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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D449F7 it is the complementary color #2BB608. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D449F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D449F7 shade: #D949F2, #EA5BFF, #FB6DFF, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D449F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D449F7 shade: #D449F7, #C337E4, #B225D1, #A113BE and #9001AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D449F7 shade: #D449F7, #F749EB, #F749BC, #F7498D and #F7495F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D449F7 shade: #D449F7, #A549F7, #7649F7 and #4949F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D449F7 shade matches the following richer shades: #D449F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D449F7 shade: #D449F7, #CB59E8, #C268D8, #B977C9 and #B086BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D449F7 shade: #7549F7, #A349F7, #D149F7, #F749EE and #F749C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D449F7 shade: #B909E5, #CB22F5, #D449F7, #DD71F9 and #E799FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D449F7 shade: #D449F7, #F7494C and #49F78C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D449F7 shade: #D449F7, #F7D149 and #49F7D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D449F7 shade: #D449F7, #F7494C, #6FF749 and #49F7F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D449F7 shade: #D449F7, #F77B49, #6FF749 and #49C6F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

Complementary color

CMYK 76 / 0 / 96 / 29

HEX #2BB608

RGB 43 182 8

HSL 107.93, 0.92%, 0.37%

LAB 64.95, -63.04, 64.09

 

CMYK 10 / 70 / 0 / 5

HEX #D949F2

RGB 217 73 242

HSL 291.12, 0.87%, 0.62%

LAB 57.97, 76.63, -57.72

 

CMYK 8 / 64 / 0 / 0

HEX #EA5BFF

RGB 234 91 255

HSL 292.32, 1%, 0.68%

LAB 63.5, 75.79, -55.95

 

CMYK 2 / 57 / 0 / 0

HEX #FB6DFF

RGB 251 109 255

HSL 298.36, 1%, 0.71%

LAB 68.51, 72.38, -47.88

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 14 / 76 / 0 / 11

HEX #C337E4

RGB 195 55 228

HSL 288.55, 0.76%, 0.55%

LAB 51.76, 75.85, -59.99

 

CMYK 15 / 82 / 0 / 18

HEX #B225D1

RGB 178 37 209

HSL 289.19, 0.7%, 0.48%

LAB 46.17, 74.47, -58.31

 

CMYK 15 / 90 / 0 / 25

HEX #A113BE

RGB 161 19 190

HSL 289.82, 0.82%, 0.41%

LAB 40.83, 72.04, -56.01

 

CMYK 16 / 99 / 0 / 33

HEX #9001AB

RGB 144 1 171

HSL 290.47, 0.99%, 0.34%

LAB 35.77, 68.49, -53.07

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 0 / 70 / 5 / 3

HEX #F749EB

RGB 247 73 235

HSL 304.14, 0.92%, 0.63%

LAB 62.12, 81.8, -46.95

 

CMYK 0 / 70 / 24 / 3

HEX #F749BC

RGB 247 73 188

HSL 320.34, 0.92%, 0.63%

LAB 60.04, 75.37, -23.59

 

CMYK 0 / 70 / 43 / 3

HEX #F7498D

RGB 247 73 141

HSL 336.55, 0.92%, 0.63%

LAB 58.47, 70.27, 1.36

 

CMYK 0 / 70 / 62 / 3

HEX #F7495F

RGB 247 73 95

HSL 352.41, 0.92%, 0.63%

LAB 57.43, 66.75, 26.96

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 33 / 70 / 0 / 3

HEX #A549F7

RGB 165 73 247

HSL 271.72, 0.92%, 0.63%

LAB 51.24, 67.47, -71.71

 

CMYK 52 / 70 / 0 / 3

HEX #7649F7

RGB 118 73 247

HSL 255.52, 0.92%, 0.63%

LAB 46.09, 59.62, -80.34

 

CMYK 70 / 70 / 0 / 3

HEX #4949F7

RGB 73 73 247

HSL 240, 0.92%, 0.63%

LAB 42.61, 54, -86.18

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 13 / 62 / 0 / 9

HEX #CB59E8

RGB 203 89 232

HSL 287.83, 0.76%, 0.63%

LAB 57.72, 65.38, -52.65

 

CMYK 10 / 52 / 0 / 15

HEX #C268D8

RGB 194 104 216

HSL 288.21, 0.59%, 0.63%

LAB 58.35, 52.96, -42.74

 

