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Color name
HEX #D47959

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47959 it is the complementary color #2B86A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47959 shade: #D97954, #EA8B67, #FB9D7A, #FFAF8D and #FFC1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47959 shade: #D47959, #C36746, #B25533, #A14320 and #90310D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47959 shade: #D47858 and #D45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47959 shade: #D47858, #D49A58, #D4BB58, #CBD458 and #AAD458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47959 shade matches the following richer shades: #D47858, #E57047 and #F56836

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47959 shade: #D47858, #C38069, #B2897A, #A1918B and #90999C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47959 shade: #D4587B, #D4585A, #D47758, #D49858 and #D4B958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47959 shade: #AD4E2C, #CB5E37, #D47858, #DC9379 and #E5AD9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47959 shade: #D47959, #9CD458 and #586BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47959 shade: #D47959, #58D477 and #7758D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47959 shade: #D47959, #9CD458, #58B5D4 and #9058D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47959 shade: #D47959, #77D458, #58B5D4 and #B558D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 58 / 17

HEX #D47959

RGB 212 121 89

HSL 15.61, 0.59%, 0.59%

LAB 60.24, 32.43, 32.86

 

Complementary color

CMYK 74 / 19 / 0 / 35

HEX #2B86A6

RGB 43 134 166

HSL 195.61, 0.59%, 0.41%

LAB 52.19, -15.56, -24.62

 

CMYK 0 / 44 / 61 / 15

HEX #D97954

RGB 217 121 84

HSL 16.69, 0.64%, 0.59%

LAB 60.84, 34.05, 36.47

 

CMYK 0 / 41 / 56 / 8

HEX #EA8B67

RGB 234 139 103

HSL 16.49, 0.76%, 0.66%

LAB 67.23, 32.71, 34.64

 

CMYK 0 / 37 / 51 / 2

HEX #FB9D7A

RGB 251 157 122

HSL 16.28, 0.94%, 0.73%

LAB 73.56, 31.5, 32.97

 

CMYK 0 / 31 / 45 / 0

HEX #FFAF8D

RGB 255 175 141

HSL 17.89, 1%, 0.78%

LAB 78.37, 25.41, 29.24

 

CMYK 0 / 24 / 37 / 0

HEX #FFC1A0

RGB 255 193 160

HSL 20.84, 1%, 0.81%

LAB 82.88, 18.01, 25.24

 

CMYK 0 / 43 / 58 / 17

HEX #D47959

RGB 212 121 89

HSL 15.61, 0.59%, 0.59%

LAB 60.24, 32.43, 32.86

 

CMYK 0 / 47 / 64 / 24

HEX #C36746

RGB 195 103 70

HSL 15.84, 0.51%, 0.52%

LAB 53.76, 33.84, 34.82

 

CMYK 0 / 52 / 71 / 30

HEX #B25533

RGB 178 85 51

HSL 16.06, 0.55%, 0.45%

LAB 47.24, 35.38, 36.99

 

CMYK 0 / 58 / 80 / 37

HEX #A14320

RGB 161 67 32

HSL 16.28, 0.67%, 0.38%

LAB 40.73, 37.01, 39.27

 

CMYK 0 / 66 / 91 / 44

HEX #90310D

RGB 144 49 13

HSL 16.49, 0.83%, 0.31%

LAB 34.3, 38.61, 41.17

 

CMYK 0 / 43 / 58 / 17

HEX #D47858

RGB 212 120 88

HSL 15.48, 0.59%, 0.59%

LAB 60.01, 32.89, 33.12

 

CMYK 0 / 58 / 58 / 17

HEX #D45858

RGB 212 88 88

HSL 0, 0.59%, 0.59%

LAB 53.69, 48.91, 25.04

 

CMYK 0 / 43 / 58 / 17

HEX #D47858

RGB 212 120 88

HSL 15.48, 0.59%, 0.59%

LAB 60.01, 32.89, 33.12

 

CMYK 0 / 27 / 58 / 17

HEX #D49A58

RGB 212 154 88

HSL 31.94, 0.59%, 0.59%

LAB 67.88, 14.59, 42.73

 

CMYK 0 / 12 / 58 / 17

HEX #D4BB58

RGB 212 187 88

HSL 47.9, 0.59%, 0.59%

LAB 76.22, -2.99, 52.43

 

CMYK 4 / 0 / 58 / 17

HEX #CBD458

RGB 203 212 88

HSL 64.35, 0.59%, 0.59%

LAB 82.1, -19.41, 58.82

 

CMYK 20 / 0 / 58 / 17

HEX #AAD458

RGB 170 212 88

HSL 80.32, 0.59%, 0.59%

LAB 79.81, -32.47, 55.62

 

CMYK 0 / 43 / 58 / 17

HEX #D47858

RGB 212 120 88

HSL 15.48, 0.59%, 0.59%

LAB 60.01, 32.89, 33.12

 

CMYK 0 / 51 / 69 / 10

HEX #E57047

RGB 229 112 71

HSL 15.57, 0.75%, 0.59%

LAB 60.52, 42.51, 43.43

 

CMYK 0 / 58 / 78 / 4

HEX #F56836

RGB 245 104 54

HSL 15.71, 0.91%, 0.59%

LAB 61.29, 51.5, 53.45

 

CMYK 0 / 43 / 58 / 17

HEX #D47858

RGB 212 120 88

HSL 15.48, 0.59%, 0.59%

LAB 60.01, 32.89, 33.12

 

