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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D45EAA it is the complementary color #2BA155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D45EAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D45EAA shade: #D95EA5, #EA70B8, #FB82CB, #FF94DE and #FFA6F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D45EAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D45EAA shade: #D45EAA, #C34C97, #B23A84, #A12871 and #90165E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D45EAA shade: #D45DAA, #D45D8A, #D45D6A and #D45D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D45EAA shade: #D45DAA, #D45DC9, #BE5DD4, #9E5DD4 and #7E5DD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D45EAA shade matches the following richer shades: #D45DAA, #E44DAE and #F53CB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D45EAA shade: #D45DAA, #C36EA5, #B37EA0, #A28F9B and #929F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D45EAA shade: #BE5DD4, #D45DCA, #D45DAA, #D45D8B and #D45D6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D45EAA shade: #B02E82, #CB3D98, #D45DAA, #DC7EBB and #E59FCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D45EAA shade: #D45EAA, #D49E5D and #5DD4CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D45EAA shade: #D45EAA, #AAD45D and #5DAAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D45EAA shade: #D45EAA, #D49E5D, #5DD487 and #5D93D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D45EAA shade: #D45EAA, #D4C25D, #5DD487 and #5D6FD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 20 / 17

HEX #D45EAA

RGB 212 94 170

HSL 321.36, 0.58%, 0.6%

LAB 56.98, 55.08, -18.37

 

Complementary color

CMYK 73 / 0 / 47 / 37

HEX #2BA155

RGB 43 161 85

HSL 141.36, 0.58%, 0.4%

LAB 58.66, -49.33, 30.42

 

CMYK 0 / 57 / 24 / 15

HEX #D95EA5

RGB 217 94 165

HSL 325.37, 0.62%, 0.61%

LAB 57.53, 55.88, -14.57

 

CMYK 0 / 52 / 21 / 8

HEX #EA70B8

RGB 234 112 184

HSL 324.59, 0.74%, 0.68%

LAB 63.79, 55.3, -15.78

 

CMYK 0 / 48 / 19 / 2

HEX #FB82CB

RGB 251 130 203

HSL 323.8, 0.94%, 0.75%

LAB 70.03, 54.62, -16.81

 

CMYK 0 / 42 / 13 / 0

HEX #FF94DE

RGB 255 148 222

HSL 318.5, 1%, 0.79%

LAB 74.64, 49.84, -20.26

 

CMYK 0 / 35 / 5 / 0

HEX #FFA6F1

RGB 255 166 241

HSL 309.44, 1%, 0.83%

LAB 78.97, 43.78, -24.01

 

CMYK 0 / 56 / 20 / 17

HEX #D45EAA

RGB 212 94 170

HSL 321.36, 0.58%, 0.6%

LAB 56.98, 55.08, -18.37

 

CMYK 0 / 61 / 23 / 24

HEX #C34C97

RGB 195 76 151

HSL 322.18, 0.5%, 0.53%

LAB 50.69, 55.5, -17.05

 

CMYK 0 / 67 / 26 / 30

HEX #B23A84

RGB 178 58 132

HSL 323, 0.51%, 0.46%

LAB 44.46, 55.6, -15.38

 

CMYK 0 / 75 / 30 / 37

HEX #A12871

RGB 161 40 113

HSL 323.8, 0.6%, 0.39%

LAB 38.35, 55.16, -13.21

 

CMYK 0 / 85 / 35 / 44

HEX #90165E

RGB 144 22 94

HSL 324.59, 0.73%, 0.33%

LAB 32.51, 53.78, -10.28

 

CMYK 0 / 56 / 20 / 17

HEX #D45DAA

RGB 212 93 170

HSL 321.18, 0.58%, 0.6%

LAB 56.81, 55.54, -18.64

 

CMYK 0 / 56 / 35 / 17

HEX #D45D8A

RGB 212 93 138

HSL 337.31, 0.58%, 0.6%

LAB 55.75, 51.35, -1.53

 

