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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D43EB6 it is the complementary color #2BC149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D43EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D43EB6 shade: #D93EB1, #EA50C4, #FB62D7, #FF74EA and #FF86FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D43EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D43EB6 shade: #D43EB6, #C32CA3, #B21A90, #A1087D and #90006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D43EB6 shade: #D43EB6, #D43E8E, #D43E65 and #D43E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D43EB6 shade: #D43EB6, #CA3ED4, #A13ED4, #793ED4 and #503ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D43EB6 shade matches the following richer shades: #D43EB6, #E72BC2 and #FA18CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D43EB6 shade: #D43EB6, #C151AB, #AE649F, #9B7794 and #888A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D43EB6 shade: #A23ED4, #CA3ED4, #D43EB6, #D43E8E and #D43E66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D43EB6 shade: #9E2285, #BF2AA2, #D43EB6, #DC60C3 and #E382D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D43EB6 shade: #D43EB6, #D47A3E and #3ED4B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D43EB6 shade: #D43EB6, #B6D43E and #3EB6D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D43EB6 shade: #D43EB6, #D47A3E, #3ED45C and #3E98D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D43EB6 shade: #D43EB6, #D4A73E, #3ED45C and #3E6BD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

Complementary color

CMYK 78 / 0 / 62 / 24

HEX #2BC149

RGB 43 193 73

HSL 132, 0.64%, 0.46%

LAB 68.85, -62.17, 48.48

 

CMYK 0 / 71 / 18 / 15

HEX #D93EB1

RGB 217 62 177

HSL 315.48, 0.67%, 0.55%

LAB 53.35, 70.29, -27.95

 

CMYK 0 / 66 / 16 / 8

HEX #EA50C4

RGB 234 80 196

HSL 314.81, 0.79%, 0.62%

LAB 59.17, 70.7, -29.68

 

CMYK 0 / 61 / 14 / 2

HEX #FB62D7

RGB 251 98 215

HSL 314.12, 0.95%, 0.68%

LAB 65.08, 70.71, -31.08

 

CMYK 0 / 55 / 8 / 0

HEX #FF74EA

RGB 255 116 234

HSL 309.06, 1%, 0.73%

LAB 69.25, 66.96, -35.14

 

CMYK 0 / 47 / 1 / 0

HEX #FF86FD

RGB 255 134 253

HSL 300.99, 1%, 0.76%

LAB 73.16, 61.79, -39.47

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 77 / 16 / 24

HEX #C32CA3

RGB 195 44 163

HSL 312.72, 0.63%, 0.47%

LAB 47.04, 68.79, -29.82

 

CMYK 0 / 85 / 19 / 30

HEX #B21A90

RGB 178 26 144

HSL 313.42, 0.75%, 0.4%

LAB 41.56, 66.89, -27.17

 

CMYK 0 / 95 / 22 / 37

HEX #A1087D

RGB 161 8 125

HSL 314.12, 0.91%, 0.33%

LAB 36.43, 63.72, -23.7

 

CMYK 0 / 100 / 26 / 44

HEX #90006A

RGB 144 0 106

HSL 315.83, 1%, 0.28%

LAB 31.74, 58.94, -19.21

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 71 / 33 / 17

HEX #D43E8E

RGB 212 62 142

HSL 328, 0.64%, 0.54%

LAB 51.15, 64.66, -10.74

 

CMYK 0 / 71 / 52 / 17

HEX #D43E65

RGB 212 62 101

HSL 344.4, 0.64%, 0.54%

LAB 49.96, 60.7, 12.26

 

CMYK 0 / 71 / 71 / 17

HEX #D43E3E

RGB 212 62 62

HSL 0, 0.64%, 0.54%

LAB 49.24, 58.25, 34.63

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 5 / 71 / 0 / 17

HEX #CA3ED4

RGB 202 62 212

HSL 296, 0.64%, 0.54%

LAB 52.68, 72.19, -49.37

 

CMYK 24 / 71 / 0 / 17

HEX #A13ED4

RGB 161 62 212

HSL 279.6, 0.64%, 0.54%

LAB 46.68, 63.73, -59.33

 

CMYK 43 / 71 / 0 / 17

HEX #793ED4

RGB 121 62 212

HSL 263.6, 0.64%, 0.54%

LAB 41.63, 56.2, -67.75

 

CMYK 62 / 71 / 0 / 17

HEX #503ED4

RGB 80 62 212

HSL 247.2, 0.64%, 0.54%

LAB 37.67, 49.9, -74.39

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 81 / 16 / 9

HEX #E72BC2

RGB 231 43 194

HSL 311.81, 0.8%, 0.54%

LAB 54.67, 80.87, -35.59

 