CMYK 8 / 41 / 0 / 21

HEX #B977C9

RGB 185 119 201

HSL 288.29, 0.43%, 0.63%

LAB 59.64, 39.53, -32.32

 

CMYK 5 / 28 / 0 / 27

HEX #B086BA

RGB 176 134 186

HSL 288.46, 0.27%, 0.63%

LAB 61.5, 25.31, -21.03

 

CMYK 53 / 70 / 0 / 3

HEX #7549F7

RGB 117 73 247

HSL 255.17, 0.92%, 0.63%

LAB 45.99, 59.47, -80.5

 

CMYK 34 / 70 / 0 / 3

HEX #A349F7

RGB 163 73 247

HSL 271.03, 0.92%, 0.63%

LAB 51, 67.11, -72.12

 

CMYK 15 / 70 / 0 / 3

HEX #D149F7

RGB 209 73 247

HSL 286.9, 0.92%, 0.63%

LAB 57.11, 75.91, -61.94

 

CMYK 0 / 70 / 4 / 3

HEX #F749EE

RGB 247 73 238

HSL 303.1, 0.92%, 0.63%

LAB 62.26, 82.25, -48.39

 

CMYK 0 / 70 / 22 / 3

HEX #F749C0

RGB 247 73 192

HSL 318.97, 0.92%, 0.63%

LAB 60.2, 75.87, -25.64

 

CMYK 19 / 96 / 0 / 10

HEX #B909E5

RGB 185 9 229

HSL 288, 0.92%, 0.47%

LAB 47.19, 83.42, -68.02

 

CMYK 17 / 86 / 0 / 4

HEX #CB22F5

RGB 203 34 245

HSL 288.06, 0.91%, 0.55%

LAB 52.32, 85.38, -68.59

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 11 / 55 / 0 / 2

HEX #DD71F9

RGB 221 113 249

HSL 287.65, 0.92%, 0.71%

LAB 64.98, 62.03, -50.41

 

CMYK 8 / 39 / 0 / 2

HEX #E799FA

RGB 231 153 250

HSL 288.25, 0.91%, 0.79%

LAB 73.98, 44.85, -36.78

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 0 / 70 / 69 / 3

HEX #F7494C

RGB 247 73 76

HSL 358.97, 0.92%, 0.63%

LAB 57.13, 65.74, 37.52

 

CMYK 70 / 0 / 43 / 3

HEX #49F78C

RGB 73 247 140

HSL 143.1, 0.92%, 0.63%

LAB 86.91, -66.6, 38.96

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 0 / 15 / 70 / 3

HEX #F7D149

RGB 247 209 73

HSL 46.9, 0.92%, 0.63%

LAB 84.92, -0.54, 69.07

 

CMYK 70 / 0 / 15 / 3

HEX #49F7D1

RGB 73 247 209

HSL 166.9, 0.92%, 0.63%

LAB 88.23, -52.43, 5.61

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 0 / 70 / 69 / 3

HEX #F7494C

RGB 247 73 76

HSL 358.97, 0.92%, 0.63%

LAB 57.13, 65.74, 37.52

 

CMYK 55 / 0 / 70 / 3

HEX #6FF749

RGB 111 247 73

HSL 106.9, 0.92%, 0.63%

LAB 87.18, -66.91, 68.7

 

CMYK 70 / 0 / 1 / 3

HEX #49F7F4

RGB 73 247 244

HSL 178.97, 0.92%, 0.63%

LAB 89.14, -43.39, -11.29

 

CMYK 14 / 70 / 0 / 3

HEX #D449F7

RGB 212 73 247

HSL 287.93, 0.92%, 0.63%

LAB 57.54, 76.51, -61.24

 

CMYK 0 / 50 / 70 / 3

HEX #F77B49

RGB 247 123 73

HSL 17.24, 0.92%, 0.63%

LAB 65.3, 43.97, 48.48

 

CMYK 55 / 0 / 70 / 3

HEX #6FF749

RGB 111 247 73

HSL 106.9, 0.92%, 0.63%

LAB 87.18, -66.91, 68.7

 

CMYK 70 / 20 / 0 / 3

HEX #49C6F7

RGB 73 198 247

HSL 196.9, 0.92%, 0.63%

LAB 75.15, -19.05, -34.13

 

Description

Color code: HEX #D449F7 | qconv.com Color code: HEX #D449F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 73 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 73 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 70 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 70% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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