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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D470DE it is the complementary color #2B8F21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D470DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D470DE shade: #D970D9, #EA82EC, #FB94FF, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D470DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D470DE shade: #D470DE, #C35ECB, #B24CB8, #A13AA5 and #902892

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D470DE shade: #D36DDD, #DD6DC9, #DD6DAB, #DD6D8D and #DD6D6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D470DE shade: #D36DDD, #B56DDD, #976DDD, #786DDD and #6D6DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D470DE shade matches the following richer shades: #D36DDD, #DF5FEC and #EB50FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D470DE shade: #D36DDD, #C77BCF, #BC8AC1, #B098B2 and #A4A7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D470DE shade: #966DDD, #B46DDD, #D26DDD, #DD6DCB and #DD6DAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D470DE shade: #BC2ECA, #C94BD6, #D36DDD, #DD8FE5 and #E7B0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D470DE shade: #D470DE, #DD786D and #6DDDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D470DE shade: #D470DE, #DDD26D and #6DDDD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D470DE shade: #D470DE, #DD786D, #78DD6D and #6DD2DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D470DE shade: #D470DE, #DD9A6D, #78DD6D and #6DB0DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 50 / 0 / 13

HEX #D470DE

RGB 212 112 222

HSL 294.55, 0.63%, 0.65%

LAB 62.39, 55.05, -39.6

 

Complementary color

CMYK 70 / 0 / 77 / 44

HEX #2B8F21

RGB 43 143 33

HSL 114.55, 0.63%, 0.35%

LAB 52.14, -49.35, 47

 

CMYK 0 / 48 / 0 / 15

HEX #D970D9

RGB 217 112 217

HSL 300, 0.58%, 0.65%

LAB 62.8, 55.54, -36.11

 

CMYK 1 / 45 / 0 / 7

HEX #EA82EC

RGB 234 130 236

HSL 298.87, 0.74%, 0.72%

LAB 69.12, 54.88, -36.65

 

CMYK 2 / 42 / 0 / 0

HEX #FB94FF

RGB 251 148 255

HSL 297.76, 1%, 0.79%

LAB 75.39, 54.18, -37.11

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 5 / 50 / 0 / 13

HEX #D470DE

RGB 212 112 222

HSL 294.55, 0.63%, 0.65%

LAB 62.39, 55.05, -39.6

 

CMYK 4 / 54 / 0 / 20

HEX #C35ECB

RGB 195 94 203

HSL 295.6, 0.51%, 0.58%

LAB 56.01, 55.65, -39.04

 

CMYK 3 / 59 / 0 / 28

HEX #B24CB8

RGB 178 76 184

HSL 296.67, 0.43%, 0.51%

LAB 49.61, 56.09, -38.33

 

CMYK 2 / 65 / 0 / 35

HEX #A13AA5

RGB 161 58 165

HSL 297.76, 0.48%, 0.44%

LAB 43.24, 56.24, -37.37

 

CMYK 1 / 73 / 0 / 43

HEX #902892

RGB 144 40 146

HSL 298.87, 0.57%, 0.36%

LAB 36.97, 55.85, -36.02

 

CMYK 5 / 51 / 0 / 13

HEX #D36DDD

RGB 211 109 221

HSL 294.64, 0.62%, 0.65%

LAB 61.66, 56.06, -40.19

 

CMYK 0 / 51 / 9 / 13

HEX #DD6DC9

RGB 221 109 201

HSL 310.71, 0.62%, 0.65%

LAB 62.11, 55.42, -28.14

 

CMYK 0 / 51 / 23 / 13

HEX #DD6DAB

RGB 221 109 171

HSL 326.79, 0.62%, 0.65%

LAB 61, 50.85, -12.74

 

CMYK 0 / 51 / 36 / 13

HEX #DD6D8D

RGB 221 109 141

HSL 342.86, 0.62%, 0.65%

LAB 60.1, 46.98, 3.22

 

CMYK 0 / 51 / 50 / 13

HEX #DD6D6E

RGB 221 109 110

HSL 359.46, 0.62%, 0.65%

LAB 59.38, 43.78, 20.11

 

CMYK 5 / 51 / 0 / 13

HEX #D36DDD

RGB 211 109 221

HSL 294.64, 0.62%, 0.65%

LAB 61.66, 56.06, -40.19

 

CMYK 18 / 51 / 0 / 13

HEX #B56DDD

RGB 181 109 221

HSL 278.57, 0.62%, 0.65%

LAB 58.02, 47.92, -46.17

 

CMYK 32 / 51 / 0 / 13

HEX #976DDD

RGB 151 109 221

HSL 262.5, 0.62%, 0.65%

LAB 54.8, 40.04, -51.48

 

CMYK 46 / 51 / 0 / 13

HEX #786DDD

RGB 120 109 221

HSL 245.89, 0.62%, 0.65%

LAB 52.01, 32.54, -56.11

 

CMYK 51 / 51 / 0 / 13

HEX #6D6DDD

RGB 109 109 221

HSL 240, 0.62%, 0.65%

LAB 51.16, 30.12, -57.51

 

CMYK 5 / 51 / 0 / 13

HEX #D36DDD

RGB 211 109 221

HSL 294.64, 0.62%, 0.65%

LAB 61.66, 56.06, -40.19

 

CMYK 6 / 60 / 0 / 7

HEX #DF5FEC

RGB 223 95 236

HSL 294.47, 0.79%, 0.65%

LAB 61.59, 68.27, -48.56

 

CMYK 6 / 68 / 0 / 2

HEX #EB50FA

RGB 235 80 250

HSL 294.71, 0.94%, 0.65%

LAB 61.91, 79.26, -55.71

 

