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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4ACC0 it is the complementary color #2B533F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4ACC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4ACC0 shade: #D9ACBB, #EABECE, #FBD0E1, #FFE2F4 and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4ACC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4ACC0 shade: #D4ACC0, #C39AAD, #B2889A, #A17687 and #906474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4ACC0 shade: #D3AABF, #D3AAB4 and #D3AAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4ACC0 shade: #D3AABF, #D3AACA, #D2AAD3, #C7AAD3 and #BCAAD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4ACC0 shade matches the following richer shades: #D3AABF, #DDA0BF, #E896BF, #F28BBF and #FC81BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4ACC0 shade: #D3AABF, #C9B5BF, #BFBFBF, #B4C9BF and #AAD4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4ACC0 shade: #D2AAD3, #D3AACA, #D3AABF, #D3AAB4 and #D3ACAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4ACC0 shade: #B77495, #C58FAA, #D3AABF, #E1C6D3 and #EFE1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4ACC0 shade: #D4ACC0, #D3C7AA and #AACFD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4ACC0 shade: #D4ACC0, #BFD3AA and #AABFD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4ACC0 shade: #D4ACC0, #D3C7AA, #AAD3BF and #AAB7D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4ACC0 shade: #D4ACC0, #D3D3AA, #AAD3BF and #AAAAD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 9 / 17

HEX #D4ACC0

RGB 212 172 192

HSL 330, 0.32%, 0.75%

LAB 74.39, 17.81, -4.68

 

Complementary color

CMYK 48 / 0 / 24 / 67

HEX #2B533F

RGB 43 83 63

HSL 150, 0.32%, 0.25%

LAB 31.94, -19.46, 7.39

 

CMYK 0 / 21 / 14 / 15

HEX #D9ACBB

RGB 217 172 187

HSL 340, 0.37%, 0.76%

LAB 74.73, 18.76, -1.38

 

CMYK 0 / 19 / 12 / 8

HEX #EABECE

RGB 234 190 206

HSL 338.18, 0.51%, 0.83%

LAB 81.17, 18.24, -2.06

 

CMYK 0 / 17 / 10 / 2

HEX #FBD0E1

RGB 251 208 225

HSL 336.28, 0.84%, 0.9%

LAB 87.51, 17.76, -2.71

 

CMYK 0 / 11 / 4 / 0

HEX #FFE2F4

RGB 255 226 244

HSL 322.76, 1%, 0.94%

LAB 92.66, 12.93, -5.09

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 19 / 9 / 17

HEX #D4ACC0

RGB 212 172 192

HSL 330, 0.32%, 0.75%

LAB 74.39, 17.81, -4.68

 

CMYK 0 / 21 / 11 / 24

HEX #C39AAD

RGB 195 154 173

HSL 332.2, 0.25%, 0.68%

LAB 67.82, 18.34, -4.04

 

CMYK 0 / 24 / 13 / 30

HEX #B2889A

RGB 178 136 154

HSL 334.29, 0.21%, 0.62%

LAB 61.14, 18.92, -3.36

 

CMYK 0 / 27 / 16 / 37

HEX #A17687

RGB 161 118 135

HSL 336.28, 0.19%, 0.55%

LAB 54.33, 19.56, -2.63

 

CMYK 0 / 31 / 19 / 44

HEX #906474

RGB 144 100 116

HSL 338.18, 0.18%, 0.48%

LAB 47.37, 20.28, -1.83

 

CMYK 0 / 19 / 9 / 17

HEX #D3AABF

RGB 211 170 191

HSL 329.27, 0.32%, 0.75%

LAB 73.78, 18.37, -5.04

 

CMYK 0 / 19 / 15 / 17

HEX #D3AAB4

RGB 211 170 180

HSL 345.37, 0.32%, 0.75%

LAB 73.48, 16.54, 0.56

 