CMYK 0 / 90 / 18 / 2

HEX #FA18CD

RGB 250 24 205

HSL 311.95, 0.96%, 0.54%

LAB 57.45, 89.1, -37.32

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 58 / 11 / 24

HEX #C151AB

RGB 193 81 171

HSL 311.79, 0.47%, 0.54%

LAB 52.02, 55.67, -26.82

 

CMYK 0 / 43 / 9 / 32

HEX #AE649F

RGB 174 100 159

HSL 312.16, 0.31%, 0.54%

LAB 52.53, 38.39, -19.23

 

CMYK 0 / 23 / 5 / 39

HEX #9B7794

RGB 155 119 148

HSL 311.67, 0.15%, 0.54%

LAB 54.34, 19.1, -10.26

 

CMYK 1 / 0 / 1 / 46

HEX #888A89

RGB 136 138 137

HSL 150, 0.01%, 0.54%

LAB 57.29, -0.93, 0.27

 

CMYK 24 / 71 / 0 / 17

HEX #A23ED4

RGB 162 62 212

HSL 280, 0.64%, 0.54%

LAB 46.82, 63.93, -59.1

 

CMYK 5 / 71 / 0 / 17

HEX #CA3ED4

RGB 202 62 212

HSL 296, 0.64%, 0.54%

LAB 52.68, 72.19, -49.37

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 71 / 33 / 17

HEX #D43E8E

RGB 212 62 142

HSL 328, 0.64%, 0.54%

LAB 51.15, 64.66, -10.74

 

CMYK 0 / 71 / 52 / 17

HEX #D43E66

RGB 212 62 102

HSL 344, 0.64%, 0.54%

LAB 49.98, 60.78, 11.69

 

CMYK 0 / 78 / 16 / 38

HEX #9E2285

RGB 158 34 133

HSL 312.1, 0.65%, 0.38%

LAB 38.03, 58.97, -26.2

 

CMYK 0 / 78 / 15 / 25

HEX #BF2AA2

RGB 191 42 162

HSL 311.68, 0.64%, 0.46%

LAB 46.1, 68.31, -30.75

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 56 / 11 / 14

HEX #DC60C3

RGB 220 96 195

HSL 312.1, 0.64%, 0.62%

LAB 59.45, 60.23, -28.85

 

CMYK 0 / 43 / 8 / 11

HEX #E382D0

RGB 227 130 208

HSL 311.75, 0.63%, 0.7%

LAB 67.16, 47.96, -24.23

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 42 / 71 / 17

HEX #D47A3E

RGB 212 122 62

HSL 24, 0.64%, 0.54%

LAB 60.13, 30.18, 46.9

 

CMYK 71 / 0 / 14 / 17

HEX #3ED4B6

RGB 62 212 182

HSL 168, 0.64%, 0.54%

LAB 76.97, -45.91, 3.57

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 14 / 0 / 71 / 17

HEX #B6D43E

RGB 182 212 62

HSL 72, 0.64%, 0.54%

LAB 80.39, -29.56, 66.89

 

CMYK 71 / 14 / 0 / 17

HEX #3EB6D4

RGB 62 182 212

HSL 192, 0.64%, 0.54%

LAB 68.92, -23.35, -24.75

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 42 / 71 / 17

HEX #D47A3E

RGB 212 122 62

HSL 24, 0.64%, 0.54%

LAB 60.13, 30.18, 46.9

 

CMYK 71 / 0 / 57 / 17

HEX #3ED45C

RGB 62 212 92

HSL 132, 0.64%, 0.54%

LAB 75.38, -63.33, 47.55

 

CMYK 71 / 28 / 0 / 17

HEX #3E98D4

RGB 62 152 212

HSL 204, 0.64%, 0.54%

LAB 60.1, -7.24, -38.41

 

CMYK 0 / 71 / 14 / 17

HEX #D43EB6

RGB 212 62 182

HSL 312, 0.64%, 0.54%

LAB 52.75, 69.78, -31.87

 

CMYK 0 / 21 / 71 / 17

HEX #D4A73E

RGB 212 167 62

HSL 42, 0.64%, 0.54%

LAB 70.86, 5.96, 58.17

 

CMYK 71 / 0 / 57 / 17

HEX #3ED45C

RGB 62 212 92

HSL 132, 0.64%, 0.54%

LAB 75.38, -63.33, 47.55

 

CMYK 71 / 50 / 0 / 17

HEX #3E6BD4

RGB 62 107 212

HSL 222, 0.64%, 0.54%

LAB 47.36, 19.92, -58.67

 

Description

Color code: HEX #D43EB6 | qconv.com Color code: HEX #D43EB6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 62 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 62 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 14 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 14% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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