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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47F3B it is the complementary color #2B80C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47F3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47F3B shade: #D97F36, #EA9149, #FBA35C, #FFB56F and #FFC782

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47F3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47F3B shade: #D47F3B, #C36D28, #B25B15, #A14902 and #903700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47F3B shade: #D37E3A, #D3553A and #D33A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47F3B shade: #D37E3A, #D3A83A, #D3D13A, #ACD33A and #83D33A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47F3B shade matches the following richer shades: #D37E3A, #E77C27 and #FA7A13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47F3B shade: #D37E3A, #C0804D, #AD8261, #998574 and #868788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47F3B shade: #D33A49, #D3543A, #D37C3A, #D3A53A and #D3CE3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47F3B shade: #995721, #BB6A29, #D37E3A, #DB945C and #E2AA7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47F3B shade: #D47F3B, #72D33A and #3F3AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47F3B shade: #D47F3B, #3AD37C and #7C3AD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47F3B shade: #D47F3B, #72D33A, #3A91D3 and #9B3AD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47F3B shade: #D47F3B, #44D33A, #3A91D3 and #C93AD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 72 / 17

HEX #D47F3B

RGB 212 127 59

HSL 26.67, 0.64%, 0.53%

LAB 61.21, 27.37, 49.51

 

Complementary color

CMYK 78 / 35 / 0 / 23

HEX #2B80C4

RGB 43 128 196

HSL 206.67, 0.64%, 0.47%

LAB 51.77, -1.4, -42.53

 

CMYK 0 / 41 / 75 / 15

HEX #D97F36

RGB 217 127 54

HSL 26.87, 0.68%, 0.53%

LAB 61.82, 29.21, 52.65

 

CMYK 0 / 38 / 69 / 8

HEX #EA9149

RGB 234 145 73

HSL 26.83, 0.79%, 0.6%

LAB 68.19, 27.58, 51.17

 

CMYK 0 / 35 / 63 / 2

HEX #FBA35C

RGB 251 163 92

HSL 26.79, 0.95%, 0.67%

LAB 74.49, 26.12, 49.61

 

CMYK 0 / 29 / 56 / 0

HEX #FFB56F

RGB 255 181 111

HSL 29.17, 1%, 0.72%

LAB 79.3, 19.63, 45.99

 

CMYK 0 / 22 / 49 / 0

HEX #FFC782

RGB 255 199 130

HSL 33.12, 1%, 0.75%

LAB 83.82, 11.82, 42.02

 

CMYK 0 / 40 / 72 / 17

HEX #D47F3B

RGB 212 127 59

HSL 26.67, 0.64%, 0.53%

LAB 61.21, 27.37, 49.51

 

CMYK 0 / 44 / 79 / 24

HEX #C36D28

RGB 195 109 40

HSL 26.71, 0.66%, 0.46%

LAB 54.75, 29.13, 50.88

 

CMYK 0 / 49 / 88 / 30

HEX #B25B15

RGB 178 91 21

HSL 26.75, 0.79%, 0.39%

LAB 48.26, 31.1, 51.63

 

CMYK 0 / 55 / 99 / 37

HEX #A14902

RGB 161 73 2

HSL 26.79, 0.98%, 0.32%

LAB 41.76, 33.24, 51.22

 

CMYK 0 / 62 / 100 / 44

HEX #903700

RGB 144 55 0

HSL 22.92, 1%, 0.28%

LAB 35.32, 35.51, 46.7

 

CMYK 0 / 40 / 73 / 17

HEX #D37E3A

RGB 211 126 58

HSL 26.67, 0.63%, 0.53%

LAB 60.85, 27.44, 49.56

 

CMYK 0 / 60 / 73 / 17

HEX #D3553A

RGB 211 85 58

HSL 10.59, 0.63%, 0.53%

LAB 52.57, 48.17, 40.61

 

CMYK 0 / 73 / 73 / 17

HEX #D33A3A

RGB 211 58 58

HSL 0, 0.63%, 0.53%

LAB 48.49, 59.19, 36

 

CMYK 0 / 40 / 73 / 17

HEX #D37E3A

RGB 211 126 58

HSL 26.67, 0.63%, 0.53%

LAB 60.85, 27.44, 49.56

 

CMYK 0 / 20 / 73 / 17

HEX #D3A83A

RGB 211 168 58

HSL 43.14, 0.63%, 0.53%

LAB 70.98, 4.8, 59.89

 

CMYK 0 / 1 / 73 / 17

HEX #D3D13A

RGB 211 209 58

HSL 59.22, 0.63%, 0.53%

LAB 81.71, -16.37, 70.28

 

CMYK 18 / 0 / 73 / 17

HEX #ACD33A

RGB 172 211 58

HSL 75.29, 0.63%, 0.53%

LAB 79.42, -33.29, 67.1

 

CMYK 38 / 0 / 73 / 17

HEX #83D33A

RGB 131 211 58

HSL 91.37, 0.63%, 0.53%

LAB 77.11, -48.45, 64.06

 

CMYK 0 / 40 / 73 / 17

HEX #D37E3A

RGB 211 126 58

HSL 26.67, 0.63%, 0.53%

LAB 60.85, 27.44, 49.56

 

CMYK 0 / 46 / 83 / 9

HEX #E77C27

RGB 231 124 39

HSL 26.56, 0.8%, 0.53%

LAB 62.97, 35.95, 60.59

 

CMYK 0 / 51 / 92 / 2

HEX #FA7A13

RGB 250 122 19

HSL 26.75, 0.96%, 0.53%

LAB 65.19, 44.02, 69.41

 

CMYK 0 / 40 / 73 / 17

HEX #D37E3A

RGB 211 126 58

HSL 26.67, 0.63%, 0.53%

LAB 60.85, 27.44, 49.56

 

