK 0 / 73 / 17 / 17

HEX #D33AAF

RGB 211 58 175

HSL 314.12, 0.63%, 0.53%

LAB 51.8, 69.89, -29.27

 

CMYK 0 / 83 / 20 / 9

HEX #E727B9

RGB 231 39 185

HSL 314.38, 0.8%, 0.53%

LAB 53.97, 80.58, -31.48

 

CMYK 0 / 92 / 22 / 2

HEX #FA13C3

RGB 250 19 195

HSL 314.29, 0.96%, 0.53%

LAB 56.81, 88.46, -32.57

 

CMYK 0 / 73 / 17 / 17

HEX #D33AAF

RGB 211 58 175

HSL 314.12, 0.63%, 0.53%

LAB 51.8, 69.89, -29.27

 

CMYK 0 / 60 / 14 / 25

HEX #C04DA5

RGB 192 77 165

HSL 314.09, 0.48%, 0.53%

LAB 50.96, 56.25, -24.96

 

CMYK 0 / 44 / 10 / 32

HEX #AD619B

RGB 173 97 155

HSL 314.21, 0.32%, 0.53%

LAB 51.61, 38.97, -18.3

 

CMYK 0 / 24 / 6 / 40

HEX #997490

RGB 153 116 144

HSL 314.59, 0.15%, 0.53%

LAB 53.25, 19.35, -9.58

 

CMYK 1 / 0 / 1 / 47

HEX #868886

RGB 134 136 134

HSL 120, 0.01%, 0.53%

LAB 56.48, -1.13, 0.81

 

CMYK 22 / 73 / 0 / 17

HEX #A53AD3

RGB 165 58 211

HSL 281.96, 0.63%, 0.53%

LAB 46.62, 65.89, -58.83

 

CMYK 2 / 73 / 0 / 17

HEX #CE3AD3

RGB 206 58 211

HSL 298.04, 0.63%, 0.53%

LAB 52.79, 74.18, -48.6

 

CMYK 0 / 73 / 17 / 17

HEX #D33AB0

RGB 211 58 176

HSL 313.73, 0.63%, 0.53%

LAB 51.85, 70.03, -29.79

 

CMYK 0 / 73 / 36 / 17

HEX #D33A87

RGB 211 58 135

HSL 329.8, 0.63%, 0.53%

LAB 50.24, 65, -7.91

 

CMYK 0 / 73 / 55 / 17

HEX #D33A5E

RGB 211 58 94

HSL 345.88, 0.63%, 0.53%

LAB 49.11, 61.28, 15.31

 

CMYK 0 / 78 / 18 / 40

HEX #99217D

RGB 153 33 125

HSL 314, 0.65%, 0.36%

LAB 36.63, 56.95, -23.49

 

CMYK 0 / 78 / 18 / 27

HEX #BB2999

RGB 187 41 153

HSL 313.97, 0.64%, 0.45%

LAB 44.87, 66.45, -27.33

 

CMYK 0 / 73 / 17 / 17

HEX #D33AAF

RGB 211 58 175

HSL 314.12, 0.63%, 0.53%

LAB 51.8, 69.89, -29.27

 

CMYK 0 / 58 / 14 / 14

HEX #DB5CBD

RGB 219 92 189

HSL 314.17, 0.64%, 0.61%

LAB 58.4, 60.81, -27.05

 

CMYK 0 / 44 / 11 / 11

HEX #E27ECA

RGB 226 126 202

HSL 314.4, 0.63%, 0.69%

LAB 66.02, 48.69, -22.63

 

CMYK 0 / 74 / 17 / 17

HEX #D438AF

RGB 212 56 175

HSL 314.23, 0.64%, 0.53%

LAB 51.75, 70.76, -29.35

 

CMYK 0 / 41 / 73 / 17

HEX #D37C3A

RGB 211 124 58

HSL 25.88, 0.63%, 0.53%

LAB 60.4, 28.51, 49.08

 

CMYK 73 / 0 / 12 / 17

HEX #3AD3BA

RGB 58 211 186

HSL 170.2, 0.63%, 0.53%

LAB 76.7, -44.97, 1.01

 

CMYK 0 / 74 / 17 / 17

HEX #D438AF

RGB 212 56 175

HSL 314.23, 0.64%, 0.53%

LAB 51.75, 70.76, -29.35

 

CMYK 17 / 0 / 73 / 17

HEX #B0D33A

RGB 176 211 58

HSL 73.73, 0.63%, 0.53%

LAB 79.68, -31.71, 67.45

 

CMYK 73 / 17 / 0 / 17

HEX #3AB0D3

RGB 58 176 211

HSL 193.73, 0.63%, 0.53%

LAB 67.02, -21.11, -27.13

 

CMYK 0 / 74 / 17 / 17

HEX #D438AF

RGB 212 56 175

HSL 314.23, 0.64%, 0.53%

LAB 51.75, 70.76, -29.35

 

CMYK 0 / 41 / 73 / 17

HEX #D37C3A

RGB 211 124 58

HSL 25.88, 0.63%, 0.53%

LAB 60.4, 28.51, 49.08

 

CMYK 73 / 0 / 55 / 17

HEX #3AD35E

RGB 58 211 94

HSL 134.12, 0.63%, 0.53%

LAB 75.01, -63.36, 46.17

 

CMYK 73 / 31 / 0 / 17

HEX #3A91D3

RGB 58 145 211

HSL 205.88, 0.63%, 0.53%

LAB 57.9, -4.14, -41.31

 

CMYK 0 / 74 / 17 / 17

HEX #D438AF

RGB 212 56 175

HSL 314.23, 0.64%, 0.53%

LAB 51.75, 70.76, -29.35

 

CMYK 0 / 19 / 73 / 17

HEX #D3AA3A

RGB 211 170 58

HSL 43.92, 0.63%, 0.53%

LAB 71.49, 3.73, 60.4

 

CMYK 73 / 0 / 55 / 17

HEX #3AD35E

RGB 58 211 94

HSL 134.12, 0.63%, 0.53%

LAB 75.01, -63.36, 46.17

 

CMYK 73 / 53 / 0 / 17

HEX #3A63D3

RGB 58 99 211

HSL 223.92, 0.63%, 0.53%

LAB 44.98, 24.11, -61.95

 

Description

Color code: HEX #D438AF | qconv.com Color code: HEX #D438AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 56 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 56 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 17 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 17% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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