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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4988B it is the complementary color #2B6774. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4988B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4988B shade: #D99886, #EAAA99, #FBBCAC, #FFCEBF and #FFE0D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4988B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4988B shade: #D4988B, #C38678, #B27465, #A16252 and #90503F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4988B shade: #D4988B and #D48B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4988B shade: #D4988B, #D4AC8B, #D4BF8B, #D4D38B and #C1D48B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4988B shade matches the following richer shades: #D4988B, #E1907E, #ED8872 and #FA7F65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4988B shade: #D4988B, #C7A098, #BAA9A5, #ADB1B1 and #A1B9BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4988B shade: #D48BA6, #D48B92, #D4978B, #D4AB8B and #D4BE8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4988B shade: #BE634F, #C97D6D, #D4988B, #DFB3A9 and #EACEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4988B shade: #D4988B, #B9D48B and #8B9CD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4988B shade: #D4988B, #8BD497 and #978BD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4988B shade: #D4988B, #B9D48B, #8BC8D4 and #A68BD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4988B shade: #D4988B, #A3D48B, #8BC8D4 and #BC8BD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

Complementary color

CMYK 63 / 11 / 0 / 55

HEX #2B6774

RGB 43 103 116

HSL 190.68, 0.46%, 0.31%

LAB 40.37, -15.08, -13.11

 

CMYK 0 / 30 / 38 / 15

HEX #D99886

RGB 217 152 134

HSL 13.01, 0.52%, 0.69%

LAB 68.7, 22.13, 19.24

 

CMYK 0 / 27 / 35 / 8

HEX #EAAA99

RGB 234 170 153

HSL 12.59, 0.66%, 0.76%

LAB 75.17, 21.31, 18.05

 

CMYK 0 / 25 / 31 / 2

HEX #FBBCAC

RGB 251 188 172

HSL 12.15, 0.91%, 0.83%

LAB 81.54, 20.56, 16.95

 

CMYK 0 / 19 / 25 / 0

HEX #FFCEBF

RGB 255 206 191

HSL 14.06, 1%, 0.87%

LAB 86.59, 15.12, 14

 

CMYK 0 / 12 / 18 / 0

HEX #FFE0D2

RGB 255 224 210

HSL 18.67, 1%, 0.91%

LAB 91.34, 8.5, 10.76

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 0 / 31 / 38 / 24

HEX #C38678

RGB 195 134 120

HSL 11.2, 0.38%, 0.62%

LAB 61.66, 21.65, 16.99

 

CMYK 0 / 35 / 43 / 30

HEX #B27465

RGB 178 116 101

HSL 11.69, 0.33%, 0.55%

LAB 54.96, 22.62, 18.35

 

CMYK 0 / 39 / 49 / 37

HEX #A16252

RGB 161 98 82

HSL 12.15, 0.33%, 0.48%

LAB 48.16, 23.73, 19.9

 

CMYK 0 / 44 / 56 / 44

HEX #90503F

RGB 144 80 63

HSL 12.59, 0.39%, 0.41%

LAB 41.26, 25, 21.7

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 0 / 34 / 34 / 17

HEX #D48B8B

RGB 212 139 139

HSL 0, 0.46%, 0.69%

LAB 65.22, 27.84, 11.52

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 0 / 19 / 34 / 17

HEX #D4AC8B

RGB 212 172 139

HSL 27.12, 0.46%, 0.69%

LAB 73.13, 9.97, 22.49

 

CMYK 0 / 10 / 34 / 17

HEX #D4BF8B

RGB 212 191 139

HSL 42.74, 0.46%, 0.69%

LAB 77.95, -0.13, 28.98

 

CMYK 0 / 0 / 34 / 17

HEX #D4D38B

RGB 212 211 139

HSL 59.18, 0.46%, 0.69%

LAB 83.15, -10.46, 35.83

 

CMYK 9 / 0 / 34 / 17

HEX #C1D48B

RGB 193 212 139

HSL 75.62, 0.46%, 0.69%

LAB 81.99, -18.24, 34.05

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 0 / 36 / 44 / 12

HEX #E1907E

RGB 225 144 126

HSL 10.91, 0.62%, 0.69%

LAB 67.62, 28.66, 22.35

 

CMYK 0 / 43 / 52 / 7

HEX #ED8872

RGB 237 136 114

HSL 10.73, 0.77%, 0.69%

LAB 67.15, 36.34, 28.61

 

CMYK 0 / 49 / 60 / 2

HEX #FA7F65

RGB 250 127 101

HSL 10.47, 0.94%, 0.69%

LAB 66.86, 44.76, 35.7

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 0 / 20 / 24 / 22

HEX #C7A098

RGB 199 160 152

HSL 10.21, 0.3%, 0.69%

LAB 69.15, 13.19, 9.62

 