CMYK 0 / 33 / 60 / 25

HEX #C0804D

RGB 192 128 77

HSL 26.61, 0.48%, 0.53%

LAB 59.14, 19.54, 37.42

 

CMYK 0 / 25 / 44 / 32

HEX #AD8261

RGB 173 130 97

HSL 26.05, 0.32%, 0.53%

LAB 57.76, 12.25, 24.28

 

CMYK 0 / 13 / 24 / 40

HEX #998574

RGB 153 133 116

HSL 27.57, 0.15%, 0.53%

LAB 56.89, 4.8, 11.96

 

CMYK 1 / 1 / 0 / 47

HEX #868788

RGB 134 135 136

HSL 210, 0.01%, 0.53%

LAB 56.26, -0.17, -0.67

 

CMYK 0 / 73 / 65 / 17

HEX #D33A49

RGB 211 58 73

HSL 354.12, 0.63%, 0.53%

LAB 48.71, 59.93, 27.47

 

CMYK 0 / 60 / 73 / 17

HEX #D3543A

RGB 211 84 58

HSL 10.2, 0.63%, 0.53%

LAB 52.39, 48.63, 40.42

 

CMYK 0 / 41 / 73 / 17

HEX #D37C3A

RGB 211 124 58

HSL 25.88, 0.63%, 0.53%

LAB 60.4, 28.51, 49.08

 

CMYK 0 / 22 / 73 / 17

HEX #D3A53A

RGB 211 165 58

HSL 41.96, 0.63%, 0.53%

LAB 70.22, 6.4, 59.14

 

CMYK 0 / 2 / 73 / 17

HEX #D3CE3A

RGB 211 206 58

HSL 58.04, 0.63%, 0.53%

LAB 80.9, -14.87, 69.52

 

CMYK 0 / 43 / 78 / 40

HEX #995721

RGB 153 87 33

HSL 27, 0.65%, 0.36%

LAB 43.8, 22.97, 41.4

 

CMYK 0 / 43 / 78 / 27

HEX #BB6A29

RGB 187 106 41

HSL 26.71, 0.64%, 0.45%

LAB 52.99, 27.42, 48.36

 

CMYK 0 / 40 / 73 / 17

HEX #D37E3A

RGB 211 126 58

HSL 26.67, 0.63%, 0.53%

LAB 60.85, 27.44, 49.56

 

CMYK 0 / 32 / 58 / 14

HEX #DB945C

RGB 219 148 92

HSL 26.46, 0.64%, 0.61%

LAB 67.29, 21.04, 40.14

 

CMYK 0 / 25 / 44 / 11

HEX #E2AA7E

RGB 226 170 126

HSL 26.4, 0.63%, 0.69%

LAB 73.82, 15.13, 30.64

 

CMYK 0 / 40 / 72 / 17

HEX #D47F3B

RGB 212 127 59

HSL 26.67, 0.64%, 0.53%

LAB 61.21, 27.37, 49.51

 

CMYK 46 / 0 / 73 / 17

HEX #72D33A

RGB 114 211 58

HSL 98.04, 0.63%, 0.53%

LAB 76.36, -53.93, 63.05

 

CMYK 70 / 73 / 0 / 17

HEX #3F3AD3

RGB 63 58 211

HSL 241.96, 0.63%, 0.53%

LAB 35.57, 49.83, -77.32

 

CMYK 0 / 40 / 72 / 17

HEX #D47F3B

RGB 212 127 59

HSL 26.67, 0.64%, 0.53%

LAB 61.21, 27.37, 49.51

 

CMYK 73 / 0 / 41 / 17

HEX #3AD37C

RGB 58 211 124

HSL 145.88, 0.63%, 0.53%

LAB 75.42, -58.68, 31.96

 

CMYK 41 / 73 / 0 / 17

HEX #7C3AD3

RGB 124 58 211

HSL 265.88, 0.63%, 0.53%

LAB 41.24, 58.32, -67.8

 

CMYK 0 / 40 / 72 / 17

HEX #D47F3B

RGB 212 127 59

HSL 26.67, 0.64%, 0.53%

LAB 61.21, 27.37, 49.51

 

CMYK 46 / 0 / 73 / 17

HEX #72D33A

RGB 114 211 58

HSL 98.04, 0.63%, 0.53%

LAB 76.36, -53.93, 63.05

 

CMYK 73 / 31 / 0 / 17

HEX #3A91D3

RGB 58 145 211

HSL 205.88, 0.63%, 0.53%

LAB 57.9, -4.14, -41.31

 

CMYK 27 / 73 / 0 / 17

HEX #9B3AD3

RGB 155 58 211

HSL 278.04, 0.63%, 0.53%

LAB 45.22, 63.95, -61.16

 

CMYK 0 / 40 / 72 / 17

HEX #D47F3B

RGB 212 127 59

HSL 26.67, 0.64%, 0.53%

LAB 61.21, 27.37, 49.51

 

CMYK 68 / 0 / 73 / 17

HEX #44D33A

RGB 68 211 58

HSL 116.08, 0.63%, 0.53%

LAB 74.9, -65.42, 61.11

 

CMYK 73 / 31 / 0 / 17

HEX #3A91D3

RGB 58 145 211

HSL 205.88, 0.63%, 0.53%

LAB 57.9, -4.14, -41.31

 

CMYK 5 / 73 / 0 / 17

HEX #C93AD3

RGB 201 58 211

HSL 296.08, 0.63%, 0.53%

LAB 52, 73.14, -49.89

 

Description

Color code: HEX #D47F3B | qconv.com Color code: HEX #D47F3B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 127 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 127 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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