CMYK 0 / 19 / 19 / 17

HEX #D3AAAA

RGB 211 170 170

HSL 0, 0.32%, 0.75%

LAB 73.22, 14.96, 5.68

 

CMYK 0 / 19 / 9 / 17

HEX #D3AABF

RGB 211 170 191

HSL 329.27, 0.32%, 0.75%

LAB 73.78, 18.37, -5.04

 

CMYK 0 / 19 / 4 / 17

HEX #D3AACA

RGB 211 170 202

HSL 313.17, 0.32%, 0.75%

LAB 74.1, 20.3, -10.59

 

CMYK 0 / 19 / 0 / 17

HEX #D2AAD3

RGB 210 170 211

HSL 298.54, 0.32%, 0.75%

LAB 74.29, 21.62, -15.24

 

CMYK 6 / 19 / 0 / 17

HEX #C7AAD3

RGB 199 170 211

HSL 282.44, 0.32%, 0.75%

LAB 73.28, 17.94, -16.86

 

CMYK 11 / 19 / 0 / 17

HEX #BCAAD3

RGB 188 170 211

HSL 266.34, 0.32%, 0.75%

LAB 72.32, 14.32, -18.4

 

CMYK 0 / 19 / 9 / 17

HEX #D3AABF

RGB 211 170 191

HSL 329.27, 0.32%, 0.75%

LAB 73.78, 18.37, -5.04

 

CMYK 0 / 28 / 14 / 13

HEX #DDA0BF

RGB 221 160 191

HSL 329.51, 0.47%, 0.75%

LAB 72.41, 27.31, -6.95

 

CMYK 0 / 35 / 18 / 9

HEX #E896BF

RGB 232 150 191

HSL 330, 0.64%, 0.75%

LAB 71.37, 36.46, -8.36

 

CMYK 0 / 43 / 21 / 5

HEX #F28BBF

RGB 242 139 191

HSL 329.71, 0.8%, 0.75%

LAB 70.25, 45.54, -9.91

 

CMYK 0 / 49 / 24 / 1

HEX #FC81BF

RGB 252 129 191

HSL 329.76, 0.95%, 0.75%

LAB 69.58, 53.74, -10.77

 

CMYK 0 / 19 / 9 / 17

HEX #D3AABF

RGB 211 170 191

HSL 329.27, 0.32%, 0.75%

LAB 73.78, 18.37, -5.04

 

CMYK 0 / 10 / 5 / 21

HEX #C9B5BF

RGB 201 181 191

HSL 330, 0.16%, 0.75%

LAB 75.59, 8.87, -2.47

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 10 / 0 / 5 / 21

HEX #B4C9BF

RGB 180 201 191

HSL 151.43, 0.16%, 0.75%

LAB 79.18, -9.02, 2.57

 

CMYK 20 / 0 / 10 / 17

HEX #AAD4BF

RGB 170 212 191

HSL 150, 0.33%, 0.75%

LAB 81.51, -17.95, 5.86

 

CMYK 0 / 19 / 0 / 17

HEX #D2AAD3

RGB 210 170 211

HSL 298.54, 0.32%, 0.75%

LAB 74.29, 21.62, -15.24

 

CMYK 0 / 19 / 4 / 17

HEX #D3AACA

RGB 211 170 202

HSL 313.17, 0.32%, 0.75%

LAB 74.1, 20.3, -10.59

 

CMYK 0 / 19 / 9 / 17

HEX #D3AABF

RGB 211 170 191

HSL 329.27, 0.32%, 0.75%

LAB 73.78, 18.37, -5.04

 

CMYK 0 / 19 / 15 / 17

HEX #D3AAB4

RGB 211 170 180

HSL 345.37, 0.32%, 0.75%

LAB 73.48, 16.54, 0.56

 

CMYK 0 / 18 / 19 / 17

HEX #D3ACAA

RGB 211 172 170

HSL 2.93, 0.32%, 0.75%

LAB 73.71, 13.88, 6.38

 

