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Color name
HEX #D46A58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D46A58 it is the complementary color #2B95A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D46A58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D46A58 shade: #D96A53, #EA7C66, #FB8E79, #FFA08C and #FFB29F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D46A58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D46A58 shade: #D46A58, #C35845, #B24632, #A1341F and #90220C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D46A58 shade: #D46A58 and #D45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D46A58 shade: #D46A58, #D48B58, #D4AD58, #D4CE58 and #B8D458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D46A58 shade matches the following richer shades: #D46A58, #E55E47 and #F55236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D46A58 shade: #D46A58, #C37669, #B2827A, #A18E8B and #909A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D46A58 shade: #D4588A, #D45869, #D46958, #D48A58 and #D4AB58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D46A58 shade: #AD3F2C, #CB4D37, #D46A58, #DC8779 and #E5A59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D46A58 shade: #D46A58, #ABD458 and #5879D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D46A58 shade: #D46A58, #58D469 and #6958D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D46A58 shade: #D46A58, #ABD458, #58C3D4 and #8158D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D46A58 shade: #D46A58, #86D458, #58C3D4 and #A658D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

Complementary color

CMYK 74 / 11 / 0 / 35

HEX #2B95A7

RGB 43 149 167

HSL 188.71, 0.59%, 0.41%

LAB 56.88, -23.23, -18.01

 

CMYK 0 / 51 / 62 / 15

HEX #D96A53

RGB 217 106 83

HSL 10.3, 0.64%, 0.59%

LAB 57.74, 41.68, 33.2

 

CMYK 0 / 47 / 56 / 8

HEX #EA7C66

RGB 234 124 102

HSL 10, 0.76%, 0.66%

LAB 64.05, 40.37, 31.14

 

CMYK 0 / 43 / 52 / 2

HEX #FB8E79

RGB 251 142 121

HSL 9.69, 0.94%, 0.73%

LAB 70.34, 39.15, 29.31

 

CMYK 0 / 37 / 45 / 0

HEX #FFA08C

RGB 255 160 140

HSL 10.43, 1%, 0.77%

LAB 75.01, 33.13, 25.28

 

CMYK 0 / 30 / 38 / 0

HEX #FFB29F

RGB 255 178 159

HSL 11.88, 1%, 0.81%

LAB 79.39, 25.76, 20.99

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 0 / 55 / 65 / 24

HEX #C35845

RGB 195 88 69

HSL 9.05, 0.51%, 0.52%

LAB 50.7, 41.46, 31.68

 

CMYK 0 / 61 / 72 / 30

HEX #B24632

RGB 178 70 50

HSL 9.38, 0.56%, 0.45%

LAB 44.34, 42.78, 34.27

 

CMYK 0 / 68 / 81 / 37

HEX #A1341F

RGB 161 52 31

HSL 9.69, 0.68%, 0.38%

LAB 38.08, 43.97, 37.17

 

CMYK 0 / 76 / 92 / 44

HEX #90220C

RGB 144 34 12

HSL 10, 0.85%, 0.31%

LAB 32.03, 44.76, 39.87

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 0 / 58 / 58 / 17

HEX #D45858

RGB 212 88 88

HSL 0, 0.59%, 0.59%

LAB 53.69, 48.91, 25.04

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 0 / 34 / 58 / 17

HEX #D48B58

RGB 212 139 88

HSL 24.68, 0.59%, 0.59%

LAB 64.3, 22.71, 38.41

 

CMYK 0 / 18 / 58 / 17

HEX #D4AD58

RGB 212 173 88

HSL 41.13, 0.59%, 0.59%

LAB 72.62, 4.38, 48.3

 

CMYK 0 / 3 / 58 / 17

HEX #D4CE58

RGB 212 206 88

HSL 57.1, 0.59%, 0.59%

LAB 81.21, -12.73, 58.03

 

CMYK 13 / 0 / 58 / 17

HEX #B8D458

RGB 184 212 88

HSL 73.55, 0.59%, 0.59%

LAB 80.73, -27.03, 56.91

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 0 / 59 / 69 / 10

HEX #E55E47

RGB 229 94 71

HSL 8.73, 0.75%, 0.59%

LAB 57.19, 51.09, 39.6

 

CMYK 0 / 67 / 78 / 4

HEX #F55236

RGB 245 82 54

HSL 8.8, 0.91%, 0.59%

LAB 57.76, 60.88, 49.93

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 0 / 39 / 46 / 24

HEX #C37669

RGB 195 118 105

HSL 8.67, 0.43%, 0.59%

LAB 57.64, 28.75, 20.03

 