CMYK 0 / 9 / 11 / 27

HEX #BAA9A5

RGB 186 169 165

HSL 11.43, 0.13%, 0.69%

LAB 70.55, 5.45, 4.28

 

CMYK 2 / 0 / 0 / 31

HEX #ADB1B1

RGB 173 177 177

HSL 180, 0.02%, 0.69%

LAB 71.89, -1.4, -0.5

 

CMYK 15 / 3 / 0 / 25

HEX #A1B9BE

RGB 161 185 190

HSL 190.34, 0.18%, 0.69%

LAB 73.54, -7.12, -5.3

 

CMYK 0 / 34 / 22 / 17

HEX #D48BA6

RGB 212 139 166

HSL 337.81, 0.46%, 0.69%

LAB 65.92, 31.54, -2.71

 

CMYK 0 / 34 / 31 / 17

HEX #D48B92

RGB 212 139 146

HSL 354.25, 0.46%, 0.69%

LAB 65.39, 28.73, 7.81

 

CMYK 0 / 29 / 34 / 17

HEX #D4978B

RGB 212 151 139

HSL 9.86, 0.46%, 0.69%

LAB 68.02, 21.33, 15.44

 

CMYK 0 / 19 / 34 / 17

HEX #D4AB8B

RGB 212 171 139

HSL 26.3, 0.46%, 0.69%

LAB 72.88, 10.51, 22.15

 

CMYK 0 / 10 / 34 / 17

HEX #D4BE8B

RGB 212 190 139

HSL 41.92, 0.46%, 0.69%

LAB 77.69, 0.39, 28.63

 

CMYK 0 / 48 / 58 / 25

HEX #BE634F

RGB 190 99 79

HSL 10.81, 0.46%, 0.53%

LAB 52.33, 34.61, 27.83

 

CMYK 0 / 38 / 46 / 21

HEX #C97D6D

RGB 201 125 109

HSL 10.43, 0.46%, 0.61%

LAB 60.06, 27.73, 21.15

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 0 / 20 / 24 / 13

HEX #DFB3A9

RGB 223 179 169

HSL 11.11, 0.46%, 0.77%

LAB 76.55, 14.44, 11.14

 

CMYK 0 / 12 / 15 / 8

HEX #EACEC7

RGB 234 206 199

HSL 12, 0.45%, 0.85%

LAB 84.87, 8.66, 7.06

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 13 / 0 / 34 / 17

HEX #B9D48B

RGB 185 212 139

HSL 82.19, 0.46%, 0.69%

LAB 81.44, -21.23, 33.21

 

CMYK 34 / 26 / 0 / 17

HEX #8B9CD4

RGB 139 156 212

HSL 226.03, 0.46%, 0.69%

LAB 64.98, 7.35, -30.53

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 34 / 0 / 29 / 17

HEX #8BD497

RGB 139 212 151

HSL 129.86, 0.46%, 0.69%

LAB 78.93, -35.19, 23.16

 

CMYK 29 / 34 / 0 / 17

HEX #978BD4

RGB 151 139 212

HSL 249.86, 0.46%, 0.69%

LAB 61.48, 20.55, -35.89

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 13 / 0 / 34 / 17

HEX #B9D48B

RGB 185 212 139

HSL 82.19, 0.46%, 0.69%

LAB 81.44, -21.23, 33.21

 

CMYK 34 / 6 / 0 / 17

HEX #8BC8D4

RGB 139 200 212

HSL 189.86, 0.46%, 0.69%

LAB 77.01, -16.52, -12.22

 

CMYK 22 / 34 / 0 / 17

HEX #A68BD4

RGB 166 139 212

HSL 262.19, 0.46%, 0.69%

LAB 62.78, 24.99, -33.77

 

CMYK 0 / 28 / 34 / 17

HEX #D4988B

RGB 212 152 139

HSL 10.68, 0.46%, 0.69%

LAB 68.25, 20.79, 15.77

 

CMYK 23 / 0 / 34 / 17

HEX #A3D48B

RGB 163 212 139

HSL 100.27, 0.46%, 0.69%

LAB 80.03, -29.18, 31.1

 

CMYK 34 / 6 / 0 / 17

HEX #8BC8D4

RGB 139 200 212

HSL 189.86, 0.46%, 0.69%

LAB 77.01, -16.52, -12.22

 

CMYK 11 / 34 / 0 / 17

HEX #BC8BD4

RGB 188 139 212

HSL 280.27, 0.46%, 0.69%

LAB 64.89, 31.73, -30.33

 

Description

Color code: HEX #D4988B | qconv.com Color code: HEX #D4988B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 152 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 152 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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