CMYK 0 / 37 / 19 / 28

HEX #B77495

RGB 183 116 149

HSL 330.45, 0.32%, 0.59%

LAB 56.81, 31.07, -6.83

 

CMYK 0 / 27 / 14 / 23

HEX #C58FAA

RGB 197 143 170

HSL 330, 0.32%, 0.67%

LAB 65.29, 24.62, -6.07

 

CMYK 0 / 19 / 9 / 17

HEX #D3AABF

RGB 211 170 191

HSL 329.27, 0.32%, 0.75%

LAB 73.78, 18.37, -5.04

 

CMYK 0 / 12 / 6 / 12

HEX #E1C6D3

RGB 225 198 211

HSL 331.11, 0.31%, 0.83%

LAB 82.43, 11.68, -2.99

 

CMYK 0 / 6 / 3 / 6

HEX #EFE1E8

RGB 239 225 232

HSL 330, 0.3%, 0.91%

LAB 90.79, 5.97, -1.71

 

CMYK 0 / 19 / 9 / 17

HEX #D4ACC0

RGB 212 172 192

HSL 330, 0.32%, 0.75%

LAB 74.39, 17.81, -4.68

 

CMYK 0 / 6 / 19 / 17

HEX #D3C7AA

RGB 211 199 170

HSL 42.44, 0.32%, 0.75%

LAB 80.51, -0.51, 16.04

 

CMYK 19 / 2 / 0 / 17

HEX #AACFD3

RGB 170 207 211

HSL 185.85, 0.32%, 0.75%

LAB 80.67, -11.31, -6.05

 

CMYK 0 / 19 / 9 / 17

HEX #D4ACC0

RGB 212 172 192

HSL 330, 0.32%, 0.75%

LAB 74.39, 17.81, -4.68

 

CMYK 9 / 0 / 19 / 17

HEX #BFD3AA

RGB 191 211 170

HSL 89.27, 0.32%, 0.75%

LAB 82.15, -14.01, 18.09

 

CMYK 19 / 9 / 0 / 17

HEX #AABFD3

RGB 170 191 211

HSL 209.27, 0.32%, 0.75%

LAB 76.38, -2.9, -12.43

 

CMYK 0 / 19 / 9 / 17

HEX #D4ACC0

RGB 212 172 192

HSL 330, 0.32%, 0.75%

LAB 74.39, 17.81, -4.68

 

CMYK 0 / 6 / 19 / 17

HEX #D3C7AA

RGB 211 199 170

HSL 42.44, 0.32%, 0.75%

LAB 80.51, -0.51, 16.04

 

CMYK 19 / 0 / 9 / 17

HEX #AAD3BF

RGB 170 211 191

HSL 150.73, 0.32%, 0.75%

LAB 81.23, -17.45, 5.46

 

CMYK 19 / 13 / 0 / 17

HEX #AAB7D3

RGB 170 183 211

HSL 220.98, 0.32%, 0.75%

LAB 74.26, 1.4, -15.61

 

CMYK 0 / 19 / 9 / 17

HEX #D4ACC0

RGB 212 172 192

HSL 330, 0.32%, 0.75%

LAB 74.39, 17.81, -4.68

 

CMYK 0 / 0 / 19 / 17

HEX #D3D3AA

RGB 211 211 170

HSL 60, 0.32%, 0.75%

LAB 83.62, -6.73, 20.36

 

CMYK 19 / 0 / 9 / 17

HEX #AAD3BF

RGB 170 211 191

HSL 150.73, 0.32%, 0.75%

LAB 81.23, -17.45, 5.46

 

CMYK 19 / 19 / 0 / 17

HEX #AAAAD3

RGB 170 170 211

HSL 240, 0.32%, 0.75%

LAB 70.87, 8.53, -20.74

 

Description

Color code: HEX #D4ACC0 | qconv.com Color code: HEX #D4ACC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 172 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 172 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 9 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 9% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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