CMYK 0 / 56 / 50 / 17

HEX #D45D6A

RGB 212 93 106

HSL 353.45, 0.58%, 0.6%

LAB 54.93, 48.02, 16.16

 

CMYK 0 / 56 / 56 / 17

HEX #D45D5D

RGB 212 93 93

HSL 0, 0.58%, 0.6%

LAB 54.67, 46.94, 23.42

 

CMYK 0 / 56 / 20 / 17

HEX #D45DAA

RGB 212 93 170

HSL 321.18, 0.58%, 0.6%

LAB 56.81, 55.54, -18.64

 

CMYK 0 / 56 / 5 / 17

HEX #D45DC9

RGB 212 93 201

HSL 305.55, 0.58%, 0.6%

LAB 58.08, 60.35, -34.49

 

CMYK 10 / 56 / 0 / 17

HEX #BE5DD4

RGB 190 93 212

HSL 288.91, 0.58%, 0.6%

LAB 55.61, 56.51, -44.82

 

CMYK 25 / 56 / 0 / 17

HEX #9E5DD4

RGB 158 93 212

HSL 272.77, 0.58%, 0.6%

LAB 51.67, 48.37, -51.34

 

CMYK 41 / 56 / 0 / 17

HEX #7E5DD4

RGB 126 93 212

HSL 256.64, 0.58%, 0.6%

LAB 48.28, 40.71, -56.95

 

CMYK 0 / 56 / 20 / 17

HEX #D45DAA

RGB 212 93 170

HSL 321.18, 0.58%, 0.6%

LAB 56.81, 55.54, -18.64

 

CMYK 0 / 66 / 24 / 11

HEX #E44DAE

RGB 228 77 174

HSL 321.46, 0.74%, 0.6%

LAB 56.94, 67.33, -20.54

 

CMYK 0 / 76 / 27 / 4

HEX #F53CB3

RGB 245 60 179

HSL 321.41, 0.9%, 0.6%

LAB 57.94, 77.82, -21.65

 

CMYK 0 / 56 / 20 / 17

HEX #D45DAA

RGB 212 93 170

HSL 321.18, 0.58%, 0.6%

LAB 56.81, 55.54, -18.64

 

CMYK 0 / 44 / 15 / 24

HEX #C36EA5

RGB 195 110 165

HSL 321.18, 0.41%, 0.6%

LAB 57.53, 41, -14.86

 

CMYK 0 / 30 / 11 / 30

HEX #B37EA0

RGB 179 126 160

HSL 321.51, 0.26%, 0.6%

LAB 59.01, 25.93, -9.94

 

CMYK 0 / 12 / 4 / 36

HEX #A28F9B

RGB 162 143 155

HSL 322.11, 0.09%, 0.6%

LAB 61.39, 9.26, -3.74

 

CMYK 8 / 0 / 5 / 38

HEX #929F97

RGB 146 159 151

HSL 143.08, 0.06%, 0.6%

LAB 64.28, -6.2, 2.58

 

CMYK 10 / 56 / 0 / 17

HEX #BE5DD4

RGB 190 93 212

HSL 288.91, 0.58%, 0.6%

LAB 55.61, 56.51, -44.82

 

CMYK 0 / 56 / 5 / 17

HEX #D45DCA

RGB 212 93 202

HSL 305.04, 0.58%, 0.6%

LAB 58.12, 60.52, -34.99

 

CMYK 0 / 56 / 20 / 17

HEX #D45DAA

RGB 212 93 170

HSL 321.18, 0.58%, 0.6%

LAB 56.81, 55.54, -18.64

 

CMYK 0 / 56 / 34 / 17

HEX #D45D8B

RGB 212 93 139

HSL 336.81, 0.58%, 0.6%

LAB 55.78, 51.46, -2.08

 

CMYK 0 / 56 / 50 / 17

HEX #D45D6B

RGB 212 93 107

HSL 352.94, 0.58%, 0.6%

LAB 54.96, 48.11, 15.6

 