CMYK 0 / 34 / 46 / 24

HEX #C38069

RGB 195 128 105

HSL 15.33, 0.43%, 0.59%

LAB 59.94, 23.28, 23.13

 

CMYK 0 / 23 / 31 / 30

HEX #B2897A

RGB 178 137 122

HSL 16.07, 0.27%, 0.59%

LAB 60.57, 13.46, 14.06

 

CMYK 0 / 10 / 14 / 37

HEX #A1918B

RGB 161 145 139

HSL 16.36, 0.1%, 0.59%

LAB 61.39, 4.9, 5.34

 

CMYK 8 / 2 / 0 / 39

HEX #90999C

RGB 144 153 156

HSL 195, 0.06%, 0.59%

LAB 62.6, -2.61, -2.69

 

CMYK 0 / 58 / 42 / 17

HEX #D4587B

RGB 212 88 123

HSL 343.06, 0.59%, 0.59%

LAB 54.46, 52, 5.45

 

CMYK 0 / 58 / 58 / 17

HEX #D4585A

RGB 212 88 90

HSL 359.03, 0.59%, 0.59%

LAB 53.72, 49.06, 23.92

 

CMYK 0 / 44 / 58 / 17

HEX #D47758

RGB 212 119 88

HSL 15, 0.59%, 0.59%

LAB 59.79, 33.42, 32.84

 

CMYK 0 / 28 / 58 / 17

HEX #D49858

RGB 212 152 88

HSL 30.97, 0.59%, 0.59%

LAB 67.4, 15.67, 42.15

 

CMYK 0 / 13 / 58 / 17

HEX #D4B958

RGB 212 185 88

HSL 46.94, 0.59%, 0.59%

LAB 75.7, -1.95, 51.84

 

CMYK 0 / 55 / 75 / 32

HEX #AD4E2C

RGB 173 78 44

HSL 15.81, 0.59%, 0.43%

LAB 44.96, 36.66, 38.03

 

CMYK 0 / 54 / 73 / 20

HEX #CB5E37

RGB 203 94 55

HSL 15.81, 0.59%, 0.51%

LAB 52.93, 40.75, 42.23

 

CMYK 0 / 43 / 58 / 17

HEX #D47858

RGB 212 120 88

HSL 15.48, 0.59%, 0.59%

LAB 60.01, 32.89, 33.12

 

CMYK 0 / 33 / 45 / 14

HEX #DC9379

RGB 220 147 121

HSL 15.76, 0.59%, 0.67%

LAB 67.62, 24.58, 25.01

 

CMYK 0 / 24 / 33 / 10

HEX #E5AD9A

RGB 229 173 154

HSL 15.2, 0.59%, 0.75%

LAB 75.38, 17.91, 17.72

 

CMYK 0 / 43 / 58 / 17

HEX #D47959

RGB 212 121 89

HSL 15.61, 0.59%, 0.59%

LAB 60.24, 32.43, 32.86

 

CMYK 26 / 0 / 58 / 17

HEX #9CD458

RGB 156 212 88

HSL 87.1, 0.59%, 0.59%

LAB 78.96, -37.72, 54.44

 

CMYK 58 / 50 / 0 / 17

HEX #586BD4

RGB 88 107 212

HSL 230.81, 0.59%, 0.59%

LAB 48.69, 24.23, -56.45

 

CMYK 0 / 43 / 58 / 17

HEX #D47959

RGB 212 121 89

HSL 15.61, 0.59%, 0.59%

LAB 60.24, 32.43, 32.86

 

CMYK 58 / 0 / 44 / 17

HEX #58D477

RGB 88 212 119

HSL 135, 0.59%, 0.59%

LAB 76.37, -54.36, 35.87

 

CMYK 44 / 58 / 0 / 17

HEX #7758D4

RGB 119 88 212

HSL 255, 0.59%, 0.59%

LAB 46.52, 42.02, -59.83

 

CMYK 0 / 43 / 58 / 17

HEX #D47959

RGB 212 121 89

HSL 15.61, 0.59%, 0.59%

LAB 60.24, 32.43, 32.86

 

CMYK 26 / 0 / 58 / 17

HEX #9CD458

RGB 156 212 88

HSL 87.1, 0.59%, 0.59%

LAB 78.96, -37.72, 54.44

 

CMYK 58 / 15 / 0 / 17

HEX #58B5D4

RGB 88 181 212

HSL 195, 0.59%, 0.59%

LAB 69.38, -18.63, -23.98

 

CMYK 32 / 58 / 0 / 17

HEX #9058D4

RGB 144 88 212

HSL 267.1, 0.59%, 0.59%

LAB 49.08, 47.64, -55.56

 

CMYK 0 / 43 / 58 / 17

HEX #D47959

RGB 212 121 89

HSL 15.61, 0.59%, 0.59%

LAB 60.24, 32.43, 32.86

 

CMYK 44 / 0 / 58 / 17

HEX #77D458

RGB 119 212 88

HSL 105, 0.59%, 0.59%

LAB 77.11, -50.22, 51.84

 

CMYK 58 / 15 / 0 / 17

HEX #58B5D4

RGB 88 181 212

HSL 195, 0.59%, 0.59%

LAB 69.38, -18.63, -23.98

 

CMYK 15 / 58 / 0 / 17

HEX #B558D4

RGB 181 88 212

HSL 285, 0.59%, 0.59%

LAB 53.55, 56.62, -48.17

 

Description

Color code: HEX #D47959 | qconv.com Color code: HEX #D47959 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 121 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 121 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 58% 17% C M Y K

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Provide designers and agencies with accurate color values.

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