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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4A7A4 it is the complementary color #2B585B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4A7A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4A7A4 shade: #D9A79F, #EAB9B2, #FBCBC5, #FFDDD8 and #FFEFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4A7A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4A7A4 shade: #D4A7A4, #C39591, #B2837E, #A1716B and #905F58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4A7A4 shade: #D4A7A4 and #D4A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4A7A4 shade: #D4A7A4, #D4B4A4, #D4C1A4, #D4CEA4 and #CDD4A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4A7A4 shade matches the following richer shades: #D4A7A4, #DF9E9A, #EA958F and #F48B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4A7A4 shade: #D4A7A4, #C9B1AF, #BFBABA, #B4C3C5 and #A9CDCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4A7A4 shade: #D4A4BB, #D4A4AF, #D4A7A4, #D4B3A4 and #D4C0A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4A7A4 shade: #BA716C, #C78C88, #D4A7A4, #E1C2C0 and #EEDEDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4A7A4 shade: #D4A7A4, #C8D4A4 and #A4B5D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4A7A4 shade: #D4A7A4, #A4D4A7 and #A7A4D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4A7A4 shade: #D4A7A4, #C8D4A4, #A4D2D4 and #B0A4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4A7A4 shade: #D4A7A4, #BAD4A4, #A4D2D4 and #BFA4D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

Complementary color

CMYK 53 / 3 / 0 / 64

HEX #2B585B

RGB 43 88 91

HSL 183.75, 0.36%, 0.26%

LAB 34.49, -14.51, -6.52

 

CMYK 0 / 23 / 27 / 15

HEX #D9A79F

RGB 217 167 159

HSL 8.28, 0.43%, 0.74%

LAB 72.82, 17.23, 11.23

 

CMYK 0 / 21 / 24 / 8

HEX #EAB9B2

RGB 234 185 178

HSL 7.5, 0.57%, 0.81%

LAB 79.27, 16.62, 10.29

 

CMYK 0 / 19 / 22 / 2

HEX #FBCBC5

RGB 251 203 197

HSL 6.67, 0.87%, 0.88%

LAB 85.63, 16.07, 9.41

 

CMYK 0 / 13 / 15 / 0

HEX #FFDDD8

RGB 255 221 216

HSL 7.69, 1%, 0.92%

LAB 90.75, 10.96, 6.78

 

CMYK 0 / 6 / 8 / 0

HEX #FFEFEB

RGB 255 239 235

HSL 12, 1%, 0.96%

LAB 95.58, 4.73, 3.86

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 0 / 24 / 26 / 24

HEX #C39591

RGB 195 149 145

HSL 4.8, 0.29%, 0.67%

LAB 65.86, 16.68, 8.79

 

CMYK 0 / 26 / 29 / 30

HEX #B2837E

RGB 178 131 126

HSL 5.77, 0.25%, 0.6%

LAB 59.16, 17.37, 9.8

 

CMYK 0 / 30 / 34 / 37

HEX #A1716B

RGB 161 113 107

HSL 6.67, 0.22%, 0.53%

LAB 52.34, 18.16, 10.92

 

CMYK 0 / 34 / 39 / 44

HEX #905F58

RGB 144 95 88

HSL 7.5, 0.24%, 0.45%

LAB 45.38, 19.07, 12.19

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 0 / 23 / 23 / 17

HEX #D4A4A4

RGB 212 164 164

HSL 0, 0.36%, 0.74%

LAB 71.71, 17.69, 6.82

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 0 / 15 / 23 / 17

HEX #D4B4A4

RGB 212 180 164

HSL 20, 0.36%, 0.74%

LAB 75.65, 9.05, 12.43

 

CMYK 0 / 9 / 23 / 17

HEX #D4C1A4

RGB 212 193 164

HSL 36.25, 0.36%, 0.74%

LAB 78.94, 2.14, 17.05

 

CMYK 0 / 3 / 23 / 17

HEX #D4CEA4

RGB 212 206 164

HSL 52.5, 0.36%, 0.74%

LAB 82.28, -4.65, 21.68

 

CMYK 3 / 0 / 23 / 17

HEX #CDD4A4

RGB 205 212 164

HSL 68.75, 0.36%, 0.74%

LAB 83.31, -10.34, 23.01

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 0 / 29 / 31 / 13

HEX #DF9E9A

RGB 223 158 154

HSL 3.48, 0.52%, 0.74%

LAB 71.2, 23.68, 11.77

 

CMYK 0 / 36 / 39 / 8

HEX #EA958F

RGB 234 149 143

HSL 3.96, 0.68%, 0.74%

LAB 70.16, 31.29, 16.58

 