CMYK 5 / 51 / 0 / 13

HEX #D36DDD

RGB 211 109 221

HSL 294.64, 0.62%, 0.65%

LAB 61.66, 56.06, -40.19

 

CMYK 4 / 41 / 0 / 19

HEX #C77BCF

RGB 199 123 207

HSL 294.29, 0.47%, 0.65%

LAB 62.35, 42.82, -31.37

 

CMYK 3 / 28 / 0 / 24

HEX #BC8AC1

RGB 188 138 193

HSL 294.55, 0.31%, 0.65%

LAB 63.93, 28.44, -21.16

 

CMYK 1 / 15 / 0 / 30

HEX #B098B2

RGB 176 152 178

HSL 295.38, 0.14%, 0.65%

LAB 65.67, 13.6, -10.23

 

CMYK 2 / 0 / 2 / 35

HEX #A4A7A4

RGB 164 167 164

HSL 120, 0.02%, 0.65%

LAB 68.18, -1.63, 1.17

 

CMYK 32 / 51 / 0 / 13

HEX #966DDD

RGB 150 109 221

HSL 261.96, 0.62%, 0.65%

LAB 54.7, 39.79, -51.65

 

CMYK 19 / 51 / 0 / 13

HEX #B46DDD

RGB 180 109 221

HSL 278.04, 0.62%, 0.65%

LAB 57.9, 47.65, -46.36

 

CMYK 5 / 51 / 0 / 13

HEX #D26DDD

RGB 210 109 221

HSL 294.11, 0.62%, 0.65%

LAB 61.53, 55.79, -40.4

 

CMYK 0 / 51 / 8 / 13

HEX #DD6DCB

RGB 221 109 203

HSL 309.64, 0.62%, 0.65%

LAB 62.19, 55.74, -29.15

 

CMYK 0 / 51 / 22 / 13

HEX #DD6DAD

RGB 221 109 173

HSL 325.71, 0.62%, 0.65%

LAB 61.07, 51.14, -13.79

 

CMYK 7 / 77 / 0 / 21

HEX #BC2ECA

RGB 188 46 202

HSL 294.62, 0.63%, 0.49%

LAB 48.15, 72.7, -51

 

CMYK 6 / 65 / 0 / 16

HEX #C94BD6

RGB 201 75 214

HSL 294.39, 0.63%, 0.57%

LAB 54.35, 67.49, -47.87

 

CMYK 5 / 51 / 0 / 13

HEX #D36DDD

RGB 211 109 221

HSL 294.64, 0.62%, 0.65%

LAB 61.66, 56.06, -40.19

 

CMYK 3 / 38 / 0 / 10

HEX #DD8FE5

RGB 221 143 229

HSL 294.42, 0.62%, 0.73%

LAB 69.95, 43.1, -31.64

 

CMYK 3 / 26 / 0 / 7

HEX #E7B0ED

RGB 231 176 237

HSL 294.1, 0.63%, 0.81%

LAB 78.55, 30.16, -22.72

 

CMYK 5 / 50 / 0 / 13

HEX #D470DE

RGB 212 112 222

HSL 294.55, 0.63%, 0.65%

LAB 62.39, 55.05, -39.6

 

CMYK 0 / 46 / 51 / 13

HEX #DD786D

RGB 221 120 109

HSL 5.89, 0.62%, 0.65%

LAB 61.58, 38.1, 23.64

 

CMYK 51 / 0 / 25 / 13

HEX #6DDDA5

RGB 109 221 165

HSL 150, 0.62%, 0.65%

LAB 80.56, -44.81, 17.87

 

CMYK 5 / 50 / 0 / 13

HEX #D470DE

RGB 212 112 222

HSL 294.55, 0.63%, 0.65%

LAB 62.39, 55.05, -39.6

 

CMYK 0 / 5 / 51 / 13

HEX #DDD26D

RGB 221 210 109

HSL 54.11, 0.62%, 0.65%

LAB 83.22, -9.42, 50.9

 

CMYK 51 / 0 / 5 / 13

HEX #6DDDD2

RGB 109 221 210

HSL 174.11, 0.62%, 0.65%

LAB 81.63, -34.63, -4.43

 

CMYK 5 / 50 / 0 / 13

HEX #D470DE

RGB 212 112 222

HSL 294.55, 0.63%, 0.65%

LAB 62.39, 55.05, -39.6

 

CMYK 0 / 46 / 51 / 13

HEX #DD786D

RGB 221 120 109

HSL 5.89, 0.62%, 0.65%

LAB 61.58, 38.1, 23.64

 

CMYK 46 / 0 / 51 / 13

HEX #78DD6D

RGB 120 221 109

HSL 114.11, 0.62%, 0.65%

LAB 80.07, -51.13, 45.65

 

CMYK 51 / 5 / 0 / 13

HEX #6DD2DD

RGB 109 210 221

HSL 185.89, 0.62%, 0.65%

LAB 78.79, -26.52, -14.53

 

CMYK 5 / 50 / 0 / 13

HEX #D470DE

RGB 212 112 222

HSL 294.55, 0.63%, 0.65%

LAB 62.39, 55.05, -39.6

 

CMYK 0 / 30 / 51 / 13

HEX #DD9A6D

RGB 221 154 109

HSL 24.11, 0.62%, 0.65%

LAB 69.17, 20.05, 33.58

 

CMYK 46 / 0 / 51 / 13

HEX #78DD6D

RGB 120 221 109

HSL 114.11, 0.62%, 0.65%

LAB 80.07, -51.13, 45.65

 

CMYK 51 / 20 / 0 / 13

HEX #6DB0DD

RGB 109 176 221

HSL 204.11, 0.62%, 0.65%

LAB 69.13, -8.95, -29.22

 

Description

Color code: HEX #D470DE | qconv.com Color code: HEX #D470DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 112 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 112 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 50 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 50% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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