CMYK 0 / 74 / 26 / 31

HEX #B02E82

RGB 176 46 130

HSL 321.23, 0.59%, 0.44%

LAB 42.45, 59.22, -17.25

 

CMYK 0 / 70 / 25 / 20

HEX #CB3D98

RGB 203 61 152

HSL 321.55, 0.58%, 0.52%

LAB 49.86, 63.83, -18.8

 

CMYK 0 / 56 / 20 / 17

HEX #D45DAA

RGB 212 93 170

HSL 321.18, 0.58%, 0.6%

LAB 56.81, 55.54, -18.64

 

CMYK 0 / 43 / 15 / 14

HEX #DC7EBB

RGB 220 126 187

HSL 321.06, 0.57%, 0.68%

LAB 64.74, 44.37, -16.21

 

CMYK 0 / 31 / 11 / 10

HEX #E59FCC

RGB 229 159 204

HSL 321.43, 0.57%, 0.76%

LAB 73.42, 32.74, -12.51

 

CMYK 0 / 56 / 20 / 17

HEX #D45EAA

RGB 212 94 170

HSL 321.36, 0.58%, 0.6%

LAB 56.98, 55.08, -18.37

 

CMYK 0 / 25 / 56 / 17

HEX #D49E5D

RGB 212 158 93

HSL 32.77, 0.58%, 0.6%

LAB 68.93, 12.82, 41.43

 

CMYK 56 / 0 / 3 / 17

HEX #5DD4CE

RGB 93 212 206

HSL 176.97, 0.58%, 0.6%

LAB 78.39, -34.66, -7.14

 

CMYK 0 / 56 / 20 / 17

HEX #D45EAA

RGB 212 94 170

HSL 321.36, 0.58%, 0.6%

LAB 56.98, 55.08, -18.37

 

CMYK 20 / 0 / 56 / 17

HEX #AAD45D

RGB 170 212 93

HSL 81.18, 0.58%, 0.6%

LAB 79.85, -32.03, 53.45

 

CMYK 56 / 20 / 0 / 17

HEX #5DAAD4

RGB 93 170 212

HSL 201.18, 0.58%, 0.6%

LAB 66.39, -11.8, -28.55

 

CMYK 0 / 56 / 20 / 17

HEX #D45EAA

RGB 212 94 170

HSL 321.36, 0.58%, 0.6%

LAB 56.98, 55.08, -18.37

 

CMYK 0 / 25 / 56 / 17

HEX #D49E5D

RGB 212 158 93

HSL 32.77, 0.58%, 0.6%

LAB 68.93, 12.82, 41.43

 

CMYK 56 / 0 / 36 / 17

HEX #5DD487

RGB 93 212 135

HSL 141.18, 0.58%, 0.6%

LAB 76.78, -50.52, 28.27

 

CMYK 56 / 31 / 0 / 17

HEX #5D93D4

RGB 93 147 212

HSL 212.77, 0.58%, 0.6%

LAB 59.84, 1.09, -38.73

 

CMYK 0 / 56 / 20 / 17

HEX #D45EAA

RGB 212 94 170

HSL 321.36, 0.58%, 0.6%

LAB 56.98, 55.08, -18.37

 

CMYK 0 / 8 / 56 / 17

HEX #D4C25D

RGB 212 194 93

HSL 50.92, 0.58%, 0.6%

LAB 78.09, -6.25, 52.25

 

CMYK 56 / 0 / 36 / 17

HEX #5DD487

RGB 93 212 135

HSL 141.18, 0.58%, 0.6%

LAB 76.78, -50.52, 28.27

 

CMYK 56 / 48 / 0 / 17

HEX #5D6FD4

RGB 93 111 212

HSL 230.92, 0.58%, 0.6%

LAB 50.04, 22.74, -54.27

 

Description

Color code: HEX #D45EAA | qconv.com Color code: HEX #D45EAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 94 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 94 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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