CMYK 0 / 43 / 46 / 4

HEX #F48B84

RGB 244 139 132

HSL 3.75, 0.84%, 0.74%

LAB 69.01, 39.08, 21.31

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 0 / 12 / 13 / 21

HEX #C9B1AF

RGB 201 177 175

HSL 4.62, 0.19%, 0.74%

LAB 74.16, 8.29, 4.18

 

CMYK 0 / 3 / 3 / 25

HEX #BFBABA

RGB 191 186 186

HSL 0, 0.04%, 0.74%

LAB 75.91, 1.76, 0.61

 

CMYK 9 / 1 / 0 / 23

HEX #B4C3C5

RGB 180 195 197

HSL 187.06, 0.13%, 0.74%

LAB 77.74, -4.72, -2.77

 

CMYK 18 / 1 / 0 / 19

HEX #A9CDCF

RGB 169 205 207

HSL 183.16, 0.28%, 0.74%

LAB 79.96, -11.44, -4.97

 

CMYK 0 / 23 / 12 / 17

HEX #D4A4BB

RGB 212 164 187

HSL 331.25, 0.36%, 0.74%

LAB 72.32, 21.31, -4.98

 

CMYK 0 / 23 / 17 / 17

HEX #D4A4AF

RGB 212 164 175

HSL 346.25, 0.36%, 0.74%

LAB 71.99, 19.36, 1.15

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 0 / 16 / 23 / 17

HEX #D4B3A4

RGB 212 179 164

HSL 18.75, 0.36%, 0.74%

LAB 75.4, 9.59, 12.08

 

CMYK 0 / 9 / 23 / 17

HEX #D4C0A4

RGB 212 192 164

HSL 35, 0.36%, 0.74%

LAB 78.68, 2.66, 16.69

 

CMYK 0 / 39 / 42 / 27

HEX #BA716C

RGB 186 113 108

HSL 3.85, 0.36%, 0.58%

LAB 55.41, 28.26, 15.07

 

CMYK 0 / 30 / 32 / 22

HEX #C78C88

RGB 199 140 136

HSL 3.81, 0.36%, 0.66%

LAB 63.9, 21.93, 11.13

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 0 / 14 / 15 / 12

HEX #E1C2C0

RGB 225 194 192

HSL 3.64, 0.35%, 0.82%

LAB 80.96, 10.65, 5.06

 

CMYK 0 / 7 / 8 / 7

HEX #EEDEDC

RGB 238 222 220

HSL 6.67, 0.35%, 0.9%

LAB 89.67, 5.13, 2.94

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 6 / 0 / 23 / 17

HEX #C8D4A4

RGB 200 212 164

HSL 75, 0.36%, 0.74%

LAB 82.94, -12.18, 22.44

 

CMYK 23 / 15 / 0 / 17

HEX #A4B5D4

RGB 164 181 212

HSL 218.75, 0.36%, 0.74%

LAB 73.35, 0.85, -17.58

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 23 / 0 / 21 / 17

HEX #A4D4A7

RGB 164 212 167

HSL 123.75, 0.36%, 0.74%

LAB 80.61, -24.35, 17.27

 

CMYK 21 / 23 / 0 / 17

HEX #A7A4D4

RGB 167 164 212

HSL 243.75, 0.36%, 0.74%

LAB 69.13, 11.16, -23.97

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 6 / 0 / 23 / 17

HEX #C8D4A4

RGB 200 212 164

HSL 75, 0.36%, 0.74%

LAB 82.94, -12.18, 22.44

 

CMYK 23 / 1 / 0 / 17

HEX #A4D2D4

RGB 164 210 212

HSL 182.5, 0.36%, 0.74%

LAB 81.15, -14.47, -5.92

 

CMYK 17 / 23 / 0 / 17

HEX #B0A4D4

RGB 176 164 212

HSL 255, 0.36%, 0.74%

LAB 69.85, 13.99, -22.81

 

CMYK 0 / 21 / 23 / 17

HEX #D4A7A4

RGB 212 167 164

HSL 3.75, 0.36%, 0.74%

LAB 72.44, 16.06, 7.87

 

CMYK 12 / 0 / 23 / 17

HEX #BAD4A4

RGB 186 212 164

HSL 92.5, 0.36%, 0.74%

LAB 81.95, -17.25, 20.92

 

CMYK 23 / 1 / 0 / 17

HEX #A4D2D4

RGB 164 210 212

HSL 182.5, 0.36%, 0.74%

LAB 81.15, -14.47, -5.92

 

CMYK 10 / 23 / 0 / 17

HEX #BFA4D4

RGB 191 164 212

HSL 273.75, 0.36%, 0.74%

LAB 71.13, 18.82, -20.73

 

Description

Color code: HEX #D4A7A4 | qconv.com Color code: HEX #D4A7A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 167 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 167 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 23 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 23% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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