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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D471AD it is the complementary color #2B8E52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D471AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D471AD shade: #D971A8, #EA83BB, #FB95CE, #FFA7E1 and #FFB9F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D471AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D471AD shade: #D471AD, #C35F9A, #B24D87, #A13B74 and #902961

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D471AD shade: #D471AD, #D47192, #D47178 and #D47171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D471AD shade: #D471AD, #D471C8, #C671D4, #AB71D4 and #9071D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D471AD shade matches the following richer shades: #D471AD, #E362B0 and #F253B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D471AD shade: #D471AD, #C580AA, #B78FA7, #A89EA4 and #99ADA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D471AD shade: #C571D4, #D471C9, #D471AE, #D47194 and #D47179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D471AD shade: #BB3887, #CB519B, #D471AD, #DE91BF and #E7B1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D471AD shade: #D471AD, #D4AB71 and #71D4D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D471AD shade: #D471AD, #AED471 and #71AED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D471AD shade: #D471AD, #D4AB71, #71D497 and #719AD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D471AD shade: #D471AD, #D4C971, #71D497 and #717DD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

Complementary color

CMYK 70 / 0 / 42 / 44

HEX #2B8E52

RGB 43 142 82

HSL 143.64, 0.54%, 0.36%

LAB 52.36, -42.5, 23.91

 

CMYK 0 / 48 / 23 / 15

HEX #D971A8

RGB 217 113 168

HSL 328.27, 0.58%, 0.65%

LAB 61.12, 47.16, -10.89

 

CMYK 0 / 44 / 20 / 8

HEX #EA83BB

RGB 234 131 187

HSL 327.38, 0.71%, 0.72%

LAB 67.51, 46.39, -11.87

 

CMYK 0 / 41 / 18 / 2

HEX #FB95CE

RGB 251 149 206

HSL 326.47, 0.93%, 0.78%

LAB 73.84, 45.61, -12.73

 

CMYK 0 / 35 / 12 / 0

HEX #FFA7E1

RGB 255 167 225

HSL 320.45, 1%, 0.83%

LAB 78.66, 40.61, -15.83

 

CMYK 0 / 27 / 4 / 0

HEX #FFB9F4

RGB 255 185 244

HSL 309.43, 1%, 0.86%

LAB 83.17, 34.4, -19.25

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 51 / 21 / 24

HEX #C35F9A

RGB 195 95 154

HSL 324.6, 0.45%, 0.57%

LAB 54.15, 47, -13.57

 

CMYK 0 / 57 / 24 / 30

HEX #B24D87

RGB 178 77 135

HSL 325.54, 0.4%, 0.5%

LAB 47.65, 47.64, -12.35

 

CMYK 0 / 63 / 28 / 37

HEX #A13B74

RGB 161 59 116

HSL 326.47, 0.46%, 0.43%

LAB 41.16, 48.08, -10.82

 

CMYK 0 / 72 / 33 / 44

HEX #902961

RGB 144 41 97

HSL 327.38, 0.56%, 0.36%

LAB 34.76, 48.08, -8.81

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 47 / 31 / 17

HEX #D47192

RGB 212 113 146

HSL 340, 0.54%, 0.64%

LAB 59.78, 42.48, -0.29

 

CMYK 0 / 47 / 43 / 17

HEX #D47178

RGB 212 113 120

HSL 355.76, 0.54%, 0.64%

LAB 59.13, 39.44, 13.81

 

CMYK 0 / 47 / 47 / 17

HEX #D47171

RGB 212 113 113

HSL 0, 0.54%, 0.64%

LAB 58.97, 38.72, 17.63

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 47 / 6 / 17

HEX #D471C8

RGB 212 113 200

HSL 307.27, 0.54%, 0.64%

LAB 61.63, 50.63, -28.4

 

CMYK 7 / 47 / 0 / 17

HEX #C671D4

RGB 198 113 212

HSL 291.52, 0.54%, 0.64%

LAB 60.4, 48.72, -37.23

 

CMYK 19 / 47 / 0 / 17

HEX #AB71D4

RGB 171 113 212

HSL 275.15, 0.54%, 0.64%

LAB 57.29, 41.05, -42.33

 

CMYK 32 / 47 / 0 / 17

HEX #9071D4

RGB 144 113 212

HSL 258.79, 0.54%, 0.64%

LAB 54.55, 33.65, -46.84

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 57 / 22 / 11

HEX #E362B0

RGB 227 98 176

HSL 323.72, 0.7%, 0.64%

LAB 60.07, 58.56, -16.94

 

CMYK 0 / 66 / 26 / 5

HEX #F253B4

RGB 242 83 180

HSL 323.4, 0.86%, 0.64%

LAB 60.21, 69.53, -18.81

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 35 / 14 / 23

HEX #C580AA

RGB 197 128 170

HSL 323.48, 0.37%, 0.64%

LAB 61.84, 32.85, -11.23

 