CMYK 0 / 27 / 31 / 30

HEX #B2827A

RGB 178 130 122

HSL 8.57, 0.27%, 0.59%

LAB 58.82, 17.38, 11.61

 

CMYK 0 / 12 / 14 / 37

HEX #A18E8B

RGB 161 142 139

HSL 8.18, 0.1%, 0.59%

LAB 60.59, 6.58, 4.19

 

CMYK 8 / 1 / 0 / 39

HEX #909A9C

RGB 144 154 156

HSL 190, 0.06%, 0.59%

LAB 62.88, -3.16, -2.29

 

CMYK 0 / 58 / 35 / 17

HEX #D4588A

RGB 212 88 138

HSL 335.81, 0.59%, 0.59%

LAB 54.88, 53.65, -2.81

 

CMYK 0 / 58 / 50 / 17

HEX #D45869

RGB 212 88 105

HSL 351.77, 0.59%, 0.59%

LAB 54.02, 50.27, 15.5

 

CMYK 0 / 50 / 58 / 17

HEX #D46958

RGB 212 105 88

HSL 8.23, 0.59%, 0.59%

LAB 56.88, 40.65, 29.16

 

CMYK 0 / 35 / 58 / 17

HEX #D48A58

RGB 212 138 88

HSL 24.19, 0.59%, 0.59%

LAB 64.06, 23.25, 38.12

 

CMYK 0 / 19 / 58 / 17

HEX #D4AB58

RGB 212 171 88

HSL 40.16, 0.59%, 0.59%

LAB 72.11, 5.45, 47.71

 

CMYK 0 / 64 / 75 / 32

HEX #AD3F2C

RGB 173 63 44

HSL 8.84, 0.59%, 0.43%

LAB 42.19, 43.92, 35

 

CMYK 0 / 62 / 73 / 20

HEX #CB4D37

RGB 203 77 55

HSL 8.92, 0.59%, 0.51%

LAB 49.83, 48.81, 38.83

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 0 / 39 / 45 / 14

HEX #DC8779

RGB 220 135 121

HSL 8.48, 0.59%, 0.67%

LAB 64.9, 31, 21.34

 

CMYK 0 / 28 / 33 / 10

HEX #E5A59A

RGB 229 165 154

HSL 8.8, 0.59%, 0.75%

LAB 73.48, 22.19, 15.08

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 19 / 0 / 58 / 17

HEX #ABD458

RGB 171 212 88

HSL 79.84, 0.59%, 0.59%

LAB 79.87, -32.09, 55.71

 

CMYK 58 / 43 / 0 / 17

HEX #5879D4

RGB 88 121 212

HSL 224.03, 0.59%, 0.59%

LAB 52.4, 15.59, -50.51

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 58 / 0 / 50 / 17

HEX #58D469

RGB 88 212 105

HSL 128.23, 0.59%, 0.59%

LAB 76.18, -56.45, 42.54

 

CMYK 50 / 58 / 0 / 17

HEX #6958D4

RGB 105 88 212

HSL 248.23, 0.59%, 0.59%

LAB 45.27, 39.13, -61.91

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 19 / 0 / 58 / 17

HEX #ABD458

RGB 171 212 88

HSL 79.84, 0.59%, 0.59%

LAB 79.87, -32.09, 55.71

 

CMYK 58 / 8 / 0 / 17

HEX #58C3D4

RGB 88 195 212

HSL 188.23, 0.59%, 0.59%

LAB 73.45, -25.75, -17.78

 

CMYK 39 / 58 / 0 / 17

HEX #8158D4

RGB 129 88 212

HSL 259.84, 0.59%, 0.59%

LAB 47.5, 44.21, -58.2

 

CMYK 0 / 50 / 58 / 17

HEX #D46A58

RGB 212 106 88

HSL 8.71, 0.59%, 0.59%

LAB 57.08, 40.15, 29.42

 

CMYK 37 / 0 / 58 / 17

HEX #86D458

RGB 134 212 88

HSL 97.74, 0.59%, 0.59%

LAB 77.79, -45.43, 52.8

 

CMYK 58 / 8 / 0 / 17

HEX #58C3D4

RGB 88 195 212

HSL 188.23, 0.59%, 0.59%

LAB 73.45, -25.75, -17.78

 

CMYK 22 / 58 / 0 / 17

HEX #A658D4

RGB 166 88 212

HSL 277.74, 0.59%, 0.59%

LAB 51.66, 52.92, -51.3

 

Description

Color code: HEX #D46A58 | qconv.com Color code: HEX #D46A58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 106 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 106 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 58% 17% C M Y K

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Provide designers and agencies with accurate color values.

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