CMYK 0 / 22 / 9 / 28

HEX #B78FA7

RGB 183 143 167

HSL 324, 0.22%, 0.64%

LAB 63.76, 19.08, -6.82

 

CMYK 0 / 6 / 2 / 34

HEX #A89EA4

RGB 168 158 164

HSL 324, 0.05%, 0.64%

LAB 66.1, 4.74, -1.82

 

CMYK 12 / 0 / 7 / 32

HEX #99ADA1

RGB 153 173 161

HSL 144, 0.11%, 0.64%

LAB 68.92, -9.32, 3.81

 

CMYK 7 / 47 / 0 / 17

HEX #C571D4

RGB 197 113 212

HSL 290.91, 0.54%, 0.64%

LAB 60.28, 48.43, -37.42

 

CMYK 0 / 47 / 5 / 17

HEX #D471C9

RGB 212 113 201

HSL 306.67, 0.54%, 0.64%

LAB 61.68, 50.8, -28.9

 

CMYK 0 / 47 / 18 / 17

HEX #D471AE

RGB 212 113 174

HSL 323.03, 0.54%, 0.64%

LAB 60.66, 46.42, -15.09

 

CMYK 0 / 47 / 30 / 17

HEX #D47194

RGB 212 113 148

HSL 338.79, 0.54%, 0.64%

LAB 59.84, 42.74, -1.36

 

CMYK 0 / 47 / 43 / 17

HEX #D47179

RGB 212 113 121

HSL 355.15, 0.54%, 0.64%

LAB 59.15, 39.54, 13.26

 

CMYK 0 / 70 / 28 / 27

HEX #BB3887

RGB 187 56 135

HSL 323.82, 0.54%, 0.48%

LAB 45.83, 59.24, -14.98

 

CMYK 0 / 60 / 24 / 20

HEX #CB519B

RGB 203 81 155

HSL 323.61, 0.54%, 0.56%

LAB 52.89, 56.19, -15.95

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 35 / 14 / 13

HEX #DE91BF

RGB 222 145 191

HSL 324.16, 0.54%, 0.72%

LAB 69.14, 35.7, -11.81

 

CMYK 0 / 23 / 9 / 9

HEX #E7B1D2

RGB 231 177 210

HSL 323.33, 0.53%, 0.8%

LAB 77.93, 24.8, -9.05

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 19 / 47 / 17

HEX #D4AB71

RGB 212 171 113

HSL 35.15, 0.54%, 0.64%

LAB 72.44, 7.61, 35.44

 

CMYK 47 / 0 / 0 / 17

HEX #71D4D3

RGB 113 212 211

HSL 179.39, 0.54%, 0.64%

LAB 79.21, -29.23, -8.52

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 18 / 0 / 47 / 17

HEX #AED471

RGB 174 212 113

HSL 83.03, 0.54%, 0.64%

LAB 80.34, -28.51, 44.68

 

CMYK 47 / 18 / 0 / 17

HEX #71AED4

RGB 113 174 212

HSL 203.03, 0.54%, 0.64%

LAB 68.41, -9.51, -25.36

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 19 / 47 / 17

HEX #D4AB71

RGB 212 171 113

HSL 35.15, 0.54%, 0.64%

LAB 72.44, 7.61, 35.44

 

CMYK 47 / 0 / 29 / 17

HEX #71D497

RGB 113 212 151

HSL 143.03, 0.54%, 0.64%

LAB 77.78, -42.65, 21.39

 

CMYK 47 / 27 / 0 / 17

HEX #719AD4

RGB 113 154 212

HSL 215.15, 0.54%, 0.64%

LAB 62.82, 1.62, -34

 

CMYK 0 / 47 / 18 / 17

HEX #D471AD

RGB 212 113 173

HSL 323.64, 0.54%, 0.64%

LAB 60.63, 46.27, -14.57

 

CMYK 0 / 5 / 47 / 17

HEX #D4C971

RGB 212 201 113

HSL 53.33, 0.54%, 0.64%

LAB 80.16, -8.13, 45.1

 

CMYK 47 / 0 / 29 / 17

HEX #71D497

RGB 113 212 151

HSL 143.03, 0.54%, 0.64%

LAB 77.78, -42.65, 21.39

 

CMYK 47 / 41 / 0 / 17

HEX #717DD4

RGB 113 125 212

HSL 232.73, 0.54%, 0.64%

LAB 55, 18.65, -46.28

 

Description

Color code: HEX #D471AD | qconv.com Color code: HEX #D471AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 113 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 113 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 18 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 18% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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